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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 215 210 it is the complementary color RGB 202 40 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 215 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 215 210 shade: RGB 58 215 205, RGB 75 233 224, RGB 92 251 243, RGB 109 255 255 and RGB 126 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 215 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 215 210 shade: RGB 53 215 210, RGB 36 197 191, RGB 19 179 172, RGB 2 161 153 and RGB 0 143 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 215 210 shade: RGB 54 215 210, RGB 54 215 167, RGB 54 215 123, RGB 54 215 80 and RGB 72 215 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 215 210 shade: RGB 54 215 210, RGB 54 177 215, RGB 54 133 215, RGB 54 90 215 and RGB 54 54 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 215 210 shade matches the following richer shades: RGB 54 215 210, RGB 35 234 228 and RGB 16 254 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 215 210 shade: RGB 54 215 210, RGB 74 196 192, RGB 93 176 174, RGB 113 157 155 and RGB 132 137 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 215 210 shade: RGB 54 215 124, RGB 54 215 167, RGB 54 215 210, RGB 54 177 215 and RGB 54 135 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 215 210 shade: RGB 30 156 152, RGB 37 191 186, RGB 54 215 210, RGB 89 222 218 and RGB 123 229 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 215 210 shade: RGB 53 215 210, RGB 81 54 215 and RGB 215 145 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 215 210 shade: RGB 53 215 210, RGB 210 54 215 and RGB 215 210 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 215 210 shade: RGB 53 215 210, RGB 81 54 215, RGB 215 54 60 and RGB 188 215 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 215 210 shade: RGB 53 215 210, RGB 129 54 215, RGB 215 54 60 and RGB 140 215 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 2 / 16

HEX #35D7D2

RGB 53 215 210

HSL 178.15, 0.67%, 0.53%

LAB 78.47, -40.79, -9.27

 

Complementary color

CMYK 0 / 80 / 78 / 21

HEX #CA282D

RGB 202 40 45

HSL 358.15, 0.67%, 0.47%

LAB 44.61, 61.61, 38.64

 

CMYK 73 / 0 / 5 / 16

HEX #3AD7CD

RGB 58 215 205

HSL 176.18, 0.66%, 0.54%

LAB 78.41, -41.64, -6.67

 

CMYK 68 / 0 / 4 / 9

HEX #4BE9E0

RGB 75 233 224

HSL 176.58, 0.78%, 0.6%

LAB 84.56, -42.34, -7.61

 

CMYK 63 / 0 / 3 / 2

HEX #5CFBF3

RGB 92 251 243

HSL 176.98, 0.95%, 0.67%

LAB 90.66, -42.87, -8.47

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 75 / 0 / 2 / 16

HEX #35D7D2

RGB 53 215 210

HSL 178.15, 0.67%, 0.53%

LAB 78.47, -40.79, -9.27

 

CMYK 82 / 0 / 3 / 23

HEX #24C5BF

RGB 36 197 191

HSL 177.76, 0.69%, 0.46%

LAB 72.27, -39.69, -8.24

 

CMYK 89 / 0 / 4 / 30

HEX #13B3AC

RGB 19 179 172

HSL 177.38, 0.81%, 0.39%

LAB 66.03, -38.26, -7.11

 

CMYK 99 / 0 / 5 / 37

HEX #02A199

RGB 2 161 153

HSL 176.98, 0.98%, 0.32%

LAB 59.71, -36.47, -5.85

 

CMYK 100 / 0 / 6 / 44

HEX #008F86

RGB 0 143 134

HSL 176.22, 1%, 0.28%

LAB 53.35, -34.07, -4.41

 

CMYK 75 / 0 / 2 / 16

HEX #36D7D2

RGB 54 215 210

HSL 178.14, 0.67%, 0.53%

LAB 78.48, -40.69, -9.24

 

CMYK 75 / 0 / 22 / 16

HEX #36D7A7

RGB 54 215 167

HSL 162.11, 0.67%, 0.53%

LAB 77.39, -51.82, 12.14

 

CMYK 75 / 0 / 43 / 16

HEX #36D77B

RGB 54 215 123

HSL 145.71, 0.67%, 0.53%

LAB 76.57, -60.86, 33.95

 

CMYK 75 / 0 / 63 / 16

HEX #36D750

RGB 54 215 80

HSL 129.69, 0.67%, 0.53%

LAB 76.05, -66.98, 53.61

 

CMYK 67 / 0 / 75 / 16

HEX #48D736

RGB 72 215 54

HSL 113.29, 0.67%, 0.53%

LAB 76.22, -66.24, 63.83

 

CMYK 75 / 0 / 2 / 16

HEX #36D7D2

RGB 54 215 210

HSL 178.14, 0.67%, 0.53%

LAB 78.48, -40.69, -9.24

 

CMYK 75 / 18 / 0 / 16

HEX #36B1D7

RGB 54 177 215

HSL 194.16, 0.67%, 0.53%

LAB 67.38, -20.82, -28.78

 

CMYK 75 / 38 / 0 / 16

HEX #3685D7

RGB 54 133 215

HSL 210.56, 0.67%, 0.53%

LAB 54.52, 3.85, -48.92

 

CMYK 75 / 58 / 0 / 16

HEX #365AD7

RGB 54 90 215

HSL 226.58, 0.67%, 0.53%

LAB 42.77, 30.83, -67.84

 

CMYK 75 / 75 / 0 / 16

HEX #3636D7

RGB 54 54 215

HSL 240, 0.67%, 0.53%

LAB 34.66, 52.48, -81.15

 

CMYK 75 / 0 / 2 / 16

HEX #36D7D2

RGB 54 215 210

HSL 178.14, 0.67%, 0.53%

LAB 78.48, -40.69, -9.24

 

CMYK 85 / 0 / 3 / 8

HEX #23EAE4

RGB 35 234 228

HSL 178.19, 0.83%, 0.53%

LAB 84.38, -45.55, -10.05

 

CMYK 94 / 0 / 3 / 0

HEX #10FEF6

RGB 16 254 246

HSL 177.98, 0.99%, 0.53%

LAB 90.62, -49.87, -10.2

 

CMYK 75 / 0 / 2 / 16

HEX #36D7D2

RGB 54 215 210

HSL 178.14, 0.67%, 0.53%

LAB 78.48, -40.69, -9.24

 

CMYK 62 / 0 / 2 / 23

HEX #4AC4C0

RGB 74 196 192

HSL 178.03, 0.51%, 0.53%

LAB 72.72, -34.3, -8.05

 

CMYK 47 / 0 / 1 / 31

HEX #5DB0AE

RGB 93 176 174

HSL 178.55, 0.34%, 0.53%

LAB 66.85, -25.69, -6.81

 

CMYK 28 / 0 / 1 / 38

HEX #719D9B

RGB 113 157 155

HSL 177.27, 0.18%, 0.53%

LAB 61.65, -15.25, -3.77

 

CMYK 4 / 0 / 0 / 46

HEX #848989

RGB 132 137 137

HSL 180, 0.02%, 0.53%

LAB 56.69, -1.83, -0.65

 

CMYK 75 / 0 / 42 / 16

HEX #36D77C

RGB 54 215 124

HSL 146.09, 0.67%, 0.53%

LAB 76.58, -60.68, 33.47

 

CMYK 75 / 0 / 22 / 16

HEX #36D7A7

RGB 54 215 167

HSL 162.11, 0.67%, 0.53%

LAB 77.39, -51.82, 12.14

 

CMYK 75 / 0 / 2 / 16

HEX #36D7D2

RGB 54 215 210

HSL 178.14, 0.67%, 0.53%

LAB 78.48, -40.69, -9.24

 

CMYK 75 / 18 / 0 / 16

HEX #36B1D7

RGB 54 177 215

HSL 194.16, 0.67%, 0.53%

LAB 67.38, -20.82, -28.78

 

CMYK 75 / 37 / 0 / 16

HEX #3687D7

RGB 54 135 215

HSL 209.81, 0.67%, 0.53%

LAB 55.09, 2.65, -48

 

CMYK 81 / 0 / 3 / 39

HEX #1E9C98

RGB 30 156 152

HSL 178.1, 0.68%, 0.36%

LAB 58.34, -32.81, -7.29

 

CMYK 81 / 0 / 3 / 25

HEX #25BFBA

RGB 37 191 186

HSL 178.05, 0.68%, 0.45%

LAB 70.32, -38.35, -8.42

 

CMYK 75 / 0 / 2 / 16

HEX #36D7D2

RGB 54 215 210

HSL 178.14, 0.67%, 0.53%

LAB 78.48, -40.69, -9.24

 

CMYK 60 / 0 / 2 / 13

HEX #59DEDA

RGB 89 222 218

HSL 178.2, 0.67%, 0.61%

LAB 81.53, -36.85, -8.9

 

CMYK 46 / 0 / 2 / 10

HEX #7BE5E1

RGB 123 229 225

HSL 177.74, 0.67%, 0.69%

LAB 84.84, -31.61, -7.58

 

CMYK 75 / 0 / 2 / 16

HEX #35D7D2

RGB 53 215 210

HSL 178.15, 0.67%, 0.53%

LAB 78.47, -40.79, -9.27

 

CMYK 62 / 75 / 0 / 16

HEX #5136D7

RGB 81 54 215

HSL 250.06, 0.67%, 0.53%

LAB 36.54, 55.11, -77.97

 

CMYK 0 / 33 / 75 / 16

HEX #D79136

RGB 215 145 54

HSL 33.91, 0.67%, 0.53%

LAB 65.72, 18.71, 56.46

 

CMYK 75 / 0 / 2 / 16

HEX #35D7D2

RGB 53 215 210

HSL 178.15, 0.67%, 0.53%

LAB 78.47, -40.79, -9.27

 

CMYK 2 / 75 / 0 / 16

HEX #D236D7

RGB 210 54 215

HSL 298.14, 0.67%, 0.53%

LAB 53.22, 76.85, -50.15

 

CMYK 0 / 2 / 75 / 16

HEX #D7D236

RGB 215 210 54

HSL 58.14, 0.67%, 0.53%

LAB 82.27, -15.35, 72.24

 

CMYK 75 / 0 / 2 / 16

HEX #35D7D2

RGB 53 215 210

HSL 178.15, 0.67%, 0.53%

LAB 78.47, -40.79, -9.27

 

CMYK 62 / 75 / 0 / 16

HEX #5136D7

RGB 81 54 215

HSL 250.06, 0.67%, 0.53%

LAB 36.54, 55.11, -77.97

 

CMYK 0 / 75 / 72 / 16

HEX #D7363C

RGB 215 54 60

HSL 357.76, 0.67%, 0.53%

LAB 48.77, 61.83, 35.38

 

CMYK 13 / 0 / 75 / 16

HEX #BCD736

RGB 188 215 54

HSL 70.06, 0.67%, 0.53%

LAB 81.6, -28.96, 70.87

 

CMYK 75 / 0 / 2 / 16

HEX #35D7D2

RGB 53 215 210

HSL 178.15, 0.67%, 0.53%

LAB 78.47, -40.79, -9.27

 

CMYK 40 / 75 / 0 / 16

HEX #8136D7

RGB 129 54 215

HSL 267.95, 0.67%, 0.53%

LAB 41.55, 61.87, -69.57

 

CMYK 0 / 75 / 72 / 16

HEX #D7363C

RGB 215 54 60

HSL 357.76, 0.67%, 0.53%

LAB 48.77, 61.83, 35.38

 

CMYK 35 / 0 / 75 / 16

HEX #8CD736

RGB 140 215 54

HSL 87.95, 0.67%, 0.53%

LAB 78.72, -47.24, 67.12

 

Description

Color code: RGB 53 215 210 | qconv.com Color code: RGB 53 215 210 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 215 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 215 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 2 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 2% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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