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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 135 210 it is the complementary color RGB 205 120 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 135 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 135 210 shade: RGB 55 135 205, RGB 72 153 224, RGB 89 171 243, RGB 106 189 255 and RGB 123 207 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 135 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 135 210 shade: RGB 50 135 210, RGB 33 117 191, RGB 16 99 172, RGB 0 81 153 and RGB 0 63 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 135 210 shade: RGB 50 135 210, RGB 50 91 210, RGB 51 50 210, RGB 94 50 210 and RGB 137 50 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 135 210 shade: RGB 50 135 210, RGB 50 91 210 and RGB 50 50 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 135 210 shade matches the following richer shades: RGB 50 135 210, RGB 29 136 230 and RGB 9 137 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 135 210 shade: RGB 50 135 210, RGB 70 133 189, RGB 90 132 169, RGB 110 131 149 and RGB 130 129 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 135 210 shade: RGB 50 210 199, RGB 50 178 210, RGB 50 135 210, RGB 50 92 210 and RGB 50 50 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 135 210 shade: RGB 31 92 145, RGB 39 113 179, RGB 50 135 210, RGB 83 154 217 and RGB 117 174 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 135 210 shade: RGB 50 135 210, RGB 156 50 210 and RGB 199 210 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 135 210 shade: RGB 50 135 210, RGB 210 50 135 and RGB 135 210 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 135 210 shade: RGB 50 135 210, RGB 156 50 210, RGB 210 124 50 and RGB 103 210 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 135 210 shade: RGB 50 135 210, RGB 204 50 210, RGB 210 124 50 and RGB 55 210 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 36 / 0 / 18

HEX #3287D2

RGB 50 135 210

HSL 208.13, 0.64%, 0.51%

LAB 54.72, 0.36, -45.78

 

Complementary color

CMYK 0 / 41 / 78 / 20

HEX #CD782D

RGB 205 120 45

HSL 28.13, 0.64%, 0.49%

LAB 58.6, 27.59, 52.9

 

CMYK 73 / 34 / 0 / 20

HEX #3787CD

RGB 55 135 205

HSL 208, 0.6%, 0.51%

LAB 54.6, -0.82, -43.13

 

CMYK 68 / 32 / 0 / 12

HEX #4899E0

RGB 72 153 224

HSL 208.03, 0.71%, 0.58%

LAB 61.26, -2.23, -43.25

 

CMYK 63 / 30 / 0 / 5

HEX #59ABF3

RGB 89 171 243

HSL 208.05, 0.87%, 0.65%

LAB 67.81, -3.36, -43.35

 

CMYK 58 / 26 / 0 / 0

HEX #6ABDFF

RGB 106 189 255

HSL 206.58, 1%, 0.71%

LAB 73.98, -6.45, -40.16

 

CMYK 52 / 19 / 0 / 0

HEX #7BCFFF

RGB 123 207 255

HSL 201.82, 1%, 0.74%

LAB 79.65, -12.63, -31.34

 

CMYK 76 / 36 / 0 / 18

HEX #3287D2

RGB 50 135 210

HSL 208.13, 0.64%, 0.51%

LAB 54.72, 0.36, -45.78

 

CMYK 83 / 39 / 0 / 25

HEX #2175BF

RGB 33 117 191

HSL 208.1, 0.71%, 0.44%

LAB 48.02, 2.38, -45.63

 

CMYK 91 / 42 / 0 / 33

HEX #1063AC

RGB 16 99 172

HSL 208.08, 0.83%, 0.37%

LAB 41.24, 4.97, -45.4

 

CMYK 100 / 47 / 0 / 40

HEX #005199

RGB 0 81 153

HSL 208.24, 1%, 0.3%

LAB 34.36, 8.18, -45.1

 

CMYK 100 / 53 / 0 / 47

HEX #003F86

RGB 0 63 134

HSL 211.79, 1%, 0.26%

LAB 27.51, 12.44, -44.53

 

CMYK 76 / 36 / 0 / 18

HEX #3287D2

RGB 50 135 210

HSL 208.13, 0.64%, 0.51%

LAB 54.72, 0.36, -45.78

 

CMYK 76 / 57 / 0 / 18

HEX #325BD2

RGB 50 91 210

HSL 224.63, 0.64%, 0.51%

LAB 42.48, 27.91, -65.44

 

CMYK 76 / 76 / 0 / 18

HEX #3332D2

RGB 51 50 210

HSL 240.38, 0.64%, 0.51%

LAB 33.22, 52.78, -80.65

 

CMYK 55 / 76 / 0 / 18

HEX #5E32D2

RGB 94 50 210

HSL 256.5, 0.64%, 0.51%

LAB 36.58, 57.2, -74.98

 

CMYK 35 / 76 / 0 / 18

HEX #8932D2

RGB 137 50 210

HSL 272.63, 0.64%, 0.51%

LAB 41.61, 63.64, -66.54

 

CMYK 76 / 36 / 0 / 18

HEX #3287D2

RGB 50 135 210

HSL 208.13, 0.64%, 0.51%

LAB 54.72, 0.36, -45.78

 

CMYK 76 / 57 / 0 / 18

HEX #325BD2

RGB 50 91 210

HSL 224.63, 0.64%, 0.51%

LAB 42.48, 27.91, -65.44

 

CMYK 76 / 76 / 0 / 18

HEX #3232D2

RGB 50 50 210

HSL 240, 0.64%, 0.51%

LAB 33.16, 52.71, -80.74

 

CMYK 76 / 36 / 0 / 18

HEX #3287D2

RGB 50 135 210

HSL 208.13, 0.64%, 0.51%

LAB 54.72, 0.36, -45.78

 

CMYK 87 / 41 / 0 / 10

HEX #1D88E6

RGB 29 136 230

HSL 208.06, 0.8%, 0.51%

LAB 55.67, 5.32, -55.52

 

CMYK 96 / 45 / 0 / 2

HEX #0989FA

RGB 9 137 250

HSL 208.13, 0.96%, 0.51%

LAB 56.93, 11.52, -64.6

 

CMYK 76 / 36 / 0 / 18

HEX #3287D2

RGB 50 135 210

HSL 208.13, 0.64%, 0.51%

LAB 54.72, 0.36, -45.78

 

CMYK 63 / 30 / 0 / 26

HEX #4685BD

RGB 70 133 189

HSL 208.24, 0.47%, 0.51%

LAB 53.76, -2.82, -35.33

 

CMYK 47 / 22 / 0 / 34

HEX #5A84A9

RGB 90 132 169

HSL 208.1, 0.31%, 0.51%

LAB 53.54, -4.18, -24.13

 

CMYK 26 / 12 / 0 / 42

HEX #6E8395

RGB 110 131 149

HSL 207.69, 0.16%, 0.51%

LAB 53.73, -3.29, -12.16

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 76 / 0 / 5 / 18

HEX #32D2C7

RGB 50 210 199

HSL 175.88, 0.64%, 0.51%

LAB 76.62, -41.95, -6.12

 

CMYK 76 / 15 / 0 / 18

HEX #32B2D2

RGB 50 178 210

HSL 192, 0.64%, 0.51%

LAB 67.41, -23.41, -25.99

 

CMYK 76 / 36 / 0 / 18

HEX #3287D2

RGB 50 135 210

HSL 208.13, 0.64%, 0.51%

LAB 54.72, 0.36, -45.78

 

CMYK 76 / 56 / 0 / 18

HEX #325CD2

RGB 50 92 210

HSL 224.25, 0.64%, 0.51%

LAB 42.74, 27.27, -65.02

 

CMYK 76 / 76 / 0 / 18

HEX #3232D2

RGB 50 50 210

HSL 240, 0.64%, 0.51%

LAB 33.16, 52.71, -80.74

 

CMYK 79 / 37 / 0 / 43

HEX #1F5C91

RGB 31 92 145

HSL 207.89, 0.65%, 0.35%

LAB 37.82, 0.06, -34.71

 

CMYK 78 / 37 / 0 / 30

HEX #2771B3

RGB 39 113 179

HSL 208.29, 0.64%, 0.43%

LAB 46.31, 0.91, -41.39

 

CMYK 76 / 36 / 0 / 18

HEX #3287D2

RGB 50 135 210

HSL 208.13, 0.64%, 0.51%

LAB 54.72, 0.36, -45.78

 

CMYK 62 / 29 / 0 / 15

HEX #539AD9

RGB 83 154 217

HSL 208.21, 0.64%, 0.59%

LAB 61.62, -3.28, -38.76

 

CMYK 48 / 22 / 0 / 12

HEX #75AEE0

RGB 117 174 224

HSL 208.04, 0.63%, 0.67%

LAB 69.07, -5.15, -30.93

 

CMYK 76 / 36 / 0 / 18

HEX #3287D2

RGB 50 135 210

HSL 208.13, 0.64%, 0.51%

LAB 54.72, 0.36, -45.78

 

CMYK 26 / 76 / 0 / 18

HEX #9C32D2

RGB 156 50 210

HSL 279.75, 0.64%, 0.51%

LAB 44.24, 66.94, -62.16

 

CMYK 5 / 0 / 76 / 18

HEX #C7D232

RGB 199 210 50

HSL 64.13, 0.64%, 0.51%

LAB 81, -22.21, 71.84

 

CMYK 76 / 36 / 0 / 18

HEX #3287D2

RGB 50 135 210

HSL 208.13, 0.64%, 0.51%

LAB 54.72, 0.36, -45.78

 

CMYK 0 / 76 / 36 / 18

HEX #D23287

RGB 210 50 135

HSL 328.13, 0.64%, 0.51%

LAB 49.17, 67.27, -9.54

 

CMYK 36 / 0 / 76 / 18

HEX #87D232

RGB 135 210 50

HSL 88.13, 0.64%, 0.51%

LAB 76.97, -47.13, 66.63

 

CMYK 76 / 36 / 0 / 18

HEX #3287D2

RGB 50 135 210

HSL 208.13, 0.64%, 0.51%

LAB 54.72, 0.36, -45.78

 

CMYK 26 / 76 / 0 / 18

HEX #9C32D2

RGB 156 50 210

HSL 279.75, 0.64%, 0.51%

LAB 44.24, 66.94, -62.16

 

CMYK 0 / 41 / 76 / 18

HEX #D27C32

RGB 210 124 50

HSL 27.75, 0.64%, 0.51%

LAB 60.2, 27.74, 52.51

 

CMYK 51 / 0 / 76 / 18

HEX #67D232

RGB 103 210 50

HSL 100.13, 0.64%, 0.51%

LAB 75.58, -57.3, 64.82

 

CMYK 76 / 36 / 0 / 18

HEX #3287D2

RGB 50 135 210

HSL 208.13, 0.64%, 0.51%

LAB 54.72, 0.36, -45.78

 

CMYK 3 / 76 / 0 / 18

HEX #CC32D2

RGB 204 50 210

HSL 297.75, 0.64%, 0.51%

LAB 51.58, 76.01, -49.97

 

CMYK 0 / 41 / 76 / 18

HEX #D27C32

RGB 210 124 50

HSL 27.75, 0.64%, 0.51%

LAB 60.2, 27.74, 52.51

 

CMYK 74 / 0 / 76 / 18

HEX #37D232

RGB 55 210 50

HSL 118.13, 0.64%, 0.51%

LAB 74.28, -67.92, 63.1

 

Description

Color code: RGB 50 135 210 | qconv.com Color code: RGB 50 135 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 135 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 135 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 36 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 36% 0% 18% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

95% - Adobe Color CC
Link: https://color.adobe.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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