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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 130 109 it is the complementary color RGB 202 125 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 130 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 130 109 shade: RGB 58 130 104, RGB 75 148 123, RGB 92 166 142, RGB 109 184 161 and RGB 126 202 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 130 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 130 109 shade: RGB 53 130 109, RGB 36 112 90, RGB 19 94 71, RGB 2 76 52 and RGB 0 58 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 130 109 shade: RGB 53 130 109, RGB 53 130 88, RGB 53 130 67, RGB 59 130 53 and RGB 80 130 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 130 109 shade: RGB 53 130 109, RGB 53 130 130, RGB 53 109 130, RGB 53 88 130 and RGB 53 68 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 130 109 shade matches the following richer shades: RGB 53 130 109, RGB 38 145 116, RGB 23 160 122 and RGB 8 174 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 130 109 shade: RGB 53 130 109, RGB 68 115 102, RGB 82 100 95, RGB 97 85 89 and RGB 112 70 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 130 109 shade: RGB 53 130 67, RGB 53 130 87, RGB 53 130 108, RGB 53 130 129 and RGB 53 111 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 130 109 shade: RGB 29 71 60, RGB 41 101 84, RGB 53 130 109, RGB 65 159 133 and RGB 81 184 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 130 109 shade: RGB 53 130 109, RGB 53 59 130 and RGB 130 77 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 130 109 shade: RGB 53 130 109, RGB 108 53 130 and RGB 130 108 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 130 109 shade: RGB 53 130 109, RGB 53 59 130, RGB 130 53 75 and RGB 130 123 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 130 109 shade: RGB 53 130 109, RGB 69 53 130, RGB 130 53 75 and RGB 113 130 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 16 / 49

HEX #35826D

RGB 53 130 109

HSL 163.64, 0.42%, 0.36%

LAB 49.28, -29.1, 4.31

 

Complementary color

CMYK 0 / 38 / 28 / 21

HEX #CA7D92

RGB 202 125 146

HSL 343.64, 0.42%, 0.64%

LAB 61.04, 32.6, 1.4

 

CMYK 55 / 0 / 20 / 49

HEX #3A8268

RGB 58 130 104

HSL 158.33, 0.38%, 0.37%

LAB 49.33, -29.2, 7.32

 

CMYK 49 / 0 / 17 / 42

HEX #4B947B

RGB 75 148 123

HSL 159.45, 0.33%, 0.44%

LAB 56.19, -29.1, 6.24

 

CMYK 45 / 0 / 14 / 35

HEX #5CA68E

RGB 92 166 142

HSL 160.54, 0.29%, 0.51%

LAB 62.93, -28.94, 5.28

 

CMYK 41 / 0 / 13 / 28

HEX #6DB8A1

RGB 109 184 161

HSL 161.6, 0.35%, 0.57%

LAB 69.54, -28.75, 4.39

 

CMYK 38 / 0 / 11 / 21

HEX #7ECAB4

RGB 126 202 180

HSL 162.63, 0.42%, 0.64%

LAB 76.05, -28.55, 3.57

 

CMYK 59 / 0 / 16 / 49

HEX #35826D

RGB 53 130 109

HSL 163.64, 0.42%, 0.36%

LAB 49.28, -29.1, 4.31

 

CMYK 68 / 0 / 20 / 56

HEX #24705A

RGB 36 112 90

HSL 162.63, 0.51%, 0.29%

LAB 42.31, -28.91, 5.5

 

CMYK 80 / 0 / 24 / 63

HEX #135E47

RGB 19 94 71

HSL 161.6, 0.66%, 0.22%

LAB 35.2, -28.37, 6.89

 

CMYK 97 / 0 / 32 / 70

HEX #024C34

RGB 2 76 52

HSL 160.54, 0.95%, 0.15%

LAB 27.93, -27.39, 8.55

 

CMYK 100 / 0 / 43 / 77

HEX #003A21

RGB 0 58 33

HSL 154.14, 1%, 0.11%

LAB 20.58, -24.71, 10.74

 

CMYK 59 / 0 / 16 / 49

HEX #35826D

RGB 53 130 109

HSL 163.64, 0.42%, 0.36%

LAB 49.28, -29.1, 4.31

 

CMYK 59 / 0 / 32 / 49

HEX #358258

RGB 53 130 88

HSL 147.27, 0.42%, 0.36%

LAB 48.79, -34.06, 15.81

 

CMYK 59 / 0 / 48 / 49

HEX #358243

RGB 53 130 67

HSL 130.91, 0.42%, 0.36%

LAB 48.42, -38.04, 27.08

 

CMYK 55 / 0 / 59 / 49

HEX #3B8235

RGB 59 130 53

HSL 115.32, 0.42%, 0.36%

LAB 48.45, -38.44, 34.47

 

CMYK 38 / 0 / 59 / 49

HEX #508235

RGB 80 130 53

HSL 98.96, 0.42%, 0.36%

LAB 49.41, -31.56, 35.83

 

CMYK 59 / 0 / 16 / 49

HEX #35826D

RGB 53 130 109

HSL 163.64, 0.42%, 0.36%

LAB 49.28, -29.1, 4.31

 

CMYK 59 / 0 / 0 / 49

HEX #358282

RGB 53 130 130

HSL 180, 0.42%, 0.36%

LAB 49.9, -23.3, -7.11

 

CMYK 59 / 16 / 0 / 49

HEX #356D82

RGB 53 109 130

HSL 196.36, 0.42%, 0.36%

LAB 43.22, -11.85, -17.2

 

CMYK 59 / 32 / 0 / 49

HEX #355882

RGB 53 88 130

HSL 212.73, 0.42%, 0.36%

LAB 36.65, 0.87, -27.38

 

CMYK 59 / 48 / 0 / 49

HEX #354482

RGB 53 68 130

HSL 228.31, 0.42%, 0.36%

LAB 30.65, 14.01, -36.89

 

CMYK 59 / 0 / 16 / 49

HEX #35826D

RGB 53 130 109

HSL 163.64, 0.42%, 0.36%

LAB 49.28, -29.1, 4.31

 

CMYK 74 / 0 / 20 / 43

HEX #269174

RGB 38 145 116

HSL 163.74, 0.58%, 0.36%

LAB 53.95, -36.95, 6.88

 

CMYK 86 / 0 / 24 / 37

HEX #17A07A

RGB 23 160 122

HSL 163.36, 0.75%, 0.36%

LAB 58.72, -43.51, 10.23

 

CMYK 95 / 0 / 26 / 32

HEX #08AE81

RGB 8 174 129

HSL 163.73, 0.91%, 0.36%

LAB 63.27, -48.3, 12.72

 

CMYK 59 / 0 / 16 / 49

HEX #35826D

RGB 53 130 109

HSL 163.64, 0.42%, 0.36%

LAB 49.28, -29.1, 4.31

 

CMYK 41 / 0 / 11 / 55

HEX #447366

RGB 68 115 102

HSL 163.4, 0.26%, 0.36%

LAB 44.87, -19.36, 2.15

 

CMYK 18 / 0 / 5 / 61

HEX #52645F

RGB 82 100 95

HSL 163.33, 0.1%, 0.36%

LAB 40.79, -7.94, 0.56

 

CMYK 0 / 12 / 8 / 62

HEX #615559

RGB 97 85 89

HSL 340, 0.07%, 0.36%

LAB 37.41, 5.69, -0.52

 

CMYK 0 / 38 / 27 / 56

HEX #704652

RGB 112 70 82

HSL 342.86, 0.23%, 0.36%

LAB 34.87, 19.84, 0.39

 

CMYK 59 / 0 / 48 / 49

HEX #358243

RGB 53 130 67

HSL 130.91, 0.42%, 0.36%

LAB 48.42, -38.04, 27.08

 

CMYK 59 / 0 / 33 / 49

HEX #358257

RGB 53 130 87

HSL 146.49, 0.42%, 0.36%

LAB 48.77, -34.27, 16.35

 

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

CMYK 59 / 0 / 1 / 49

HEX #358281

RGB 53 130 129

HSL 179.22, 0.42%, 0.36%

LAB 49.87, -23.59, -6.57

 

CMYK 59 / 15 / 0 / 49

HEX #356F82

RGB 53 111 130

HSL 194.81, 0.42%, 0.36%

LAB 43.85, -12.99, -16.23

 

CMYK 59 / 0 / 15 / 72

HEX #1D473C

RGB 29 71 60

HSL 164.29, 0.42%, 0.2%

LAB 27, -17.81, 2.19

 

CMYK 59 / 0 / 17 / 60

HEX #296554

RGB 41 101 84

HSL 163, 0.42%, 0.28%

LAB 38.58, -24.03, 3.81

 

CMYK 59 / 0 / 16 / 49

HEX #35826D

RGB 53 130 109

HSL 163.64, 0.42%, 0.36%

LAB 49.28, -29.1, 4.31

 

CMYK 59 / 0 / 16 / 38

HEX #419F85

RGB 65 159 133

HSL 163.4, 0.42%, 0.44%

LAB 59.54, -34.21, 5.32

 

CMYK 56 / 0 / 15 / 28

HEX #51B89C

RGB 81 184 156

HSL 163.69, 0.42%, 0.52%

LAB 68.34, -36.74, 5.25

 

CMYK 59 / 0 / 16 / 49

HEX #35826D

RGB 53 130 109

HSL 163.64, 0.42%, 0.36%

LAB 49.28, -29.1, 4.31

 

CMYK 59 / 55 / 0 / 49

HEX #353B82

RGB 53 59 130

HSL 235.32, 0.42%, 0.36%

LAB 28.1, 20.09, -40.97

 

CMYK 0 / 41 / 59 / 49

HEX #824D35

RGB 130 77 53

HSL 18.7, 0.42%, 0.36%

LAB 38.39, 19.83, 23.63

 

CMYK 59 / 0 / 16 / 49

HEX #35826D

RGB 53 130 109

HSL 163.64, 0.42%, 0.36%

LAB 49.28, -29.1, 4.31

 

CMYK 17 / 59 / 0 / 49

HEX #6C3582

RGB 108 53 130

HSL 282.86, 0.42%, 0.36%

LAB 32.58, 37.8, -33.48

 

CMYK 0 / 17 / 59 / 49

HEX #826C35

RGB 130 108 53

HSL 42.86, 0.42%, 0.36%

LAB 46.62, 1.57, 33.57

 

CMYK 59 / 0 / 16 / 49

HEX #35826D

RGB 53 130 109

HSL 163.64, 0.42%, 0.36%

LAB 49.28, -29.1, 4.31

 

CMYK 59 / 55 / 0 / 49

HEX #353B82

RGB 53 59 130

HSL 235.32, 0.42%, 0.36%

LAB 28.1, 20.09, -40.97

 

CMYK 0 / 59 / 42 / 49

HEX #82354B

RGB 130 53 75

HSL 342.86, 0.42%, 0.36%

LAB 33.56, 35.44, 3.31

 

CMYK 0 / 5 / 59 / 49

HEX #827B35

RGB 130 123 53

HSL 54.55, 0.42%, 0.36%

LAB 50.88, -6.96, 38.47

 

CMYK 59 / 0 / 16 / 49

HEX #35826D

RGB 53 130 109

HSL 163.64, 0.42%, 0.36%

LAB 49.28, -29.1, 4.31

 

CMYK 47 / 59 / 0 / 49

HEX #453582

RGB 69 53 130

HSL 252.47, 0.42%, 0.36%

LAB 27.91, 27.62, -41.22

 

CMYK 0 / 59 / 42 / 49

HEX #82354B

RGB 130 53 75

HSL 342.86, 0.42%, 0.36%

LAB 33.56, 35.44, 3.31

 

CMYK 13 / 0 / 59 / 49

HEX #718235

RGB 113 130 53

HSL 73.25, 0.42%, 0.36%

LAB 51.53, -18.3, 38.82

 

Description

Color code: RGB 53 130 109 | qconv.com Color code: RGB 53 130 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 130 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 130 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 16 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 16% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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