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Color name
RGB 53 230 169

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 230 169 it is the complementary color RGB 202 25 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 230 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 230 169 shade: RGB 58 230 164, RGB 75 248 183, RGB 92 255 202, RGB 109 255 221 and RGB 126 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 230 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 230 169 shade: RGB 53 230 169, RGB 36 212 150, RGB 19 194 131, RGB 2 176 112 and RGB 0 158 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 230 169 shade: RGB 50 229 168, RGB 50 229 119, RGB 50 229 71, RGB 78 229 50 and RGB 126 229 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 230 169 shade: RGB 50 229 168, RGB 50 229 216, RGB 50 194 229, RGB 50 146 229 and RGB 50 98 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 230 169 shade matches the following richer shades: RGB 50 229 168 and RGB 32 248 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 230 169 shade: RGB 50 229 168, RGB 69 211 162, RGB 87 192 156, RGB 106 174 150 and RGB 125 155 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 230 169 shade: RGB 50 229 71, RGB 50 229 119, RGB 50 229 167, RGB 50 229 214 and RGB 50 196 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 230 169 shade: RGB 21 176 122, RGB 26 212 148, RGB 50 229 168, RGB 87 234 183 and RGB 124 238 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 230 169 shade: RGB 53 230 169, RGB 50 77 229 and RGB 229 95 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 230 169 shade: RGB 53 230 169, RGB 167 50 229 and RGB 229 167 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 230 169 shade: RGB 53 230 169, RGB 50 77 229, RGB 229 50 113 and RGB 229 202 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 230 169 shade: RGB 53 230 169, RGB 77 50 229, RGB 229 50 113 and RGB 202 229 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 27 / 10

HEX #35E6A9

RGB 53 230 169

HSL 159.32, 0.78%, 0.55%

LAB 81.95, -57.38, 17.51

 

Complementary color

CMYK 0 / 88 / 57 / 21

HEX #CA1956

RGB 202 25 86

HSL 339.32, 0.78%, 0.45%

LAB 44.12, 67.01, 13.12

 

CMYK 75 / 0 / 29 / 10

HEX #3AE6A4

RGB 58 230 164

HSL 156.98, 0.77%, 0.56%

LAB 81.93, -57.89, 20.09

 

CMYK 70 / 0 / 26 / 3

HEX #4BF8B7

RGB 75 248 183

HSL 157.46, 0.93%, 0.63%

LAB 87.99, -58.5, 18.74

 

CMYK 64 / 0 / 21 / 0

HEX #5CFFCA

RGB 92 255 202

HSL 160.49, 1%, 0.68%

LAB 90.81, -54.52, 12.97

 

CMYK 57 / 0 / 13 / 0

HEX #6DFFDD

RGB 109 255 221

HSL 166.03, 1%, 0.71%

LAB 91.68, -47.19, 4.48

 

CMYK 51 / 0 / 6 / 0

HEX #7EFFF0

RGB 126 255 240

HSL 173.02, 1%, 0.75%

LAB 92.68, -39.33, -3.82

 

CMYK 77 / 0 / 27 / 10

HEX #35E6A9

RGB 53 230 169

HSL 159.32, 0.78%, 0.55%

LAB 81.95, -57.38, 17.51

 

CMYK 83 / 0 / 29 / 17

HEX #24D496

RGB 36 212 150

HSL 158.86, 0.71%, 0.49%

LAB 75.86, -56.38, 18.98

 

CMYK 90 / 0 / 32 / 24

HEX #13C283

RGB 19 194 131

HSL 158.4, 0.82%, 0.42%

LAB 69.73, -54.99, 20.6

 

CMYK 99 / 0 / 36 / 31

HEX #02B070

RGB 2 176 112

HSL 157.93, 0.98%, 0.35%

LAB 63.54, -53.19, 22.36

 

CMYK 100 / 0 / 41 / 38

HEX #009E5D

RGB 0 158 93

HSL 155.32, 1%, 0.31%

LAB 57.31, -50.68, 24.31

 

CMYK 78 / 0 / 27 / 10

HEX #32E5A8

RGB 50 229 168

HSL 159.55, 0.77%, 0.55%

LAB 81.59, -57.54, 17.52

 

CMYK 78 / 0 / 48 / 10

HEX #32E577

RGB 50 229 119

HSL 143.13, 0.77%, 0.55%

LAB 80.77, -66.87, 41.29

 

CMYK 78 / 0 / 69 / 10

HEX #32E547

RGB 50 229 71

HSL 127.04, 0.77%, 0.55%

LAB 80.28, -72.77, 61.81

 

CMYK 66 / 0 / 78 / 10

HEX #4EE532

RGB 78 229 50

HSL 110.61, 0.77%, 0.55%

LAB 80.68, -69.83, 69.43

 

CMYK 45 / 0 / 78 / 10

HEX #7EE532

RGB 126 229 50

HSL 94.53, 0.77%, 0.55%

LAB 82.22, -57.62, 71.44

 

CMYK 78 / 0 / 27 / 10

HEX #32E5A8

RGB 50 229 168

HSL 159.55, 0.77%, 0.55%

LAB 81.59, -57.54, 17.52

 

CMYK 78 / 0 / 6 / 10

HEX #32E5D8

RGB 50 229 216

HSL 175.64, 0.77%, 0.55%

LAB 82.74, -45.59, -6.13

 

CMYK 78 / 15 / 0 / 10

HEX #32C2E5

RGB 50 194 229

HSL 191.73, 0.77%, 0.55%

LAB 72.84, -25.4, -28.03

 

CMYK 78 / 36 / 0 / 10

HEX #3292E5

RGB 50 146 229

HSL 207.82, 0.77%, 0.55%

LAB 58.88, 0.74, -49.83

 

CMYK 78 / 57 / 0 / 10

HEX #3262E5

RGB 50 98 229

HSL 223.91, 0.77%, 0.55%

LAB 45.73, 30.45, -70.97

 

CMYK 78 / 0 / 27 / 10

HEX #32E5A8

RGB 50 229 168

HSL 159.55, 0.77%, 0.55%

LAB 81.59, -57.54, 17.52

 

CMYK 87 / 0 / 30 / 3

HEX #20F8AD

RGB 32 248 173

HSL 159.17, 0.94%, 0.55%

LAB 87.22, -64.97, 22.71

 

CMYK 78 / 0 / 27 / 10

HEX #32E5A8

RGB 50 229 168

HSL 159.55, 0.77%, 0.55%

LAB 81.59, -57.54, 17.52

 

CMYK 67 / 0 / 23 / 17

HEX #45D3A2

RGB 69 211 162

HSL 159.3, 0.62%, 0.55%

LAB 76.35, -49.26, 13.38

 

CMYK 55 / 0 / 19 / 25

HEX #57C09C

RGB 87 192 156

HSL 159.43, 0.45%, 0.55%

LAB 70.96, -39.06, 9.03

 

CMYK 39 / 0 / 14 / 32

HEX #6AAE96

RGB 106 174 150

HSL 158.82, 0.3%, 0.55%

LAB 66.17, -27.17, 5.56

 

CMYK 19 / 0 / 7 / 39

HEX #7D9B90

RGB 125 155 144

HSL 158, 0.13%, 0.55%

LAB 61.5, -12.77, 2.31

 

CMYK 78 / 0 / 69 / 10

HEX #32E547

RGB 50 229 71

HSL 127.04, 0.77%, 0.55%

LAB 80.28, -72.77, 61.81

 

CMYK 78 / 0 / 48 / 10

HEX #32E577

RGB 50 229 119

HSL 143.13, 0.77%, 0.55%

LAB 80.77, -66.87, 41.29

 

CMYK 78 / 0 / 27 / 10

HEX #32E5A7

RGB 50 229 167

HSL 159.22, 0.77%, 0.55%

LAB 81.57, -57.76, 18.01

 

CMYK 78 / 0 / 7 / 10

HEX #32E5D6

RGB 50 229 214

HSL 174.97, 0.77%, 0.55%

LAB 82.69, -46.13, -5.15

 

CMYK 78 / 14 / 0 / 10

HEX #32C4E5

RGB 50 196 229

HSL 191.06, 0.77%, 0.55%

LAB 73.43, -26.4, -27.12

 

CMYK 88 / 0 / 31 / 31

HEX #15B07A

RGB 21 176 122

HSL 159.1, 0.79%, 0.39%

LAB 63.85, -50.05, 17.38

 

CMYK 88 / 0 / 30 / 17

HEX #1AD494

RGB 26 212 148

HSL 159.35, 0.78%, 0.47%

LAB 75.73, -57.56, 19.83

 

CMYK 78 / 0 / 27 / 10

HEX #32E5A8

RGB 50 229 168

HSL 159.55, 0.77%, 0.55%

LAB 81.59, -57.54, 17.52

 

CMYK 63 / 0 / 22 / 8

HEX #57EAB7

RGB 87 234 183

HSL 159.18, 0.78%, 0.63%

LAB 84.12, -51, 13.33

 

CMYK 48 / 0 / 16 / 7

HEX #7CEEC7

RGB 124 238 199

HSL 159.47, 0.77%, 0.71%

LAB 86.78, -41.56, 8.92

 

CMYK 77 / 0 / 27 / 10

HEX #35E6A9

RGB 53 230 169

HSL 159.32, 0.78%, 0.55%

LAB 81.95, -57.38, 17.51

 

CMYK 78 / 66 / 0 / 10

HEX #324DE5

RGB 50 77 229

HSL 230.95, 0.77%, 0.55%

LAB 40.64, 43.58, -79.3

 

CMYK 0 / 59 / 78 / 10

HEX #E55F32

RGB 229 95 50

HSL 15.08, 0.77%, 0.55%

LAB 57.15, 49.73, 50.4

 

CMYK 77 / 0 / 27 / 10

HEX #35E6A9

RGB 53 230 169

HSL 159.32, 0.78%, 0.55%

LAB 81.95, -57.38, 17.51

 

CMYK 27 / 78 / 0 / 10

HEX #A732E5

RGB 167 50 229

HSL 279.22, 0.77%, 0.55%

LAB 47.18, 72.68, -68.18

 

CMYK 0 / 27 / 78 / 10

HEX #E5A732

RGB 229 167 50

HSL 39.22, 0.77%, 0.55%

LAB 72.58, 12.76, 65.12

 

CMYK 77 / 0 / 27 / 10

HEX #35E6A9

RGB 53 230 169

HSL 159.32, 0.78%, 0.55%

LAB 81.95, -57.38, 17.51

 

CMYK 78 / 66 / 0 / 10

HEX #324DE5

RGB 50 77 229

HSL 230.95, 0.77%, 0.55%

LAB 40.64, 43.58, -79.3

 

CMYK 0 / 78 / 51 / 10

HEX #E53271

RGB 229 50 113

HSL 338.88, 0.77%, 0.55%

LAB 51.99, 70.17, 8.29

 

CMYK 0 / 12 / 78 / 10

HEX #E5CA32

RGB 229 202 50

HSL 50.95, 0.77%, 0.55%

LAB 81.36, -5.53, 73.1

 

CMYK 77 / 0 / 27 / 10

HEX #35E6A9

RGB 53 230 169

HSL 159.32, 0.78%, 0.55%

LAB 81.95, -57.38, 17.51

 

CMYK 66 / 78 / 0 / 10

HEX #4D32E5

RGB 77 50 229

HSL 249.05, 0.77%, 0.55%

LAB 36.96, 60.68, -85.32

 

CMYK 0 / 78 / 51 / 10

HEX #E53271

RGB 229 50 113

HSL 338.88, 0.77%, 0.55%

LAB 51.99, 70.17, 8.29

 

CMYK 12 / 0 / 78 / 10

HEX #CAE532

RGB 202 229 50

HSL 69.05, 0.77%, 0.55%

LAB 86.42, -30.04, 76.83

 

Description

Color code: RGB 53 230 169 | qconv.com Color code: RGB 53 230 169 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 230 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 230 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 27 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 27% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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