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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 50 31 it is the complementary color RGB 205 205 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 50 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 50 31 shade: RGB 55 50 26, RGB 72 68 45, RGB 89 86 64, RGB 106 104 83 and RGB 123 122 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 50 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 50 31 shade: RGB 50 50 31, RGB 33 32 12 and RGB 16 14 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 50 31 shade: RGB 50 50 31, RGB 50 45 31, RGB 50 40 31, RGB 50 35 31 and RGB 50 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 50 31 shade: RGB 50 50 31, RGB 45 50 31, RGB 40 50 31, RGB 35 50 31 and RGB 31 50 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 50 31 shade matches the following richer shades: RGB 50 50 31, RGB 56 56 24, RGB 63 63 18, RGB 69 69 11 and RGB 76 76 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 50 31 shade: RGB 50 50 31, RGB 43 43 38, RGB 36 36 44, RGB 30 30 51 and RGB 23 23 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 50 31 shade: RGB 50 40 31, RGB 50 45 31, RGB 50 50 31, RGB 45 50 31 and RGB 40 50 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 50 31 shade: RGB 50 50 31, RGB 31 50 35 and RGB 42 31 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 50 31 shade: RGB 50 50 31, RGB 31 50 50 and RGB 50 31 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 50 31 shade: RGB 50 50 31, RGB 31 50 35, RGB 31 31 50 and RGB 50 31 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 50 31 shade: RGB 50 50 31, RGB 31 50 40, RGB 31 31 50 and RGB 50 31 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 38 / 80

HEX #32321F

RGB 50 50 31

HSL 60, 0.23%, 0.16%

LAB 20.28, -3.74, 12.13

 

Complementary color

CMYK 8 / 8 / 0 / 12

HEX #CDCDE0

RGB 205 205 224

HSL 240, 0.23%, 0.84%

LAB 82.93, 3.61, -9.39

 

CMYK 0 / 9 / 53 / 78

HEX #37321A

RGB 55 50 26

HSL 49.66, 0.36%, 0.16%

LAB 20.7, -1.92, 16.03

 

CMYK 0 / 6 / 38 / 72

HEX #48442D

RGB 72 68 45

HSL 51.11, 0.23%, 0.23%

LAB 28.65, -2.47, 14.57

 

CMYK 0 / 3 / 28 / 65

HEX #595640

RGB 89 86 64

HSL 52.8, 0.16%, 0.3%

LAB 36.27, -2.83, 13.28

 

CMYK 0 / 2 / 22 / 58

HEX #6A6853

RGB 106 104 83

HSL 54.78, 0.12%, 0.37%

LAB 43.64, -3.09, 12.14

 

CMYK 0 / 1 / 17 / 52

HEX #7B7A66

RGB 123 122 102

HSL 57.14, 0.09%, 0.44%

LAB 50.79, -3.3, 11.11

 

CMYK 0 / 0 / 38 / 80

HEX #32321F

RGB 50 50 31

HSL 60, 0.23%, 0.16%

LAB 20.28, -3.74, 12.13

 

CMYK 0 / 3 / 64 / 87

HEX #21200C

RGB 33 32 12

HSL 57.14, 0.47%, 0.09%

LAB 11.84, -3.26, 12.54

 

CMYK 0 / 13 / 100 / 94

HEX #100E00

RGB 16 14 0

HSL 52.5, 1%, 0.03%

LAB 3.83, -1.33, 5.72

 

CMYK 0 / 0 / 38 / 80

HEX #32321F

RGB 50 50 31

HSL 60, 0.23%, 0.16%

LAB 20.28, -3.74, 12.13

 

CMYK 0 / 10 / 38 / 80

HEX #322D1F

RGB 50 45 31

HSL 44.21, 0.23%, 0.16%

LAB 18.6, -0.42, 9.9

 

CMYK 0 / 20 / 38 / 80

HEX #32281F

RGB 50 40 31

HSL 28.42, 0.23%, 0.16%

LAB 16.96, 2.99, 7.67

 

CMYK 0 / 30 / 38 / 80

HEX #32231F

RGB 50 35 31

HSL 12.63, 0.23%, 0.16%

LAB 15.38, 6.46, 5.48

 

CMYK 0 / 38 / 38 / 80

HEX #321F1F

RGB 50 31 31

HSL 0, 0.23%, 0.16%

LAB 14.16, 9.26, 3.76

 

CMYK 0 / 0 / 38 / 80

HEX #32321F

RGB 50 50 31

HSL 60, 0.23%, 0.16%

LAB 20.28, -3.74, 12.13

 

CMYK 10 / 0 / 38 / 80

HEX #2D321F

RGB 45 50 31

HSL 75.79, 0.23%, 0.16%

LAB 19.79, -6.18, 11.4

 

CMYK 20 / 0 / 38 / 80

HEX #28321F

RGB 40 50 31

HSL 91.58, 0.23%, 0.16%

LAB 19.35, -8.55, 10.74

 

CMYK 30 / 0 / 38 / 80

HEX #23321F

RGB 35 50 31

HSL 107.37, 0.23%, 0.16%

LAB 18.96, -10.81, 10.14

 

CMYK 38 / 0 / 36 / 80

HEX #1F3220

RGB 31 50 32

HSL 123.16, 0.23%, 0.16%

LAB 18.7, -12.31, 9.07

 

CMYK 0 / 0 / 38 / 80

HEX #32321F

RGB 50 50 31

HSL 60, 0.23%, 0.16%

LAB 20.28, -3.74, 12.13

 

CMYK 0 / 0 / 57 / 78

HEX #383818

RGB 56 56 24

HSL 60, 0.4%, 0.16%

LAB 22.78, -5.52, 19.82

 

CMYK 0 / 0 / 71 / 75

HEX #3F3F12

RGB 63 63 18

HSL 60, 0.56%, 0.16%

LAB 25.73, -6.88, 26.67

 

CMYK 0 / 0 / 84 / 73

HEX #45450B

RGB 69 69 11

HSL 60, 0.73%, 0.16%

LAB 28.24, -7.9, 32.49

 

CMYK 0 / 0 / 93 / 70

HEX #4C4C05

RGB 76 76 5

HSL 60, 0.88%, 0.16%

LAB 31.15, -8.77, 37.48

 

CMYK 0 / 0 / 38 / 80

HEX #32321F

RGB 50 50 31

HSL 60, 0.23%, 0.16%

LAB 20.28, -3.74, 12.13

 

CMYK 0 / 0 / 12 / 83

HEX #2B2B26

RGB 43 43 38

HSL 60, 0.06%, 0.16%

LAB 17.37, -1.14, 3.26

 

CMYK 18 / 18 / 0 / 83

HEX #24242C

RGB 36 36 44

HSL 240, 0.1%, 0.16%

LAB 14.51, 2.11, -5.28

 

CMYK 41 / 41 / 0 / 80

HEX #1E1E33

RGB 30 30 51

HSL 240, 0.26%, 0.16%

LAB 12.24, 6.32, -13.82

 

CMYK 60 / 60 / 0 / 78

HEX #171739

RGB 23 23 57

HSL 240, 0.43%, 0.16%

LAB 9.72, 11.64, -22.18

 

CMYK 0 / 20 / 38 / 80

HEX #32281F

RGB 50 40 31

HSL 28.42, 0.23%, 0.16%

LAB 16.96, 2.99, 7.67

 

CMYK 0 / 10 / 38 / 80

HEX #322D1F

RGB 50 45 31

HSL 44.21, 0.23%, 0.16%

LAB 18.6, -0.42, 9.9

 

CMYK 0 / 0 / 38 / 80

HEX #32321F

RGB 50 50 31

HSL 60, 0.23%, 0.16%

LAB 20.28, -3.74, 12.13

 

CMYK 10 / 0 / 38 / 80

HEX #2D321F

RGB 45 50 31

HSL 75.79, 0.23%, 0.16%

LAB 19.79, -6.18, 11.4

 

CMYK 20 / 0 / 38 / 80

HEX #28321F

RGB 40 50 31

HSL 91.58, 0.23%, 0.16%

LAB 19.35, -8.55, 10.74

 

CMYK 0 / 0 / 38 / 80

HEX #32321F

RGB 50 50 31

HSL 60, 0.23%, 0.16%

LAB 20.28, -3.74, 12.13

 

CMYK 38 / 0 / 30 / 80

HEX #1F3223

RGB 31 50 35

HSL 132.63, 0.23%, 0.16%

LAB 18.77, -11.64, 7.15

 

CMYK 16 / 38 / 0 / 80

HEX #2A1F32

RGB 42 31 50

HSL 274.74, 0.23%, 0.16%

LAB 13.84, 9.88, -10.52

 

CMYK 0 / 0 / 38 / 80

HEX #32321F

RGB 50 50 31

HSL 60, 0.23%, 0.16%

LAB 20.28, -3.74, 12.13

 

CMYK 38 / 0 / 0 / 80

HEX #1F3232

RGB 31 50 50

HSL 180, 0.23%, 0.16%

LAB 19.24, -7.65, -2.46

 

CMYK 0 / 38 / 0 / 80

HEX #321F32

RGB 50 31 50

HSL 300, 0.23%, 0.16%

LAB 14.89, 13.15, -8.82

 

CMYK 0 / 0 / 38 / 80

HEX #32321F

RGB 50 50 31

HSL 60, 0.23%, 0.16%

LAB 20.28, -3.74, 12.13

 

CMYK 38 / 0 / 30 / 80

HEX #1F3223

RGB 31 50 35

HSL 132.63, 0.23%, 0.16%

LAB 18.77, -11.64, 7.15

 

CMYK 38 / 38 / 0 / 80

HEX #1F1F32

RGB 31 31 50

HSL 240, 0.23%, 0.16%

LAB 12.62, 5.61, -12.52

 

CMYK 0 / 38 / 8 / 80

HEX #321F2E

RGB 50 31 46

HSL 312.63, 0.23%, 0.16%

LAB 14.71, 12.22, -6.24

 

CMYK 0 / 0 / 38 / 80

HEX #32321F

RGB 50 50 31

HSL 60, 0.23%, 0.16%

LAB 20.28, -3.74, 12.13

 

CMYK 38 / 0 / 20 / 80

HEX #1F3228

RGB 31 50 40

HSL 148.42, 0.23%, 0.16%

LAB 18.91, -10.43, 3.93

 

CMYK 38 / 38 / 0 / 80

HEX #1F1F32

RGB 31 31 50

HSL 240, 0.23%, 0.16%

LAB 12.62, 5.61, -12.52

 

CMYK 0 / 38 / 20 / 80

HEX #321F28

RGB 50 31 40

HSL 331.58, 0.23%, 0.16%

LAB 14.46, 10.93, -2.29

 

Description

Color code: RGB 50 50 31 | qconv.com Color code: RGB 50 50 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 50 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 50 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 38 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 38% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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