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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 174 204 it is the complementary color RGB 205 81 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 174 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 174 204 shade: RGB 55 174 199, RGB 72 192 218, RGB 89 210 237, RGB 106 228 255 and RGB 123 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 174 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 174 204 shade: RGB 50 174 204, RGB 33 156 185, RGB 16 138 166, RGB 0 120 147 and RGB 0 102 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 174 204 shade: RGB 49 174 205, RGB 49 133 205, RGB 49 91 205, RGB 50 49 205 and RGB 92 49 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 174 204 shade: RGB 49 174 205, RGB 49 133 205, RGB 49 91 205 and RGB 49 49 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 174 204 shade matches the following richer shades: RGB 49 174 205, RGB 29 187 225 and RGB 8 200 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 174 204 shade: RGB 49 174 205, RGB 70 162 184, RGB 90 149 164, RGB 111 137 143 and RGB 132 124 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 174 204 shade: RGB 49 205 150, RGB 49 205 192, RGB 49 176 205, RGB 49 135 205 and RGB 49 93 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 174 204 shade: RGB 33 118 138, RGB 41 146 172, RGB 49 174 205, RGB 82 187 213 and RGB 116 200 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 174 204 shade: RGB 50 174 204, RGB 109 49 205 and RGB 205 171 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 174 204 shade: RGB 50 174 204, RGB 205 49 176 and RGB 176 205 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 174 204 shade: RGB 50 174 204, RGB 109 49 205, RGB 205 78 49 and RGB 145 205 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 174 204 shade: RGB 50 174 204, RGB 156 49 205, RGB 205 78 49 and RGB 98 205 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 15 / 0 / 20

HEX #32AECC

RGB 50 174 204

HSL 191.69, 0.61%, 0.5%

LAB 65.99, -23.3, -24.85

 

Complementary color

CMYK 0 / 60 / 75 / 20

HEX #CD5133

RGB 205 81 51

HSL 11.69, 0.61%, 0.5%

LAB 50.81, 47.54, 42.13

 

CMYK 72 / 13 / 0 / 22

HEX #37AEC7

RGB 55 174 199

HSL 190.42, 0.57%, 0.5%

LAB 65.91, -24.29, -22.2

 

CMYK 67 / 12 / 0 / 15

HEX #48C0DA

RGB 72 192 218

HSL 190.68, 0.66%, 0.57%

LAB 72.32, -25.14, -22.81

 

CMYK 62 / 11 / 0 / 7

HEX #59D2ED

RGB 89 210 237

HSL 190.95, 0.8%, 0.64%

LAB 78.65, -25.79, -23.36

 

CMYK 58 / 11 / 0 / 0

HEX #6AE4FF

RGB 106 228 255

HSL 190.87, 1%, 0.71%

LAB 84.88, -26.58, -23.4

 

CMYK 52 / 4 / 0 / 0

HEX #7BF6FF

RGB 123 246 255

HSL 184.09, 1%, 0.74%

LAB 90.48, -32.02, -14.89

 

CMYK 75 / 15 / 0 / 20

HEX #32AECC

RGB 50 174 204

HSL 191.69, 0.61%, 0.5%

LAB 65.99, -23.3, -24.85

 

CMYK 82 / 16 / 0 / 27

HEX #219CB9

RGB 33 156 185

HSL 191.45, 0.7%, 0.43%

LAB 59.53, -21.98, -24.19

 

CMYK 90 / 17 / 0 / 35

HEX #108AA6

RGB 16 138 166

HSL 191.2, 0.82%, 0.36%

LAB 52.99, -20.25, -23.43

 

CMYK 100 / 18 / 0 / 42

HEX #007893

RGB 0 120 147

HSL 191.02, 1%, 0.29%

LAB 46.36, -18.1, -22.58

 

CMYK 100 / 20 / 0 / 50

HEX #006680

RGB 0 102 128

HSL 192.19, 1%, 0.25%

LAB 39.68, -15.13, -21.53

 

CMYK 76 / 15 / 0 / 20

HEX #31AECD

RGB 49 174 205

HSL 191.92, 0.61%, 0.5%

LAB 66.01, -23.09, -25.38

 

CMYK 76 / 35 / 0 / 20

HEX #3185CD

RGB 49 133 205

HSL 207.69, 0.61%, 0.5%

LAB 53.85, -0.39, -44.33

 

CMYK 76 / 56 / 0 / 20

HEX #315BCD

RGB 49 91 205

HSL 223.85, 0.61%, 0.5%

LAB 42.07, 25.95, -63.25

 

CMYK 76 / 76 / 0 / 20

HEX #3231CD

RGB 50 49 205

HSL 240.38, 0.61%, 0.5%

LAB 32.44, 51.65, -79.03

 

CMYK 55 / 76 / 0 / 20

HEX #5C31CD

RGB 92 49 205

HSL 256.54, 0.61%, 0.5%

LAB 35.75, 56.03, -73.46

 

CMYK 76 / 15 / 0 / 20

HEX #31AECD

RGB 49 174 205

HSL 191.92, 0.61%, 0.5%

LAB 66.01, -23.09, -25.38

 

CMYK 76 / 35 / 0 / 20

HEX #3185CD

RGB 49 133 205

HSL 207.69, 0.61%, 0.5%

LAB 53.85, -0.39, -44.33

 

CMYK 76 / 56 / 0 / 20

HEX #315BCD

RGB 49 91 205

HSL 223.85, 0.61%, 0.5%

LAB 42.07, 25.95, -63.25

 

CMYK 76 / 76 / 0 / 20

HEX #3131CD

RGB 49 49 205

HSL 240, 0.61%, 0.5%

LAB 32.39, 51.57, -79.12

 

CMYK 76 / 15 / 0 / 20

HEX #31AECD

RGB 49 174 205

HSL 191.92, 0.61%, 0.5%

LAB 66.01, -23.09, -25.38

 

CMYK 87 / 17 / 0 / 12

HEX #1DBBE1

RGB 29 187 225

HSL 191.63, 0.77%, 0.5%

LAB 70.34, -24.81, -29.72

 

CMYK 97 / 19 / 0 / 4

HEX #08C8F6

RGB 8 200 246

HSL 191.6, 0.94%, 0.5%

LAB 74.83, -25.17, -34.16

 

CMYK 76 / 15 / 0 / 20

HEX #31AECD

RGB 49 174 205

HSL 191.92, 0.61%, 0.5%

LAB 66.01, -23.09, -25.38

 

CMYK 62 / 12 / 0 / 28

HEX #46A2B8

RGB 70 162 184

HSL 191.58, 0.45%, 0.5%

LAB 62.17, -20.49, -19.51

 

CMYK 45 / 9 / 0 / 36

HEX #5A95A4

RGB 90 149 164

HSL 192.16, 0.29%, 0.5%

LAB 58.37, -15.12, -13.9

 

CMYK 22 / 4 / 0 / 44

HEX #6F898F

RGB 111 137 143

HSL 191.25, 0.13%, 0.5%

LAB 55.33, -7.82, -6.28

 

CMYK 0 / 6 / 8 / 48

HEX #847C7A

RGB 132 124 122

HSL 12, 0.04%, 0.5%

LAB 52.65, 2.66, 2.17

 

CMYK 76 / 0 / 27 / 20

HEX #31CD96

RGB 49 205 150

HSL 158.85, 0.61%, 0.5%

LAB 73.88, -52.35, 16.25

 

CMYK 76 / 0 / 6 / 20

HEX #31CDC0

RGB 49 205 192

HSL 175, 0.61%, 0.5%

LAB 74.9, -41.78, -4.87

 

CMYK 76 / 14 / 0 / 20

HEX #31B0CD

RGB 49 176 205

HSL 191.15, 0.61%, 0.5%

LAB 66.6, -24.11, -24.47

 

CMYK 76 / 34 / 0 / 20

HEX #3187CD

RGB 49 135 205

HSL 206.92, 0.61%, 0.5%

LAB 54.44, -1.58, -43.41

 

CMYK 76 / 55 / 0 / 20

HEX #315DCD

RGB 49 93 205

HSL 223.08, 0.61%, 0.5%

LAB 42.6, 24.66, -62.38

 

CMYK 76 / 14 / 0 / 46

HEX #21768A

RGB 33 118 138

HSL 191.43, 0.61%, 0.34%

LAB 45.79, -17.67, -18.09

 

CMYK 76 / 15 / 0 / 33

HEX #2992AC

RGB 41 146 172

HSL 191.91, 0.62%, 0.42%

LAB 56.1, -20.26, -22.07

 

CMYK 76 / 15 / 0 / 20

HEX #31AECD

RGB 49 174 205

HSL 191.92, 0.61%, 0.5%

LAB 66.01, -23.09, -25.38

 

CMYK 62 / 12 / 0 / 16

HEX #52BBD5

RGB 82 187 213

HSL 191.91, 0.61%, 0.58%

LAB 70.97, -22.51, -22.12

 

CMYK 48 / 10 / 0 / 13

HEX #74C8DD

RGB 116 200 221

HSL 192, 0.61%, 0.66%

LAB 76.22, -19.98, -18.38

 

CMYK 75 / 15 / 0 / 20

HEX #32AECC

RGB 50 174 204

HSL 191.69, 0.61%, 0.5%

LAB 65.99, -23.3, -24.85

 

CMYK 47 / 76 / 0 / 20

HEX #6D31CD

RGB 109 49 205

HSL 263.08, 0.61%, 0.5%

LAB 37.58, 58.41, -70.38

 

CMYK 0 / 17 / 76 / 20

HEX #CDAB31

RGB 205 171 49

HSL 46.92, 0.61%, 0.5%

LAB 71.1, 0.2, 63.2

 

CMYK 75 / 15 / 0 / 20

HEX #32AECC

RGB 50 174 204

HSL 191.69, 0.61%, 0.5%

LAB 65.99, -23.3, -24.85

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B0

RGB 205 49 176

HSL 311.15, 0.61%, 0.5%

LAB 49.87, 71.4, -32.95

 

CMYK 14 / 0 / 76 / 20

HEX #B0CD31

RGB 176 205 49

HSL 71.15, 0.61%, 0.5%

LAB 77.94, -29.33, 68.72

 

CMYK 75 / 15 / 0 / 20

HEX #32AECC

RGB 50 174 204

HSL 191.69, 0.61%, 0.5%

LAB 65.99, -23.3, -24.85

 

CMYK 47 / 76 / 0 / 20

HEX #6D31CD

RGB 109 49 205

HSL 263.08, 0.61%, 0.5%

LAB 37.58, 58.41, -70.38

 

CMYK 0 / 62 / 76 / 20

HEX #CD4E31

RGB 205 78 49

HSL 11.15, 0.61%, 0.5%

LAB 50.27, 48.82, 42.62

 

CMYK 29 / 0 / 76 / 20

HEX #91CD31

RGB 145 205 49

HSL 83.08, 0.61%, 0.5%

LAB 76.01, -41.44, 66.22

 

CMYK 75 / 15 / 0 / 20

HEX #32AECC

RGB 50 174 204

HSL 191.69, 0.61%, 0.5%

LAB 65.99, -23.3, -24.85

 

CMYK 24 / 76 / 0 / 20

HEX #9C31CD

RGB 156 49 205

HSL 281.15, 0.61%, 0.5%

LAB 43.76, 66.27, -60.05

 

CMYK 0 / 62 / 76 / 20

HEX #CD4E31

RGB 205 78 49

HSL 11.15, 0.61%, 0.5%

LAB 50.27, 48.82, 42.62

 

CMYK 52 / 0 / 76 / 20

HEX #62CD31

RGB 98 205 49

HSL 101.15, 0.61%, 0.5%

LAB 73.86, -56.92, 63.41

 

Description

Color code: RGB 50 174 204 | qconv.com Color code: RGB 50 174 204 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 174 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 174 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 15 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 15% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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