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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 188 50 it is the complementary color RGB 205 67 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 188 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 188 50 shade: RGB 55 188 45, RGB 72 206 64, RGB 89 224 83, RGB 106 242 102 and RGB 123 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 188 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 188 50 shade: RGB 50 188 50, RGB 33 170 31, RGB 16 152 12, RGB 0 134 0 and RGB 0 116 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 188 50 shade: RGB 50 189 50, RGB 87 189 50, RGB 125 189 50, RGB 162 189 50 and RGB 189 178 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 188 50 shade: RGB 50 189 50, RGB 50 189 87, RGB 50 189 125, RGB 50 189 162 and RGB 50 178 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 188 50 shade matches the following richer shades: RGB 50 189 50, RGB 30 208 30 and RGB 11 228 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 188 50 shade: RGB 50 189 50, RGB 69 169 69, RGB 89 150 89, RGB 108 131 108 and RGB 127 111 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 188 50 shade: RGB 124 189 50, RGB 87 189 50, RGB 50 189 50, RGB 50 189 87 and RGB 50 189 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 188 50 shade: RGB 33 124 33, RGB 41 156 41, RGB 50 189 50, RGB 74 206 74 and RGB 106 215 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 188 50 shade: RGB 50 188 50, RGB 50 161 189 and RGB 189 50 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 188 50 shade: RGB 50 188 50, RGB 50 50 189 and RGB 189 50 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 188 50 shade: RGB 50 188 50, RGB 50 161 189, RGB 189 50 189 and RGB 189 78 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 188 50 shade: RGB 50 188 50, RGB 50 119 189, RGB 189 50 189 and RGB 189 119 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 73 / 26

HEX #32BC32

RGB 50 188 50

HSL 120, 0.58%, 0.47%

LAB 67.18, -61.78, 56.02

 

Complementary color

CMYK 0 / 67 / 0 / 20

HEX #CD43CD

RGB 205 67 205

HSL 300, 0.58%, 0.53%

LAB 53.39, 69.92, -44.22

 

CMYK 71 / 0 / 76 / 26

HEX #37BC2D

RGB 55 188 45

HSL 115.8, 0.61%, 0.46%

LAB 67.25, -61.29, 57.85

 

CMYK 65 / 0 / 69 / 19

HEX #48CE40

RGB 72 206 64

HSL 116.62, 0.59%, 0.53%

LAB 73.47, -62.47, 57.44

 

CMYK 60 / 0 / 63 / 12

HEX #59E053

RGB 89 224 83

HSL 117.45, 0.69%, 0.6%

LAB 79.65, -63.22, 56.59

 

CMYK 56 / 0 / 58 / 5

HEX #6AF266

RGB 106 242 102

HSL 118.29, 0.84%, 0.67%

LAB 85.77, -63.67, 55.51

 

CMYK 52 / 0 / 53 / 0

HEX #7BFF79

RGB 123 255 121

HSL 119.1, 1%, 0.74%

LAB 90.37, -62.05, 52.57

 

CMYK 73 / 0 / 73 / 26

HEX #32BC32

RGB 50 188 50

HSL 120, 0.58%, 0.47%

LAB 67.18, -61.78, 56.02

 

CMYK 81 / 0 / 82 / 33

HEX #21AA1F

RGB 33 170 31

HSL 119.14, 0.69%, 0.39%

LAB 60.93, -59.92, 56.02

 

CMYK 89 / 0 / 92 / 40

HEX #10980C

RGB 16 152 12

HSL 118.29, 0.85%, 0.32%

LAB 54.65, -57.17, 54.76

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 74 / 0 / 74 / 26

HEX #32BD32

RGB 50 189 50

HSL 120, 0.58%, 0.47%

LAB 67.5, -62.1, 56.34

 

CMYK 54 / 0 / 74 / 26

HEX #57BD32

RGB 87 189 50

HSL 104.03, 0.58%, 0.47%

LAB 68.5, -53.98, 57.67

 

CMYK 34 / 0 / 74 / 26

HEX #7DBD32

RGB 125 189 50

HSL 87.63, 0.58%, 0.47%

LAB 70.17, -41.79, 59.88

 

CMYK 14 / 0 / 74 / 26

HEX #A2BD32

RGB 162 189 50

HSL 71.65, 0.58%, 0.47%

LAB 72.43, -27.38, 62.86

 

CMYK 0 / 6 / 74 / 26

HEX #BDB232

RGB 189 178 50

HSL 55.25, 0.58%, 0.47%

LAB 71.48, -10.41, 62.68

 

CMYK 74 / 0 / 74 / 26

HEX #32BD32

RGB 50 189 50

HSL 120, 0.58%, 0.47%

LAB 67.5, -62.1, 56.34

 

CMYK 74 / 0 / 54 / 26

HEX #32BD57

RGB 50 189 87

HSL 135.97, 0.58%, 0.47%

LAB 67.84, -58.01, 40.84

 

CMYK 74 / 0 / 34 / 26

HEX #32BD7D

RGB 50 189 125

HSL 152.37, 0.58%, 0.47%

LAB 68.43, -51.37, 22.09

 

CMYK 74 / 0 / 14 / 26

HEX #32BDA2

RGB 50 189 162

HSL 168.35, 0.58%, 0.47%

LAB 69.24, -42.71, 3.17

 

CMYK 74 / 6 / 0 / 26

HEX #32B2BD

RGB 50 178 189

HSL 184.75, 0.58%, 0.47%

LAB 66.67, -30.01, -15.52

 

CMYK 74 / 0 / 74 / 26

HEX #32BD32

RGB 50 189 50

HSL 120, 0.58%, 0.47%

LAB 67.5, -62.1, 56.34

 

CMYK 86 / 0 / 86 / 18

HEX #1ED01E

RGB 30 208 30

HSL 120, 0.75%, 0.47%

LAB 73.21, -71.48, 67.41

 

CMYK 95 / 0 / 95 / 11

HEX #0BE40B

RGB 11 228 11

HSL 120, 0.91%, 0.47%

LAB 79.38, -78.64, 75.51

 

CMYK 74 / 0 / 74 / 26

HEX #32BD32

RGB 50 189 50

HSL 120, 0.58%, 0.47%

LAB 67.5, -62.1, 56.34

 

CMYK 59 / 0 / 59 / 34

HEX #45A945

RGB 69 169 69

HSL 120, 0.42%, 0.47%

LAB 61.72, -49.36, 42.27

 

CMYK 41 / 0 / 41 / 41

HEX #599659

RGB 89 150 89

HSL 120, 0.26%, 0.47%

LAB 56.74, -32.77, 26.12

 

CMYK 18 / 0 / 18 / 49

HEX #6C836C

RGB 108 131 108

HSL 120, 0.1%, 0.47%

LAB 52.4, -13.08, 9.72

 

CMYK 0 / 13 / 0 / 50

HEX #7F6F7F

RGB 127 111 127

HSL 300, 0.07%, 0.47%

LAB 48.78, 9.34, -6.52

 

CMYK 34 / 0 / 74 / 26

HEX #7CBD32

RGB 124 189 50

HSL 88.06, 0.58%, 0.47%

LAB 70.11, -42.15, 59.81

 

CMYK 54 / 0 / 74 / 26

HEX #57BD32

RGB 87 189 50

HSL 104.03, 0.58%, 0.47%

LAB 68.5, -53.98, 57.67

 

CMYK 74 / 0 / 74 / 26

HEX #32BD32

RGB 50 189 50

HSL 120, 0.58%, 0.47%

LAB 67.5, -62.1, 56.34

 

CMYK 74 / 0 / 54 / 26

HEX #32BD57

RGB 50 189 87

HSL 135.97, 0.58%, 0.47%

LAB 67.84, -58.01, 40.84

 

CMYK 74 / 0 / 34 / 26

HEX #32BD7C

RGB 50 189 124

HSL 151.94, 0.58%, 0.47%

LAB 68.41, -51.57, 22.6

 

CMYK 73 / 0 / 73 / 51

HEX #217C21

RGB 33 124 33

HSL 120, 0.58%, 0.31%

LAB 45.43, -44.65, 40.11

 

CMYK 74 / 0 / 74 / 39

HEX #299C29

RGB 41 156 41

HSL 120, 0.58%, 0.39%

LAB 56.49, -53.53, 48.41

 

CMYK 74 / 0 / 74 / 26

HEX #32BD32

RGB 50 189 50

HSL 120, 0.58%, 0.47%

LAB 67.5, -62.1, 56.34

 

CMYK 64 / 0 / 64 / 19

HEX #4ACE4A

RGB 74 206 74

HSL 120, 0.57%, 0.55%

LAB 73.61, -61.11, 53.55

 

CMYK 51 / 0 / 51 / 16

HEX #6AD76A

RGB 106 215 106

HSL 120, 0.58%, 0.63%

LAB 77.7, -53.01, 44.06

 

CMYK 73 / 0 / 73 / 26

HEX #32BC32

RGB 50 188 50

HSL 120, 0.58%, 0.47%

LAB 67.18, -61.78, 56.02

 

CMYK 74 / 15 / 0 / 26

HEX #32A1BD

RGB 50 161 189

HSL 192.09, 0.58%, 0.47%

LAB 61.52, -21.44, -23.36

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 73 / 0 / 73 / 26

HEX #32BC32

RGB 50 188 50

HSL 120, 0.58%, 0.47%

LAB 67.18, -61.78, 56.02

 

CMYK 74 / 74 / 0 / 26

HEX #3232BD

RGB 50 50 189

HSL 240, 0.58%, 0.47%

LAB 30.96, 45.91, -72.11

 

CMYK 0 / 74 / 74 / 26

HEX #BD3232

RGB 189 50 50

HSL 0, 0.58%, 0.47%

LAB 43.26, 54.81, 33.57

 

CMYK 73 / 0 / 73 / 26

HEX #32BC32

RGB 50 188 50

HSL 120, 0.58%, 0.47%

LAB 67.18, -61.78, 56.02

 

CMYK 74 / 15 / 0 / 26

HEX #32A1BD

RGB 50 161 189

HSL 192.09, 0.58%, 0.47%

LAB 61.52, -21.44, -23.36

 

CMYK 0 / 74 / 0 / 26

HEX #BD32BD

RGB 189 50 189

HSL 300, 0.58%, 0.47%

LAB 47.97, 69.57, -43.72

 

CMYK 0 / 59 / 74 / 26

HEX #BD4E32

RGB 189 78 50

HSL 12.09, 0.58%, 0.47%

LAB 47.62, 43.05, 38.45

 

CMYK 73 / 0 / 73 / 26

HEX #32BC32

RGB 50 188 50

HSL 120, 0.58%, 0.47%

LAB 67.18, -61.78, 56.02

 

CMYK 74 / 37 / 0 / 26

HEX #3277BD

RGB 50 119 189

HSL 210.22, 0.58%, 0.47%

LAB 48.94, 2.33, -42.98

 

CMYK 0 / 74 / 0 / 26

HEX #BD32BD

RGB 189 50 189

HSL 300, 0.58%, 0.47%

LAB 47.97, 69.57, -43.72

 

CMYK 0 / 37 / 74 / 26

HEX #BD7732

RGB 189 119 50

HSL 29.78, 0.58%, 0.47%

LAB 56.33, 21.55, 47.71

 

Description

Color code: RGB 50 188 50 | qconv.com Color code: RGB 50 188 50 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 188 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 188 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 73 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 73% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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