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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 194 164 it is the complementary color RGB 205 61 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 194 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 194 164 shade: RGB 55 194 159, RGB 72 212 178, RGB 89 230 197, RGB 106 248 216 and RGB 123 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 194 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 194 164 shade: RGB 50 194 164, RGB 33 176 145, RGB 16 158 126, RGB 0 140 107 and RGB 0 122 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 194 164 shade: RGB 50 194 164, RGB 50 194 125, RGB 50 194 86, RGB 52 194 50 and RGB 91 194 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 194 164 shade: RGB 50 194 164, RGB 50 185 194, RGB 50 146 194, RGB 50 107 194 and RGB 50 68 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 194 164 shade matches the following richer shades: RGB 50 194 164, RGB 30 214 176 and RGB 10 234 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 194 164 shade: RGB 50 194 164, RGB 69 174 152, RGB 89 155 141, RGB 109 135 129 and RGB 129 115 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 194 164 shade: RGB 50 194 86, RGB 50 194 124, RGB 50 194 163, RGB 50 187 194 and RGB 50 148 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 194 164 shade: RGB 33 129 109, RGB 41 161 136, RGB 50 194 164, RGB 76 209 181 and RGB 109 217 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 194 164 shade: RGB 50 194 164, RGB 50 52 194 and RGB 194 105 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 194 164 shade: RGB 50 194 164, RGB 163 50 194 and RGB 194 163 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 194 164 shade: RGB 50 194 164, RGB 50 52 194, RGB 194 50 81 and RGB 194 192 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 194 164 shade: RGB 50 194 164, RGB 91 50 194, RGB 194 50 81 and RGB 153 194 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 15 / 24

HEX #32C2A4

RGB 50 194 164

HSL 167.5, 0.59%, 0.48%

LAB 70.83, -44.34, 4.38

 

Complementary color

CMYK 0 / 70 / 56 / 20

HEX #CD3D5B

RGB 205 61 91

HSL 347.5, 0.59%, 0.52%

LAB 48.35, 58.2, 15.92

 

CMYK 72 / 0 / 18 / 24

HEX #37C29F

RGB 55 194 159

HSL 164.89, 0.56%, 0.49%

LAB 70.8, -44.95, 7.07

 

CMYK 66 / 0 / 16 / 17

HEX #48D4B2

RGB 72 212 178

HSL 165.43, 0.62%, 0.56%

LAB 77.09, -45.43, 5.9

 

CMYK 61 / 0 / 14 / 10

HEX #59E6C5

RGB 89 230 197

HSL 165.96, 0.74%, 0.63%

LAB 83.31, -45.73, 4.84

 

CMYK 57 / 0 / 13 / 3

HEX #6AF8D8

RGB 106 248 216

HSL 166.48, 0.91%, 0.69%

LAB 89.47, -45.9, 3.86

 

CMYK 52 / 0 / 8 / 0

HEX #7BFFEB

RGB 123 255 235

HSL 170.91, 1%, 0.74%

LAB 92.46, -41.14, -1.58

 

CMYK 74 / 0 / 15 / 24

HEX #32C2A4

RGB 50 194 164

HSL 167.5, 0.59%, 0.48%

LAB 70.83, -44.34, 4.38

 

CMYK 81 / 0 / 18 / 31

HEX #21B091

RGB 33 176 145

HSL 166.99, 0.68%, 0.41%

LAB 64.5, -43.45, 5.66

 

CMYK 90 / 0 / 20 / 38

HEX #109E7E

RGB 16 158 126

HSL 166.48, 0.82%, 0.34%

LAB 58.1, -42.15, 7.09

 

CMYK 100 / 0 / 24 / 45

HEX #008C6B

RGB 0 140 107

HSL 165.86, 1%, 0.27%

LAB 51.63, -40.46, 8.7

 

CMYK 100 / 0 / 28 / 52

HEX #007A58

RGB 0 122 88

HSL 163.28, 1%, 0.24%

LAB 45.11, -37.91, 10.57

 

CMYK 74 / 0 / 15 / 24

HEX #32C2A4

RGB 50 194 164

HSL 167.5, 0.59%, 0.48%

LAB 70.83, -44.34, 4.38

 

CMYK 74 / 0 / 36 / 24

HEX #32C27D

RGB 50 194 125

HSL 151.25, 0.59%, 0.48%

LAB 70, -53.29, 24.21

 

CMYK 74 / 0 / 56 / 24

HEX #32C256

RGB 50 194 86

HSL 135, 0.59%, 0.48%

LAB 69.42, -59.88, 43.22

 

CMYK 73 / 0 / 74 / 24

HEX #34C232

RGB 52 194 50

HSL 119.17, 0.59%, 0.48%

LAB 69.14, -63.37, 58

 

CMYK 53 / 0 / 74 / 24

HEX #5BC232

RGB 91 194 50

HSL 102.92, 0.59%, 0.48%

LAB 70.2, -54.74, 59.41

 

CMYK 74 / 0 / 15 / 24

HEX #32C2A4

RGB 50 194 164

HSL 167.5, 0.59%, 0.48%

LAB 70.83, -44.34, 4.38

 

CMYK 74 / 5 / 0 / 24

HEX #32B9C2

RGB 50 185 194

HSL 183.75, 0.59%, 0.48%

LAB 68.95, -31.87, -14.84

 

CMYK 74 / 25 / 0 / 24

HEX #3292C2

RGB 50 146 194

HSL 200, 0.59%, 0.48%

LAB 57.2, -11.67, -32.84

 

CMYK 74 / 45 / 0 / 24

HEX #326BC2

RGB 50 107 194

HSL 216.25, 0.59%, 0.48%

LAB 45.76, 11.67, -50.94

 

CMYK 74 / 65 / 0 / 24

HEX #3244C2

RGB 50 68 194

HSL 232.5, 0.59%, 0.48%

LAB 35.41, 36.79, -67.71

 

CMYK 74 / 0 / 15 / 24

HEX #32C2A4

RGB 50 194 164

HSL 167.5, 0.59%, 0.48%

LAB 70.83, -44.34, 4.38

 

CMYK 86 / 0 / 18 / 16

HEX #1ED6B0

RGB 30 214 176

HSL 167.61, 0.75%, 0.48%

LAB 76.98, -51.44, 6.73

 

CMYK 96 / 0 / 20 / 8

HEX #0AEABB

RGB 10 234 187

HSL 167.41, 0.92%, 0.48%

LAB 83.18, -57.48, 9.76

 

CMYK 74 / 0 / 15 / 24

HEX #32C2A4

RGB 50 194 164

HSL 167.5, 0.59%, 0.48%

LAB 70.83, -44.34, 4.38

 

CMYK 60 / 0 / 13 / 32

HEX #45AE98

RGB 69 174 152

HSL 167.43, 0.43%, 0.48%

LAB 64.81, -35.57, 2.31

 

CMYK 43 / 0 / 9 / 39

HEX #599B8D

RGB 89 155 141

HSL 167.27, 0.27%, 0.48%

LAB 59.42, -24.53, 0.75

 

CMYK 19 / 0 / 4 / 47

HEX #6D8781

RGB 109 135 129

HSL 166.15, 0.11%, 0.48%

LAB 54.2, -10.58, 0.14

 

CMYK 0 / 11 / 9 / 49

HEX #817376

RGB 129 115 118

HSL 347.14, 0.06%, 0.48%

LAB 49.78, 5.98, 0.32

 

CMYK 74 / 0 / 56 / 24

HEX #32C256

RGB 50 194 86

HSL 135, 0.59%, 0.48%

LAB 69.42, -59.88, 43.22

 

CMYK 74 / 0 / 36 / 24

HEX #32C27C

RGB 50 194 124

HSL 150.83, 0.59%, 0.48%

LAB 69.98, -53.49, 24.72

 

CMYK 74 / 0 / 16 / 24

HEX #32C2A3

RGB 50 194 163

HSL 167.08, 0.59%, 0.48%

LAB 70.81, -44.6, 4.89

 

CMYK 74 / 4 / 0 / 24

HEX #32BBC2

RGB 50 187 194

HSL 182.92, 0.59%, 0.48%

LAB 69.55, -32.83, -13.94

 

CMYK 74 / 24 / 0 / 24

HEX #3294C2

RGB 50 148 194

HSL 199.17, 0.59%, 0.48%

LAB 57.8, -12.79, -31.91

 

CMYK 74 / 0 / 16 / 49

HEX #21816D

RGB 33 129 109

HSL 167.5, 0.59%, 0.32%

LAB 48.42, -32.27, 2.99

 

CMYK 75 / 0 / 16 / 37

HEX #29A188

RGB 41 161 136

HSL 167.5, 0.59%, 0.4%

LAB 59.65, -38.41, 3.72

 

CMYK 74 / 0 / 15 / 24

HEX #32C2A4

RGB 50 194 164

HSL 167.5, 0.59%, 0.48%

LAB 70.83, -44.34, 4.38

 

CMYK 64 / 0 / 13 / 18

HEX #4CD1B5

RGB 76 209 181

HSL 167.37, 0.59%, 0.56%

LAB 76.36, -42.74, 3.25

 

CMYK 50 / 0 / 10 / 15

HEX #6DD9C3

RGB 109 217 195

HSL 167.78, 0.59%, 0.64%

LAB 80.08, -36.42, 1.28

 

CMYK 74 / 0 / 15 / 24

HEX #32C2A4

RGB 50 194 164

HSL 167.5, 0.59%, 0.48%

LAB 70.83, -44.34, 4.38

 

CMYK 74 / 73 / 0 / 24

HEX #3234C2

RGB 50 52 194

HSL 239.17, 0.59%, 0.48%

LAB 31.87, 46.43, -73.54

 

CMYK 0 / 46 / 74 / 24

HEX #C26932

RGB 194 105 50

HSL 22.92, 0.59%, 0.48%

LAB 53.82, 31.26, 45.31

 

CMYK 74 / 0 / 15 / 24

HEX #32C2A4

RGB 50 194 164

HSL 167.5, 0.59%, 0.48%

LAB 70.83, -44.34, 4.38

 

CMYK 16 / 74 / 0 / 24

HEX #A332C2

RGB 163 50 194

HSL 287.08, 0.59%, 0.48%

LAB 44.18, 65.11, -52.94

 

CMYK 0 / 16 / 74 / 24

HEX #C2A332

RGB 194 163 50

HSL 47.08, 0.59%, 0.48%

LAB 67.94, -0.32, 59.46

 

CMYK 74 / 0 / 15 / 24

HEX #32C2A4

RGB 50 194 164

HSL 167.5, 0.59%, 0.48%

LAB 70.83, -44.34, 4.38

 

CMYK 74 / 73 / 0 / 24

HEX #3234C2

RGB 50 52 194

HSL 239.17, 0.59%, 0.48%

LAB 31.87, 46.43, -73.54

 

CMYK 0 / 74 / 58 / 24

HEX #C23251

RGB 194 50 81

HSL 347.08, 0.59%, 0.48%

LAB 44.72, 58.08, 16.8

 

CMYK 0 / 1 / 74 / 24

HEX #C2C032

RGB 194 192 50

HSL 59.17, 0.59%, 0.48%

LAB 75.7, -15.4, 66.81

 

CMYK 74 / 0 / 15 / 24

HEX #32C2A4

RGB 50 194 164

HSL 167.5, 0.59%, 0.48%

LAB 70.83, -44.34, 4.38

 

CMYK 53 / 74 / 0 / 24

HEX #5B32C2

RGB 91 50 194

HSL 257.08, 0.59%, 0.48%

LAB 34.8, 52.37, -68.6

 

CMYK 0 / 74 / 58 / 24

HEX #C23251

RGB 194 50 81

HSL 347.08, 0.59%, 0.48%

LAB 44.72, 58.08, 16.8

 

CMYK 21 / 0 / 74 / 24

HEX #99C232

RGB 153 194 50

HSL 77.08, 0.59%, 0.48%

LAB 73.28, -33.37, 63.46

 

Description

Color code: RGB 50 194 164 | qconv.com Color code: RGB 50 194 164 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 194 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 194 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 15 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 15% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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