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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 94 137 it is the complementary color RGB 205 161 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 94 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 94 137 shade: RGB 55 94 132, RGB 72 112 151, RGB 89 130 170, RGB 106 148 189 and RGB 123 166 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 94 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 94 137 shade: RGB 50 94 137, RGB 33 76 118, RGB 16 58 99, RGB 0 40 80 and RGB 0 22 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 94 137 shade: RGB 50 94 138, RGB 50 70 138, RGB 52 50 138, RGB 76 50 138 and RGB 100 50 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 94 137 shade: RGB 50 94 138, RGB 50 70 138 and RGB 50 50 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 94 137 shade matches the following richer shades: RGB 50 94 138, RGB 34 95 153, RGB 19 95 169 and RGB 4 95 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 94 137 shade: RGB 50 94 138, RGB 65 94 123, RGB 80 94 108, RGB 95 94 92 and RGB 111 94 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 94 137 shade: RGB 50 138 134, RGB 50 119 138, RGB 50 95 138, RGB 50 72 138 and RGB 51 50 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 94 137 shade: RGB 28 53 78, RGB 39 74 108, RGB 50 94 138, RGB 60 115 169 and RGB 79 136 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 94 137 shade: RGB 50 94 137, RGB 110 50 138 and RGB 131 138 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 94 137 shade: RGB 50 94 137, RGB 138 50 95 and RGB 95 138 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 94 137 shade: RGB 50 94 137, RGB 110 50 138, RGB 138 92 50 and RGB 78 138 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 94 137 shade: RGB 50 94 137, RGB 137 50 138, RGB 138 92 50 and RGB 51 138 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 31 / 0 / 46

HEX #325E89

RGB 50 94 137

HSL 209.66, 0.47%, 0.37%

LAB 38.71, -1.08, -28.43

 

Complementary color

CMYK 0 / 21 / 42 / 20

HEX #CDA176

RGB 205 161 118

HSL 29.66, 0.47%, 0.63%

LAB 69.31, 10.66, 28.59

 

CMYK 58 / 29 / 0 / 48

HEX #375E84

RGB 55 94 132

HSL 209.61, 0.41%, 0.37%

LAB 38.7, -1.76, -25.39

 

CMYK 52 / 26 / 0 / 41

HEX #487097

RGB 72 112 151

HSL 209.62, 0.35%, 0.44%

LAB 45.91, -2.45, -25.5

 

CMYK 48 / 24 / 0 / 33

HEX #5982AA

RGB 89 130 170

HSL 209.63, 0.32%, 0.51%

LAB 52.94, -2.98, -25.63

 

CMYK 44 / 22 / 0 / 26

HEX #6A94BD

RGB 106 148 189

HSL 209.64, 0.39%, 0.58%

LAB 59.81, -3.39, -25.79

 

CMYK 41 / 20 / 0 / 18

HEX #7BA6D0

RGB 123 166 208

HSL 209.65, 0.47%, 0.65%

LAB 66.55, -3.72, -25.97

 

CMYK 64 / 31 / 0 / 46

HEX #325E89

RGB 50 94 137

HSL 209.66, 0.47%, 0.37%

LAB 38.71, -1.08, -28.43

 

CMYK 72 / 36 / 0 / 54

HEX #214C76

RGB 33 76 118

HSL 209.65, 0.56%, 0.3%

LAB 31.35, 0.19, -28.36

 

CMYK 84 / 41 / 0 / 61

HEX #103A63

RGB 16 58 99

HSL 209.64, 0.72%, 0.23%

LAB 23.79, 2.09, -28.27

 

CMYK 100 / 50 / 0 / 69

HEX #002850

RGB 0 40 80

HSL 210, 1%, 0.16%

LAB 15.99, 4.76, -28.19

 

CMYK 100 / 64 / 0 / 76

HEX #00163D

RGB 0 22 61

HSL 218.36, 1%, 0.12%

LAB 8.22, 9.67, -27.54

 

CMYK 64 / 32 / 0 / 46

HEX #325E8A

RGB 50 94 138

HSL 210, 0.47%, 0.37%

LAB 38.76, -0.73, -28.96

 

CMYK 64 / 49 / 0 / 46

HEX #32468A

RGB 50 70 138

HSL 226.36, 0.47%, 0.37%

LAB 31.56, 14.96, -40.38

 

CMYK 62 / 64 / 0 / 46

HEX #34328A

RGB 52 50 138

HSL 241.36, 0.47%, 0.37%

LAB 26.29, 28.72, -48.9

 

CMYK 45 / 64 / 0 / 46

HEX #4C328A

RGB 76 50 138

HSL 257.73, 0.47%, 0.37%

LAB 28.52, 33.52, -45.18

 

CMYK 28 / 64 / 0 / 46

HEX #64328A

RGB 100 50 138

HSL 274.09, 0.47%, 0.37%

LAB 31.41, 39.2, -40.38

 

CMYK 64 / 32 / 0 / 46

HEX #325E8A

RGB 50 94 138

HSL 210, 0.47%, 0.37%

LAB 38.76, -0.73, -28.96

 

CMYK 64 / 49 / 0 / 46

HEX #32468A

RGB 50 70 138

HSL 226.36, 0.47%, 0.37%

LAB 31.56, 14.96, -40.38

 

CMYK 64 / 64 / 0 / 46

HEX #32328A

RGB 50 50 138

HSL 240, 0.47%, 0.37%

LAB 26.14, 28.38, -49.15

 

CMYK 64 / 32 / 0 / 46

HEX #325E8A

RGB 50 94 138

HSL 210, 0.47%, 0.37%

LAB 38.76, -0.73, -28.96

 

CMYK 78 / 38 / 0 / 40

HEX #225F99

RGB 34 95 153

HSL 209.24, 0.64%, 0.37%

LAB 39.28, 1.64, -37.2

 

CMYK 89 / 44 / 0 / 34

HEX #135FA9

RGB 19 95 169

HSL 209.6, 0.8%, 0.37%

LAB 39.89, 6.53, -45.77

 

CMYK 98 / 48 / 0 / 28

HEX #045FB8

RGB 4 95 184

HSL 209.67, 0.96%, 0.37%

LAB 40.69, 11.9, -53.33

 

CMYK 64 / 32 / 0 / 46

HEX #325E8A

RGB 50 94 138

HSL 210, 0.47%, 0.37%

LAB 38.76, -0.73, -28.96

 

CMYK 47 / 24 / 0 / 52

HEX #415E7B

RGB 65 94 123

HSL 210, 0.31%, 0.37%

LAB 38.83, -2.21, -19.65

 

CMYK 26 / 13 / 0 / 58

HEX #505E6C

RGB 80 94 108

HSL 210, 0.15%, 0.37%

LAB 39.23, -1.88, -9.75

 

CMYK 0 / 1 / 3 / 63

HEX #5F5E5C

RGB 95 94 92

HSL 40, 0.02%, 0.37%

LAB 39.93, -0.01, 1.28

 

CMYK 0 / 15 / 31 / 56

HEX #6F5E4D

RGB 111 94 77

HSL 30, 0.18%, 0.37%

LAB 41.09, 4.04, 12.3

 

CMYK 64 / 0 / 3 / 46

HEX #328A86

RGB 50 138 134

HSL 177.27, 0.47%, 0.37%

LAB 52.48, -26.75, -5.61

 

CMYK 64 / 14 / 0 / 46

HEX #32778A

RGB 50 119 138

HSL 192.95, 0.47%, 0.37%

LAB 46.59, -15.51, -16.83

 

CMYK 64 / 31 / 0 / 46

HEX #325F8A

RGB 50 95 138

HSL 209.32, 0.47%, 0.37%

LAB 39.07, -1.35, -28.47

 

CMYK 64 / 48 / 0 / 46

HEX #32488A

RGB 50 72 138

HSL 225, 0.47%, 0.37%

LAB 32.14, 13.61, -39.45

 

CMYK 63 / 64 / 0 / 46

HEX #33328A

RGB 51 50 138

HSL 240.68, 0.47%, 0.37%

LAB 26.22, 28.55, -49.03

 

CMYK 64 / 32 / 0 / 69

HEX #1C354E

RGB 28 53 78

HSL 210, 0.47%, 0.21%

LAB 21.37, -0.86, -18.24

 

CMYK 64 / 31 / 0 / 58

HEX #274A6C

RGB 39 74 108

HSL 209.57, 0.47%, 0.29%

LAB 30.43, -1.12, -23.5

 

CMYK 64 / 32 / 0 / 46

HEX #325E8A

RGB 50 94 138

HSL 210, 0.47%, 0.37%

LAB 38.76, -0.73, -28.96

 

CMYK 64 / 32 / 0 / 34

HEX #3C73A9

RGB 60 115 169

HSL 209.72, 0.48%, 0.45%

LAB 47.09, -0.8, -34.28

 

CMYK 59 / 29 / 0 / 25

HEX #4F88BF

RGB 79 136 191

HSL 209.46, 0.47%, 0.53%

LAB 55.11, -2.16, -34.34

 

CMYK 64 / 31 / 0 / 46

HEX #325E89

RGB 50 94 137

HSL 209.66, 0.47%, 0.37%

LAB 38.71, -1.08, -28.43

 

CMYK 20 / 64 / 0 / 46

HEX #6E328A

RGB 110 50 138

HSL 280.91, 0.47%, 0.37%

LAB 32.77, 41.72, -38.12

 

CMYK 5 / 0 / 64 / 46

HEX #838A32

RGB 131 138 50

HSL 64.77, 0.47%, 0.37%

LAB 55.31, -14.9, 44.79

 

CMYK 64 / 31 / 0 / 46

HEX #325E89

RGB 50 94 137

HSL 209.66, 0.47%, 0.37%

LAB 38.71, -1.08, -28.43

 

CMYK 0 / 64 / 31 / 46

HEX #8A325F

RGB 138 50 95

HSL 329.32, 0.47%, 0.37%

LAB 35.02, 42.14, -7.24

 

CMYK 31 / 0 / 64 / 46

HEX #5F8A32

RGB 95 138 50

HSL 89.32, 0.47%, 0.37%

LAB 52.77, -29.99, 41.29

 

CMYK 64 / 31 / 0 / 46

HEX #325E89

RGB 50 94 137

HSL 209.66, 0.47%, 0.37%

LAB 38.71, -1.08, -28.43

 

CMYK 20 / 64 / 0 / 46

HEX #6E328A

RGB 110 50 138

HSL 280.91, 0.47%, 0.37%

LAB 32.77, 41.72, -38.12

 

CMYK 0 / 33 / 64 / 46

HEX #8A5C32

RGB 138 92 50

HSL 28.64, 0.47%, 0.37%

LAB 43.19, 14.36, 31.42

 

CMYK 43 / 0 / 64 / 46

HEX #4E8A32

RGB 78 138 50

HSL 100.91, 0.47%, 0.37%

LAB 51.87, -36.21, 40.04

 

CMYK 64 / 31 / 0 / 46

HEX #325E89

RGB 50 94 137

HSL 209.66, 0.47%, 0.37%

LAB 38.71, -1.08, -28.43

 

CMYK 1 / 64 / 0 / 46

HEX #89328A

RGB 137 50 138

HSL 299.32, 0.47%, 0.37%

LAB 36.81, 48.71, -31.45

 

CMYK 0 / 33 / 64 / 46

HEX #8A5C32

RGB 138 92 50

HSL 28.64, 0.47%, 0.37%

LAB 43.19, 14.36, 31.42

 

CMYK 63 / 0 / 64 / 46

HEX #338A32

RGB 51 138 50

HSL 119.32, 0.47%, 0.37%

LAB 50.82, -44.12, 38.57

 

Description

Color code: RGB 50 94 137 | qconv.com Color code: RGB 50 94 137 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 94 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 94 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 31 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 31% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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