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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 207 206 it is the complementary color RGB 202 48 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 207 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 207 206 shade: RGB 58 207 201, RGB 75 225 220, RGB 92 243 239, RGB 109 255 255 and RGB 126 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 207 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 207 206 shade: RGB 53 207 206, RGB 36 189 187, RGB 19 171 168, RGB 2 153 149 and RGB 0 135 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 207 206 shade: RGB 52 207 206, RGB 52 207 164, RGB 52 207 122, RGB 52 207 81 and RGB 65 207 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 207 206 shade: RGB 52 207 206, RGB 52 166 207, RGB 52 124 207, RGB 52 83 207 and RGB 52 52 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 207 206 shade matches the following richer shades: RGB 52 207 206, RGB 32 227 226 and RGB 12 247 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 207 206 shade: RGB 52 207 206, RGB 72 187 186, RGB 93 167 166, RGB 113 146 146 and RGB 133 126 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 207 206 shade: RGB 52 207 122, RGB 52 207 163, RGB 52 207 204, RGB 52 168 207 and RGB 52 127 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 207 206 shade: RGB 33 143 143, RGB 41 177 176, RGB 52 207 206, RGB 86 215 214 and RGB 119 223 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 207 206 shade: RGB 53 207 206, RGB 80 52 207 and RGB 207 142 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 207 206 shade: RGB 53 207 206, RGB 204 52 207 and RGB 207 204 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 207 206 shade: RGB 53 207 206, RGB 80 52 207, RGB 207 52 55 and RGB 179 207 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 207 206 shade: RGB 53 207 206, RGB 127 52 207, RGB 207 52 55 and RGB 132 207 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 0 / 19

HEX #35CFCE

RGB 53 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.97, -38.31, -10.84

 

Complementary color

CMYK 0 / 76 / 76 / 21

HEX #CA3031

RGB 202 48 49

HSL 359.61, 0.62%, 0.49%

LAB 45.49, 59.42, 37.32

 

CMYK 72 / 0 / 3 / 19

HEX #3ACFC9

RGB 58 207 201

HSL 177.58, 0.61%, 0.52%

LAB 75.91, -39.15, -8.22

 

CMYK 67 / 0 / 2 / 12

HEX #4BE1DC

RGB 75 225 220

HSL 178, 0.71%, 0.59%

LAB 82.12, -39.84, -9.13

 

CMYK 62 / 0 / 2 / 5

HEX #5CF3EF

RGB 92 243 239

HSL 178.41, 0.86%, 0.66%

LAB 88.26, -40.34, -9.95

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 74 / 0 / 0 / 19

HEX #35CFCE

RGB 53 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.97, -38.31, -10.84

 

CMYK 81 / 0 / 1 / 26

HEX #24BDBB

RGB 36 189 187

HSL 179.22, 0.68%, 0.44%

LAB 69.72, -37.22, -9.86

 

CMYK 89 / 0 / 2 / 33

HEX #13ABA8

RGB 19 171 168

HSL 178.82, 0.8%, 0.37%

LAB 63.42, -35.79, -8.76

 

CMYK 99 / 0 / 3 / 40

HEX #029995

RGB 2 153 149

HSL 178.41, 0.97%, 0.3%

LAB 57.04, -34, -7.54

 

CMYK 100 / 0 / 4 / 47

HEX #008782

RGB 0 135 130

HSL 177.78, 1%, 0.26%

LAB 50.62, -31.57, -6.13

 

CMYK 75 / 0 / 0 / 19

HEX #34CFCE

RGB 52 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.95, -38.42, -10.87

 

CMYK 75 / 0 / 21 / 19

HEX #34CFA4

RGB 52 207 164

HSL 163.35, 0.62%, 0.51%

LAB 74.85, -49.53, 10.14

 

CMYK 75 / 0 / 41 / 19

HEX #34CF7A

RGB 52 207 122

HSL 147.1, 0.62%, 0.51%

LAB 74.04, -58.43, 31.15

 

CMYK 75 / 0 / 61 / 19

HEX #34CF51

RGB 52 207 81

HSL 131.23, 0.62%, 0.51%

LAB 73.51, -64.56, 50.3

 

CMYK 69 / 0 / 75 / 19

HEX #41CF34

RGB 65 207 52

HSL 114.97, 0.62%, 0.51%

LAB 73.54, -65.13, 61.8

 

CMYK 75 / 0 / 0 / 19

HEX #34CFCE

RGB 52 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.95, -38.42, -10.87

 

CMYK 75 / 20 / 0 / 19

HEX #34A6CF

RGB 52 166 207

HSL 195.87, 0.62%, 0.51%

LAB 63.76, -17.91, -29.95

 

CMYK 75 / 40 / 0 / 19

HEX #347CCF

RGB 52 124 207

HSL 212.13, 0.62%, 0.51%

LAB 51.44, 6.14, -49.3

 

CMYK 75 / 60 / 0 / 19

HEX #3453CF

RGB 52 83 207

HSL 228, 0.62%, 0.51%

LAB 40.28, 32.17, -67.3

 

CMYK 75 / 75 / 0 / 19

HEX #3434CF

RGB 52 52 207

HSL 240, 0.62%, 0.51%

LAB 33.33, 50.84, -78.72

 

CMYK 75 / 0 / 0 / 19

HEX #34CFCE

RGB 52 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.95, -38.42, -10.87

 

CMYK 86 / 0 / 0 / 11

HEX #20E3E2

RGB 32 227 226

HSL 179.69, 0.78%, 0.51%

LAB 82.24, -43.23, -12.2

 

CMYK 95 / 0 / 0 / 3

HEX #0CF7F6

RGB 12 247 246

HSL 179.74, 0.94%, 0.51%

LAB 88.57, -46.97, -13.26

 

CMYK 75 / 0 / 0 / 19

HEX #34CFCE

RGB 52 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.95, -38.42, -10.87

 

CMYK 61 / 0 / 1 / 27

HEX #48BBBA

RGB 72 187 186

HSL 179.48, 0.46%, 0.51%

LAB 69.8, -32.03, -9.12

 

CMYK 44 / 0 / 1 / 35

HEX #5DA7A6

RGB 93 167 166

HSL 179.19, 0.3%, 0.51%

LAB 63.93, -23.25, -6.68

 

CMYK 23 / 0 / 0 / 43

HEX #719292

RGB 113 146 146

HSL 180, 0.13%, 0.51%

LAB 58.17, -11.43, -3.78

 

CMYK 0 / 5 / 5 / 48

HEX #857E7E

RGB 133 126 126

HSL 0, 0.03%, 0.51%

LAB 53.4, 2.65, 0.94

 

CMYK 75 / 0 / 41 / 19

HEX #34CF7A

RGB 52 207 122

HSL 147.1, 0.62%, 0.51%

LAB 74.04, -58.43, 31.15

 

CMYK 75 / 0 / 21 / 19

HEX #34CFA3

RGB 52 207 163

HSL 162.97, 0.62%, 0.51%

LAB 74.82, -49.77, 10.64

 

CMYK 75 / 0 / 1 / 19

HEX #34CFCC

RGB 52 207 204

HSL 178.84, 0.62%, 0.51%

LAB 75.89, -38.99, -9.88

 

CMYK 75 / 19 / 0 / 19

HEX #34A8CF

RGB 52 168 207

HSL 195.1, 0.62%, 0.51%

LAB 64.36, -18.97, -29.03

 

CMYK 75 / 39 / 0 / 19

HEX #347FCF

RGB 52 127 207

HSL 210.97, 0.62%, 0.51%

LAB 52.3, 4.31, -47.92

 

CMYK 77 / 0 / 0 / 44

HEX #218F8F

RGB 33 143 143

HSL 180, 0.63%, 0.35%

LAB 53.98, -28.99, -8.64

 

CMYK 77 / 0 / 1 / 31

HEX #29B1B0

RGB 41 177 176

HSL 179.56, 0.62%, 0.43%

LAB 65.79, -34.44, -9.65

 

CMYK 75 / 0 / 0 / 19

HEX #34CFCE

RGB 52 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.95, -38.42, -10.87

 

CMYK 60 / 0 / 0 / 16

HEX #56D7D6

RGB 86 215 214

HSL 179.53, 0.62%, 0.59%

LAB 79.29, -35.18, -10.11

 

CMYK 47 / 0 / 0 / 13

HEX #77DFDE

RGB 119 223 222

HSL 179.42, 0.62%, 0.67%

LAB 82.9, -30.39, -8.88

 

CMYK 74 / 0 / 0 / 19

HEX #35CFCE

RGB 53 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.97, -38.31, -10.84

 

CMYK 61 / 75 / 0 / 19

HEX #5034CF

RGB 80 52 207

HSL 250.84, 0.62%, 0.51%

LAB 35.33, 53.65, -75.34

 

CMYK 0 / 31 / 75 / 19

HEX #CF8E34

RGB 207 142 52

HSL 34.84, 0.62%, 0.51%

LAB 64.05, 16.82, 55.33

 

CMYK 74 / 0 / 0 / 19

HEX #35CFCE

RGB 53 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.97, -38.31, -10.84

 

CMYK 1 / 75 / 0 / 19

HEX #CC34CF

RGB 204 52 207

HSL 298.84, 0.62%, 0.51%

LAB 51.61, 74.95, -48.2

 

CMYK 0 / 1 / 75 / 19

HEX #CFCC34

RGB 207 204 52

HSL 58.84, 0.62%, 0.51%

LAB 80.01, -15.82, 70.54

 

CMYK 74 / 0 / 0 / 19

HEX #35CFCE

RGB 53 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.97, -38.31, -10.84

 

CMYK 61 / 75 / 0 / 19

HEX #5034CF

RGB 80 52 207

HSL 250.84, 0.62%, 0.51%

LAB 35.33, 53.65, -75.34

 

CMYK 0 / 75 / 73 / 19

HEX #CF3437

RGB 207 52 55

HSL 358.84, 0.62%, 0.51%

LAB 46.97, 59.87, 35.8

 

CMYK 14 / 0 / 75 / 19

HEX #B3CF34

RGB 179 207 52

HSL 70.84, 0.62%, 0.51%

LAB 78.73, -28.92, 68.59

 

CMYK 74 / 0 / 0 / 19

HEX #35CFCE

RGB 53 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.97, -38.31, -10.84

 

CMYK 39 / 75 / 0 / 19

HEX #7F34CF

RGB 127 52 207

HSL 269.03, 0.62%, 0.51%

LAB 40.37, 60.48, -66.9

 

CMYK 0 / 75 / 73 / 19

HEX #CF3437

RGB 207 52 55

HSL 358.84, 0.62%, 0.51%

LAB 46.97, 59.87, 35.8

 

CMYK 36 / 0 / 75 / 19

HEX #84CF34

RGB 132 207 52

HSL 89.03, 0.62%, 0.51%

LAB 75.93, -46.81, 64.94

 

Description

Color code: RGB 53 207 206 | qconv.com Color code: RGB 53 207 206 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 207 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 207 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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