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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 186 55 it is the complementary color RGB 205 69 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 186 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 186 55 shade: RGB 55 186 50, RGB 72 204 69, RGB 89 222 88, RGB 106 240 107 and RGB 123 255 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 186 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 186 55 shade: RGB 50 186 55, RGB 33 168 36, RGB 16 150 17, RGB 0 132 0 and RGB 0 114 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 186 55 shade: RGB 49 185 54, RGB 80 185 49, RGB 117 185 49, RGB 154 185 49 and RGB 185 179 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 186 55 shade: RGB 49 185 54, RGB 49 185 90, RGB 49 185 127, RGB 49 185 164 and RGB 49 169 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 186 55 shade matches the following richer shades: RGB 49 185 54, RGB 30 204 36 and RGB 11 223 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 186 55 shade: RGB 49 185 54, RGB 68 166 71, RGB 87 147 89, RGB 106 128 107 and RGB 125 109 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 186 55 shade: RGB 117 185 49, RGB 81 185 49, RGB 49 185 53, RGB 49 185 90 and RGB 49 185 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 186 55 shade: RGB 31 120 35, RGB 40 152 44, RGB 49 185 54, RGB 70 205 75 and RGB 102 214 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 186 55 shade: RGB 50 186 55, RGB 49 153 185 and RGB 185 49 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 186 55 shade: RGB 50 186 55, RGB 53 49 185 and RGB 185 53 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 186 55 shade: RGB 50 186 55, RGB 49 153 185, RGB 185 49 180 and RGB 185 81 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 186 55 shade: RGB 50 186 55, RGB 49 112 185, RGB 185 49 180 and RGB 185 121 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 70 / 27

HEX #32BA37

RGB 50 186 55

HSL 122.21, 0.58%, 0.46%

LAB 66.57, -60.71, 53.52

 

Complementary color

CMYK 0 / 66 / 2 / 20

HEX #CD45C8

RGB 205 69 200

HSL 302.21, 0.58%, 0.54%

LAB 53.39, 68.37, -41.35

 

CMYK 70 / 0 / 73 / 27

HEX #37BA32

RGB 55 186 50

HSL 117.79, 0.58%, 0.46%

LAB 66.64, -60.26, 55.5

 

CMYK 65 / 0 / 66 / 20

HEX #48CC45

RGB 72 204 69

HSL 118.67, 0.57%, 0.54%

LAB 72.89, -61.33, 54.82

 

CMYK 60 / 0 / 60 / 13

HEX #59DE58

RGB 89 222 88

HSL 119.55, 0.67%, 0.61%

LAB 79.08, -61.99, 53.81

 

CMYK 56 / 0 / 55 / 6

HEX #6AF06B

RGB 106 240 107

HSL 120.45, 0.82%, 0.68%

LAB 85.22, -62.37, 52.65

 

CMYK 52 / 0 / 51 / 0

HEX #7BFF7E

RGB 123 255 126

HSL 121.36, 1%, 0.74%

LAB 90.43, -61.43, 50.35

 

CMYK 73 / 0 / 70 / 27

HEX #32BA37

RGB 50 186 55

HSL 122.21, 0.58%, 0.46%

LAB 66.57, -60.71, 53.52

 

CMYK 80 / 0 / 79 / 34

HEX #21A824

RGB 33 168 36

HSL 121.33, 0.67%, 0.39%

LAB 60.3, -58.98, 53.89

 

CMYK 89 / 0 / 89 / 41

HEX #109611

RGB 16 150 17

HSL 120.45, 0.81%, 0.33%

LAB 53.99, -56.39, 53.21

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 74 / 0 / 71 / 27

HEX #31B936

RGB 49 185 54

HSL 122.21, 0.58%, 0.46%

LAB 66.23, -60.63, 53.54

 

CMYK 57 / 0 / 74 / 27

HEX #50B931

RGB 80 185 49

HSL 106.32, 0.58%, 0.46%

LAB 66.99, -54.45, 56.44

 

CMYK 37 / 0 / 74 / 27

HEX #75B931

RGB 117 185 49

HSL 90, 0.58%, 0.46%

LAB 68.53, -42.99, 58.48

 

CMYK 17 / 0 / 74 / 27

HEX #9AB931

RGB 154 185 49

HSL 73.68, 0.58%, 0.46%

LAB 70.73, -28.8, 61.37

 

CMYK 0 / 3 / 74 / 27

HEX #B9B331

RGB 185 179 49

HSL 57.35, 0.58%, 0.46%

LAB 71.4, -12.7, 62.84

 

CMYK 74 / 0 / 71 / 27

HEX #31B936

RGB 49 185 54

HSL 122.21, 0.58%, 0.46%

LAB 66.23, -60.63, 53.54

 

CMYK 74 / 0 / 51 / 27

HEX #31B95A

RGB 49 185 90

HSL 138.09, 0.58%, 0.46%

LAB 66.59, -56.32, 37.83

 

CMYK 74 / 0 / 31 / 27

HEX #31B97F

RGB 49 185 127

HSL 154.41, 0.58%, 0.46%

LAB 67.19, -49.52, 19.33

 

CMYK 74 / 0 / 11 / 27

HEX #31B9A4

RGB 49 185 164

HSL 170.74, 0.58%, 0.46%

LAB 68.04, -40.55, 0.33

 

CMYK 74 / 9 / 0 / 27

HEX #31A9B9

RGB 49 169 185

HSL 187.06, 0.58%, 0.46%

LAB 63.78, -26.92, -17.67

 

CMYK 74 / 0 / 71 / 27

HEX #31B936

RGB 49 185 54

HSL 122.21, 0.58%, 0.46%

LAB 66.23, -60.63, 53.54

 

CMYK 85 / 0 / 82 / 20

HEX #1ECC24

RGB 30 204 36

HSL 122.07, 0.74%, 0.46%

LAB 71.95, -70.05, 64.85

 

CMYK 95 / 0 / 91 / 13

HEX #0BDF13

RGB 11 223 19

HSL 122.26, 0.91%, 0.46%

LAB 77.81, -77.13, 73.28

 

CMYK 74 / 0 / 71 / 27

HEX #31B936

RGB 49 185 54

HSL 122.21, 0.58%, 0.46%

LAB 66.23, -60.63, 53.54

 

CMYK 59 / 0 / 57 / 35

HEX #44A647

RGB 68 166 71

HSL 121.84, 0.42%, 0.46%

LAB 60.74, -48.21, 40.18

 

CMYK 41 / 0 / 39 / 42

HEX #579359

RGB 87 147 89

HSL 122, 0.26%, 0.46%

LAB 55.7, -32.02, 24.74

 

CMYK 17 / 0 / 16 / 50

HEX #6A806B

RGB 106 128 107

HSL 122.73, 0.09%, 0.46%

LAB 51.34, -12.37, 8.78

 

CMYK 0 / 13 / 1 / 51

HEX #7D6D7C

RGB 125 109 124

HSL 303.75, 0.07%, 0.46%

LAB 47.95, 9.16, -5.99

 

CMYK 37 / 0 / 74 / 27

HEX #75B931

RGB 117 185 49

HSL 90, 0.58%, 0.46%

LAB 68.53, -42.99, 58.48

 

CMYK 56 / 0 / 74 / 27

HEX #51B931

RGB 81 185 49

HSL 105.88, 0.58%, 0.46%

LAB 67.03, -54.19, 56.48

 

CMYK 74 / 0 / 71 / 27

HEX #31B935

RGB 49 185 53

HSL 121.76, 0.58%, 0.46%

LAB 66.22, -60.72, 53.91

 

CMYK 74 / 0 / 51 / 27

HEX #31B95A

RGB 49 185 90

HSL 138.09, 0.58%, 0.46%

LAB 66.59, -56.32, 37.83

 

CMYK 74 / 0 / 32 / 27

HEX #31B97E

RGB 49 185 126

HSL 153.97, 0.58%, 0.46%

LAB 67.17, -49.73, 19.84

 

CMYK 74 / 0 / 71 / 53

HEX #1F7823

RGB 31 120 35

HSL 122.7, 0.59%, 0.3%

LAB 44.01, -43.4, 37.75

 

CMYK 74 / 0 / 71 / 40

HEX #28982C

RGB 40 152 44

HSL 122.14, 0.58%, 0.38%

LAB 55.16, -52.08, 45.85

 

CMYK 74 / 0 / 71 / 27

HEX #31B936

RGB 49 185 54

HSL 122.21, 0.58%, 0.46%

LAB 66.23, -60.63, 53.54

 

CMYK 66 / 0 / 63 / 20

HEX #46CD4B

RGB 70 205 75

HSL 122.22, 0.57%, 0.54%

LAB 73.2, -61.48, 52.65

 

CMYK 52 / 0 / 50 / 16

HEX #66D66A

RGB 102 214 106

HSL 122.14, 0.58%, 0.62%

LAB 77.26, -53.67, 43.48

 

CMYK 73 / 0 / 70 / 27

HEX #32BA37

RGB 50 186 55

HSL 122.21, 0.58%, 0.46%

LAB 66.57, -60.71, 53.52

 

CMYK 74 / 17 / 0 / 27

HEX #3199B9

RGB 49 153 185

HSL 194.12, 0.58%, 0.46%

LAB 58.92, -18.67, -25.1

 

CMYK 0 / 74 / 46 / 27

HEX #B93163

RGB 185 49 99

HSL 337.94, 0.58%, 0.46%

LAB 43.38, 57.25, 3.48

 

CMYK 73 / 0 / 70 / 27

HEX #32BA37

RGB 50 186 55

HSL 122.21, 0.58%, 0.46%

LAB 66.57, -60.71, 53.52

 

CMYK 71 / 74 / 0 / 27

HEX #3531B9

RGB 53 49 185

HSL 241.76, 0.58%, 0.46%

LAB 30.54, 45.44, -70.43

 

CMYK 0 / 71 / 74 / 27

HEX #B93531

RGB 185 53 49

HSL 1.76, 0.58%, 0.46%

LAB 42.89, 52.4, 33.53

 

CMYK 73 / 0 / 70 / 27

HEX #32BA37

RGB 50 186 55

HSL 122.21, 0.58%, 0.46%

LAB 66.57, -60.71, 53.52

 

CMYK 74 / 17 / 0 / 27

HEX #3199B9

RGB 49 153 185

HSL 194.12, 0.58%, 0.46%

LAB 58.92, -18.67, -25.1

 

CMYK 0 / 74 / 3 / 27

HEX #B931B4

RGB 185 49 180

HSL 302.21, 0.58%, 0.46%

LAB 46.72, 67.59, -40.49

 

CMYK 0 / 56 / 74 / 27

HEX #B95131

RGB 185 81 49

HSL 14.12, 0.58%, 0.46%

LAB 47.52, 40.04, 38.69

 

CMYK 73 / 0 / 70 / 27

HEX #32BA37

RGB 50 186 55

HSL 122.21, 0.58%, 0.46%

LAB 66.57, -60.71, 53.52

 

CMYK 74 / 39 / 0 / 27

HEX #3170B9

RGB 49 112 185

HSL 212.21, 0.58%, 0.46%

LAB 46.64, 5.04, -44.33

 

CMYK 0 / 74 / 3 / 27

HEX #B931B4

RGB 185 49 180

HSL 302.21, 0.58%, 0.46%

LAB 46.72, 67.59, -40.49

 

CMYK 0 / 35 / 74 / 27

HEX #B97931

RGB 185 121 49

HSL 31.76, 0.58%, 0.46%

LAB 56.3, 18.67, 47.98

 

Description

Color code: RGB 50 186 55 | qconv.com Color code: RGB 50 186 55 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 186 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 186 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 70 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 70% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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