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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 76 44 it is the complementary color RGB 205 179 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 76 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 76 44 shade: RGB 55 76 39, RGB 72 94 58, RGB 89 112 77, RGB 106 130 96 and RGB 123 148 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 76 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 76 44 shade: RGB 50 76 44, RGB 33 58 25, RGB 16 40 6, RGB 0 22 0 and RGB 0 4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 76 44 shade: RGB 50 77 44, RGB 59 77 44, RGB 68 77 44, RGB 77 77 44 and RGB 77 68 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 76 44 shade: RGB 50 77 44, RGB 44 77 47, RGB 44 77 56, RGB 44 77 65 and RGB 44 77 74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 76 44 shade matches the following richer shades: RGB 50 77 44, RGB 44 87 34, RGB 38 97 24, RGB 32 107 14 and RGB 26 117 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 76 44 shade: RGB 50 77 44, RGB 57 67 54, RGB 63 57 64, RGB 69 48 74 and RGB 75 38 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 76 44 shade: RGB 68 77 44, RGB 60 77 44, RGB 51 77 44, RGB 44 77 46 and RGB 44 77 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 76 44 shade: RGB 16 25 14, RGB 33 51 29, RGB 50 77 44, RGB 68 103 59 and RGB 85 130 74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 76 44 shade: RGB 50 76 44, RGB 44 77 77 and RGB 77 44 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 76 44 shade: RGB 50 76 44, RGB 44 51 77 and RGB 77 44 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 76 44 shade: RGB 50 76 44, RGB 44 77 77, RGB 71 44 77 and RGB 77 44 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 76 44 shade: RGB 50 76 44, RGB 44 67 77, RGB 71 44 77 and RGB 77 54 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 42 / 70

HEX #324C2C

RGB 50 76 44

HSL 108.75, 0.27%, 0.24%

LAB 29.49, -17.15, 15.96

 

Complementary color

CMYK 3 / 15 / 0 / 17

HEX #CDB3D3

RGB 205 179 211

HSL 288.75, 0.27%, 0.76%

LAB 76.02, 15.04, -12.69

 

CMYK 28 / 0 / 49 / 70

HEX #374C27

RGB 55 76 39

HSL 94.05, 0.32%, 0.23%

LAB 29.73, -15.89, 19.37

 

CMYK 23 / 0 / 38 / 63

HEX #485E3A

RGB 72 94 58

HSL 96.67, 0.24%, 0.3%

LAB 37.28, -15.77, 18.01

 

CMYK 21 / 0 / 31 / 56

HEX #59704D

RGB 89 112 77

HSL 99.43, 0.19%, 0.37%

LAB 44.59, -15.63, 16.77

 

CMYK 18 / 0 / 26 / 49

HEX #6A8260

RGB 106 130 96

HSL 102.35, 0.15%, 0.44%

LAB 51.69, -15.49, 15.63

 

CMYK 17 / 0 / 22 / 42

HEX #7B9473

RGB 123 148 115

HSL 105.45, 0.13%, 0.52%

LAB 58.63, -15.37, 14.59

 

CMYK 34 / 0 / 42 / 70

HEX #324C2C

RGB 50 76 44

HSL 108.75, 0.27%, 0.24%

LAB 29.49, -17.15, 15.96

 

CMYK 43 / 0 / 57 / 77

HEX #213A19

RGB 33 58 25

HSL 105.45, 0.4%, 0.16%

LAB 21.65, -17.34, 17.43

 

CMYK 60 / 0 / 85 / 84

HEX #102806

RGB 16 40 6

HSL 102.35, 0.74%, 0.09%

LAB 13.48, -17.3, 17

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 100 / 0 / 100 / 98

HEX #000400

RGB 0 4 0

HSL 120, 1%, 0.01%

LAB 0.78, -1.6, 1.15

 

CMYK 35 / 0 / 43 / 70

HEX #324D2C

RGB 50 77 44

HSL 109.09, 0.27%, 0.24%

LAB 29.83, -17.69, 16.41

 

CMYK 23 / 0 / 43 / 70

HEX #3B4D2C

RGB 59 77 44

HSL 92.73, 0.27%, 0.24%

LAB 30.45, -13.96, 17.33

 

CMYK 12 / 0 / 43 / 70

HEX #444D2C

RGB 68 77 44

HSL 76.36, 0.27%, 0.24%

LAB 31.16, -9.96, 18.39

 

CMYK 0 / 0 / 43 / 70

HEX #4D4D2C

RGB 77 77 44

HSL 60, 0.27%, 0.24%

LAB 31.96, -5.78, 19.57

 

CMYK 0 / 12 / 43 / 70

HEX #4D442C

RGB 77 68 44

HSL 43.64, 0.27%, 0.24%

LAB 29.14, -0.23, 15.94

 

CMYK 35 / 0 / 43 / 70

HEX #324D2C

RGB 50 77 44

HSL 109.09, 0.27%, 0.24%

LAB 29.83, -17.69, 16.41

 

CMYK 43 / 0 / 39 / 70

HEX #2C4D2F

RGB 44 77 47

HSL 125.45, 0.27%, 0.24%

LAB 29.53, -19.42, 14.11

 

CMYK 43 / 0 / 27 / 70

HEX #2C4D38

RGB 44 77 56

HSL 141.82, 0.27%, 0.24%

LAB 29.73, -17.51, 8.73

 

CMYK 43 / 0 / 16 / 70

HEX #2C4D41

RGB 44 77 65

HSL 158.18, 0.27%, 0.24%

LAB 29.97, -15.33, 3.34

 

CMYK 43 / 0 / 4 / 70

HEX #2C4D4A

RGB 44 77 74

HSL 174.55, 0.27%, 0.24%

LAB 30.25, -12.9, -2.03

 

CMYK 35 / 0 / 43 / 70

HEX #324D2C

RGB 50 77 44

HSL 109.09, 0.27%, 0.24%

LAB 29.83, -17.69, 16.41

 

CMYK 49 / 0 / 61 / 66

HEX #2C5722

RGB 44 87 34

HSL 108.68, 0.44%, 0.24%

LAB 32.85, -26.57, 25.86

 

CMYK 61 / 0 / 75 / 62

HEX #266118

RGB 38 97 24

HSL 108.49, 0.6%, 0.24%

LAB 36.04, -34.01, 34.19

 

CMYK 70 / 0 / 87 / 58

HEX #206B0E

RGB 32 107 14

HSL 108.39, 0.77%, 0.24%

LAB 39.33, -40.17, 40.95

 

CMYK 78 / 0 / 96 / 54

HEX #1A7505

RGB 26 117 5

HSL 108.75, 0.92%, 0.24%

LAB 42.69, -45.27, 46.03

 

CMYK 35 / 0 / 43 / 70

HEX #324D2C

RGB 50 77 44

HSL 109.09, 0.27%, 0.24%

LAB 29.83, -17.69, 16.41

 

CMYK 15 / 0 / 19 / 74

HEX #394336

RGB 57 67 54

HSL 106.15, 0.11%, 0.24%

LAB 27.16, -7.04, 6.55

 

CMYK 2 / 11 / 0 / 75

HEX #3F3940

RGB 63 57 64

HSL 291.43, 0.06%, 0.24%

LAB 24.81, 4.16, -3.38

 

CMYK 7 / 35 / 0 / 71

HEX #45304A

RGB 69 48 74

HSL 288.46, 0.21%, 0.24%

LAB 23.25, 14.96, -12.36

 

CMYK 11 / 55 / 0 / 67

HEX #4B2654

RGB 75 38 84

HSL 288.26, 0.38%, 0.24%

LAB 22.02, 25.85, -20.89

 

CMYK 12 / 0 / 43 / 70

HEX #444D2C

RGB 68 77 44

HSL 76.36, 0.27%, 0.24%

LAB 31.16, -9.96, 18.39

 

CMYK 22 / 0 / 43 / 70

HEX #3C4D2C

RGB 60 77 44

HSL 90.91, 0.27%, 0.24%

LAB 30.52, -13.53, 17.44

 

CMYK 34 / 0 / 43 / 70

HEX #334D2C

RGB 51 77 44

HSL 107.27, 0.27%, 0.24%

LAB 29.9, -17.3, 16.51

 

CMYK 43 / 0 / 40 / 70

HEX #2C4D2E

RGB 44 77 46

HSL 123.64, 0.27%, 0.24%

LAB 29.51, -19.61, 14.7

 

CMYK 43 / 0 / 29 / 70

HEX #2C4D37

RGB 44 77 55

HSL 140, 0.27%, 0.24%

LAB 29.71, -17.74, 9.33

 

CMYK 36 / 0 / 44 / 90

HEX #10190E

RGB 16 25 14

HSL 109.09, 0.28%, 0.08%

LAB 7.56, -6.35, 5.27

 

CMYK 35 / 0 / 43 / 80

HEX #21331D

RGB 33 51 29

HSL 109.09, 0.28%, 0.16%

LAB 19.14, -12.67, 11.68

 

CMYK 35 / 0 / 43 / 70

HEX #324D2C

RGB 50 77 44

HSL 109.09, 0.27%, 0.24%

LAB 29.83, -17.69, 16.41

 

CMYK 34 / 0 / 43 / 60

HEX #44673B

RGB 68 103 59

HSL 107.73, 0.27%, 0.32%

LAB 39.99, -22, 20.92

 

CMYK 35 / 0 / 43 / 49

HEX #55824A

RGB 85 130 74

HSL 108.21, 0.27%, 0.4%

LAB 49.97, -26.96, 25.52

 

CMYK 34 / 0 / 42 / 70

HEX #324C2C

RGB 50 76 44

HSL 108.75, 0.27%, 0.24%

LAB 29.49, -17.15, 15.96

 

CMYK 43 / 0 / 0 / 70

HEX #2C4D4D

RGB 44 77 77

HSL 180, 0.27%, 0.24%

LAB 30.35, -12.03, -3.81

 

CMYK 0 / 43 / 17 / 70

HEX #4D2C40

RGB 77 44 64

HSL 323.64, 0.27%, 0.24%

LAB 22.82, 18.57, -6.16

 

CMYK 34 / 0 / 42 / 70

HEX #324C2C

RGB 50 76 44

HSL 108.75, 0.27%, 0.24%

LAB 29.49, -17.15, 15.96

 

CMYK 43 / 34 / 0 / 70

HEX #2C334D

RGB 44 51 77

HSL 227.27, 0.27%, 0.24%

LAB 21.72, 4.73, -16.94

 

CMYK 0 / 43 / 34 / 70

HEX #4D2C33

RGB 77 44 51

HSL 347.27, 0.27%, 0.24%

LAB 22.37, 16.29, 2.02

 

CMYK 34 / 0 / 42 / 70

HEX #324C2C

RGB 50 76 44

HSL 108.75, 0.27%, 0.24%

LAB 29.49, -17.15, 15.96

 

CMYK 43 / 0 / 0 / 70

HEX #2C4D4D

RGB 44 77 77

HSL 180, 0.27%, 0.24%

LAB 30.35, -12.03, -3.81

 

CMYK 8 / 43 / 0 / 70

HEX #472C4D

RGB 71 44 77

HSL 289.09, 0.27%, 0.24%

LAB 22.57, 19.05, -15.39

 

CMYK 0 / 43 / 43 / 70

HEX #4D2C2C

RGB 77 44 44

HSL 0, 0.27%, 0.24%

LAB 22.16, 15.25, 6.5

 

CMYK 34 / 0 / 42 / 70

HEX #324C2C

RGB 50 76 44

HSL 108.75, 0.27%, 0.24%

LAB 29.49, -17.15, 15.96

 

CMYK 43 / 13 / 0 / 70

HEX #2C434D

RGB 44 67 77

HSL 198.18, 0.27%, 0.24%

LAB 26.98, -5.91, -8.86

 

CMYK 8 / 43 / 0 / 70

HEX #472C4D

RGB 71 44 77

HSL 289.09, 0.27%, 0.24%

LAB 22.57, 19.05, -15.39

 

CMYK 0 / 30 / 43 / 70

HEX #4D362C

RGB 77 54 44

HSL 18.18, 0.27%, 0.24%

LAB 24.95, 8.76, 10.34

 

Description

Color code: RGB 50 76 44 | qconv.com Color code: RGB 50 76 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 76 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 76 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 42 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 42% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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