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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 226 18 it is the complementary color RGB 202 29 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 226 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 226 18 shade: RGB 58 226 13, RGB 75 244 32, RGB 92 255 51, RGB 109 255 70 and RGB 126 255 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 226 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 226 18 shade: RGB 53 226 18, RGB 36 208 0, RGB 19 190 0, RGB 2 172 0 and RGB 0 154 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 226 18 shade: RGB 53 226 18, RGB 109 226 18, RGB 165 226 18, RGB 221 226 18 and RGB 226 175 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 226 18 shade: RGB 53 226 18, RGB 18 226 39, RGB 18 226 95, RGB 18 226 151 and RGB 18 226 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 226 18 shade matches the following richer shades: RGB 53 226 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 226 18 shade: RGB 53 226 18, RGB 66 206 38, RGB 79 186 57, RGB 92 167 77 and RGB 105 147 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 226 18 shade: RGB 167 226 18, RGB 111 226 18, RGB 56 226 18, RGB 18 226 35 and RGB 18 226 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 226 18 shade: RGB 35 150 12, RGB 44 188 15, RGB 53 226 18, RGB 79 238 47 and RGB 112 241 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 226 18 shade: RGB 53 226 18, RGB 18 222 226 and RGB 226 18 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 226 18 shade: RGB 53 226 18, RGB 18 56 226 and RGB 226 18 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 226 18 shade: RGB 53 226 18, RGB 18 222 226, RGB 188 18 226 and RGB 226 21 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 226 18 shade: RGB 53 226 18, RGB 18 160 226, RGB 188 18 226 and RGB 226 84 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 92 / 11

HEX #35E212

RGB 53 226 18

HSL 109.9, 0.85%, 0.48%

LAB 79.15, -74.41, 74.7

 

Complementary color

CMYK 15 / 88 / 0 / 7

HEX #CA1DED

RGB 202 29 237

HSL 289.9, 0.85%, 0.52%

LAB 51.32, 84.76, -65.72

 

CMYK 74 / 0 / 94 / 11

HEX #3AE20D

RGB 58 226 13

HSL 107.32, 0.89%, 0.47%

LAB 79.23, -73.8, 75.38

 

CMYK 69 / 0 / 87 / 4

HEX #4BF420

RGB 75 244 32

HSL 107.83, 0.91%, 0.54%

LAB 85.15, -75.87, 77.73

 

CMYK 64 / 0 / 80 / 0

HEX #5CFF33

RGB 92 255 51

HSL 107.94, 1%, 0.6%

LAB 88.94, -75.23, 77.01

 

CMYK 57 / 0 / 73 / 0

HEX #6DFF46

RGB 109 255 70

HSL 107.35, 1%, 0.64%

LAB 89.49, -70.36, 72.04

 

CMYK 51 / 0 / 65 / 0

HEX #7EFF59

RGB 126 255 89

HSL 106.63, 1%, 0.67%

LAB 90.17, -64.6, 66.02

 

CMYK 77 / 0 / 92 / 11

HEX #35E212

RGB 53 226 18

HSL 109.9, 0.85%, 0.48%

LAB 79.15, -74.41, 74.7

 

CMYK 83 / 0 / 100 / 18

HEX #24D000

RGB 36 208 0

HSL 109.62, 1%, 0.41%

LAB 73.21, -71.68, 71.64

 

CMYK 90 / 0 / 100 / 25

HEX #13BE00

RGB 19 190 0

HSL 114, 1%, 0.37%

LAB 67.25, -68.13, 66.8

 

CMYK 99 / 0 / 100 / 33

HEX #02AC00

RGB 2 172 0

HSL 119.3, 1%, 0.34%

LAB 61.24, -64.05, 61.94

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 77 / 0 / 92 / 11

HEX #35E212

RGB 53 226 18

HSL 109.9, 0.85%, 0.48%

LAB 79.15, -74.41, 74.7

 

CMYK 52 / 0 / 92 / 11

HEX #6DE212

RGB 109 226 18

HSL 93.75, 0.85%, 0.48%

LAB 80.56, -62.65, 76.45

 

CMYK 27 / 0 / 92 / 11

HEX #A5E212

RGB 165 226 18

HSL 77.6, 0.85%, 0.48%

LAB 83.14, -44.04, 79.61

 

CMYK 2 / 0 / 92 / 11

HEX #DDE212

RGB 221 226 18

HSL 61.44, 0.85%, 0.48%

LAB 86.9, -21.59, 84.17

 

CMYK 0 / 23 / 92 / 11

HEX #E2AF12

RGB 226 175 18

HSL 45.29, 0.85%, 0.48%

LAB 74.11, 6.44, 74.66

 

CMYK 77 / 0 / 92 / 11

HEX #35E212

RGB 53 226 18

HSL 109.9, 0.85%, 0.48%

LAB 79.15, -74.41, 74.7

 

CMYK 92 / 0 / 83 / 11

HEX #12E227

RGB 18 226 39

HSL 126.06, 0.85%, 0.48%

LAB 78.85, -76.89, 70.37

 

CMYK 92 / 0 / 58 / 11

HEX #12E25F

RGB 18 226 95

HSL 142.21, 0.85%, 0.48%

LAB 79.24, -71.95, 50.61

 

CMYK 92 / 0 / 33 / 11

HEX #12E297

RGB 18 226 151

HSL 158.37, 0.85%, 0.48%

LAB 80.04, -62.44, 24.17

 

CMYK 92 / 0 / 8 / 11

HEX #12E2CF

RGB 18 226 207

HSL 174.52, 0.85%, 0.48%

LAB 81.31, -48.81, -3.51

 

CMYK 77 / 0 / 92 / 11

HEX #35E212

RGB 53 226 18

HSL 109.9, 0.85%, 0.48%

LAB 79.15, -74.41, 74.7

 

CMYK 77 / 0 / 92 / 11

HEX #35E212

RGB 53 226 18

HSL 109.9, 0.85%, 0.48%

LAB 79.15, -74.41, 74.7

 

CMYK 68 / 0 / 82 / 19

HEX #42CE26

RGB 66 206 38

HSL 110, 0.69%, 0.48%

LAB 73.18, -65.47, 65.67

 

CMYK 58 / 0 / 69 / 27

HEX #4FBA39

RGB 79 186 57

HSL 109.77, 0.53%, 0.48%

LAB 67.33, -54.44, 53.77

 

CMYK 45 / 0 / 54 / 35

HEX #5CA74D

RGB 92 167 77

HSL 110, 0.37%, 0.48%

LAB 62.04, -41.12, 39.02

 

CMYK 29 / 0 / 34 / 42

HEX #699361

RGB 105 147 97

HSL 110.4, 0.2%, 0.48%

LAB 56.82, -24.53, 21.99

 

CMYK 26 / 0 / 92 / 11

HEX #A7E212

RGB 167 226 18

HSL 77.02, 0.85%, 0.48%

LAB 83.26, -43.28, 79.75

 

CMYK 51 / 0 / 92 / 11

HEX #6FE212

RGB 111 226 18

HSL 93.17, 0.85%, 0.48%

LAB 80.64, -62.08, 76.54

 

CMYK 75 / 0 / 92 / 11

HEX #38E212

RGB 56 226 18

HSL 109.04, 0.85%, 0.48%

LAB 79.2, -73.99, 74.76

 

CMYK 92 / 0 / 85 / 11

HEX #12E223

RGB 18 226 35

HSL 124.9, 0.85%, 0.48%

LAB 78.83, -77.08, 71.29

 

CMYK 92 / 0 / 60 / 11

HEX #12E25B

RGB 18 226 91

HSL 141.06, 0.85%, 0.48%

LAB 79.2, -72.45, 52.34

 

CMYK 77 / 0 / 92 / 41

HEX #23960C

RGB 35 150 12

HSL 110, 0.85%, 0.32%

LAB 54.23, -54.25, 54.51

 

CMYK 77 / 0 / 92 / 26

HEX #2CBC0F

RGB 44 188 15

HSL 109.94, 0.85%, 0.4%

LAB 66.93, -64.54, 64.83

 

CMYK 77 / 0 / 92 / 11

HEX #35E212

RGB 53 226 18

HSL 109.9, 0.85%, 0.48%

LAB 79.15, -74.41, 74.7

 

CMYK 67 / 0 / 80 / 7

HEX #4FEE2F

RGB 79 238 47

HSL 109.95, 0.85%, 0.56%

LAB 83.45, -72.65, 72.87

 

CMYK 54 / 0 / 64 / 5

HEX #70F156

RGB 112 241 86

HSL 109.94, 0.85%, 0.64%

LAB 85.52, -63.45, 62.02

 

CMYK 77 / 0 / 92 / 11

HEX #35E212

RGB 53 226 18

HSL 109.9, 0.85%, 0.48%

LAB 79.15, -74.41, 74.7

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 0 / 92 / 38 / 11

HEX #E2128B

RGB 226 18 139

HSL 325.1, 0.85%, 0.48%

LAB 50.06, 77.84, -10.32

 

CMYK 77 / 0 / 92 / 11

HEX #35E212

RGB 53 226 18

HSL 109.9, 0.85%, 0.48%

LAB 79.15, -74.41, 74.7

 

CMYK 92 / 75 / 0 / 11

HEX #1238E2

RGB 18 56 226

HSL 229.04, 0.85%, 0.48%

LAB 34.9, 53.14, -87.11

 

CMYK 0 / 92 / 75 / 11

HEX #E21238

RGB 226 18 56

HSL 349.04, 0.85%, 0.48%

LAB 48.12, 72.53, 37.53

 

CMYK 77 / 0 / 92 / 11

HEX #35E212

RGB 53 226 18

HSL 109.9, 0.85%, 0.48%

LAB 79.15, -74.41, 74.7

 

CMYK 92 / 2 / 0 / 11

HEX #12DEE2

RGB 18 222 226

HSL 181.15, 0.85%, 0.48%

LAB 80.66, -41.65, -14.57

 

CMYK 17 / 92 / 0 / 11

HEX #BC12E2

RGB 188 18 226

HSL 289.04, 0.85%, 0.48%

LAB 47.77, 82.42, -65.36

 

CMYK 0 / 91 / 92 / 11

HEX #E21512

RGB 226 21 18

HSL 0.87, 0.85%, 0.48%

LAB 47.94, 71.28, 56.34

 

CMYK 77 / 0 / 92 / 11

HEX #35E212

RGB 53 226 18

HSL 109.9, 0.85%, 0.48%

LAB 79.15, -74.41, 74.7

 

CMYK 92 / 29 / 0 / 11

HEX #12A0E2

RGB 18 160 226

HSL 199.04, 0.85%, 0.48%

LAB 62.31, -10.69, -42.78

 

CMYK 17 / 92 / 0 / 11

HEX #BC12E2

RGB 188 18 226

HSL 289.04, 0.85%, 0.48%

LAB 47.77, 82.42, -65.36

 

CMYK 0 / 63 / 92 / 11

HEX #E25412

RGB 226 84 18

HSL 19.04, 0.85%, 0.48%

LAB 54.61, 52.81, 60.67

 

Description

Color code: RGB 53 226 18 | qconv.com Color code: RGB 53 226 18 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 226 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 226 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 92 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 92% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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