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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 246 190 it is the complementary color RGB 205 9 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 246 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 246 190 shade: RGB 55 246 185, RGB 72 255 204, RGB 89 255 223, RGB 106 255 242 and RGB 123 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 246 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 246 190 shade: RGB 50 246 190, RGB 33 228 171, RGB 16 210 152, RGB 0 192 133 and RGB 0 174 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 246 190 shade: RGB 49 246 190, RGB 49 246 136, RGB 49 246 83, RGB 68 246 49 and RGB 121 246 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 246 190 shade: RGB 49 246 190, RGB 49 246 243, RGB 49 196 246, RGB 49 143 246 and RGB 49 90 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 246 190 shade matches the following richer shades: RGB 49 246 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 246 190 shade: RGB 49 246 190, RGB 66 229 182, RGB 84 211 175, RGB 101 194 167 and RGB 118 177 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 246 190 shade: RGB 49 246 82, RGB 49 246 134, RGB 49 246 187, RGB 49 246 239 and RGB 49 200 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 246 190 shade: RGB 8 204 148, RGB 10 244 177, RGB 49 246 190, RGB 88 248 202 and RGB 128 249 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 246 190 shade: RGB 50 246 190, RGB 49 69 246 and RGB 246 108 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 246 190 shade: RGB 50 246 190, RGB 187 49 246 and RGB 246 187 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 246 190 shade: RGB 50 246 190, RGB 49 69 246, RGB 246 49 108 and RGB 246 226 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 246 190 shade: RGB 50 246 190, RGB 88 49 246, RGB 246 49 108 and RGB 207 246 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 23 / 4

HEX #32F6BE

RGB 50 246 190

HSL 162.86, 0.92%, 0.58%

LAB 87.15, -59.09, 13.88

 

Complementary color

CMYK 0 / 96 / 68 / 20

HEX #CD0941

RGB 205 9 65

HSL 342.86, 0.92%, 0.42%

LAB 43.59, 68.67, 25.65

 

CMYK 78 / 0 / 25 / 4

HEX #37F6B9

RGB 55 246 185

HSL 160.84, 0.91%, 0.59%

LAB 87.11, -59.74, 16.42

 

CMYK 72 / 0 / 20 / 0

HEX #48FFCC

RGB 72 255 204

HSL 163.28, 1%, 0.64%

LAB 90.44, -56.97, 11.37

 

CMYK 65 / 0 / 13 / 0

HEX #59FFDF

RGB 89 255 223

HSL 168.43, 1%, 0.67%

LAB 91.22, -50.1, 2.72

 

CMYK 58 / 0 / 5 / 0

HEX #6AFFF2

RGB 106 255 242

HSL 174.77, 1%, 0.71%

LAB 92.13, -42.63, -5.74

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFF

RGB 123 255 255

HSL 180, 1%, 0.74%

LAB 92.99, -36.22, -11.14

 

CMYK 80 / 0 / 23 / 4

HEX #32F6BE

RGB 50 246 190

HSL 162.86, 0.92%, 0.58%

LAB 87.15, -59.09, 13.88

 

CMYK 86 / 0 / 25 / 11

HEX #21E4AB

RGB 33 228 171

HSL 162.46, 0.78%, 0.51%

LAB 81.15, -57.94, 15.31

 

CMYK 92 / 0 / 28 / 18

HEX #10D298

RGB 16 210 152

HSL 162.06, 0.86%, 0.44%

LAB 75.12, -56.43, 16.87

 

CMYK 100 / 0 / 31 / 25

HEX #00C085

RGB 0 192 133

HSL 161.56, 1%, 0.38%

LAB 69.03, -54.58, 18.56

 

CMYK 100 / 0 / 34 / 32

HEX #00AE72

RGB 0 174 114

HSL 159.31, 1%, 0.34%

LAB 62.92, -52.11, 20.44

 

CMYK 80 / 0 / 23 / 4

HEX #31F6BE

RGB 49 246 190

HSL 162.94, 0.92%, 0.58%

LAB 87.14, -59.18, 13.86

 

CMYK 80 / 0 / 45 / 4

HEX #31F688

RGB 49 246 136

HSL 146.5, 0.92%, 0.58%

LAB 86.18, -69.94, 39.89

 

CMYK 80 / 0 / 66 / 4

HEX #31F653

RGB 49 246 83

HSL 130.36, 0.92%, 0.58%

LAB 85.6, -76.89, 62.89

 

CMYK 72 / 0 / 80 / 4

HEX #44F631

RGB 68 246 49

HSL 114.21, 0.92%, 0.58%

LAB 85.69, -76.9, 74.34

 

CMYK 51 / 0 / 80 / 4

HEX #79F631

RGB 121 246 49

HSL 98.07, 0.92%, 0.58%

LAB 87.09, -65.37, 76.15

 

CMYK 80 / 0 / 23 / 4

HEX #31F6BE

RGB 49 246 190

HSL 162.94, 0.92%, 0.58%

LAB 87.14, -59.18, 13.86

 

CMYK 80 / 0 / 1 / 4

HEX #31F6F3

RGB 49 246 243

HSL 179.09, 0.92%, 0.58%

LAB 88.46, -45.58, -11.82

 

CMYK 80 / 20 / 0 / 4

HEX #31C4F6

RGB 49 196 246

HSL 195.23, 0.92%, 0.58%

LAB 74.05, -20.98, -35.33

 

CMYK 80 / 42 / 0 / 4

HEX #318FF6

RGB 49 143 246

HSL 211.37, 0.92%, 0.58%

LAB 58.93, 8.62, -59.15

 

CMYK 80 / 63 / 0 / 4

HEX #315AF6

RGB 49 90 246

HSL 227.51, 0.92%, 0.58%

LAB 45.11, 41.53, -81.55

 

CMYK 80 / 0 / 23 / 4

HEX #31F6BE

RGB 49 246 190

HSL 162.94, 0.92%, 0.58%

LAB 87.14, -59.18, 13.86

 

CMYK 80 / 0 / 23 / 4

HEX #31F6BE

RGB 49 246 190

HSL 162.94, 0.92%, 0.58%

LAB 87.14, -59.18, 13.86

 

CMYK 71 / 0 / 21 / 10

HEX #42E5B6

RGB 66 229 182

HSL 162.7, 0.76%, 0.58%

LAB 82.15, -52.44, 11

 

CMYK 60 / 0 / 17 / 17

HEX #54D3AF

RGB 84 211 175

HSL 162.99, 0.59%, 0.58%

LAB 77.02, -43.64, 7.45

 

CMYK 48 / 0 / 14 / 24

HEX #65C2A7

RGB 101 194 167

HSL 162.58, 0.43%, 0.58%

LAB 72.32, -34.2, 5.08

 

CMYK 33 / 0 / 10 / 31

HEX #76B1A0

RGB 118 177 160

HSL 162.71, 0.27%, 0.58%

LAB 67.9, -22.95, 2.61

 

CMYK 80 / 0 / 67 / 4

HEX #31F652

RGB 49 246 82

HSL 130.05, 0.92%, 0.58%

LAB 85.59, -76.99, 63.27

 

CMYK 80 / 0 / 46 / 4

HEX #31F686

RGB 49 246 134

HSL 145.89, 0.92%, 0.58%

LAB 86.15, -70.27, 40.83

 

CMYK 80 / 0 / 24 / 4

HEX #31F6BB

RGB 49 246 187

HSL 162.03, 0.92%, 0.58%

LAB 87.07, -59.87, 15.32

 

CMYK 80 / 0 / 3 / 4

HEX #31F6EF

RGB 49 246 239

HSL 177.87, 0.92%, 0.58%

LAB 88.35, -46.69, -9.9

 

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

CMYK 96 / 0 / 27 / 20

HEX #08CC94

RGB 8 204 148

HSL 162.86, 0.92%, 0.42%

LAB 73.14, -55.38, 16.23

 

CMYK 96 / 0 / 27 / 4

HEX #0AF4B1

RGB 10 244 177

HSL 162.82, 0.92%, 0.5%

LAB 85.98, -63.58, 18.91

 

CMYK 80 / 0 / 23 / 4

HEX #31F6BE

RGB 49 246 190

HSL 162.94, 0.92%, 0.58%

LAB 87.14, -59.18, 13.86

 

CMYK 65 / 0 / 19 / 3

HEX #58F8CA

RGB 88 248 202

HSL 162.75, 0.92%, 0.66%

LAB 88.67, -52.31, 9.92

 

CMYK 49 / 0 / 14 / 2

HEX #80F9D7

RGB 128 249 215

HSL 163.14, 0.91%, 0.74%

LAB 90.44, -42.01, 5.87

 

CMYK 80 / 0 / 23 / 4

HEX #32F6BE

RGB 50 246 190

HSL 162.86, 0.92%, 0.58%

LAB 87.15, -59.09, 13.88

 

CMYK 80 / 72 / 0 / 4

HEX #3145F6

RGB 49 69 246

HSL 233.91, 0.92%, 0.58%

LAB 40.51, 53.95, -89.12

 

CMYK 0 / 56 / 80 / 4

HEX #F66C31

RGB 246 108 49

HSL 17.97, 0.92%, 0.58%

LAB 62.12, 49.85, 56.58

 

CMYK 80 / 0 / 23 / 4

HEX #32F6BE

RGB 50 246 190

HSL 162.86, 0.92%, 0.58%

LAB 87.15, -59.09, 13.88

 

CMYK 24 / 80 / 0 / 4

HEX #BB31F6

RGB 187 49 246

HSL 282.03, 0.92%, 0.58%

LAB 51.17, 79.55, -71.13

 

CMYK 0 / 24 / 80 / 4

HEX #F6BB31

RGB 246 187 49

HSL 42.03, 0.92%, 0.58%

LAB 79.25, 9.45, 72.15

 

CMYK 80 / 0 / 23 / 4

HEX #32F6BE

RGB 50 246 190

HSL 162.86, 0.92%, 0.58%

LAB 87.15, -59.09, 13.88

 

CMYK 80 / 72 / 0 / 4

HEX #3145F6

RGB 49 69 246

HSL 233.91, 0.92%, 0.58%

LAB 40.51, 53.95, -89.12

 

CMYK 0 / 80 / 56 / 4

HEX #F6316C

RGB 246 49 108

HSL 342.03, 0.92%, 0.58%

LAB 54.94, 74.49, 15.9

 

CMYK 0 / 8 / 80 / 4

HEX #F6E231

RGB 246 226 49

HSL 53.91, 0.92%, 0.58%

LAB 89.02, -10.46, 80.7

 

CMYK 80 / 0 / 23 / 4

HEX #32F6BE

RGB 50 246 190

HSL 162.86, 0.92%, 0.58%

LAB 87.15, -59.09, 13.88

 

CMYK 64 / 80 / 0 / 4

HEX #5831F6

RGB 88 49 246

HSL 251.88, 0.92%, 0.58%

LAB 39.45, 66.84, -90.79

 

CMYK 0 / 80 / 56 / 4

HEX #F6316C

RGB 246 49 108

HSL 342.03, 0.92%, 0.58%

LAB 54.94, 74.49, 15.9

 

CMYK 16 / 0 / 80 / 4

HEX #CFF631

RGB 207 246 49

HSL 71.88, 0.92%, 0.58%

LAB 91.41, -35.89, 81.65

 

Description

Color code: RGB 50 246 190 | qconv.com Color code: RGB 50 246 190 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 246 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 246 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 23 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 23% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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