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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 150 96 it is the complementary color RGB 202 105 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 150 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 150 96 shade: RGB 58 150 91, RGB 75 168 110, RGB 92 186 129, RGB 109 204 148 and RGB 126 222 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 150 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 150 96 shade: RGB 53 150 96, RGB 36 132 77, RGB 19 114 58, RGB 2 96 39 and RGB 0 78 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 150 96 shade: RGB 53 150 96, RGB 53 150 70, RGB 62 150 53, RGB 88 150 53 and RGB 115 150 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 150 96 shade: RGB 53 150 96, RGB 53 150 122, RGB 53 150 149, RGB 53 126 150 and RGB 53 99 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 150 96 shade matches the following richer shades: RGB 53 150 96, RGB 36 167 94, RGB 20 183 92 and RGB 3 200 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 150 96 shade: RGB 53 150 96, RGB 69 134 98, RGB 86 117 100, RGB 102 101 102 and RGB 119 84 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 150 96 shade: RGB 62 150 53, RGB 53 150 69, RGB 53 150 95, RGB 53 150 121 and RGB 53 150 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 150 96 shade: RGB 31 89 57, RGB 42 120 76, RGB 53 150 96, RGB 63 181 115 and RGB 89 196 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 150 96 shade: RGB 53 150 96, RGB 53 88 150 and RGB 150 56 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 150 96 shade: RGB 53 150 96, RGB 95 53 150 and RGB 150 95 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 150 96 shade: RGB 53 150 96, RGB 53 88 150, RGB 150 53 108 and RGB 150 115 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 150 96 shade: RGB 53 150 96, RGB 53 59 150, RGB 150 53 108 and RGB 150 144 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 36 / 41

HEX #359660

RGB 53 150 96

HSL 146.6, 0.48%, 0.4%

LAB 55.5, -41.1, 20.39

 

Complementary color

CMYK 0 / 48 / 21 / 21

HEX #CA699F

RGB 202 105 159

HSL 326.6, 0.48%, 0.6%

LAB 57.23, 44.98, -11.75

 

CMYK 61 / 0 / 39 / 41

HEX #3A965B

RGB 58 150 91

HSL 141.52, 0.44%, 0.41%

LAB 55.55, -41, 23.24

 

CMYK 55 / 0 / 35 / 34

HEX #4BA86E

RGB 75 168 110

HSL 142.58, 0.38%, 0.48%

LAB 62.19, -41.04, 21.84

 

CMYK 51 / 0 / 31 / 27

HEX #5CBA81

RGB 92 186 129

HSL 143.62, 0.41%, 0.55%

LAB 68.74, -40.93, 20.56

 

CMYK 47 / 0 / 27 / 20

HEX #6DCC94

RGB 109 204 148

HSL 144.63, 0.48%, 0.61%

LAB 75.19, -40.76, 19.38

 

CMYK 43 / 0 / 25 / 13

HEX #7EDEA7

RGB 126 222 167

HSL 145.63, 0.59%, 0.68%

LAB 81.55, -40.54, 18.29

 

CMYK 65 / 0 / 36 / 41

HEX #359660

RGB 53 150 96

HSL 146.6, 0.48%, 0.4%

LAB 55.5, -41.1, 20.39

 

CMYK 73 / 0 / 42 / 48

HEX #24844D

RGB 36 132 77

HSL 145.63, 0.57%, 0.33%

LAB 48.78, -40.69, 21.94

 

CMYK 83 / 0 / 49 / 55

HEX #13723A

RGB 19 114 58

HSL 144.63, 0.71%, 0.26%

LAB 41.97, -39.78, 23.67

 

CMYK 98 / 0 / 59 / 62

HEX #026027

RGB 2 96 39

HSL 143.62, 0.96%, 0.19%

LAB 35.05, -38.19, 25.52

 

CMYK 100 / 0 / 74 / 69

HEX #004E14

RGB 0 78 20

HSL 135.38, 1%, 0.15%

LAB 28.11, -34.79, 27.35

 

CMYK 65 / 0 / 36 / 41

HEX #359660

RGB 53 150 96

HSL 146.6, 0.48%, 0.4%

LAB 55.5, -41.1, 20.39

 

CMYK 65 / 0 / 53 / 41

HEX #359646

RGB 53 150 70

HSL 130.52, 0.48%, 0.4%

LAB 55.08, -45.65, 33.77

 

CMYK 59 / 0 / 65 / 41

HEX #3E9635

RGB 62 150 53

HSL 114.43, 0.48%, 0.4%

LAB 55.17, -45.66, 42.16

 

CMYK 41 / 0 / 65 / 41

HEX #589635

RGB 88 150 53

HSL 98.35, 0.48%, 0.4%

LAB 56.23, -37.74, 43.63

 

CMYK 23 / 0 / 65 / 41

HEX #739635

RGB 115 150 53

HSL 81.65, 0.48%, 0.4%

LAB 57.77, -27.57, 45.75

 

CMYK 65 / 0 / 36 / 41

HEX #359660

RGB 53 150 96

HSL 146.6, 0.48%, 0.4%

LAB 55.5, -41.1, 20.39

 

CMYK 65 / 0 / 19 / 41

HEX #35967A

RGB 53 150 122

HSL 162.68, 0.48%, 0.4%

LAB 56.06, -35.19, 6.53

 

CMYK 65 / 0 / 1 / 41

HEX #359695

RGB 53 150 149

HSL 179.38, 0.48%, 0.4%

LAB 56.82, -27.82, -7.79

 

CMYK 65 / 16 / 0 / 41

HEX #357E96

RGB 53 126 150

HSL 194.85, 0.48%, 0.4%

LAB 49.35, -14.93, -19.66

 

CMYK 65 / 34 / 0 / 41

HEX #356396

RGB 53 99 150

HSL 211.55, 0.48%, 0.4%

LAB 41.03, 1.02, -32.6

 

CMYK 65 / 0 / 36 / 41

HEX #359660

RGB 53 150 96

HSL 146.6, 0.48%, 0.4%

LAB 55.5, -41.1, 20.39

 

CMYK 78 / 0 / 44 / 35

HEX #24A75E

RGB 36 167 94

HSL 146.56, 0.65%, 0.4%

LAB 60.62, -50.97, 28.18

 

CMYK 89 / 0 / 50 / 28

HEX #14B75C

RGB 20 183 92

HSL 146.5, 0.8%, 0.4%

LAB 65.58, -58.51, 35.5

 

CMYK 99 / 0 / 55 / 22

HEX #03C85A

RGB 3 200 90

HSL 146.5, 0.97%, 0.4%

LAB 70.92, -65.17, 43

 

CMYK 65 / 0 / 36 / 41

HEX #359660

RGB 53 150 96

HSL 146.6, 0.48%, 0.4%

LAB 55.5, -41.1, 20.39

 

CMYK 49 / 0 / 27 / 47

HEX #458662

RGB 69 134 98

HSL 146.77, 0.32%, 0.4%

LAB 50.92, -29.61, 13.09

 

CMYK 26 / 0 / 15 / 54

HEX #567564

RGB 86 117 100

HSL 147.1, 0.15%, 0.4%

LAB 46.47, -15.02, 5.78

 

CMYK 0 / 1 / 0 / 60

HEX #666566

RGB 102 101 102

HSL 300, 0%, 0.4%

LAB 42.9, 0.6, -0.43

 

CMYK 0 / 29 / 13 / 53

HEX #775467

RGB 119 84 103

HSL 327.43, 0.17%, 0.4%

LAB 39.98, 17.79, -5.15

 

CMYK 59 / 0 / 65 / 41

HEX #3E9635

RGB 62 150 53

HSL 114.43, 0.48%, 0.4%

LAB 55.17, -45.66, 42.16

 

CMYK 65 / 0 / 54 / 41

HEX #359645

RGB 53 150 69

HSL 129.9, 0.48%, 0.4%

LAB 55.07, -45.8, 34.27

 

CMYK 65 / 0 / 37 / 41

HEX #35965F

RGB 53 150 95

HSL 145.98, 0.48%, 0.4%

LAB 55.48, -41.3, 20.91

 

CMYK 65 / 0 / 19 / 41

HEX #359679

RGB 53 150 121

HSL 162.06, 0.48%, 0.4%

LAB 56.04, -35.44, 7.06

 

CMYK 65 / 0 / 2 / 41

HEX #359693

RGB 53 150 147

HSL 178.14, 0.48%, 0.4%

LAB 56.76, -28.4, -6.74

 

CMYK 65 / 0 / 36 / 65

HEX #1F5939

RGB 31 89 57

HSL 146.9, 0.48%, 0.24%

LAB 33.42, -27.22, 13.08

 

CMYK 65 / 0 / 37 / 53

HEX #2A784C

RGB 42 120 76

HSL 146.15, 0.48%, 0.32%

LAB 44.87, -34.67, 17.33

 

CMYK 65 / 0 / 36 / 41

HEX #359660

RGB 53 150 96

HSL 146.6, 0.48%, 0.4%

LAB 55.5, -41.1, 20.39

 

CMYK 65 / 0 / 36 / 29

HEX #3FB573

RGB 63 181 115

HSL 146.44, 0.48%, 0.48%

LAB 66.01, -48.07, 24.22

 

CMYK 55 / 0 / 30 / 23

HEX #59C489

RGB 89 196 137

HSL 146.92, 0.48%, 0.56%

LAB 71.83, -44.42, 20.5

 

CMYK 65 / 0 / 36 / 41

HEX #359660

RGB 53 150 96

HSL 146.6, 0.48%, 0.4%

LAB 55.5, -41.1, 20.39

 

CMYK 65 / 41 / 0 / 41

HEX #355896

RGB 53 88 150

HSL 218.35, 0.48%, 0.4%

LAB 37.73, 8.03, -37.82

 

CMYK 0 / 63 / 65 / 41

HEX #963835

RGB 150 56 53

HSL 1.86, 0.48%, 0.4%

LAB 37.06, 39.29, 22.62

 

CMYK 65 / 0 / 36 / 41

HEX #359660

RGB 53 150 96

HSL 146.6, 0.48%, 0.4%

LAB 55.5, -41.1, 20.39

 

CMYK 37 / 65 / 0 / 41

HEX #5F3596

RGB 95 53 150

HSL 265.98, 0.48%, 0.4%

LAB 32.22, 39.45, -46.48

 

CMYK 0 / 37 / 65 / 41

HEX #965F35

RGB 150 95 53

HSL 25.98, 0.48%, 0.4%

LAB 45.53, 18.2, 32.9

 

CMYK 65 / 0 / 36 / 41

HEX #359660

RGB 53 150 96

HSL 146.6, 0.48%, 0.4%

LAB 55.5, -41.1, 20.39

 

CMYK 65 / 41 / 0 / 41

HEX #355896

RGB 53 88 150

HSL 218.35, 0.48%, 0.4%

LAB 37.73, 8.03, -37.82

 

CMYK 0 / 65 / 28 / 41

HEX #96356C

RGB 150 53 108

HSL 325.98, 0.48%, 0.4%

LAB 38.04, 46.3, -10.72

 

CMYK 0 / 23 / 65 / 41

HEX #967335

RGB 150 115 53

HSL 38.35, 0.48%, 0.4%

LAB 50.69, 6.69, 38.81

 

CMYK 65 / 0 / 36 / 41

HEX #359660

RGB 53 150 96

HSL 146.6, 0.48%, 0.4%

LAB 55.5, -41.1, 20.39

 

CMYK 65 / 61 / 0 / 41

HEX #353B96

RGB 53 59 150

HSL 236.29, 0.48%, 0.4%

LAB 29.63, 27.24, -50.86

 

CMYK 0 / 65 / 28 / 41

HEX #96356C

RGB 150 53 108

HSL 325.98, 0.48%, 0.4%

LAB 38.04, 46.3, -10.72

 

CMYK 0 / 4 / 65 / 41

HEX #969035

RGB 150 144 53

HSL 56.29, 0.48%, 0.4%

LAB 58.68, -9.46, 47.53

 

Description

Color code: RGB 53 150 96 | qconv.com Color code: RGB 53 150 96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 150 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 150 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 36 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 36% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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