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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 210 69 it is the complementary color RGB 205 45 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 210 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 210 69 shade: RGB 55 210 64, RGB 72 228 83, RGB 89 246 102, RGB 106 255 121 and RGB 123 255 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 210 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 210 69 shade: RGB 50 210 69, RGB 33 192 50, RGB 16 174 31, RGB 0 156 12 and RGB 0 138 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 210 69 shade: RGB 50 210 69, RGB 74 210 50, RGB 117 210 50, RGB 160 210 50 and RGB 203 210 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 210 69 shade: RGB 50 210 69, RGB 50 210 112, RGB 50 210 155, RGB 50 210 198 and RGB 50 178 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 210 69 shade matches the following richer shades: RGB 50 210 69, RGB 29 230 53 and RGB 9 250 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 210 69 shade: RGB 50 210 69, RGB 70 189 84, RGB 90 169 99, RGB 110 149 115 and RGB 130 129 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 210 69 shade: RGB 116 210 50, RGB 74 210 50, RGB 50 210 68, RGB 50 210 111 and RGB 50 210 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 210 69 shade: RGB 31 145 45, RGB 39 179 56, RGB 50 210 69, RGB 83 217 99 and RGB 117 224 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 210 69 shade: RGB 50 210 69, RGB 50 159 210 and RGB 210 50 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 210 69 shade: RGB 50 210 69, RGB 68 50 210 and RGB 210 68 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 210 69 shade: RGB 50 210 69, RGB 50 159 210, RGB 210 50 191 and RGB 210 100 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 210 69 shade: RGB 50 210 69, RGB 50 111 210, RGB 210 50 191 and RGB 210 148 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

Complementary color

CMYK 0 / 78 / 9 / 20

HEX #CD2DBA

RGB 205 45 186

HSL 307.13, 0.64%, 0.49%

LAB 49.98, 73.92, -38.63

 

CMYK 74 / 0 / 70 / 18

HEX #37D240

RGB 55 210 64

HSL 123.48, 0.63%, 0.52%

LAB 74.37, -66.83, 58.27

 

CMYK 68 / 0 / 64 / 11

HEX #48E453

RGB 72 228 83

HSL 124.23, 0.74%, 0.59%

LAB 80.45, -68, 57.36

 

CMYK 64 / 0 / 59 / 4

HEX #59F666

RGB 89 246 102

HSL 124.97, 0.9%, 0.66%

LAB 86.5, -68.77, 56.24

 

CMYK 58 / 0 / 53 / 0

HEX #6AFF79

RGB 106 255 121

HSL 126.04, 1%, 0.71%

LAB 89.84, -66.07, 51.81

 

CMYK 52 / 0 / 45 / 0

HEX #7BFF8C

RGB 123 255 140

HSL 127.73, 1%, 0.74%

LAB 90.61, -59.52, 43.95

 

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

CMYK 83 / 0 / 74 / 25

HEX #21C032

RGB 33 192 50

HSL 126.42, 0.71%, 0.44%

LAB 68.21, -65.3, 56.97

 

CMYK 91 / 0 / 82 / 32

HEX #10AE1F

RGB 16 174 31

HSL 125.7, 0.83%, 0.37%

LAB 62.07, -62.76, 57.01

 

CMYK 100 / 0 / 92 / 39

HEX #009C0C

RGB 0 156 12

HSL 124.62, 1%, 0.31%

LAB 55.89, -59.36, 55.78

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

CMYK 65 / 0 / 76 / 18

HEX #4AD232

RGB 74 210 50

HSL 111, 0.64%, 0.51%

LAB 74.69, -64.46, 63.64

 

CMYK 44 / 0 / 76 / 18

HEX #75D232

RGB 117 210 50

HSL 94.88, 0.64%, 0.51%

LAB 76.13, -53.11, 65.54

 

CMYK 24 / 0 / 76 / 18

HEX #A0D232

RGB 160 210 50

HSL 78.75, 0.64%, 0.51%

LAB 78.34, -37.92, 68.42

 

CMYK 3 / 0 / 76 / 18

HEX #CBD232

RGB 203 210 50

HSL 62.63, 0.64%, 0.51%

LAB 81.3, -20.54, 72.23

 

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

CMYK 76 / 0 / 47 / 18

HEX #32D270

RGB 50 210 112

HSL 143.25, 0.64%, 0.51%

LAB 74.79, -61.48, 37.17

 

CMYK 76 / 0 / 26 / 18

HEX #32D29B

RGB 50 210 155

HSL 159.38, 0.64%, 0.51%

LAB 75.54, -53.07, 15.91

 

CMYK 76 / 0 / 6 / 18

HEX #32D2C6

RGB 50 210 198

HSL 175.5, 0.64%, 0.51%

LAB 76.59, -42.23, -5.62

 

CMYK 76 / 15 / 0 / 18

HEX #32B2D2

RGB 50 178 210

HSL 192, 0.64%, 0.51%

LAB 67.41, -23.41, -25.99

 

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

CMYK 87 / 0 / 77 / 10

HEX #1DE635

RGB 29 230 53

HSL 127.16, 0.8%, 0.51%

LAB 80.24, -76.51, 67.86

 

CMYK 96 / 0 / 85 / 2

HEX #09FA26

RGB 9 250 38

HSL 127.22, 0.96%, 0.51%

LAB 86.29, -83.73, 77.27

 

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

CMYK 63 / 0 / 56 / 26

HEX #46BD54

RGB 70 189 84

HSL 127.06, 0.47%, 0.51%

LAB 68.27, -54.73, 42.9

 

CMYK 47 / 0 / 41 / 34

HEX #5AA963

RGB 90 169 99

HSL 126.84, 0.31%, 0.51%

LAB 62.89, -39.41, 28.77

 

CMYK 26 / 0 / 23 / 42

HEX #6E9573

RGB 110 149 115

HSL 127.69, 0.16%, 0.51%

LAB 58.08, -20.58, 13.7

 

CMYK 0 / 1 / 0 / 49

HEX #828182

RGB 130 129 130

HSL 300, 0%, 0.51%

LAB 54.09, 0.57, -0.41

 

CMYK 45 / 0 / 76 / 18

HEX #74D232

RGB 116 210 50

HSL 95.25, 0.64%, 0.51%

LAB 76.09, -53.42, 65.49

 

CMYK 65 / 0 / 76 / 18

HEX #4AD232

RGB 74 210 50

HSL 111, 0.64%, 0.51%

LAB 74.69, -64.46, 63.64

 

CMYK 76 / 0 / 68 / 18

HEX #32D244

RGB 50 210 68

HSL 126.75, 0.64%, 0.51%

LAB 74.31, -67.19, 56.63

 

CMYK 76 / 0 / 47 / 18

HEX #32D26F

RGB 50 210 111

HSL 142.88, 0.64%, 0.51%

LAB 74.77, -61.65, 37.65

 

CMYK 76 / 0 / 27 / 18

HEX #32D29A

RGB 50 210 154

HSL 159, 0.64%, 0.51%

LAB 75.52, -53.3, 16.41

 

CMYK 79 / 0 / 69 / 43

HEX #1F912D

RGB 31 145 45

HSL 127.37, 0.65%, 0.35%

LAB 52.65, -51.06, 42.71

 

CMYK 78 / 0 / 69 / 30

HEX #27B338

RGB 39 179 56

HSL 127.29, 0.64%, 0.43%

LAB 64.13, -60, 50.48

 

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

CMYK 62 / 0 / 54 / 15

HEX #53D963

RGB 83 217 99

HSL 127.16, 0.64%, 0.59%

LAB 77.5, -60.21, 46.95

 

CMYK 48 / 0 / 42 / 12

HEX #75E082

RGB 117 224 130

HSL 127.29, 0.63%, 0.67%

LAB 81.13, -50.25, 36.68

 

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

CMYK 76 / 24 / 0 / 18

HEX #329FD2

RGB 50 159 210

HSL 199.13, 0.64%, 0.51%

LAB 61.76, -13.36, -34.72

 

CMYK 0 / 76 / 55 / 18

HEX #D2325F

RGB 210 50 95

HSL 343.13, 0.64%, 0.51%

LAB 48.02, 63.67, 13.17

 

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

CMYK 68 / 76 / 0 / 18

HEX #4432D2

RGB 68 50 210

HSL 246.75, 0.64%, 0.51%

LAB 34.32, 54.24, -78.79

 

CMYK 0 / 68 / 76 / 18

HEX #D24432

RGB 210 68 50

HSL 6.75, 0.64%, 0.51%

LAB 49.58, 54.8, 41.61

 

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

CMYK 76 / 24 / 0 / 18

HEX #329FD2

RGB 50 159 210

HSL 199.13, 0.64%, 0.51%

LAB 61.76, -13.36, -34.72

 

CMYK 0 / 76 / 9 / 18

HEX #D232BF

RGB 210 50 191

HSL 307.13, 0.64%, 0.51%

LAB 51.55, 74.34, -39.01

 

CMYK 0 / 52 / 76 / 18

HEX #D26432

RGB 210 100 50

HSL 18.75, 0.64%, 0.51%

LAB 55.12, 40.23, 47.39

 

CMYK 76 / 0 / 67 / 18

HEX #32D245

RGB 50 210 69

HSL 127.13, 0.64%, 0.51%

LAB 74.32, -67.09, 56.24

 

CMYK 76 / 47 / 0 / 18

HEX #326FD2

RGB 50 111 210

HSL 217.13, 0.64%, 0.51%

LAB 47.88, 15.11, -56.71

 

CMYK 0 / 76 / 9 / 18

HEX #D232BF

RGB 210 50 191

HSL 307.13, 0.64%, 0.51%

LAB 51.55, 74.34, -39.01

 

CMYK 0 / 30 / 76 / 18

HEX #D29432

RGB 210 148 50

HSL 36.75, 0.64%, 0.51%

LAB 65.84, 14.77, 58.01

 

Description

Color code: RGB 50 210 69 | qconv.com Color code: RGB 50 210 69 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 210 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 210 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 67 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 67% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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