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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 27 44 it is the complementary color RGB 205 228 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 27 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 27 44 shade: RGB 55 27 39, RGB 72 45 58, RGB 89 63 77, RGB 106 81 96 and RGB 123 99 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 27 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 27 44 shade: RGB 50 27 44, RGB 33 9 25 and RGB 16 0 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 27 44 shade: RGB 49 26 43, RGB 49 26 37, RGB 49 26 31 and RGB 49 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 27 44 shade: RGB 49 26 43, RGB 49 26 49, RGB 43 26 49, RGB 37 26 49 and RGB 30 26 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 27 44 shade matches the following richer shades: RGB 49 26 43, RGB 55 20 46, RGB 62 14 49, RGB 68 8 52 and RGB 74 2 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 27 44 shade: RGB 49 26 43, RGB 43 32 40, RGB 37 39 37, RGB 31 45 34 and RGB 24 51 31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 27 44 shade: RGB 43 26 49, RGB 49 26 49, RGB 49 26 43, RGB 49 26 37 and RGB 49 26 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 27 44 shade: RGB 50 27 44, RGB 49 37 26 and RGB 26 49 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 27 44 shade: RGB 50 27 44, RGB 43 49 26 and RGB 26 43 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 27 44 shade: RGB 50 27 44, RGB 49 37 26, RGB 26 49 32 and RGB 26 39 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 27 44 shade: RGB 50 27 44, RGB 49 43 26, RGB 26 49 32 and RGB 26 32 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 12 / 80

HEX #321B2C

RGB 50 27 44

HSL 315.65, 0.3%, 0.15%

LAB 13.49, 14.54, -6.64

 

Complementary color

CMYK 10 / 0 / 7 / 11

HEX #CDE4D3

RGB 205 228 211

HSL 135.65, 0.3%, 0.85%

LAB 88.53, -10.77, 5.7

 

CMYK 0 / 51 / 29 / 78

HEX #371B27

RGB 55 27 39

HSL 334.29, 0.34%, 0.16%

LAB 14.07, 15.7, -2.06

 

CMYK 0 / 38 / 19 / 72

HEX #482D3A

RGB 72 45 58

HSL 331.11, 0.23%, 0.23%

LAB 22.16, 14.7, -3.15

 

CMYK 0 / 29 / 13 / 65

HEX #593F4D

RGB 89 63 77

HSL 327.69, 0.17%, 0.3%

LAB 29.95, 13.87, -3.98

 

CMYK 0 / 24 / 9 / 58

HEX #6A5160

RGB 106 81 96

HSL 324, 0.13%, 0.37%

LAB 37.47, 13.17, -4.69

 

CMYK 0 / 20 / 7 / 52

HEX #7B6373

RGB 123 99 115

HSL 320, 0.11%, 0.44%

LAB 44.76, 12.58, -5.34

 

CMYK 0 / 46 / 12 / 80

HEX #321B2C

RGB 50 27 44

HSL 315.65, 0.3%, 0.15%

LAB 13.49, 14.54, -6.64

 

CMYK 0 / 73 / 24 / 87

HEX #210919

RGB 33 9 25

HSL 320, 0.57%, 0.08%

LAB 5.32, 13.9, -4.93

 

CMYK 0 / 100 / 63 / 94

HEX #100006

RGB 16 0 6

HSL 337.5, 1%, 0.03%

LAB 1.11, 5.3, -0.7

 

CMYK 0 / 47 / 12 / 81

HEX #311A2B

RGB 49 26 43

HSL 315.65, 0.31%, 0.15%

LAB 13.02, 14.58, -6.64

 

CMYK 0 / 47 / 24 / 81

HEX #311A25

RGB 49 26 37

HSL 331.3, 0.31%, 0.15%

LAB 12.77, 13.34, -2.64

 

CMYK 0 / 47 / 37 / 81

HEX #311A1F

RGB 49 26 31

HSL 346.96, 0.31%, 0.15%

LAB 12.55, 12.25, 1.44

 

CMYK 0 / 47 / 47 / 81

HEX #311A1A

RGB 49 26 26

HSL 0, 0.31%, 0.15%

LAB 12.39, 11.45, 4.89

 

CMYK 0 / 47 / 12 / 81

HEX #311A2B

RGB 49 26 43

HSL 315.65, 0.31%, 0.15%

LAB 13.02, 14.58, -6.64

 

CMYK 0 / 47 / 0 / 81

HEX #311A31

RGB 49 26 49

HSL 300, 0.31%, 0.15%

LAB 13.31, 15.94, -10.54

 

CMYK 12 / 47 / 0 / 81

HEX #2B1A31

RGB 43 26 49

HSL 284.35, 0.31%, 0.15%

LAB 12.44, 13.58, -11.96

 

CMYK 24 / 47 / 0 / 81

HEX #251A31

RGB 37 26 49

HSL 268.7, 0.31%, 0.15%

LAB 11.65, 11.25, -13.26

 

CMYK 39 / 47 / 0 / 81

HEX #1E1A31

RGB 30 26 49

HSL 250.43, 0.31%, 0.15%

LAB 10.82, 8.65, -14.61

 

CMYK 0 / 47 / 12 / 81

HEX #311A2B

RGB 49 26 43

HSL 315.65, 0.31%, 0.15%

LAB 13.02, 14.58, -6.64

 

CMYK 0 / 64 / 16 / 78

HEX #37142E

RGB 55 20 46

HSL 315.43, 0.47%, 0.15%

LAB 12.67, 21.44, -9.28

 

CMYK 0 / 77 / 21 / 76

HEX #3E0E31

RGB 62 14 49

HSL 316.25, 0.63%, 0.15%

LAB 12.98, 27.59, -10.86

 

CMYK 0 / 88 / 24 / 73

HEX #440834

RGB 68 8 52

HSL 316, 0.79%, 0.15%

LAB 13.53, 32.28, -12.09

 

CMYK 0 / 97 / 26 / 71

HEX #4A0237

RGB 74 2 55

HSL 315.83, 0.95%, 0.15%

LAB 14.26, 36.47, -13.02

 

CMYK 0 / 47 / 12 / 81

HEX #311A2B

RGB 49 26 43

HSL 315.65, 0.31%, 0.15%

LAB 13.02, 14.58, -6.64

 

CMYK 0 / 26 / 7 / 83

HEX #2B2028

RGB 43 32 40

HSL 316.36, 0.15%, 0.15%

LAB 13.83, 7.04, -3.34

 

CMYK 5 / 0 / 5 / 85

HEX #252725

RGB 37 39 37

HSL 120, 0.03%, 0.15%

LAB 15.37, -1.39, 1

 

CMYK 31 / 0 / 24 / 82

HEX #1F2D22

RGB 31 45 34

HSL 132.86, 0.18%, 0.15%

LAB 16.91, -8.77, 5.24

 

CMYK 53 / 0 / 39 / 80

HEX #18331F

RGB 24 51 31

HSL 135.56, 0.36%, 0.15%

LAB 18.63, -15.8, 9.58

 

CMYK 12 / 47 / 0 / 81

HEX #2B1A31

RGB 43 26 49

HSL 284.35, 0.31%, 0.15%

LAB 12.44, 13.58, -11.96

 

CMYK 0 / 47 / 0 / 81

HEX #311A31

RGB 49 26 49

HSL 300, 0.31%, 0.15%

LAB 13.31, 15.94, -10.54

 

CMYK 0 / 47 / 12 / 81

HEX #311A2B

RGB 49 26 43

HSL 315.65, 0.31%, 0.15%

LAB 13.02, 14.58, -6.64

 

CMYK 0 / 47 / 24 / 81

HEX #311A25

RGB 49 26 37

HSL 331.3, 0.31%, 0.15%

LAB 12.77, 13.34, -2.64

 

CMYK 0 / 47 / 37 / 81

HEX #311A1F

RGB 49 26 31

HSL 346.96, 0.31%, 0.15%

LAB 12.55, 12.25, 1.44

 

CMYK 0 / 46 / 12 / 80

HEX #321B2C

RGB 50 27 44

HSL 315.65, 0.3%, 0.15%

LAB 13.49, 14.54, -6.64

 

CMYK 0 / 24 / 47 / 81

HEX #31251A

RGB 49 37 26

HSL 28.7, 0.31%, 0.15%

LAB 15.75, 3.77, 9.49

 

CMYK 47 / 0 / 6 / 81

HEX #1A312E

RGB 26 49 46

HSL 172.17, 0.31%, 0.15%

LAB 18.42, -9.94, -0.94

 

CMYK 0 / 46 / 12 / 80

HEX #321B2C

RGB 50 27 44

HSL 315.65, 0.3%, 0.15%

LAB 13.49, 14.54, -6.64

 

CMYK 12 / 0 / 47 / 81

HEX #2B311A

RGB 43 49 26

HSL 75.65, 0.31%, 0.15%

LAB 19.16, -7.33, 13.83

 

CMYK 47 / 12 / 0 / 81

HEX #1A2B31

RGB 26 43 49

HSL 195.65, 0.31%, 0.15%

LAB 16.35, -5.09, -6.12

 

CMYK 0 / 46 / 12 / 80

HEX #321B2C

RGB 50 27 44

HSL 315.65, 0.3%, 0.15%

LAB 13.49, 14.54, -6.64

 

CMYK 0 / 24 / 47 / 81

HEX #31251A

RGB 49 37 26

HSL 28.7, 0.31%, 0.15%

LAB 15.75, 3.77, 9.49

 

CMYK 47 / 0 / 35 / 81

HEX #1A3120

RGB 26 49 32

HSL 135.65, 0.31%, 0.15%

LAB 18.01, -13.7, 8.08

 

CMYK 47 / 20 / 0 / 81

HEX #1A2731

RGB 26 39 49

HSL 206.09, 0.31%, 0.15%

LAB 14.91, -2.33, -8.3

 

CMYK 0 / 46 / 12 / 80

HEX #321B2C

RGB 50 27 44

HSL 315.65, 0.3%, 0.15%

LAB 13.49, 14.54, -6.64

 

CMYK 0 / 12 / 47 / 81

HEX #312B1A

RGB 49 43 26

HSL 44.35, 0.31%, 0.15%

LAB 17.72, -0.35, 12.08

 

CMYK 47 / 0 / 35 / 81

HEX #1A3120

RGB 26 49 32

HSL 135.65, 0.31%, 0.15%

LAB 18.01, -13.7, 8.08

 

CMYK 47 / 35 / 0 / 81

HEX #1A2031

RGB 26 32 49

HSL 224.35, 0.31%, 0.15%

LAB 12.44, 2.72, -12.1

 

Description

Color code: RGB 50 27 44 | qconv.com Color code: RGB 50 27 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 27 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 27 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 12 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 12% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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