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Color name
RGB 50 59 194

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 59 194 it is the complementary color RGB 205 196 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 59 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 59 194 shade: RGB 55 59 189, RGB 72 77 208, RGB 89 95 227, RGB 106 113 246 and RGB 123 131 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 59 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 59 194 shade: RGB 50 59 194, RGB 33 41 175, RGB 16 23 156, RGB 0 5 137 and RGB 0 0 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 59 194 shade: RGB 50 59 194, RGB 80 50 194, RGB 119 50 194, RGB 158 50 194 and RGB 194 50 192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 59 194 shade: RGB 50 59 194 and RGB 50 50 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 59 194 shade matches the following richer shades: RGB 50 59 194, RGB 30 41 214 and RGB 10 24 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 59 194 shade: RGB 50 59 194, RGB 69 76 174, RGB 89 93 155, RGB 109 111 135 and RGB 129 128 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 59 194 shade: RGB 50 136 194, RGB 50 98 194, RGB 50 59 194, RGB 79 50 194 and RGB 117 50 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 59 194 shade: RGB 33 39 129, RGB 41 49 161, RGB 50 59 194, RGB 76 85 209 and RGB 109 116 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 59 194 shade: RGB 50 59 194, RGB 194 50 175 and RGB 117 194 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 59 194 shade: RGB 50 59 194, RGB 194 50 59 and RGB 59 194 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 59 194 shade: RGB 50 59 194, RGB 194 50 175, RGB 194 184 50 and RGB 50 194 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 59 194 shade: RGB 50 59 194, RGB 194 50 132, RGB 194 184 50 and RGB 50 194 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 70 / 0 / 24

HEX #323BC2

RGB 50 59 194

HSL 236.25, 0.59%, 0.48%

LAB 33.35, 42.33, -71.1

 

Complementary color

CMYK 0 / 4 / 70 / 20

HEX #CDC43D

RGB 205 196 61

HSL 56.25, 0.59%, 0.52%

LAB 77.75, -12.24, 65.24

 

CMYK 71 / 69 / 0 / 26

HEX #373BBD

RGB 55 59 189

HSL 238.21, 0.55%, 0.48%

LAB 33.17, 41.15, -68.46

 

CMYK 65 / 63 / 0 / 18

HEX #484DD0

RGB 72 77 208

HSL 237.79, 0.59%, 0.55%

LAB 39.98, 38.81, -68.32

 

CMYK 61 / 58 / 0 / 11

HEX #595FE3

RGB 89 95 227

HSL 237.39, 0.71%, 0.62%

LAB 46.78, 36.74, -68.05

 

CMYK 57 / 54 / 0 / 4

HEX #6A71F6

RGB 106 113 246

HSL 237, 0.89%, 0.69%

LAB 53.52, 34.93, -67.72

 

CMYK 52 / 49 / 0 / 0

HEX #7B83FF

RGB 123 131 255

HSL 236.36, 1%, 0.74%

LAB 59.58, 30.31, -62.88

 

CMYK 74 / 70 / 0 / 24

HEX #323BC2

RGB 50 59 194

HSL 236.25, 0.59%, 0.48%

LAB 33.35, 42.33, -71.1

 

CMYK 81 / 77 / 0 / 31

HEX #2129AF

RGB 33 41 175

HSL 236.62, 0.68%, 0.41%

LAB 26.75, 44.97, -70.77

 

CMYK 90 / 85 / 0 / 39

HEX #10179C

RGB 16 23 156

HSL 237, 0.81%, 0.34%

LAB 20.53, 47.23, -69.59

 

CMYK 100 / 96 / 0 / 46

HEX #000589

RGB 0 5 137

HSL 237.81, 1%, 0.27%

LAB 15.03, 48.05, -66.96

 

CMYK 100 / 100 / 0 / 54

HEX #000076

RGB 0 0 118

HSL 240, 1%, 0.23%

LAB 11.33, 44.81, -61.03

 

CMYK 74 / 70 / 0 / 24

HEX #323BC2

RGB 50 59 194

HSL 236.25, 0.59%, 0.48%

LAB 33.35, 42.33, -71.1

 

CMYK 59 / 74 / 0 / 24

HEX #5032C2

RGB 80 50 194

HSL 252.5, 0.59%, 0.48%

LAB 33.74, 50.85, -70.39

 

CMYK 39 / 74 / 0 / 24

HEX #7732C2

RGB 119 50 194

HSL 268.75, 0.59%, 0.48%

LAB 38.02, 56.86, -63.21

 

CMYK 19 / 74 / 0 / 24

HEX #9E32C2

RGB 158 50 194

HSL 285, 0.59%, 0.48%

LAB 43.43, 64.12, -54.19

 

CMYK 0 / 74 / 1 / 24

HEX #C232C0

RGB 194 50 192

HSL 300.83, 0.59%, 0.48%

LAB 48.95, 71.11, -43.86

 

CMYK 74 / 70 / 0 / 24

HEX #323BC2

RGB 50 59 194

HSL 236.25, 0.59%, 0.48%

LAB 33.35, 42.33, -71.1

 

CMYK 74 / 74 / 0 / 24

HEX #3232C2

RGB 50 50 194

HSL 240, 0.59%, 0.48%

LAB 31.47, 47.55, -74.2

 

CMYK 74 / 70 / 0 / 24

HEX #323BC2

RGB 50 59 194

HSL 236.25, 0.59%, 0.48%

LAB 33.35, 42.33, -71.1

 

CMYK 86 / 81 / 0 / 16

HEX #1E29D6

RGB 30 41 214

HSL 236.41, 0.75%, 0.48%

LAB 31.15, 57.41, -86.41

 

CMYK 96 / 90 / 0 / 8

HEX #0A18EA

RGB 10 24 234

HSL 236.25, 0.92%, 0.48%

LAB 31.02, 69.35, -98.14

 

CMYK 74 / 70 / 0 / 24

HEX #323BC2

RGB 50 59 194

HSL 236.25, 0.59%, 0.48%

LAB 33.35, 42.33, -71.1

 

CMYK 60 / 56 / 0 / 32

HEX #454CAE

RGB 69 76 174

HSL 236, 0.43%, 0.48%

LAB 36.91, 27.41, -53.44

 

CMYK 43 / 40 / 0 / 39

HEX #595D9B

RGB 89 93 155

HSL 236.36, 0.27%, 0.48%

LAB 41.72, 14.96, -34.35

 

CMYK 19 / 18 / 0 / 47

HEX #6D6F87

RGB 109 111 135

HSL 235.38, 0.11%, 0.48%

LAB 47.46, 4.64, -13.42

 

CMYK 0 / 1 / 11 / 49

HEX #818073

RGB 129 128 115

HSL 55.71, 0.06%, 0.48%

LAB 53.32, -2.07, 7.19

 

CMYK 74 / 30 / 0 / 24

HEX #3288C2

RGB 50 136 194

HSL 204.17, 0.59%, 0.48%

LAB 54.22, -5.98, -37.51

 

CMYK 74 / 49 / 0 / 24

HEX #3262C2

RGB 50 98 194

HSL 220, 0.59%, 0.48%

LAB 43.22, 17.43, -55.01

 

CMYK 74 / 70 / 0 / 24

HEX #323BC2

RGB 50 59 194

HSL 236.25, 0.59%, 0.48%

LAB 33.35, 42.33, -71.1

 

CMYK 59 / 74 / 0 / 24

HEX #4F32C2

RGB 79 50 194

HSL 252.08, 0.59%, 0.48%

LAB 33.64, 50.72, -70.55

 

CMYK 40 / 74 / 0 / 24

HEX #7532C2

RGB 117 50 194

HSL 267.92, 0.59%, 0.48%

LAB 37.77, 56.51, -63.63

 

CMYK 74 / 70 / 0 / 49

HEX #212781

RGB 33 39 129

HSL 236.25, 0.59%, 0.32%

LAB 21.43, 29.87, -51.27

 

CMYK 75 / 70 / 0 / 37

HEX #2931A1

RGB 41 49 161

HSL 236, 0.59%, 0.4%

LAB 27.41, 36, -61.22

 

CMYK 74 / 70 / 0 / 24

HEX #323BC2

RGB 50 59 194

HSL 236.25, 0.59%, 0.48%

LAB 33.35, 42.33, -71.1

 

CMYK 64 / 59 / 0 / 18

HEX #4C55D1

RGB 76 85 209

HSL 235.94, 0.59%, 0.56%

LAB 42.21, 34.82, -65.25

 

CMYK 50 / 47 / 0 / 15

HEX #6D74D9

RGB 109 116 217

HSL 236.11, 0.59%, 0.64%

LAB 52.68, 24.67, -52.82

 

CMYK 74 / 70 / 0 / 24

HEX #323BC2

RGB 50 59 194

HSL 236.25, 0.59%, 0.48%

LAB 33.35, 42.33, -71.1

 

CMYK 0 / 74 / 10 / 24

HEX #C232AF

RGB 194 50 175

HSL 307.92, 0.59%, 0.48%

LAB 48.07, 68.5, -35.33

 

CMYK 40 / 0 / 74 / 24

HEX #75C232

RGB 117 194 50

HSL 92.08, 0.59%, 0.48%

LAB 71.28, -46.7, 60.84

 

CMYK 74 / 70 / 0 / 24

HEX #323BC2

RGB 50 59 194

HSL 236.25, 0.59%, 0.48%

LAB 33.35, 42.33, -71.1

 

CMYK 0 / 74 / 70 / 24

HEX #C2323B

RGB 194 50 59

HSL 356.25, 0.59%, 0.48%

LAB 44.33, 56.78, 29.73

 

CMYK 70 / 0 / 74 / 24

HEX #3BC232

RGB 59 194 50

HSL 116.25, 0.59%, 0.48%

LAB 69.29, -62.16, 58.19

 

CMYK 74 / 70 / 0 / 24

HEX #323BC2

RGB 50 59 194

HSL 236.25, 0.59%, 0.48%

LAB 33.35, 42.33, -71.1

 

CMYK 0 / 74 / 10 / 24

HEX #C232AF

RGB 194 50 175

HSL 307.92, 0.59%, 0.48%

LAB 48.07, 68.5, -35.33

 

CMYK 0 / 5 / 74 / 24

HEX #C2B832

RGB 194 184 50

HSL 55.83, 0.59%, 0.48%

LAB 73.53, -11.33, 64.78

 

CMYK 74 / 0 / 64 / 24

HEX #32C245

RGB 50 194 69

HSL 127.92, 0.59%, 0.48%

LAB 69.25, -61.95, 50.7

 

CMYK 74 / 70 / 0 / 24

HEX #323BC2

RGB 50 59 194

HSL 236.25, 0.59%, 0.48%

LAB 33.35, 42.33, -71.1

 

CMYK 0 / 74 / 32 / 24

HEX #C23284

RGB 194 50 132

HSL 325.83, 0.59%, 0.48%

LAB 46.2, 62.81, -12.48

 

CMYK 0 / 5 / 74 / 24

HEX #C2B832

RGB 194 184 50

HSL 55.83, 0.59%, 0.48%

LAB 73.53, -11.33, 64.78

 

CMYK 74 / 0 / 42 / 24

HEX #32C270

RGB 50 194 112

HSL 145.83, 0.59%, 0.48%

LAB 69.78, -55.76, 30.72

 

Description

Color code: RGB 50 59 194 | qconv.com Color code: RGB 50 59 194 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 59 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 59 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 70 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 70% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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