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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 167 128 it is the complementary color RGB 205 88 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 167 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 167 128 shade: RGB 55 167 123, RGB 72 185 142, RGB 89 203 161, RGB 106 221 180 and RGB 123 239 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 167 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 167 128 shade: RGB 50 167 128, RGB 33 149 109, RGB 16 131 90, RGB 0 113 71 and RGB 0 95 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 167 128 shade: RGB 50 168 129, RGB 50 168 97, RGB 50 168 65, RGB 67 168 50 and RGB 99 168 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 167 128 shade: RGB 50 168 129, RGB 50 168 161, RGB 50 144 168, RGB 50 112 168 and RGB 50 80 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 167 128 shade matches the following richer shades: RGB 50 168 129, RGB 32 186 135 and RGB 14 204 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 167 128 shade: RGB 50 168 129, RGB 68 151 123, RGB 85 133 117, RGB 103 115 111 and RGB 121 97 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 167 128 shade: RGB 50 168 66, RGB 50 168 97, RGB 50 168 129, RGB 50 168 160 and RGB 50 145 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 167 128 shade: RGB 31 105 80, RGB 40 137 105, RGB 50 168 129, RGB 62 197 152 and RGB 94 207 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 167 128 shade: RGB 50 167 128, RGB 50 66 168 and RGB 168 82 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 167 128 shade: RGB 50 167 128, RGB 129 50 168 and RGB 168 129 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 167 128 shade: RGB 50 167 128, RGB 50 66 168, RGB 168 50 89 and RGB 168 153 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 167 128 shade: RGB 50 167 128, RGB 70 50 168, RGB 168 50 89 and RGB 149 168 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 23 / 35

HEX #32A780

RGB 50 167 128

HSL 160, 0.54%, 0.43%

LAB 61.55, -41.74, 10.93

 

Complementary color

CMYK 0 / 57 / 38 / 20

HEX #CD587F

RGB 205 88 127

HSL 340, 0.54%, 0.57%

LAB 53.48, 50.13, 1.53

 

CMYK 67 / 0 / 26 / 35

HEX #37A77B

RGB 55 167 123

HSL 156.43, 0.5%, 0.44%

LAB 61.55, -42.07, 13.73

 

CMYK 61 / 0 / 23 / 27

HEX #48B98E

RGB 72 185 142

HSL 157.17, 0.45%, 0.5%

LAB 68.04, -42.3, 12.46

 

CMYK 56 / 0 / 21 / 20

HEX #59CBA1

RGB 89 203 161

HSL 157.89, 0.52%, 0.57%

LAB 74.45, -42.37, 11.31

 

CMYK 52 / 0 / 19 / 13

HEX #6ADDB4

RGB 106 221 180

HSL 158.61, 0.63%, 0.64%

LAB 80.78, -42.34, 10.25

 

CMYK 49 / 0 / 17 / 6

HEX #7BEFC7

RGB 123 239 199

HSL 159.31, 0.78%, 0.71%

LAB 87.03, -42.24, 9.27

 

CMYK 70 / 0 / 23 / 35

HEX #32A780

RGB 50 167 128

HSL 160, 0.54%, 0.43%

LAB 61.55, -41.74, 10.93

 

CMYK 78 / 0 / 27 / 42

HEX #21956D

RGB 33 149 109

HSL 159.31, 0.64%, 0.36%

LAB 54.99, -41.1, 12.34

 

CMYK 88 / 0 / 31 / 49

HEX #10835A

RGB 16 131 90

HSL 158.61, 0.78%, 0.29%

LAB 48.36, -40.01, 13.94

 

CMYK 100 / 0 / 37 / 56

HEX #007147

RGB 0 113 71

HSL 157.7, 1%, 0.22%

LAB 41.63, -38.42, 15.75

 

CMYK 100 / 0 / 45 / 63

HEX #005F34

RGB 0 95 52

HSL 152.84, 1%, 0.19%

LAB 34.87, -35.58, 17.9

 

CMYK 70 / 0 / 23 / 34

HEX #32A881

RGB 50 168 129

HSL 160.17, 0.54%, 0.43%

LAB 61.89, -41.93, 10.85

 

CMYK 70 / 0 / 42 / 34

HEX #32A861

RGB 50 168 97

HSL 143.9, 0.54%, 0.43%

LAB 61.26, -48.7, 27.47

 

CMYK 70 / 0 / 61 / 34

HEX #32A841

RGB 50 168 65

HSL 127.63, 0.54%, 0.43%

LAB 60.84, -53.57, 42.99

 

CMYK 60 / 0 / 70 / 34

HEX #43A832

RGB 67 168 50

HSL 111.36, 0.54%, 0.43%

LAB 61.16, -51.46, 49.94

 

CMYK 41 / 0 / 70 / 34

HEX #63A832

RGB 99 168 50

HSL 95.08, 0.54%, 0.43%

LAB 62.41, -41.97, 51.64

 

CMYK 70 / 0 / 23 / 34

HEX #32A881

RGB 50 168 129

HSL 160.17, 0.54%, 0.43%

LAB 61.89, -41.93, 10.85

 

CMYK 70 / 0 / 4 / 34

HEX #32A8A1

RGB 50 168 161

HSL 176.44, 0.54%, 0.43%

LAB 62.72, -33.49, -5.82

 

CMYK 70 / 14 / 0 / 34

HEX #3290A8

RGB 50 144 168

HSL 192.2, 0.54%, 0.43%

LAB 55.53, -19.32, -20.62

 

CMYK 70 / 33 / 0 / 34

HEX #3270A8

RGB 50 112 168

HSL 208.47, 0.54%, 0.43%

LAB 45.76, -1.05, -35.81

 

CMYK 70 / 52 / 0 / 34

HEX #3250A8

RGB 50 80 168

HSL 224.75, 0.54%, 0.43%

LAB 36.45, 19.44, -50.68

 

CMYK 70 / 0 / 23 / 34

HEX #32A881

RGB 50 168 129

HSL 160.17, 0.54%, 0.43%

LAB 61.89, -41.93, 10.85

 

CMYK 83 / 0 / 27 / 27

HEX #20BA87

RGB 32 186 135

HSL 160.13, 0.71%, 0.43%

LAB 67.41, -50.08, 15.26

 

CMYK 93 / 0 / 31 / 20

HEX #0ECC8D

RGB 14 204 141

HSL 160.11, 0.87%, 0.43%

LAB 73.02, -56.75, 19.8

 

CMYK 70 / 0 / 23 / 34

HEX #32A881

RGB 50 168 129

HSL 160.17, 0.54%, 0.43%

LAB 61.89, -41.93, 10.85

 

CMYK 55 / 0 / 19 / 41

HEX #44977B

RGB 68 151 123

HSL 159.76, 0.38%, 0.43%

LAB 56.87, -32.25, 7.18

 

CMYK 36 / 0 / 12 / 48

HEX #558575

RGB 85 133 117

HSL 160, 0.22%, 0.43%

LAB 51.83, -20.1, 3.48

 

CMYK 10 / 0 / 3 / 55

HEX #67736F

RGB 103 115 111

HSL 160, 0.06%, 0.43%

LAB 47.36, -5.35, 0.67

 

CMYK 0 / 20 / 13 / 53

HEX #796169

RGB 121 97 105

HSL 340, 0.11%, 0.43%

LAB 43.7, 11.1, -0.86

 

CMYK 70 / 0 / 61 / 34

HEX #32A842

RGB 50 168 66

HSL 128.14, 0.54%, 0.43%

LAB 60.85, -53.45, 42.54

 

CMYK 70 / 0 / 42 / 34

HEX #32A861

RGB 50 168 97

HSL 143.9, 0.54%, 0.43%

LAB 61.26, -48.7, 27.47

 

CMYK 70 / 0 / 23 / 34

HEX #32A881

RGB 50 168 129

HSL 160.17, 0.54%, 0.43%

LAB 61.89, -41.93, 10.85

 

CMYK 70 / 0 / 5 / 34

HEX #32A8A0

RGB 50 168 160

HSL 175.93, 0.54%, 0.43%

LAB 62.69, -33.78, -5.31

 

CMYK 70 / 14 / 0 / 34

HEX #3291A8

RGB 50 145 168

HSL 191.69, 0.54%, 0.43%

LAB 55.84, -19.86, -20.15

 

CMYK 70 / 0 / 24 / 59

HEX #1F6950

RGB 31 105 80

HSL 159.73, 0.54%, 0.27%

LAB 39.54, -29.15, 7.56

 

CMYK 71 / 0 / 23 / 46

HEX #288969

RGB 40 137 105

HSL 160.21, 0.55%, 0.35%

LAB 51.11, -35.87, 9.18

 

CMYK 70 / 0 / 23 / 34

HEX #32A881

RGB 50 168 129

HSL 160.17, 0.54%, 0.43%

LAB 61.89, -41.93, 10.85

 

CMYK 69 / 0 / 23 / 23

HEX #3EC598

RGB 62 197 152

HSL 160, 0.54%, 0.51%

LAB 71.71, -46.86, 12.17

 

CMYK 55 / 0 / 18 / 19

HEX #5ECFA9

RGB 94 207 169

HSL 159.82, 0.54%, 0.59%

LAB 75.99, -41.26, 9.23

 

CMYK 70 / 0 / 23 / 35

HEX #32A780

RGB 50 167 128

HSL 160, 0.54%, 0.43%

LAB 61.55, -41.74, 10.93

 

CMYK 70 / 61 / 0 / 34

HEX #3242A8

RGB 50 66 168

HSL 231.86, 0.54%, 0.43%

LAB 32.7, 28.69, -56.75

 

CMYK 0 / 51 / 70 / 34

HEX #A85232

RGB 168 82 50

HSL 16.27, 0.54%, 0.43%

LAB 45.07, 32.89, 34.67

 

CMYK 70 / 0 / 23 / 35

HEX #32A780

RGB 50 167 128

HSL 160, 0.54%, 0.43%

LAB 61.55, -41.74, 10.93

 

CMYK 23 / 70 / 0 / 34

HEX #8132A8

RGB 129 50 168

HSL 280.17, 0.54%, 0.43%

LAB 37.44, 52.82, -48.71

 

CMYK 0 / 23 / 70 / 34

HEX #A88132

RGB 168 129 50

HSL 40.17, 0.54%, 0.43%

LAB 56.34, 6.71, 46.95

 

CMYK 70 / 0 / 23 / 35

HEX #32A780

RGB 50 167 128

HSL 160, 0.54%, 0.43%

LAB 61.55, -41.74, 10.93

 

CMYK 70 / 61 / 0 / 34

HEX #3242A8

RGB 50 66 168

HSL 231.86, 0.54%, 0.43%

LAB 32.7, 28.69, -56.75

 

CMYK 0 / 70 / 47 / 34

HEX #A83259

RGB 168 50 89

HSL 340.17, 0.54%, 0.43%

LAB 40.13, 50.9, 4.67

 

CMYK 0 / 9 / 70 / 34

HEX #A89932

RGB 168 153 50

HSL 52.37, 0.54%, 0.43%

LAB 62.79, -6.47, 53.56

 

CMYK 70 / 0 / 23 / 35

HEX #32A780

RGB 50 167 128

HSL 160, 0.54%, 0.43%

LAB 61.55, -41.74, 10.93

 

CMYK 58 / 70 / 0 / 34

HEX #4632A8

RGB 70 50 168

HSL 250.17, 0.54%, 0.43%

LAB 30.43, 41.58, -60.42

 

CMYK 0 / 70 / 47 / 34

HEX #A83259

RGB 168 50 89

HSL 340.17, 0.54%, 0.43%

LAB 40.13, 50.9, 4.67

 

CMYK 11 / 0 / 70 / 34

HEX #95A832

RGB 149 168 50

HSL 69.66, 0.54%, 0.43%

LAB 65.46, -22.53, 55.71

 

Description

Color code: RGB 50 167 128 | qconv.com Color code: RGB 50 167 128 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 167 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 167 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 23 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 23% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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