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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 228 255 it is the complementary color RGB 205 27 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 228 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 228 255 shade: RGB 55 228 250, RGB 72 246 255, RGB 89 255 255, RGB 106 255 255 and RGB 123 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 228 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 228 255 shade: RGB 50 228 255, RGB 33 210 236, RGB 16 192 217, RGB 0 174 198 and RGB 0 156 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 228 255 shade: RGB 50 228 255, RGB 50 173 255, RGB 50 118 255, RGB 50 63 255 and RGB 93 50 255

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 228 255 shade: RGB 50 228 255, RGB 50 173 255, RGB 50 118 255, RGB 50 63 255 and RGB 50 50 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 228 255 shade matches the following richer shades: RGB 50 228 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 228 255 shade: RGB 50 228 255, RGB 67 215 238, RGB 84 203 221, RGB 100 191 205 and RGB 117 179 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 228 255 shade: RGB 50 255 170, RGB 50 255 224, RGB 50 231 255, RGB 50 176 255 and RGB 50 122 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 228 255 shade: RGB 0 194 223, RGB 9 222 255, RGB 50 228 255, RGB 92 233 255 and RGB 133 239 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 228 255 shade: RGB 50 228 255, RGB 115 50 255 and RGB 255 197 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 228 255 shade: RGB 50 228 255, RGB 255 50 231 and RGB 231 255 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 228 255 shade: RGB 50 228 255, RGB 115 50 255, RGB 255 74 50 and RGB 190 255 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 228 255 shade: RGB 50 228 255, RGB 176 50 255, RGB 255 74 50 and RGB 129 255 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 11 / 0 / 0

HEX #32E4FF

RGB 50 228 255

HSL 187.9, 1%, 0.6%

LAB 83.64, -33.81, -25.39

 

Complementary color

CMYK 0 / 87 / 100 / 20

HEX #CD1B00

RGB 205 27 0

HSL 7.9, 1%, 0.4%

LAB 43.89, 64.62, 57.45

 

CMYK 78 / 9 / 0 / 2

HEX #37E4FA

RGB 55 228 250

HSL 186.77, 0.95%, 0.6%

LAB 83.55, -34.9, -22.89

 

CMYK 72 / 4 / 0 / 0

HEX #48F6FF

RGB 72 246 255

HSL 182.95, 1%, 0.64%

LAB 89.16, -40, -17

 

CMYK 65 / 0 / 0 / 0

HEX #59FFFF

RGB 89 255 255

HSL 180, 1%, 0.67%

LAB 92.07, -41.9, -12.61

 

CMYK 58 / 0 / 0 / 0

HEX #6AFFFF

RGB 106 255 255

HSL 180, 1%, 0.71%

LAB 92.49, -39.29, -11.95

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFF

RGB 123 255 255

HSL 180, 1%, 0.74%

LAB 92.99, -36.22, -11.14

 

CMYK 80 / 11 / 0 / 0

HEX #32E4FF

RGB 50 228 255

HSL 187.9, 1%, 0.6%

LAB 83.64, -33.81, -25.39

 

CMYK 86 / 11 / 0 / 7

HEX #21D2EC

RGB 33 210 236

HSL 187.68, 0.84%, 0.53%

LAB 77.56, -32.33, -24.59

 

CMYK 93 / 12 / 0 / 15

HEX #10C0D9

RGB 16 192 217

HSL 187.46, 0.86%, 0.46%

LAB 71.43, -30.53, -23.7

 

CMYK 100 / 12 / 0 / 22

HEX #00AEC6

RGB 0 174 198

HSL 187.27, 1%, 0.39%

LAB 65.24, -28.41, -22.73

 

CMYK 100 / 13 / 0 / 30

HEX #009CB3

RGB 0 156 179

HSL 187.71, 1%, 0.35%

LAB 59, -25.77, -21.63

 

CMYK 80 / 11 / 0 / 0

HEX #32E4FF

RGB 50 228 255

HSL 187.9, 1%, 0.6%

LAB 83.64, -33.81, -25.39

 

CMYK 80 / 32 / 0 / 0

HEX #32ADFF

RGB 50 173 255

HSL 204, 1%, 0.6%

LAB 67.86, -5.47, -49.88

 

CMYK 80 / 54 / 0 / 0

HEX #3276FF

RGB 50 118 255

HSL 220.1, 1%, 0.6%

LAB 52.79, 27.41, -74.02

 

CMYK 80 / 75 / 0 / 0

HEX #323FFF

RGB 50 63 255

HSL 236.2, 1%, 0.6%

LAB 40.33, 60.14, -94.45

 

CMYK 64 / 80 / 0 / 0

HEX #5D32FF

RGB 93 50 255

HSL 252.59, 1%, 0.6%

LAB 40.94, 69.29, -93.36

 

CMYK 80 / 11 / 0 / 0

HEX #32E4FF

RGB 50 228 255

HSL 187.9, 1%, 0.6%

LAB 83.64, -33.81, -25.39

 

CMYK 80 / 32 / 0 / 0

HEX #32ADFF

RGB 50 173 255

HSL 204, 1%, 0.6%

LAB 67.86, -5.47, -49.88

 

CMYK 80 / 54 / 0 / 0

HEX #3276FF

RGB 50 118 255

HSL 220.1, 1%, 0.6%

LAB 52.79, 27.41, -74.02

 

CMYK 80 / 75 / 0 / 0

HEX #323FFF

RGB 50 63 255

HSL 236.2, 1%, 0.6%

LAB 40.33, 60.14, -94.45

 

CMYK 80 / 80 / 0 / 0

HEX #3232FF

RGB 50 50 255

HSL 240, 1%, 0.6%

LAB 38.16, 66.42, -98.06

 

CMYK 80 / 11 / 0 / 0

HEX #32E4FF

RGB 50 228 255

HSL 187.9, 1%, 0.6%

LAB 83.64, -33.81, -25.39

 

CMYK 80 / 11 / 0 / 0

HEX #32E4FF

RGB 50 228 255

HSL 187.9, 1%, 0.6%

LAB 83.64, -33.81, -25.39

 

CMYK 72 / 10 / 0 / 7

HEX #43D7EE

RGB 67 215 238

HSL 188.07, 0.83%, 0.6%

LAB 79.6, -31.07, -22.51

 

CMYK 62 / 8 / 0 / 13

HEX #54CBDD

RGB 84 203 221

HSL 187.88, 0.67%, 0.6%

LAB 75.96, -27.82, -18.88

 

CMYK 51 / 7 / 0 / 20

HEX #64BFCD

RGB 100 191 205

HSL 188, 0.51%, 0.6%

LAB 72.48, -23.32, -15.4

 

CMYK 38 / 5 / 0 / 26

HEX #75B3BC

RGB 117 179 188

HSL 187.61, 0.35%, 0.6%

LAB 69.22, -17.58, -10.9

 

CMYK 80 / 0 / 33 / 0

HEX #32FFAA

RGB 50 255 170

HSL 155.12, 1%, 0.6%

LAB 89.44, -66.73, 27.3

 

CMYK 80 / 0 / 12 / 0

HEX #32FFE0

RGB 50 255 224

HSL 170.93, 1%, 0.6%

LAB 90.59, -54.38, 1.2

 

CMYK 80 / 9 / 0 / 0

HEX #32E7FF

RGB 50 231 255

HSL 187.02, 1%, 0.6%

LAB 84.51, -35.22, -24.07

 

CMYK 80 / 31 / 0 / 0

HEX #32B0FF

RGB 50 176 255

HSL 203.12, 1%, 0.6%

LAB 68.71, -7.14, -48.53

 

CMYK 80 / 52 / 0 / 0

HEX #327AFF

RGB 50 122 255

HSL 218.93, 1%, 0.6%

LAB 53.83, 24.92, -72.33

 

CMYK 100 / 13 / 0 / 13

HEX #00C2DF

RGB 0 194 223

HSL 187.8, 1%, 0.44%

LAB 72.17, -30, -25.84

 

CMYK 96 / 13 / 0 / 0

HEX #09DEFF

RGB 9 222 255

HSL 188.05, 1%, 0.52%

LAB 81.58, -32.97, -28.58

 

CMYK 80 / 11 / 0 / 0

HEX #32E4FF

RGB 50 228 255

HSL 187.9, 1%, 0.6%

LAB 83.64, -33.81, -25.39

 

CMYK 64 / 9 / 0 / 0

HEX #5CE9FF

RGB 92 233 255

HSL 188.1, 1%, 0.68%

LAB 85.89, -31.3, -21.9

 

CMYK 48 / 6 / 0 / 0

HEX #85EFFF

RGB 133 239 255

HSL 187.87, 1%, 0.76%

LAB 88.89, -26.6, -17.24

 

CMYK 80 / 11 / 0 / 0

HEX #32E4FF

RGB 50 228 255

HSL 187.9, 1%, 0.6%

LAB 83.64, -33.81, -25.39

 

CMYK 55 / 80 / 0 / 0

HEX #7332FF

RGB 115 50 255

HSL 259.02, 1%, 0.6%

LAB 42.98, 71.42, -89.93

 

CMYK 0 / 23 / 80 / 0

HEX #FFC532

RGB 255 197 50

HSL 43.02, 1%, 0.6%

LAB 82.61, 8.1, 75.15

 

CMYK 80 / 11 / 0 / 0

HEX #32E4FF

RGB 50 228 255

HSL 187.9, 1%, 0.6%

LAB 83.64, -33.81, -25.39

 

CMYK 0 / 80 / 9 / 0

HEX #FF32E7

RGB 255 50 231

HSL 307.02, 1%, 0.6%

LAB 61.05, 89.03, -46.3

 

CMYK 9 / 0 / 80 / 0

HEX #E7FF32

RGB 231 255 50

HSL 67.02, 1%, 0.6%

LAB 95.47, -30.48, 85.58

 

CMYK 80 / 11 / 0 / 0

HEX #32E4FF

RGB 50 228 255

HSL 187.9, 1%, 0.6%

LAB 83.64, -33.81, -25.39

 

CMYK 55 / 80 / 0 / 0

HEX #7332FF

RGB 115 50 255

HSL 259.02, 1%, 0.6%

LAB 42.98, 71.42, -89.93

 

CMYK 0 / 71 / 80 / 0

HEX #FF4A32

RGB 255 74 50

HSL 7.02, 1%, 0.6%

LAB 58.4, 66.86, 53.12

 

CMYK 25 / 0 / 80 / 0

HEX #BEFF32

RGB 190 255 50

HSL 79.02, 1%, 0.6%

LAB 92.88, -46.27, 82.31

 

CMYK 80 / 11 / 0 / 0

HEX #32E4FF

RGB 50 228 255

HSL 187.9, 1%, 0.6%

LAB 83.64, -33.81, -25.39

 

CMYK 31 / 80 / 0 / 0

HEX #B032FF

RGB 176 50 255

HSL 276.88, 1%, 0.6%

LAB 50.37, 79.31, -77.52

 

CMYK 0 / 71 / 80 / 0

HEX #FF4A32

RGB 255 74 50

HSL 7.02, 1%, 0.6%

LAB 58.4, 66.86, 53.12

 

CMYK 49 / 0 / 80 / 0

HEX #81FF32

RGB 129 255 50

HSL 96.88, 1%, 0.6%

LAB 90.05, -66.31, 78.7

 

Description

Color code: RGB 50 228 255 | qconv.com Color code: RGB 50 228 255 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 228 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 228 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 11 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 11% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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