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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 130 133 it is the complementary color RGB 205 125 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 130 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 130 133 shade: RGB 55 130 128, RGB 72 148 147, RGB 89 166 166, RGB 106 184 185 and RGB 123 202 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 130 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 130 133 shade: RGB 50 130 133, RGB 33 112 114, RGB 16 94 95, RGB 0 76 76 and RGB 0 58 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 130 133 shade: RGB 50 130 133, RGB 50 107 133, RGB 50 85 133, RGB 50 63 133 and RGB 59 50 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 130 133 shade: RGB 50 130 133, RGB 50 107 133, RGB 50 85 133, RGB 50 63 133 and RGB 50 50 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 130 133 shade matches the following richer shades: RGB 50 130 133, RGB 35 143 147, RGB 20 157 162 and RGB 5 171 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 130 133 shade: RGB 50 130 133, RGB 65 116 118, RGB 80 102 103, RGB 95 88 88 and RGB 109 75 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 130 133 shade: RGB 50 133 91, RGB 50 133 113, RGB 50 130 133, RGB 50 108 133 and RGB 50 86 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 130 133 shade: RGB 27 71 73, RGB 39 100 103, RGB 50 130 133, RGB 61 159 163 and RGB 78 183 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 130 133 shade: RGB 50 130 133, RGB 69 50 133 and RGB 133 102 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 130 133 shade: RGB 50 130 133, RGB 133 50 130 and RGB 130 133 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 130 133 shade: RGB 50 130 133, RGB 69 50 133, RGB 133 53 50 and RGB 113 133 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 130 133 shade: RGB 50 130 133, RGB 94 50 133, RGB 133 53 50 and RGB 89 133 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 2 / 0 / 48

HEX #328285

RGB 50 130 133

HSL 182.17, 0.45%, 0.36%

LAB 49.9, -22.98, -8.87

 

Complementary color

CMYK 0 / 39 / 40 / 20

HEX #CD7D7A

RGB 205 125 122

HSL 2.17, 0.45%, 0.64%

LAB 60.83, 30.69, 14.89

 

CMYK 58 / 0 / 2 / 49

HEX #378280

RGB 55 130 128

HSL 178.4, 0.41%, 0.36%

LAB 49.9, -23.47, -5.92

 

CMYK 51 / 0 / 1 / 42

HEX #489493

RGB 72 148 147

HSL 179.21, 0.35%, 0.43%

LAB 56.75, -23.65, -6.69

 

CMYK 46 / 0 / 0 / 35

HEX #59A6A6

RGB 89 166 166

HSL 180, 0.3%, 0.5%

LAB 63.47, -23.72, -7.39

 

CMYK 43 / 1 / 0 / 27

HEX #6AB8B9

RGB 106 184 185

HSL 180.76, 0.36%, 0.57%

LAB 70.07, -23.73, -8.04

 

CMYK 40 / 1 / 0 / 20

HEX #7BCACC

RGB 123 202 204

HSL 181.48, 0.44%, 0.64%

LAB 76.56, -23.71, -8.65

 

CMYK 62 / 2 / 0 / 48

HEX #328285

RGB 50 130 133

HSL 182.17, 0.45%, 0.36%

LAB 49.9, -22.98, -8.87

 

CMYK 71 / 2 / 0 / 55

HEX #217072

RGB 33 112 114

HSL 181.48, 0.55%, 0.29%

LAB 42.95, -22.41, -8.03

 

CMYK 83 / 1 / 0 / 63

HEX #105E5F

RGB 16 94 95

HSL 180.76, 0.71%, 0.22%

LAB 35.87, -21.43, -7.04

 

CMYK 100 / 0 / 0 / 70

HEX #004C4C

RGB 0 76 76

HSL 180, 1%, 0.15%

LAB 28.62, -20.03, -5.89

 

CMYK 100 / 0 / 2 / 77

HEX #003A39

RGB 0 58 57

HSL 178.97, 1%, 0.11%

LAB 21.29, -17.13, -4.31

 

CMYK 62 / 2 / 0 / 48

HEX #328285

RGB 50 130 133

HSL 182.17, 0.45%, 0.36%

LAB 49.9, -22.98, -8.87

 

CMYK 62 / 20 / 0 / 48

HEX #326B85

RGB 50 107 133

HSL 198.8, 0.45%, 0.36%

LAB 42.59, -10.33, -19.97

 

CMYK 62 / 36 / 0 / 48

HEX #325585

RGB 50 85 133

HSL 214.7, 0.45%, 0.36%

LAB 35.73, 3.2, -30.67

 

CMYK 62 / 53 / 0 / 48

HEX #323F85

RGB 50 63 133

HSL 230.6, 0.45%, 0.36%

LAB 29.23, 17.85, -41.04

 

CMYK 56 / 62 / 0 / 48

HEX #3B3285

RGB 59 50 133

HSL 246.51, 0.45%, 0.36%

LAB 26.46, 28.32, -45.48

 

CMYK 62 / 2 / 0 / 48

HEX #328285

RGB 50 130 133

HSL 182.17, 0.45%, 0.36%

LAB 49.9, -22.98, -8.87

 

CMYK 62 / 20 / 0 / 48

HEX #326B85

RGB 50 107 133

HSL 198.8, 0.45%, 0.36%

LAB 42.59, -10.33, -19.97

 

CMYK 62 / 36 / 0 / 48

HEX #325585

RGB 50 85 133

HSL 214.7, 0.45%, 0.36%

LAB 35.73, 3.2, -30.67

 

CMYK 62 / 53 / 0 / 48

HEX #323F85

RGB 50 63 133

HSL 230.6, 0.45%, 0.36%

LAB 29.23, 17.85, -41.04

 

CMYK 62 / 62 / 0 / 48

HEX #323285

RGB 50 50 133

HSL 240, 0.45%, 0.36%

LAB 25.72, 26.6, -46.72

 

CMYK 62 / 2 / 0 / 48

HEX #328285

RGB 50 130 133

HSL 182.17, 0.45%, 0.36%

LAB 49.9, -22.98, -8.87

 

CMYK 76 / 3 / 0 / 42

HEX #238F93

RGB 35 143 147

HSL 182.14, 0.62%, 0.36%

LAB 54.14, -27.52, -10.69

 

CMYK 88 / 3 / 0 / 36

HEX #149DA2

RGB 20 157 162

HSL 182.11, 0.78%, 0.36%

LAB 58.86, -30.98, -12.21

 

CMYK 97 / 3 / 0 / 31

HEX #05ABB1

RGB 5 171 177

HSL 182.09, 0.95%, 0.36%

LAB 63.62, -33.59, -13.5

 

CMYK 62 / 2 / 0 / 48

HEX #328285

RGB 50 130 133

HSL 182.17, 0.45%, 0.36%

LAB 49.9, -22.98, -8.87

 

CMYK 45 / 2 / 0 / 54

HEX #417476

RGB 65 116 118

HSL 182.26, 0.29%, 0.36%

LAB 45.53, -16.51, -6.46

 

CMYK 22 / 1 / 0 / 60

HEX #506667

RGB 80 102 103

HSL 182.61, 0.13%, 0.36%

LAB 41.51, -7.93, -3.28

 

CMYK 0 / 7 / 7 / 63

HEX #5F5858

RGB 95 88 88

HSL 0, 0.04%, 0.36%

LAB 38.05, 2.83, 1.01

 

CMYK 0 / 31 / 33 / 57

HEX #6D4B49

RGB 109 75 73

HSL 3.33, 0.2%, 0.36%

LAB 35.53, 14.14, 6.98

 

CMYK 62 / 0 / 32 / 48

HEX #32855B

RGB 50 133 91

HSL 149.64, 0.45%, 0.36%

LAB 49.75, -35.44, 15.38

 

CMYK 62 / 0 / 15 / 48

HEX #328571

RGB 50 133 113

HSL 165.54, 0.45%, 0.36%

LAB 50.27, -30.14, 3.38

 

CMYK 62 / 2 / 0 / 48

HEX #328285

RGB 50 130 133

HSL 182.17, 0.45%, 0.36%

LAB 49.9, -22.98, -8.87

 

CMYK 62 / 19 / 0 / 48

HEX #326C85

RGB 50 108 133

HSL 198.07, 0.45%, 0.36%

LAB 42.91, -10.91, -19.49

 

CMYK 62 / 35 / 0 / 48

HEX #325685

RGB 50 86 133

HSL 213.98, 0.45%, 0.36%

LAB 36.04, 2.56, -30.19

 

CMYK 63 / 3 / 0 / 71

HEX #1B4749

RGB 27 71 73

HSL 182.61, 0.46%, 0.2%

LAB 27.35, -14.3, -5.77

 

CMYK 62 / 3 / 0 / 60

HEX #276467

RGB 39 100 103

HSL 182.81, 0.45%, 0.28%

LAB 38.77, -18.4, -7.59

 

CMYK 62 / 2 / 0 / 48

HEX #328285

RGB 50 130 133

HSL 182.17, 0.45%, 0.36%

LAB 49.9, -22.98, -8.87

 

CMYK 63 / 2 / 0 / 36

HEX #3D9FA3

RGB 61 159 163

HSL 182.35, 0.46%, 0.44%

LAB 60.28, -26.83, -10.57

 

CMYK 58 / 2 / 0 / 27

HEX #4EB7BB

RGB 78 183 187

HSL 182.2, 0.44%, 0.52%

LAB 68.81, -28.76, -11.14

 

CMYK 62 / 2 / 0 / 48

HEX #328285

RGB 50 130 133

HSL 182.17, 0.45%, 0.36%

LAB 49.9, -22.98, -8.87

 

CMYK 48 / 62 / 0 / 48

HEX #453285

RGB 69 50 133

HSL 253.73, 0.45%, 0.36%

LAB 27.41, 30.44, -43.91

 

CMYK 0 / 23 / 62 / 48

HEX #856632

RGB 133 102 50

HSL 37.59, 0.45%, 0.36%

LAB 45.25, 6.2, 33.66

 

CMYK 62 / 2 / 0 / 48

HEX #328285

RGB 50 130 133

HSL 182.17, 0.45%, 0.36%

LAB 49.9, -22.98, -8.87

 

CMYK 0 / 62 / 2 / 48

HEX #853282

RGB 133 50 130

HSL 302.17, 0.45%, 0.36%

LAB 35.75, 46.19, -28.22

 

CMYK 2 / 0 / 62 / 48

HEX #828532

RGB 130 133 50

HSL 62.17, 0.45%, 0.36%

LAB 53.76, -12.67, 43.09

 

CMYK 62 / 2 / 0 / 48

HEX #328285

RGB 50 130 133

HSL 182.17, 0.45%, 0.36%

LAB 49.9, -22.98, -8.87

 

CMYK 48 / 62 / 0 / 48

HEX #453285

RGB 69 50 133

HSL 253.73, 0.45%, 0.36%

LAB 27.41, 30.44, -43.91

 

CMYK 0 / 60 / 62 / 48

HEX #853532

RGB 133 53 50

HSL 2.17, 0.45%, 0.36%

LAB 33.48, 34.16, 19.34

 

CMYK 15 / 0 / 62 / 48

HEX #718532

RGB 113 133 50

HSL 74.46, 0.45%, 0.36%

LAB 52.42, -20.13, 41.24

 

CMYK 62 / 2 / 0 / 48

HEX #328285

RGB 50 130 133

HSL 182.17, 0.45%, 0.36%

LAB 49.9, -22.98, -8.87

 

CMYK 29 / 62 / 0 / 48

HEX #5E3285

RGB 94 50 133

HSL 271.81, 0.45%, 0.36%

LAB 30.29, 36.44, -39.11

 

CMYK 0 / 60 / 62 / 48

HEX #853532

RGB 133 53 50

HSL 2.17, 0.45%, 0.36%

LAB 33.48, 34.16, 19.34

 

CMYK 33 / 0 / 62 / 48

HEX #598532

RGB 89 133 50

HSL 91.81, 0.45%, 0.36%

LAB 50.84, -29.93, 39.04

 

Description

Color code: RGB 50 130 133 | qconv.com Color code: RGB 50 130 133 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 130 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 130 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 2 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 2% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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