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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 118 72 it is the complementary color RGB 205 137 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 118 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 118 72 shade: RGB 55 118 67, RGB 72 136 86, RGB 89 154 105, RGB 106 172 124 and RGB 123 190 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 118 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 118 72 shade: RGB 50 118 72, RGB 33 100 53, RGB 16 82 34, RGB 0 64 15 and RGB 0 46 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 118 72 shade: RGB 50 117 72, RGB 50 117 54, RGB 65 117 50, RGB 83 117 50 and RGB 101 117 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 118 72 shade: RGB 50 117 72, RGB 50 117 90, RGB 50 117 108, RGB 50 108 117 and RGB 50 90 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 118 72 shade matches the following richer shades: RGB 50 117 72, RGB 36 131 67, RGB 23 145 62 and RGB 9 158 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 118 72 shade: RGB 50 117 72, RGB 64 104 77, RGB 77 90 81, RGB 91 76 86 and RGB 104 63 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 118 72 shade: RGB 65 117 50, RGB 50 117 53, RGB 50 117 71, RGB 50 117 89 and RGB 50 117 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 118 72 shade: RGB 25 60 36, RGB 38 88 54, RGB 50 117 72, RGB 62 146 89 and RGB 75 175 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 118 72 shade: RGB 50 118 72, RGB 50 83 117 and RGB 117 50 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 118 72 shade: RGB 50 118 72, RGB 71 50 117 and RGB 117 71 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 118 72 shade: RGB 50 118 72, RGB 50 83 117, RGB 117 50 96 and RGB 117 85 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 118 72 shade: RGB 50 118 72, RGB 50 62 117, RGB 117 50 96 and RGB 117 105 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 39 / 54

HEX #327648

RGB 50 118 72

HSL 139.41, 0.4%, 0.33%

LAB 44.38, -32.67, 19.03

 

Complementary color

CMYK 0 / 33 / 11 / 20

HEX #CD89B7

RGB 205 137 183

HSL 319.41, 0.4%, 0.67%

LAB 65.19, 32.89, -13.46

 

CMYK 53 / 0 / 43 / 54

HEX #377643

RGB 55 118 67

HSL 131.43, 0.36%, 0.34%

LAB 44.48, -32.24, 22.05

 

CMYK 47 / 0 / 37 / 47

HEX #488856

RGB 72 136 86

HSL 133.13, 0.31%, 0.41%

LAB 51.45, -32.08, 20.65

 

CMYK 42 / 0 / 32 / 40

HEX #599A69

RGB 89 154 105

HSL 134.77, 0.27%, 0.48%

LAB 58.28, -31.84, 19.38

 

CMYK 38 / 0 / 28 / 33

HEX #6AAC7C

RGB 106 172 124

HSL 136.36, 0.28%, 0.55%

LAB 64.98, -31.57, 18.22

 

CMYK 35 / 0 / 25 / 25

HEX #7BBE8F

RGB 123 190 143

HSL 137.91, 0.34%, 0.61%

LAB 71.57, -31.29, 17.15

 

CMYK 58 / 0 / 39 / 54

HEX #327648

RGB 50 118 72

HSL 139.41, 0.4%, 0.33%

LAB 44.38, -32.67, 19.03

 

CMYK 67 / 0 / 47 / 61

HEX #216435

RGB 33 100 53

HSL 137.91, 0.5%, 0.26%

LAB 37.29, -32.54, 20.58

 

CMYK 80 / 0 / 59 / 68

HEX #105222

RGB 16 82 34

HSL 136.36, 0.67%, 0.19%

LAB 30.06, -31.88, 22.3

 

CMYK 100 / 0 / 77 / 75

HEX #00400F

RGB 0 64 15

HSL 134.06, 1%, 0.13%

LAB 22.66, -30.47, 23.88

 

CMYK 100 / 0 / 100 / 82

HEX #002E00

RGB 0 46 0

HSL 120, 1%, 0.09%

LAB 15.24, -25.96, 21.62

 

CMYK 57 / 0 / 38 / 54

HEX #327548

RGB 50 117 72

HSL 139.7, 0.4%, 0.33%

LAB 44.04, -32.22, 18.58

 

CMYK 57 / 0 / 54 / 54

HEX #327536

RGB 50 117 54

HSL 123.58, 0.4%, 0.33%

LAB 43.75, -35.34, 28.25

 

CMYK 44 / 0 / 57 / 54

HEX #417532

RGB 65 117 50

HSL 106.57, 0.4%, 0.33%

LAB 44.34, -31.22, 31.23

 

CMYK 29 / 0 / 57 / 54

HEX #537532

RGB 83 117 50

HSL 90.45, 0.4%, 0.33%

LAB 45.35, -24.48, 32.66

 

CMYK 14 / 0 / 57 / 54

HEX #657532

RGB 101 117 50

HSL 74.33, 0.4%, 0.33%

LAB 46.6, -16.91, 34.44

 

CMYK 57 / 0 / 38 / 54

HEX #327548

RGB 50 117 72

HSL 139.7, 0.4%, 0.33%

LAB 44.04, -32.22, 18.58

 

CMYK 57 / 0 / 23 / 54

HEX #32755A

RGB 50 117 90

HSL 155.82, 0.4%, 0.33%

LAB 44.43, -28.26, 8.57

 

CMYK 57 / 0 / 8 / 54

HEX #32756C

RGB 50 117 108

HSL 171.94, 0.4%, 0.33%

LAB 44.92, -23.56, -1.46

 

CMYK 57 / 8 / 0 / 54

HEX #326C75

RGB 50 108 117

HSL 188.06, 0.4%, 0.33%

LAB 42.29, -16.08, -10.79

 

CMYK 57 / 23 / 0 / 54

HEX #325A75

RGB 50 90 117

HSL 204.18, 0.4%, 0.33%

LAB 36.51, -5.55, -19.62

 

CMYK 57 / 0 / 38 / 54

HEX #327548

RGB 50 117 72

HSL 139.7, 0.4%, 0.33%

LAB 44.04, -32.22, 18.58

 

CMYK 73 / 0 / 49 / 49

HEX #248343

RGB 36 131 67

HSL 139.58, 0.57%, 0.33%

LAB 48.28, -42.14, 26.79

 

CMYK 84 / 0 / 57 / 43

HEX #17913E

RGB 23 145 62

HSL 139.18, 0.73%, 0.33%

LAB 52.71, -49.95, 34.8

 

CMYK 94 / 0 / 64 / 38

HEX #099E39

RGB 9 158 57

HSL 139.33, 0.89%, 0.33%

LAB 56.89, -56.04, 42.01

 

CMYK 57 / 0 / 38 / 54

HEX #327548

RGB 50 117 72

HSL 139.7, 0.4%, 0.33%

LAB 44.04, -32.22, 18.58

 

CMYK 38 / 0 / 26 / 59

HEX #40684D

RGB 64 104 77

HSL 139.5, 0.24%, 0.33%

LAB 40.45, -20.58, 10.85

 

CMYK 14 / 0 / 10 / 65

HEX #4D5A51

RGB 77 90 81

HSL 138.46, 0.08%, 0.33%

LAB 36.9, -7.07, 3.5

 

CMYK 0 / 16 / 5 / 64

HEX #5B4C56

RGB 91 76 86

HSL 320, 0.09%, 0.33%

LAB 34.12, 8.26, -3.55

 

CMYK 0 / 39 / 13 / 59

HEX #683F5B

RGB 104 63 91

HSL 319.02, 0.25%, 0.33%

LAB 32.38, 22.5, -9.18

 

CMYK 44 / 0 / 57 / 54

HEX #417532

RGB 65 117 50

HSL 106.57, 0.4%, 0.33%

LAB 44.34, -31.22, 31.23

 

CMYK 57 / 0 / 55 / 54

HEX #327535

RGB 50 117 53

HSL 122.69, 0.4%, 0.33%

LAB 43.74, -35.49, 28.77

 

CMYK 57 / 0 / 39 / 54

HEX #327547

RGB 50 117 71

HSL 138.81, 0.4%, 0.33%

LAB 44.03, -32.41, 19.13

 

CMYK 57 / 0 / 24 / 54

HEX #327559

RGB 50 117 89

HSL 154.93, 0.4%, 0.33%

LAB 44.41, -28.5, 9.13

 

CMYK 57 / 0 / 9 / 54

HEX #32756B

RGB 50 117 107

HSL 171.04, 0.4%, 0.33%

LAB 44.89, -23.84, -0.9

 

CMYK 58 / 0 / 40 / 76

HEX #193C24

RGB 25 60 36

HSL 138.86, 0.41%, 0.17%

LAB 22.18, -19.22, 11.07

 

CMYK 57 / 0 / 39 / 65

HEX #265836

RGB 38 88 54

HSL 139.2, 0.4%, 0.25%

LAB 33.26, -25.54, 14.74

 

CMYK 57 / 0 / 38 / 54

HEX #327548

RGB 50 117 72

HSL 139.7, 0.4%, 0.33%

LAB 44.04, -32.22, 18.58

 

CMYK 58 / 0 / 39 / 43

HEX #3E9259

RGB 62 146 89

HSL 139.29, 0.4%, 0.41%

LAB 54.35, -38.73, 22.77

 

CMYK 57 / 0 / 39 / 31

HEX #4BAF6B

RGB 75 175 107

HSL 139.2, 0.4%, 0.49%

LAB 64.34, -44.56, 26.32

 

CMYK 58 / 0 / 39 / 54

HEX #327648

RGB 50 118 72

HSL 139.41, 0.4%, 0.33%

LAB 44.38, -32.67, 19.03

 

CMYK 57 / 29 / 0 / 54

HEX #325375

RGB 50 83 117

HSL 210.45, 0.4%, 0.33%

LAB 34.29, -1.18, -23.06

 

CMYK 0 / 57 / 52 / 54

HEX #753238

RGB 117 50 56

HSL 354.63, 0.4%, 0.33%

LAB 30.28, 30.03, 10.73

 

CMYK 58 / 0 / 39 / 54

HEX #327648

RGB 50 118 72

HSL 139.41, 0.4%, 0.33%

LAB 44.38, -32.67, 19.03

 

CMYK 39 / 57 / 0 / 54

HEX #473275

RGB 71 50 117

HSL 258.81, 0.4%, 0.33%

LAB 26.46, 26.05, -35.34

 

CMYK 0 / 39 / 57 / 54

HEX #754732

RGB 117 71 50

HSL 18.81, 0.4%, 0.33%

LAB 35.04, 17.33, 20.82

 

CMYK 58 / 0 / 39 / 54

HEX #327648

RGB 50 118 72

HSL 139.41, 0.4%, 0.33%

LAB 44.38, -32.67, 19.03

 

CMYK 57 / 29 / 0 / 54

HEX #325375

RGB 50 83 117

HSL 210.45, 0.4%, 0.33%

LAB 34.29, -1.18, -23.06

 

CMYK 0 / 57 / 18 / 54

HEX #753260

RGB 117 50 96

HSL 318.81, 0.4%, 0.33%

LAB 31.6, 35.43, -13.4

 

CMYK 0 / 27 / 57 / 54

HEX #755532

RGB 117 85 50

HSL 31.34, 0.4%, 0.33%

LAB 38.74, 8.89, 25.45

 

CMYK 58 / 0 / 39 / 54

HEX #327648

RGB 50 118 72

HSL 139.41, 0.4%, 0.33%

LAB 44.38, -32.67, 19.03

 

CMYK 57 / 47 / 0 / 54

HEX #323E75

RGB 50 62 117

HSL 229.25, 0.4%, 0.33%

LAB 27.87, 12.72, -33.2

 

CMYK 0 / 57 / 18 / 54

HEX #753260

RGB 117 50 96

HSL 318.81, 0.4%, 0.33%

LAB 31.6, 35.43, -13.4

 

CMYK 0 / 10 / 57 / 54

HEX #756932

RGB 117 105 50

HSL 49.25, 0.4%, 0.33%

LAB 44.4, -2.96, 32.23

 

Description

Color code: RGB 50 118 72 | qconv.com Color code: RGB 50 118 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 118 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 118 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 39 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 39% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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