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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 181 161 it is the complementary color RGB 202 74 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 181 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 181 161 shade: RGB 58 181 156, RGB 75 199 175, RGB 92 217 194, RGB 109 235 213 and RGB 126 253 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 181 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 181 161 shade: RGB 53 181 161, RGB 36 163 142, RGB 19 145 123, RGB 2 127 104 and RGB 0 109 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 181 161 shade: RGB 52 181 161, RGB 52 181 126, RGB 52 181 92, RGB 52 181 57 and RGB 83 181 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 181 161 shade: RGB 52 181 161, RGB 52 167 181, RGB 52 132 181, RGB 52 97 181 and RGB 52 62 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 181 161 shade matches the following richer shades: RGB 52 181 161, RGB 33 200 174 and RGB 14 219 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 181 161 shade: RGB 52 181 161, RGB 71 162 148, RGB 90 143 135, RGB 109 124 122 and RGB 128 105 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 181 161 shade: RGB 52 181 91, RGB 52 181 125, RGB 52 181 160, RGB 52 168 181 and RGB 52 134 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 181 161 shade: RGB 34 117 104, RGB 43 149 133, RGB 52 181 161, RGB 73 202 182 and RGB 105 211 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 181 161 shade: RGB 53 181 161, RGB 57 52 181 and RGB 181 108 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 181 161 shade: RGB 53 181 161, RGB 160 52 181 and RGB 181 160 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 181 161 shade: RGB 53 181 161, RGB 57 52 181, RGB 181 52 74 and RGB 177 181 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 181 161 shade: RGB 53 181 161, RGB 95 52 181, RGB 181 52 74 and RGB 138 181 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 11 / 29

HEX #35B5A1

RGB 53 181 161

HSL 170.63, 0.55%, 0.46%

LAB 66.81, -39.04, 0.19

 

Complementary color

CMYK 0 / 63 / 53 / 21

HEX #CA4A5E

RGB 202 74 94

HSL 350.63, 0.55%, 0.54%

LAB 49.81, 52.26, 16.02

 

CMYK 68 / 0 / 14 / 29

HEX #3AB59C

RGB 58 181 156

HSL 167.8, 0.51%, 0.47%

LAB 66.78, -39.62, 2.93

 

CMYK 62 / 0 / 12 / 22

HEX #4BC7AF

RGB 75 199 175

HSL 168.39, 0.53%, 0.54%

LAB 73.18, -39.99, 1.87

 

CMYK 58 / 0 / 11 / 15

HEX #5CD9C2

RGB 92 217 194

HSL 168.96, 0.62%, 0.61%

LAB 79.5, -40.2, 0.91

 

CMYK 54 / 0 / 9 / 8

HEX #6DEBD5

RGB 109 235 213

HSL 169.52, 0.76%, 0.67%

LAB 85.74, -40.3, 0.02

 

CMYK 50 / 0 / 8 / 1

HEX #7EFDE8

RGB 126 253 232

HSL 170.08, 0.97%, 0.74%

LAB 91.91, -40.33, -0.81

 

CMYK 71 / 0 / 11 / 29

HEX #35B5A1

RGB 53 181 161

HSL 170.63, 0.55%, 0.46%

LAB 66.81, -39.04, 0.19

 

CMYK 78 / 0 / 13 / 36

HEX #24A38E

RGB 36 163 142

HSL 170.08, 0.64%, 0.39%

LAB 60.36, -38.28, 1.35

 

CMYK 87 / 0 / 15 / 43

HEX #13917B

RGB 19 145 123

HSL 169.52, 0.77%, 0.32%

LAB 53.83, -37.15, 2.67

 

CMYK 98 / 0 / 18 / 50

HEX #027F68

RGB 2 127 104

HSL 168.96, 0.97%, 0.25%

LAB 47.22, -35.59, 4.16

 

CMYK 100 / 0 / 22 / 57

HEX #006D55

RGB 0 109 85

HSL 166.79, 1%, 0.21%

LAB 40.56, -33.14, 5.93

 

CMYK 71 / 0 / 11 / 29

HEX #34B5A1

RGB 52 181 161

HSL 170.7, 0.55%, 0.46%

LAB 66.79, -39.18, 0.16

 

CMYK 71 / 0 / 30 / 29

HEX #34B57E

RGB 52 181 126

HSL 154.42, 0.55%, 0.46%

LAB 65.97, -47.69, 18.2

 

CMYK 71 / 0 / 49 / 29

HEX #34B55C

RGB 52 181 92

HSL 138.6, 0.55%, 0.46%

LAB 65.4, -54.09, 35.36

 

CMYK 71 / 0 / 69 / 29

HEX #34B539

RGB 52 181 57

HSL 122.33, 0.55%, 0.46%

LAB 65.02, -58.53, 51.1

 

CMYK 54 / 0 / 71 / 29

HEX #53B534

RGB 83 181 52

HSL 105.58, 0.55%, 0.46%

LAB 65.85, -51.94, 54.2

 

CMYK 71 / 0 / 11 / 29

HEX #34B5A1

RGB 52 181 161

HSL 170.7, 0.55%, 0.46%

LAB 66.79, -39.18, 0.16

 

CMYK 71 / 8 / 0 / 29

HEX #34A7B5

RGB 52 167 181

HSL 186.51, 0.55%, 0.46%

LAB 63.1, -26.78, -16.46

 

CMYK 71 / 27 / 0 / 29

HEX #3484B5

RGB 52 132 181

HSL 202.79, 0.55%, 0.46%

LAB 52.47, -7.97, -32.81

 

CMYK 71 / 46 / 0 / 29

HEX #3461B5

RGB 52 97 181

HSL 219.07, 0.55%, 0.46%

LAB 42.18, 13.49, -49.12

 

CMYK 71 / 66 / 0 / 29

HEX #343EB5

RGB 52 62 181

HSL 235.35, 0.55%, 0.46%

LAB 32.94, 36.18, -64.1

 

CMYK 71 / 0 / 11 / 29

HEX #34B5A1

RGB 52 181 161

HSL 170.7, 0.55%, 0.46%

LAB 66.79, -39.18, 0.16

 

CMYK 84 / 0 / 13 / 22

HEX #21C8AE

RGB 33 200 174

HSL 170.66, 0.72%, 0.46%

LAB 72.69, -45.96, 1.6

 

CMYK 94 / 0 / 15 / 14

HEX #0EDBBB

RGB 14 219 187

HSL 170.63, 0.88%, 0.46%

LAB 78.66, -51.42, 3.27

 

CMYK 71 / 0 / 11 / 29

HEX #34B5A1

RGB 52 181 161

HSL 170.7, 0.55%, 0.46%

LAB 66.79, -39.18, 0.16

 

CMYK 56 / 0 / 9 / 36

HEX #47A294

RGB 71 162 148

HSL 170.77, 0.39%, 0.46%

LAB 61.06, -30.54, -0.9

 

CMYK 37 / 0 / 6 / 44

HEX #5A8F87

RGB 90 143 135

HSL 170.94, 0.23%, 0.46%

LAB 55.65, -19.54, -1.33

 

CMYK 12 / 0 / 2 / 51

HEX #6D7C7A

RGB 109 124 122

HSL 172, 0.06%, 0.46%

LAB 50.77, -5.94, -0.79

 

CMYK 0 / 18 / 15 / 50

HEX #80696D

RGB 128 105 109

HSL 349.57, 0.1%, 0.46%

LAB 46.71, 9.84, 1.19

 

CMYK 71 / 0 / 50 / 29

HEX #34B55B

RGB 52 181 91

HSL 138.14, 0.55%, 0.46%

LAB 65.38, -54.25, 35.85

 

CMYK 71 / 0 / 31 / 29

HEX #34B57D

RGB 52 181 125

HSL 153.95, 0.55%, 0.46%

LAB 65.95, -47.91, 18.71

 

CMYK 71 / 0 / 12 / 29

HEX #34B5A0

RGB 52 181 160

HSL 170.23, 0.55%, 0.46%

LAB 66.76, -39.45, 0.67

 

CMYK 71 / 7 / 0 / 29

HEX #34A8B5

RGB 52 168 181

HSL 186.05, 0.55%, 0.46%

LAB 63.4, -27.28, -16

 

CMYK 71 / 26 / 0 / 29

HEX #3486B5

RGB 52 134 181

HSL 201.86, 0.55%, 0.46%

LAB 53.08, -9.12, -31.87

 

CMYK 71 / 0 / 11 / 54

HEX #227568

RGB 34 117 104

HSL 170.6, 0.55%, 0.3%

LAB 44.32, -27.81, 0

 

CMYK 71 / 0 / 11 / 42

HEX #2B9585

RGB 43 149 133

HSL 170.94, 0.55%, 0.38%

LAB 55.79, -33.48, -0.18

 

CMYK 71 / 0 / 11 / 29

HEX #34B5A1

RGB 52 181 161

HSL 170.7, 0.55%, 0.46%

LAB 66.79, -39.18, 0.16

 

CMYK 64 / 0 / 10 / 21

HEX #49CAB6

RGB 73 202 182

HSL 170.7, 0.55%, 0.54%

LAB 74.21, -39.88, -0.42

 

CMYK 50 / 0 / 8 / 17

HEX #69D3C3

RGB 105 211 195

HSL 170.94, 0.55%, 0.62%

LAB 78.19, -34.53, -1.49

 

CMYK 71 / 0 / 11 / 29

HEX #35B5A1

RGB 53 181 161

HSL 170.63, 0.55%, 0.46%

LAB 66.81, -39.04, 0.19

 

CMYK 69 / 71 / 0 / 29

HEX #3934B5

RGB 57 52 181

HSL 242.33, 0.55%, 0.46%

LAB 31.02, 42.84, -67.24

 

CMYK 0 / 40 / 71 / 29

HEX #B56C34

RGB 181 108 52

HSL 26.05, 0.55%, 0.46%

LAB 52.73, 24.29, 42.63

 

CMYK 71 / 0 / 11 / 29

HEX #35B5A1

RGB 53 181 161

HSL 170.63, 0.55%, 0.46%

LAB 66.81, -39.04, 0.19

 

CMYK 12 / 71 / 0 / 29

HEX #A034B5

RGB 160 52 181

HSL 290.23, 0.55%, 0.46%

LAB 43.16, 61.31, -46.98

 

CMYK 0 / 12 / 71 / 29

HEX #B5A034

RGB 181 160 52

HSL 50.23, 0.55%, 0.46%

LAB 65.91, -4.35, 56.27

 

CMYK 71 / 0 / 11 / 29

HEX #35B5A1

RGB 53 181 161

HSL 170.63, 0.55%, 0.46%

LAB 66.81, -39.04, 0.19

 

CMYK 69 / 71 / 0 / 29

HEX #3934B5

RGB 57 52 181

HSL 242.33, 0.55%, 0.46%

LAB 31.02, 42.84, -67.24

 

CMYK 0 / 71 / 59 / 29

HEX #B5344A

RGB 181 52 74

HSL 349.77, 0.55%, 0.46%

LAB 42.42, 52.93, 17.63

 

CMYK 2 / 0 / 71 / 29

HEX #B1B534

RGB 177 181 52

HSL 61.86, 0.55%, 0.46%

LAB 71.31, -17.03, 61.46

 

CMYK 71 / 0 / 11 / 29

HEX #35B5A1

RGB 53 181 161

HSL 170.63, 0.55%, 0.46%

LAB 66.81, -39.04, 0.19

 

CMYK 48 / 71 / 0 / 29

HEX #5F34B5

RGB 95 52 181

HSL 260, 0.55%, 0.46%

LAB 34.45, 48.41, -61.5

 

CMYK 0 / 71 / 59 / 29

HEX #B5344A

RGB 181 52 74

HSL 349.77, 0.55%, 0.46%

LAB 42.42, 52.93, 17.63

 

CMYK 24 / 0 / 71 / 29

HEX #8AB534

RGB 138 181 52

HSL 80, 0.55%, 0.46%

LAB 68.53, -33.16, 57.79

 

Description

Color code: RGB 53 181 161 | qconv.com Color code: RGB 53 181 161 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 181 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 181 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 11 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 11% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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