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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 211 124 it is the complementary color RGB 202 44 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 211 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 211 124 shade: RGB 58 211 119, RGB 75 229 138, RGB 92 247 157, RGB 109 255 176 and RGB 126 255 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 211 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 211 124 shade: RGB 53 211 124, RGB 36 193 105, RGB 19 175 86, RGB 2 157 67 and RGB 0 139 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 211 124 shade: RGB 54 210 124, RGB 54 210 82, RGB 68 210 54, RGB 110 210 54 and RGB 152 210 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 211 124 shade: RGB 54 210 124, RGB 54 210 166, RGB 54 210 209, RGB 54 170 210 and RGB 54 128 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 211 124 shade matches the following richer shades: RGB 54 210 124, RGB 34 230 122 and RGB 14 250 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 211 124 shade: RGB 54 210 124, RGB 74 191 126, RGB 93 171 128, RGB 113 151 130 and RGB 133 131 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 211 124 shade: RGB 69 210 54, RGB 54 210 80, RGB 54 210 122, RGB 54 210 163 and RGB 54 210 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 211 124 shade: RGB 32 149 85, RGB 40 183 104, RGB 54 210 124, RGB 88 218 146 and RGB 121 225 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 211 124 shade: RGB 53 211 124, RGB 54 111 210 and RGB 210 59 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 211 124 shade: RGB 53 211 124, RGB 122 54 210 and RGB 210 122 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 211 124 shade: RGB 53 211 124, RGB 54 111 210, RGB 210 54 143 and RGB 210 153 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 211 124 shade: RGB 53 211 124, RGB 54 64 210, RGB 210 54 143 and RGB 210 200 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 41 / 17

HEX #35D37C

RGB 53 211 124

HSL 146.96, 0.64%, 0.52%

LAB 75.33, -59.38, 31.82

 

Complementary color

CMYK 0 / 78 / 35 / 21

HEX #CA2C83

RGB 202 44 131

HSL 326.96, 0.64%, 0.48%

LAB 46.97, 66.55, -10.56

 

CMYK 73 / 0 / 44 / 17

HEX #3AD377

RGB 58 211 119

HSL 143.92, 0.63%, 0.53%

LAB 75.34, -59.56, 34.39

 

CMYK 67 / 0 / 40 / 10

HEX #4BE58A

RGB 75 229 138

HSL 144.55, 0.75%, 0.6%

LAB 81.49, -60.12, 32.9

 

CMYK 63 / 0 / 36 / 3

HEX #5CF79D

RGB 92 247 157

HSL 145.16, 0.91%, 0.66%

LAB 87.6, -60.45, 31.49

 

CMYK 57 / 0 / 31 / 0

HEX #6DFFB0

RGB 109 255 176

HSL 147.53, 1%, 0.71%

LAB 90.74, -56.71, 26.23

 

CMYK 51 / 0 / 24 / 0

HEX #7EFFC3

RGB 126 255 195

HSL 152.09, 1%, 0.75%

LAB 91.64, -49.29, 17.88

 

CMYK 75 / 0 / 41 / 17

HEX #35D37C

RGB 53 211 124

HSL 146.96, 0.64%, 0.52%

LAB 75.33, -59.38, 31.82

 

CMYK 81 / 0 / 46 / 24

HEX #24C169

RGB 36 193 105

HSL 146.37, 0.69%, 0.45%

LAB 69.14, -58.37, 33.44

 

CMYK 89 / 0 / 51 / 31

HEX #13AF56

RGB 19 175 86

HSL 145.77, 0.8%, 0.38%

LAB 62.9, -56.86, 35.17

 

CMYK 99 / 0 / 57 / 38

HEX #029D43

RGB 2 157 67

HSL 145.16, 0.97%, 0.31%

LAB 56.62, -54.76, 36.95

 

CMYK 100 / 0 / 65 / 45

HEX #008B30

RGB 0 139 48

HSL 140.72, 1%, 0.27%

LAB 50.31, -51.63, 38.7

 

CMYK 74 / 0 / 41 / 18

HEX #36D27C

RGB 54 210 124

HSL 146.92, 0.63%, 0.52%

LAB 75.03, -58.88, 31.44

 

CMYK 74 / 0 / 61 / 18

HEX #36D252

RGB 54 210 82

HSL 130.77, 0.63%, 0.52%

LAB 74.5, -65.13, 51

 

CMYK 68 / 0 / 74 / 18

HEX #44D236

RGB 68 210 54

HSL 114.62, 0.63%, 0.52%

LAB 74.56, -65.39, 62.16

 

CMYK 48 / 0 / 74 / 18

HEX #6ED236

RGB 110 210 54

HSL 98.46, 0.63%, 0.52%

LAB 75.87, -55.02, 63.89

 

CMYK 28 / 0 / 74 / 18

HEX #98D236

RGB 152 210 54

HSL 82.31, 0.63%, 0.52%

LAB 77.9, -40.76, 66.55

 

CMYK 74 / 0 / 41 / 18

HEX #36D27C

RGB 54 210 124

HSL 146.92, 0.63%, 0.52%

LAB 75.03, -58.88, 31.44

 

CMYK 74 / 0 / 21 / 18

HEX #36D2A6

RGB 54 210 166

HSL 163.08, 0.63%, 0.52%

LAB 75.84, -50.04, 10.49

 

CMYK 74 / 0 / 0 / 18

HEX #36D2D1

RGB 54 210 209

HSL 179.62, 0.63%, 0.52%

LAB 76.97, -38.71, -10.96

 

CMYK 74 / 19 / 0 / 18

HEX #36AAD2

RGB 54 170 210

HSL 195.38, 0.63%, 0.52%

LAB 65.11, -18.8, -29.52

 

CMYK 74 / 39 / 0 / 18

HEX #3680D2

RGB 54 128 210

HSL 211.54, 0.63%, 0.52%

LAB 52.81, 5.05, -48.81

 

CMYK 74 / 0 / 41 / 18

HEX #36D27C

RGB 54 210 124

HSL 146.92, 0.63%, 0.52%

LAB 75.03, -58.88, 31.44

 

CMYK 85 / 0 / 47 / 10

HEX #22E67A

RGB 34 230 122

HSL 146.94, 0.8%, 0.52%

LAB 80.93, -68.26, 39.99

 

CMYK 94 / 0 / 52 / 2

HEX #0EFA78

RGB 14 250 120

HSL 146.95, 0.96%, 0.52%

LAB 86.91, -76.02, 48.37

 

CMYK 74 / 0 / 41 / 18

HEX #36D27C

RGB 54 210 124

HSL 146.92, 0.63%, 0.52%

LAB 75.03, -58.88, 31.44

 

CMYK 61 / 0 / 34 / 25

HEX #4ABF7E

RGB 74 191 126

HSL 146.67, 0.48%, 0.52%

LAB 69.63, -47.79, 23.28

 

CMYK 46 / 0 / 25 / 33

HEX #5DAB80

RGB 93 171 128

HSL 146.92, 0.32%, 0.52%

LAB 64.17, -34.1, 14.81

 

CMYK 25 / 0 / 14 / 41

HEX #719782

RGB 113 151 130

HSL 146.84, 0.15%, 0.52%

LAB 59.21, -17.63, 6.84

 

CMYK 0 / 2 / 1 / 48

HEX #858384

RGB 133 131 132

HSL 330, 0.01%, 0.52%

LAB 54.95, 0.95, -0.28

 

CMYK 67 / 0 / 74 / 18

HEX #45D236

RGB 69 210 54

HSL 114.23, 0.63%, 0.52%

LAB 74.59, -65.2, 62.19

 

CMYK 74 / 0 / 62 / 18

HEX #36D250

RGB 54 210 80

HSL 130, 0.63%, 0.52%

LAB 74.48, -65.36, 51.85

 

CMYK 74 / 0 / 42 / 18

HEX #36D27A

RGB 54 210 122

HSL 146.15, 0.63%, 0.52%

LAB 75, -59.24, 32.42

 

CMYK 74 / 0 / 22 / 18

HEX #36D2A3

RGB 54 210 163

HSL 161.92, 0.63%, 0.52%

LAB 75.77, -50.75, 11.99

 

CMYK 74 / 0 / 2 / 18

HEX #36D2CD

RGB 54 210 205

HSL 178.08, 0.63%, 0.52%

LAB 76.85, -39.85, -8.99

 

CMYK 79 / 0 / 43 / 42

HEX #209555

RGB 32 149 85

HSL 147.18, 0.65%, 0.35%

LAB 54.51, -46.42, 25.03

 

CMYK 78 / 0 / 43 / 28

HEX #28B768

RGB 40 183 104

HSL 146.85, 0.64%, 0.44%

LAB 66, -54.52, 29.92

 

CMYK 74 / 0 / 41 / 18

HEX #36D27C

RGB 54 210 124

HSL 146.92, 0.63%, 0.52%

LAB 75.03, -58.88, 31.44

 

CMYK 60 / 0 / 33 / 15

HEX #58DA92

RGB 88 218 146

HSL 146.77, 0.64%, 0.6%

LAB 78.63, -51.97, 25.03

 

CMYK 46 / 0 / 25 / 12

HEX #79E1A8

RGB 121 225 168

HSL 147.12, 0.63%, 0.68%

LAB 82.24, -42.98, 18.7

 

CMYK 75 / 0 / 41 / 17

HEX #35D37C

RGB 53 211 124

HSL 146.96, 0.64%, 0.52%

LAB 75.33, -59.38, 31.82

 

CMYK 74 / 47 / 0 / 18

HEX #366FD2

RGB 54 111 210

HSL 218.08, 0.63%, 0.52%

LAB 48.02, 15.6, -56.48

 

CMYK 0 / 72 / 74 / 18

HEX #D23B36

RGB 210 59 54

HSL 1.92, 0.63%, 0.52%

LAB 48.38, 58.36, 38.11

 

CMYK 75 / 0 / 41 / 17

HEX #35D37C

RGB 53 211 124

HSL 146.96, 0.64%, 0.52%

LAB 75.33, -59.38, 31.82

 

CMYK 42 / 74 / 0 / 18

HEX #7A36D2

RGB 122 54 210

HSL 266.15, 0.63%, 0.52%

LAB 40.29, 59.52, -68.78

 

CMYK 0 / 42 / 74 / 18

HEX #D27A36

RGB 210 122 54

HSL 26.15, 0.63%, 0.52%

LAB 59.79, 28.98, 50.28

 

CMYK 75 / 0 / 41 / 17

HEX #35D37C

RGB 53 211 124

HSL 146.96, 0.64%, 0.52%

LAB 75.33, -59.38, 31.82

 

CMYK 74 / 47 / 0 / 18

HEX #366FD2

RGB 54 111 210

HSL 218.08, 0.63%, 0.52%

LAB 48.02, 15.6, -56.48

 

CMYK 0 / 74 / 32 / 18

HEX #D2368F

RGB 210 54 143

HSL 325.77, 0.63%, 0.52%

LAB 49.89, 66.92, -13.27

 

CMYK 0 / 27 / 74 / 18

HEX #D29936

RGB 210 153 54

HSL 38.08, 0.63%, 0.52%

LAB 67.09, 12.24, 57.62

 

CMYK 75 / 0 / 41 / 17

HEX #35D37C

RGB 53 211 124

HSL 146.96, 0.64%, 0.52%

LAB 75.33, -59.38, 31.82

 

CMYK 74 / 70 / 0 / 18

HEX #3640D2

RGB 54 64 210

HSL 236.15, 0.63%, 0.52%

LAB 36.18, 45.2, -75.74

 

CMYK 0 / 74 / 32 / 18

HEX #D2368F

RGB 210 54 143

HSL 325.77, 0.63%, 0.52%

LAB 49.89, 66.92, -13.27

 

CMYK 0 / 5 / 74 / 18

HEX #D2C836

RGB 210 200 54

HSL 56.15, 0.63%, 0.52%

LAB 79.2, -12.45, 69.23

 

Description

Color code: RGB 53 211 124 | qconv.com Color code: RGB 53 211 124 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 211 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 211 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 41 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 41% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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