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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 149 73 it is the complementary color RGB 202 106 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 149 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 149 73 shade: RGB 58 149 68, RGB 75 167 87, RGB 92 185 106, RGB 109 203 125 and RGB 126 221 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 149 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 149 73 shade: RGB 53 149 73, RGB 36 131 54, RGB 19 113 35, RGB 2 95 16 and RGB 0 77 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 149 73 shade: RGB 53 150 73, RGB 59 150 53, RGB 85 150 53, RGB 111 150 53 and RGB 138 150 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 149 73 shade: RGB 53 150 73, RGB 53 150 99, RGB 53 150 126, RGB 53 149 150 and RGB 53 122 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 149 73 shade matches the following richer shades: RGB 53 150 73, RGB 36 167 63, RGB 20 183 54 and RGB 3 200 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 149 73 shade: RGB 53 150 73, RGB 69 134 83, RGB 86 117 92, RGB 102 101 102 and RGB 119 84 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 149 73 shade: RGB 85 150 53, RGB 59 150 53, RGB 53 150 72, RGB 53 150 98 and RGB 53 150 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 149 73 shade: RGB 31 89 43, RGB 42 120 58, RGB 53 150 73, RGB 63 181 88 and RGB 89 196 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 149 73 shade: RGB 53 149 73, RGB 53 111 150 and RGB 150 53 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 149 73 shade: RGB 53 149 73, RGB 72 53 150 and RGB 150 72 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 149 73 shade: RGB 53 149 73, RGB 53 111 150, RGB 150 53 131 and RGB 150 92 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 149 73 shade: RGB 53 149 73, RGB 53 82 150, RGB 150 53 131 and RGB 150 121 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 51 / 42

HEX #359549

RGB 53 149 73

HSL 132.5, 0.48%, 0.4%

LAB 54.8, -44.81, 31.88

 

Complementary color

CMYK 0 / 48 / 10 / 21

HEX #CA6AB6

RGB 202 106 182

HSL 312.5, 0.48%, 0.6%

LAB 58.27, 48.08, -23.45

 

CMYK 61 / 0 / 54 / 42

HEX #3A9544

RGB 58 149 68

HSL 126.59, 0.44%, 0.41%

LAB 54.88, -44.4, 34.57

 

CMYK 55 / 0 / 48 / 35

HEX #4BA757

RGB 75 167 87

HSL 127.83, 0.38%, 0.47%

LAB 61.5, -44.59, 33.16

 

CMYK 50 / 0 / 43 / 27

HEX #5CB96A

RGB 92 185 106

HSL 129.03, 0.4%, 0.54%

LAB 68.03, -44.58, 31.78

 

CMYK 46 / 0 / 38 / 20

HEX #6DCB7D

RGB 109 203 125

HSL 130.21, 0.47%, 0.61%

LAB 74.47, -44.45, 30.48

 

CMYK 43 / 0 / 35 / 13

HEX #7EDD90

RGB 126 221 144

HSL 131.37, 0.58%, 0.68%

LAB 80.83, -44.26, 29.25

 

CMYK 64 / 0 / 51 / 42

HEX #359549

RGB 53 149 73

HSL 132.5, 0.48%, 0.4%

LAB 54.8, -44.81, 31.88

 

CMYK 73 / 0 / 59 / 49

HEX #248336

RGB 36 131 54

HSL 131.37, 0.57%, 0.33%

LAB 48.1, -44.18, 33.39

 

CMYK 83 / 0 / 69 / 56

HEX #137123

RGB 19 113 35

HSL 130.21, 0.71%, 0.26%

LAB 41.33, -42.87, 34.78

 

CMYK 98 / 0 / 83 / 63

HEX #025F10

RGB 2 95 16

HSL 129.03, 0.96%, 0.19%

LAB 34.47, -40.61, 35.52

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 65 / 0 / 51 / 41

HEX #359649

RGB 53 150 73

HSL 132.37, 0.48%, 0.4%

LAB 55.12, -45.2, 32.28

 

CMYK 61 / 0 / 65 / 41

HEX #3B9635

RGB 59 150 53

HSL 116.29, 0.48%, 0.4%

LAB 55.07, -46.42, 42.02

 

CMYK 43 / 0 / 65 / 41

HEX #559635

RGB 85 150 53

HSL 100.21, 0.48%, 0.4%

LAB 56.09, -38.76, 43.43

 

CMYK 26 / 0 / 65 / 41

HEX #6F9635

RGB 111 150 53

HSL 84.12, 0.48%, 0.4%

LAB 57.51, -29.17, 45.4

 

CMYK 8 / 0 / 65 / 41

HEX #8A9635

RGB 138 150 53

HSL 67.42, 0.48%, 0.4%

LAB 59.41, -17.91, 48

 

CMYK 65 / 0 / 51 / 41

HEX #359649

RGB 53 150 73

HSL 132.37, 0.48%, 0.4%

LAB 55.12, -45.2, 32.28

 

CMYK 65 / 0 / 34 / 41

HEX #359663

RGB 53 150 99

HSL 148.45, 0.48%, 0.4%

LAB 55.55, -40.48, 18.8

 

CMYK 65 / 0 / 16 / 41

HEX #35967E

RGB 53 150 126

HSL 165.15, 0.48%, 0.4%

LAB 56.16, -34.17, 4.39

 

CMYK 65 / 1 / 0 / 41

HEX #359596

RGB 53 149 150

HSL 180.62, 0.48%, 0.4%

LAB 56.54, -27.03, -8.79

 

CMYK 65 / 19 / 0 / 41

HEX #357A96

RGB 53 122 150

HSL 197.32, 0.48%, 0.4%

LAB 48.11, -12.68, -21.58

 

CMYK 65 / 0 / 51 / 41

HEX #359649

RGB 53 150 73

HSL 132.37, 0.48%, 0.4%

LAB 55.12, -45.2, 32.28

 

CMYK 78 / 0 / 62 / 35

HEX #24A73F

RGB 36 167 63

HSL 132.37, 0.65%, 0.4%

LAB 60.22, -55.71, 43.14

 

CMYK 89 / 0 / 70 / 28

HEX #14B736

RGB 20 183 54

HSL 132.52, 0.8%, 0.4%

LAB 65.19, -63.4, 52.33

 

CMYK 99 / 0 / 78 / 22

HEX #03C82C

RGB 3 200 44

HSL 132.49, 0.97%, 0.4%

LAB 70.53, -70.01, 61.18

 

CMYK 65 / 0 / 51 / 41

HEX #359649

RGB 53 150 73

HSL 132.37, 0.48%, 0.4%

LAB 55.12, -45.2, 32.28

 

CMYK 49 / 0 / 38 / 47

HEX #458653

RGB 69 134 83

HSL 132.92, 0.32%, 0.4%

LAB 50.62, -32.6, 21.21

 

CMYK 26 / 0 / 21 / 54

HEX #56755C

RGB 86 117 92

HSL 131.61, 0.15%, 0.4%

LAB 46.28, -16.69, 10.24

 

CMYK 0 / 1 / 0 / 60

HEX #666566

RGB 102 101 102

HSL 300, 0%, 0.4%

LAB 42.9, 0.6, -0.43

 

CMYK 0 / 29 / 7 / 53

HEX #77546F

RGB 119 84 111

HSL 313.71, 0.17%, 0.4%

LAB 40.26, 19.31, -9.67

 

CMYK 43 / 0 / 65 / 41

HEX #559635

RGB 85 150 53

HSL 100.21, 0.48%, 0.4%

LAB 56.09, -38.76, 43.43

 

CMYK 61 / 0 / 65 / 41

HEX #3B9635

RGB 59 150 53

HSL 116.29, 0.48%, 0.4%

LAB 55.07, -46.42, 42.02

 

CMYK 65 / 0 / 52 / 41

HEX #359648

RGB 53 150 72

HSL 131.75, 0.48%, 0.4%

LAB 55.11, -45.35, 32.78

 

CMYK 65 / 0 / 35 / 41

HEX #359662

RGB 53 150 98

HSL 147.84, 0.48%, 0.4%

LAB 55.53, -40.69, 19.33

 

CMYK 65 / 0 / 17 / 41

HEX #35967C

RGB 53 150 124

HSL 163.92, 0.48%, 0.4%

LAB 56.11, -34.68, 5.46

 

CMYK 65 / 0 / 52 / 65

HEX #1F592B

RGB 31 89 43

HSL 132.41, 0.48%, 0.24%

LAB 33.16, -30.03, 21.08

 

CMYK 65 / 0 / 52 / 53

HEX #2A783A

RGB 42 120 58

HSL 132.31, 0.48%, 0.32%

LAB 44.56, -38.02, 27.04

 

CMYK 65 / 0 / 51 / 41

HEX #359649

RGB 53 150 73

HSL 132.37, 0.48%, 0.4%

LAB 55.12, -45.2, 32.28

 

CMYK 65 / 0 / 51 / 29

HEX #3FB558

RGB 63 181 88

HSL 132.71, 0.48%, 0.48%

LAB 65.6, -52.68, 37.67

 

CMYK 55 / 0 / 43 / 23

HEX #59C46F

RGB 89 196 111

HSL 132.34, 0.48%, 0.56%

LAB 71.39, -49.08, 33.52

 

CMYK 64 / 0 / 51 / 42

HEX #359549

RGB 53 149 73

HSL 132.5, 0.48%, 0.4%

LAB 54.8, -44.81, 31.88

 

CMYK 65 / 26 / 0 / 41

HEX #356F96

RGB 53 111 150

HSL 204.12, 0.48%, 0.4%

LAB 44.7, -6.3, -26.85

 

CMYK 0 / 65 / 52 / 41

HEX #963548

RGB 150 53 72

HSL 348.25, 0.48%, 0.4%

LAB 36.93, 42.19, 10.48

 

CMYK 64 / 0 / 51 / 42

HEX #359549

RGB 53 149 73

HSL 132.5, 0.48%, 0.4%

LAB 54.8, -44.81, 31.88

 

CMYK 52 / 65 / 0 / 41

HEX #483596

RGB 72 53 150

HSL 251.75, 0.48%, 0.4%

LAB 29.73, 34.53, -50.63

 

CMYK 0 / 52 / 65 / 41

HEX #964835

RGB 150 72 53

HSL 11.75, 0.48%, 0.4%

LAB 40.21, 31.12, 26.53

 

CMYK 64 / 0 / 51 / 42

HEX #359549

RGB 53 149 73

HSL 132.5, 0.48%, 0.4%

LAB 54.8, -44.81, 31.88

 

CMYK 65 / 26 / 0 / 41

HEX #356F96

RGB 53 111 150

HSL 204.12, 0.48%, 0.4%

LAB 44.7, -6.3, -26.85

 

CMYK 0 / 65 / 13 / 41

HEX #963583

RGB 150 53 131

HSL 311.75, 0.48%, 0.4%

LAB 39.02, 49.71, -23.54

 

CMYK 0 / 39 / 65 / 41

HEX #965C35

RGB 150 92 53

HSL 24.12, 0.48%, 0.4%

LAB 44.79, 19.93, 32.03

 

CMYK 64 / 0 / 51 / 42

HEX #359549

RGB 53 149 73

HSL 132.5, 0.48%, 0.4%

LAB 54.8, -44.81, 31.88

 

CMYK 65 / 45 / 0 / 41

HEX #355296

RGB 53 82 150

HSL 222.06, 0.48%, 0.4%

LAB 35.97, 11.95, -40.63

 

CMYK 0 / 65 / 13 / 41

HEX #963583

RGB 150 53 131

HSL 311.75, 0.48%, 0.4%

LAB 39.02, 49.71, -23.54

 

CMYK 0 / 19 / 65 / 41

HEX #967935

RGB 150 121 53

HSL 42.06, 0.48%, 0.4%

LAB 52.3, 3.27, 40.61

 

Description

Color code: RGB 53 149 73 | qconv.com Color code: RGB 53 149 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 149 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 149 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 51 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 51% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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