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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 189 54 it is the complementary color RGB 205 66 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 189 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 189 54 shade: RGB 55 189 49, RGB 72 207 68, RGB 89 225 87, RGB 106 243 106 and RGB 123 255 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 189 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 189 54 shade: RGB 50 189 54, RGB 33 171 35, RGB 16 153 16, RGB 0 135 0 and RGB 0 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 189 54 shade: RGB 50 189 54, RGB 83 189 50, RGB 121 189 50, RGB 158 189 50 and RGB 189 182 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 189 54 shade: RGB 50 189 54, RGB 50 189 91, RGB 50 189 129, RGB 50 189 166 and RGB 50 174 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 189 54 shade matches the following richer shades: RGB 50 189 54, RGB 30 208 36 and RGB 11 228 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 189 54 shade: RGB 50 189 54, RGB 69 169 72, RGB 89 150 90, RGB 108 131 109 and RGB 127 111 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 189 54 shade: RGB 122 189 50, RGB 85 189 50, RGB 50 189 52, RGB 50 189 89 and RGB 50 189 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 189 54 shade: RGB 33 124 35, RGB 41 156 44, RGB 50 189 54, RGB 74 206 77 and RGB 106 215 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 189 54 shade: RGB 50 189 54, RGB 50 159 189 and RGB 189 50 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 189 54 shade: RGB 50 189 54, RGB 52 50 189 and RGB 189 52 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 189 54 shade: RGB 50 189 54, RGB 50 159 189, RGB 189 50 187 and RGB 189 80 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 189 54 shade: RGB 50 189 54, RGB 50 117 189, RGB 189 50 187 and RGB 189 122 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

Complementary color

CMYK 0 / 68 / 2 / 20

HEX #CD42C9

RGB 205 66 201

HSL 301.73, 0.58%, 0.53%

LAB 53.05, 69.63, -42.46

 

CMYK 71 / 0 / 74 / 26

HEX #37BD31

RGB 55 189 49

HSL 117.43, 0.59%, 0.47%

LAB 67.6, -61.33, 56.82

 

CMYK 65 / 0 / 67 / 19

HEX #48CF44

RGB 72 207 68

HSL 118.27, 0.59%, 0.54%

LAB 73.82, -62.45, 56.23

 

CMYK 60 / 0 / 61 / 12

HEX #59E157

RGB 89 225 87

HSL 119.13, 0.7%, 0.61%

LAB 79.99, -63.16, 55.27

 

CMYK 56 / 0 / 56 / 5

HEX #6AF36A

RGB 106 243 106

HSL 120, 0.85%, 0.68%

LAB 86.11, -63.58, 54.14

 

CMYK 52 / 0 / 51 / 0

HEX #7BFF7D

RGB 123 255 125

HSL 120.91, 1%, 0.74%

LAB 90.42, -61.56, 50.79

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 81 / 0 / 80 / 33

HEX #21AB23

RGB 33 171 35

HSL 120.87, 0.68%, 0.4%

LAB 61.28, -59.98, 55.15

 

CMYK 90 / 0 / 90 / 40

HEX #109910

RGB 16 153 16

HSL 120, 0.81%, 0.33%

LAB 55, -57.32, 54.31

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 56 / 0 / 74 / 26

HEX #53BD32

RGB 83 189 50

HSL 105.76, 0.58%, 0.47%

LAB 68.36, -55.06, 57.48

 

CMYK 36 / 0 / 74 / 26

HEX #79BD32

RGB 121 189 50

HSL 89.35, 0.58%, 0.47%

LAB 69.96, -43.22, 59.6

 

CMYK 16 / 0 / 74 / 26

HEX #9EBD32

RGB 158 189 50

HSL 73.38, 0.58%, 0.47%

LAB 72.16, -29.02, 62.5

 

CMYK 0 / 4 / 74 / 26

HEX #BDB632

RGB 189 182 50

HSL 56.98, 0.58%, 0.47%

LAB 72.56, -12.47, 63.71

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 74 / 0 / 52 / 26

HEX #32BD5B

RGB 50 189 91

HSL 137.7, 0.58%, 0.47%

LAB 67.89, -57.43, 38.95

 

CMYK 74 / 0 / 32 / 26

HEX #32BD81

RGB 50 189 129

HSL 154.1, 0.58%, 0.47%

LAB 68.5, -50.53, 20.05

 

CMYK 74 / 0 / 12 / 26

HEX #32BDA6

RGB 50 189 166

HSL 170.07, 0.58%, 0.47%

LAB 69.35, -41.66, 1.13

 

CMYK 74 / 8 / 0 / 26

HEX #32AEBD

RGB 50 174 189

HSL 186.47, 0.58%, 0.47%

LAB 65.46, -28.04, -17.36

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 86 / 0 / 83 / 18

HEX #1ED024

RGB 30 208 36

HSL 122.02, 0.75%, 0.47%

LAB 73.23, -71.19, 66.02

 

CMYK 95 / 0 / 93 / 11

HEX #0BE411

RGB 11 228 17

HSL 121.66, 0.91%, 0.47%

LAB 79.38, -78.52, 74.87

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 59 / 0 / 57 / 34

HEX #45A948

RGB 69 169 72

HSL 121.8, 0.42%, 0.47%

LAB 61.75, -48.99, 40.89

 

CMYK 41 / 0 / 40 / 41

HEX #59965A

RGB 89 150 90

HSL 120.98, 0.26%, 0.47%

LAB 56.76, -32.61, 25.6

 

CMYK 18 / 0 / 17 / 49

HEX #6C836D

RGB 108 131 109

HSL 122.61, 0.1%, 0.47%

LAB 52.43, -12.89, 9.17

 

CMYK 0 / 13 / 0 / 50

HEX #7F6F7F

RGB 127 111 127

HSL 300, 0.07%, 0.47%

LAB 48.78, 9.34, -6.52

 

CMYK 35 / 0 / 74 / 26

HEX #7ABD32

RGB 122 189 50

HSL 88.92, 0.58%, 0.47%

LAB 70.01, -42.86, 59.67

 

CMYK 55 / 0 / 74 / 26

HEX #55BD32

RGB 85 189 50

HSL 104.89, 0.58%, 0.47%

LAB 68.43, -54.52, 57.57

 

CMYK 74 / 0 / 72 / 26

HEX #32BD34

RGB 50 189 52

HSL 120.86, 0.58%, 0.47%

LAB 67.52, -61.94, 55.63

 

CMYK 74 / 0 / 53 / 26

HEX #32BD59

RGB 50 189 89

HSL 136.83, 0.58%, 0.47%

LAB 67.87, -57.72, 39.9

 

CMYK 74 / 0 / 33 / 26

HEX #32BD7E

RGB 50 189 126

HSL 152.81, 0.58%, 0.47%

LAB 68.45, -51.16, 21.58

 

CMYK 73 / 0 / 72 / 51

HEX #217C23

RGB 33 124 35

HSL 121.32, 0.58%, 0.31%

LAB 45.44, -44.46, 39.29

 

CMYK 74 / 0 / 72 / 39

HEX #299C2C

RGB 41 156 44

HSL 121.57, 0.58%, 0.39%

LAB 56.52, -53.26, 47.27

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 64 / 0 / 63 / 19

HEX #4ACE4D

RGB 74 206 77

HSL 121.36, 0.57%, 0.55%

LAB 73.63, -60.8, 52.3

 

CMYK 51 / 0 / 49 / 16

HEX #6AD76D

RGB 106 215 109

HSL 121.65, 0.58%, 0.63%

LAB 77.74, -52.61, 42.66

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 74 / 16 / 0 / 26

HEX #329FBD

RGB 50 159 189

HSL 192.95, 0.58%, 0.47%

LAB 60.91, -20.4, -24.29

 

CMYK 0 / 74 / 46 / 26

HEX #BD3267

RGB 189 50 103

HSL 337.12, 0.58%, 0.47%

LAB 44.35, 58.42, 2.49

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 72 / 74 / 0 / 26

HEX #3432BD

RGB 52 50 189

HSL 240.86, 0.58%, 0.47%

LAB 31.08, 46.09, -71.9

 

CMYK 0 / 72 / 74 / 26

HEX #BD3432

RGB 189 52 50

HSL 0.86, 0.58%, 0.47%

LAB 43.51, 54.1, 33.86

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 74 / 16 / 0 / 26

HEX #329FBD

RGB 50 159 189

HSL 192.95, 0.58%, 0.47%

LAB 60.91, -20.4, -24.29

 

CMYK 0 / 74 / 1 / 26

HEX #BD32BB

RGB 189 50 187

HSL 300.86, 0.58%, 0.47%

LAB 47.86, 69.25, -42.73

 

CMYK 0 / 58 / 74 / 26

HEX #BD5032

RGB 189 80 50

HSL 12.95, 0.58%, 0.47%

LAB 47.99, 42.09, 38.85

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 74 / 38 / 0 / 26

HEX #3275BD

RGB 50 117 189

HSL 211.08, 0.58%, 0.47%

LAB 48.35, 3.56, -43.91

 

CMYK 0 / 74 / 1 / 26

HEX #BD32BB

RGB 189 50 187

HSL 300.86, 0.58%, 0.47%

LAB 47.86, 69.25, -42.73

 

CMYK 0 / 35 / 74 / 26

HEX #BD7A32

RGB 189 122 50

HSL 31.08, 0.58%, 0.47%

LAB 57.04, 19.9, 48.45

 

Description

Color code: RGB 50 189 54 | qconv.com Color code: RGB 50 189 54 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 189 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 189 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 71 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 71% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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