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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 162 5 it is the complementary color RGB 202 93 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 162 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 162 5 shade: RGB 58 162 0, RGB 75 180 19, RGB 92 198 38, RGB 109 216 57 and RGB 126 234 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 162 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 162 5 shade: RGB 53 162 5, RGB 36 144 0, RGB 19 126 0, RGB 2 108 0 and RGB 0 90 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 162 5 shade: RGB 53 163 5, RGB 96 163 5, RGB 138 163 5, RGB 163 145 5 and RGB 163 102 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 162 5 shade: RGB 53 163 5, RGB 10 163 5, RGB 5 163 42, RGB 5 163 84 and RGB 5 163 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 162 5 shade matches the following richer shades: RGB 53 163 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 162 5 shade: RGB 53 163 5, RGB 58 149 18, RGB 63 136 32, RGB 69 122 45 and RGB 74 108 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 162 5 shade: RGB 139 163 5, RGB 97 163 5, RGB 55 163 5, RGB 12 163 5 and RGB 5 163 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 162 5 shade: RGB 27 83 2, RGB 40 123 3, RGB 53 163 5, RGB 66 203 6 and RGB 79 243 7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 162 5 shade: RGB 53 162 5, RGB 5 163 144 and RGB 163 5 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 162 5 shade: RGB 53 162 5, RGB 5 55 163 and RGB 163 5 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 162 5 shade: RGB 53 162 5, RGB 5 163 144, RGB 113 5 163 and RGB 163 5 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 162 5 shade: RGB 53 162 5, RGB 5 134 163, RGB 113 5 163 and RGB 163 34 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 97 / 36

HEX #35A205

RGB 53 162 5

HSL 101.66, 0.94%, 0.33%

LAB 58.61, -54.95, 59.39

 

Complementary color

CMYK 19 / 63 / 0 / 2

HEX #CA5DFA

RGB 202 93 250

HSL 281.66, 0.94%, 0.67%

LAB 59.24, 66.9, -60.25

 

CMYK 64 / 0 / 100 / 36

HEX #3AA200

RGB 58 162 0

HSL 98.52, 1%, 0.32%

LAB 58.73, -53.95, 60.28

 

CMYK 58 / 0 / 89 / 29

HEX #4BB413

RGB 75 180 19

HSL 99.13, 0.81%, 0.39%

LAB 65.11, -55.52, 62.92

 

CMYK 54 / 0 / 81 / 22

HEX #5CC626

RGB 92 198 38

HSL 99.75, 0.68%, 0.46%

LAB 71.42, -56.64, 64.32

 

CMYK 50 / 0 / 74 / 15

HEX #6DD839

RGB 109 216 57

HSL 100.38, 0.67%, 0.54%

LAB 77.67, -57.38, 64.64

 

CMYK 46 / 0 / 68 / 8

HEX #7EEA4C

RGB 126 234 76

HSL 101.01, 0.79%, 0.61%

LAB 83.86, -57.85, 64.32

 

CMYK 67 / 0 / 97 / 36

HEX #35A205

RGB 53 162 5

HSL 101.66, 0.94%, 0.33%

LAB 58.61, -54.95, 59.39

 

CMYK 75 / 0 / 100 / 44

HEX #249000

RGB 36 144 0

HSL 105, 1%, 0.28%

LAB 52.2, -52.53, 54.86

 

CMYK 85 / 0 / 100 / 51

HEX #137E00

RGB 19 126 0

HSL 110.95, 1%, 0.25%

LAB 45.72, -49.4, 49.57

 

CMYK 98 / 0 / 100 / 58

HEX #026C00

RGB 2 108 0

HSL 118.89, 1%, 0.21%

LAB 39.14, -45.59, 44.22

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 67 / 0 / 97 / 36

HEX #35A305

RGB 53 163 5

HSL 101.77, 0.94%, 0.33%

LAB 58.94, -55.28, 59.66

 

CMYK 41 / 0 / 97 / 36

HEX #60A305

RGB 96 163 5

HSL 85.44, 0.94%, 0.33%

LAB 60.51, -42.92, 61.58

 

CMYK 15 / 0 / 97 / 36

HEX #8AA305

RGB 138 163 5

HSL 69.49, 0.94%, 0.33%

LAB 63.02, -26.31, 64.62

 

CMYK 0 / 11 / 97 / 36

HEX #A39105

RGB 163 145 5

HSL 53.16, 0.94%, 0.33%

LAB 59.93, -5.84, 63.2

 

CMYK 0 / 37 / 97 / 36

HEX #A36605

RGB 163 102 5

HSL 36.84, 0.94%, 0.33%

LAB 48.64, 18.21, 55.09

 

CMYK 67 / 0 / 97 / 36

HEX #35A305

RGB 53 163 5

HSL 101.77, 0.94%, 0.33%

LAB 58.94, -55.28, 59.66

 

CMYK 94 / 0 / 97 / 36

HEX #0AA305

RGB 10 163 5

HSL 118.1, 0.94%, 0.33%

LAB 58.29, -60.97, 58.86

 

CMYK 97 / 0 / 74 / 36

HEX #05A32A

RGB 5 163 42

HSL 134.05, 0.94%, 0.33%

LAB 58.41, -59.35, 49.85

 

CMYK 97 / 0 / 48 / 36

HEX #05A354

RGB 5 163 84

HSL 150, 0.94%, 0.33%

LAB 58.85, -53.88, 31.09

 

CMYK 97 / 0 / 22 / 36

HEX #05A37F

RGB 5 163 127

HSL 166.33, 0.94%, 0.33%

LAB 59.67, -44.5, 8.75

 

CMYK 67 / 0 / 97 / 36

HEX #35A305

RGB 53 163 5

HSL 101.77, 0.94%, 0.33%

LAB 58.94, -55.28, 59.66

 

CMYK 67 / 0 / 97 / 36

HEX #35A305

RGB 53 163 5

HSL 101.77, 0.94%, 0.33%

LAB 58.94, -55.28, 59.66

 

CMYK 61 / 0 / 88 / 42

HEX #3A9512

RGB 58 149 18

HSL 101.68, 0.78%, 0.33%

LAB 54.49, -48.88, 53.75

 

CMYK 54 / 0 / 76 / 47

HEX #3F8820

RGB 63 136 32

HSL 102.12, 0.62%, 0.33%

LAB 50.42, -41.77, 45.86

 

CMYK 43 / 0 / 63 / 52

HEX #457A2D

RGB 69 122 45

HSL 101.3, 0.46%, 0.33%

LAB 46.14, -32.7, 35.86

 

CMYK 31 / 0 / 45 / 58

HEX #4A6C3B

RGB 74 108 59

HSL 101.63, 0.29%, 0.33%

LAB 41.99, -22.28, 23.56

 

CMYK 15 / 0 / 97 / 36

HEX #8BA305

RGB 139 163 5

HSL 69.11, 0.94%, 0.33%

LAB 63.09, -25.88, 64.7

 

CMYK 40 / 0 / 97 / 36

HEX #61A305

RGB 97 163 5

HSL 85.06, 0.94%, 0.33%

LAB 60.56, -42.57, 61.64

 

CMYK 66 / 0 / 97 / 36

HEX #37A305

RGB 55 163 5

HSL 101.01, 0.94%, 0.33%

LAB 58.99, -54.85, 59.72

 

CMYK 93 / 0 / 97 / 36

HEX #0CA305

RGB 12 163 5

HSL 117.34, 0.94%, 0.33%

LAB 58.31, -60.85, 58.88

 

CMYK 97 / 0 / 76 / 36

HEX #05A327

RGB 5 163 39

HSL 132.91, 0.94%, 0.33%

LAB 58.39, -59.6, 50.91

 

CMYK 67 / 0 / 98 / 67

HEX #1B5302

RGB 27 83 2

HSL 101.48, 0.95%, 0.17%

LAB 30.46, -33.02, 36.73

 

CMYK 67 / 0 / 98 / 52

HEX #287B03

RGB 40 123 3

HSL 101.5, 0.95%, 0.25%

LAB 45.11, -44.53, 48.61

 

CMYK 67 / 0 / 97 / 36

HEX #35A305

RGB 53 163 5

HSL 101.77, 0.94%, 0.33%

LAB 58.94, -55.28, 59.66

 

CMYK 67 / 0 / 97 / 20

HEX #42CB06

RGB 66 203 6

HSL 101.73, 0.94%, 0.41%

LAB 72.15, -65.54, 70.38

 

CMYK 67 / 0 / 97 / 5

HEX #4FF307

RGB 79 243 7

HSL 101.69, 0.94%, 0.49%

LAB 84.88, -75.39, 80.69

 

CMYK 67 / 0 / 97 / 36

HEX #35A205

RGB 53 162 5

HSL 101.66, 0.94%, 0.33%

LAB 58.61, -54.95, 59.39

 

CMYK 97 / 0 / 12 / 36

HEX #05A390

RGB 5 163 144

HSL 172.78, 0.94%, 0.33%

LAB 60.11, -39.88, -0.18

 

CMYK 0 / 97 / 28 / 36

HEX #A30576

RGB 163 5 118

HSL 317.09, 0.94%, 0.33%

LAB 36.37, 63.65, -19.36

 

CMYK 67 / 0 / 97 / 36

HEX #35A205

RGB 53 162 5

HSL 101.66, 0.94%, 0.33%

LAB 58.61, -54.95, 59.39

 

CMYK 97 / 66 / 0 / 36

HEX #0537A3

RGB 5 55 163

HSL 221.01, 0.94%, 0.33%

LAB 27.87, 30.39, -61.72

 

CMYK 0 / 97 / 66 / 36

HEX #A30537

RGB 163 5 55

HSL 341.01, 0.94%, 0.33%

LAB 34.34, 58.23, 18.38

 

CMYK 67 / 0 / 97 / 36

HEX #35A205

RGB 53 162 5

HSL 101.66, 0.94%, 0.33%

LAB 58.61, -54.95, 59.39

 

CMYK 97 / 0 / 12 / 36

HEX #05A390

RGB 5 163 144

HSL 172.78, 0.94%, 0.33%

LAB 60.11, -39.88, -0.18

 

CMYK 31 / 97 / 0 / 36

HEX #7105A3

RGB 113 5 163

HSL 281.01, 0.94%, 0.33%

LAB 30.07, 62.15, -57.77

 

CMYK 0 / 97 / 86 / 36

HEX #A30517

RGB 163 5 23

HSL 353.16, 0.94%, 0.33%

LAB 33.89, 57.01, 37.66

 

CMYK 67 / 0 / 97 / 36

HEX #35A205

RGB 53 162 5

HSL 101.66, 0.94%, 0.33%

LAB 58.61, -54.95, 59.39

 

CMYK 97 / 18 / 0 / 36

HEX #0586A3

RGB 5 134 163

HSL 191.01, 0.94%, 0.33%

LAB 51.53, -19.68, -23.96

 

CMYK 31 / 97 / 0 / 36

HEX #7105A3

RGB 113 5 163

HSL 281.01, 0.94%, 0.33%

LAB 30.07, 62.15, -57.77

 

CMYK 0 / 79 / 97 / 36

HEX #A32205

RGB 163 34 5

HSL 11.01, 0.94%, 0.33%

LAB 35.87, 50.78, 46.97

 

Description

Color code: RGB 53 162 5 | qconv.com Color code: RGB 53 162 5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 162 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 162 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 97 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 97% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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