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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 119 196 it is the complementary color RGB 202 136 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 119 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 119 196 shade: RGB 58 119 191, RGB 75 137 210, RGB 92 155 229, RGB 109 173 248 and RGB 126 191 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 119 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 119 196 shade: RGB 53 119 196, RGB 36 101 177, RGB 19 83 158, RGB 2 65 139 and RGB 0 47 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 119 196 shade: RGB 53 119 196, RGB 53 81 196, RGB 64 53 196, RGB 103 53 196 and RGB 141 53 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 119 196 shade: RGB 53 119 196, RGB 53 81 196 and RGB 53 53 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 119 196 shade matches the following richer shades: RGB 53 119 196, RGB 33 117 216 and RGB 13 116 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 119 196 shade: RGB 53 119 196, RGB 73 121 175, RGB 94 122 155, RGB 114 124 135 and RGB 134 125 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 119 196 shade: RGB 53 196 196, RGB 53 158 196, RGB 53 120 196, RGB 53 82 196 and RGB 63 53 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 119 196 shade: RGB 35 80 131, RGB 44 99 163, RGB 53 119 196, RGB 83 140 207 and RGB 115 162 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 119 196 shade: RGB 53 119 196, RGB 158 53 196 and RGB 177 196 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 119 196 shade: RGB 53 119 196, RGB 196 53 120 and RGB 120 196 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 119 196 shade: RGB 53 119 196, RGB 158 53 196, RGB 196 129 53 and RGB 91 196 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 119 196 shade: RGB 53 119 196, RGB 196 53 191, RGB 196 129 53 and RGB 53 196 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 39 / 0 / 23

HEX #3577C4

RGB 53 119 196

HSL 212.31, 0.57%, 0.49%

LAB 49.42, 5.31, -46.24

 

Complementary color

CMYK 0 / 33 / 71 / 21

HEX #CA883B

RGB 202 136 59

HSL 32.31, 0.57%, 0.51%

LAB 62.07, 18.27, 50.03

 

CMYK 70 / 38 / 0 / 25

HEX #3A77BF

RGB 58 119 191

HSL 212.48, 0.53%, 0.49%

LAB 49.32, 4.22, -43.51

 

CMYK 64 / 35 / 0 / 18

HEX #4B89D2

RGB 75 137 210

HSL 212.44, 0.6%, 0.56%

LAB 56.13, 2.83, -43.5

 

CMYK 60 / 32 / 0 / 10

HEX #5C9BE5

RGB 92 155 229

HSL 212.41, 0.72%, 0.63%

LAB 62.82, 1.73, -43.5

 

CMYK 56 / 30 / 0 / 3

HEX #6DADF8

RGB 109 173 248

HSL 212.37, 0.91%, 0.7%

LAB 69.41, 0.82, -43.52

 

CMYK 51 / 25 / 0 / 0

HEX #7EBFFF

RGB 126 191 255

HSL 209.77, 1%, 0.75%

LAB 75.4, -3.45, -37.89

 

CMYK 73 / 39 / 0 / 23

HEX #3577C4

RGB 53 119 196

HSL 212.31, 0.57%, 0.49%

LAB 49.42, 5.31, -46.24

 

CMYK 80 / 43 / 0 / 31

HEX #2465B1

RGB 36 101 177

HSL 212.34, 0.66%, 0.42%

LAB 42.55, 7.34, -46.22

 

CMYK 88 / 47 / 0 / 38

HEX #13539E

RGB 19 83 158

HSL 212.37, 0.79%, 0.35%

LAB 35.58, 9.97, -46.14

 

CMYK 99 / 53 / 0 / 45

HEX #02418B

RGB 2 65 139

HSL 212.41, 0.97%, 0.28%

LAB 28.53, 13.31, -45.97

 

CMYK 100 / 61 / 0 / 53

HEX #002F78

RGB 0 47 120

HSL 216.5, 1%, 0.24%

LAB 21.54, 17.82, -45.43

 

CMYK 73 / 39 / 0 / 23

HEX #3577C4

RGB 53 119 196

HSL 212.31, 0.57%, 0.49%

LAB 49.42, 5.31, -46.24

 

CMYK 73 / 59 / 0 / 23

HEX #3551C4

RGB 53 81 196

HSL 228.25, 0.57%, 0.49%

LAB 38.95, 29.56, -63.1

 

CMYK 67 / 73 / 0 / 23

HEX #4035C4

RGB 64 53 196

HSL 244.62, 0.57%, 0.49%

LAB 33.18, 47.92, -72.52

 

CMYK 47 / 73 / 0 / 23

HEX #6735C4

RGB 103 53 196

HSL 260.98, 0.57%, 0.49%

LAB 36.77, 53.31, -66.49

 

CMYK 28 / 73 / 0 / 23

HEX #8D35C4

RGB 141 53 196

HSL 276.92, 0.57%, 0.49%

LAB 41.52, 60.08, -58.55

 

CMYK 73 / 39 / 0 / 23

HEX #3577C4

RGB 53 119 196

HSL 212.31, 0.57%, 0.49%

LAB 49.42, 5.31, -46.24

 

CMYK 73 / 59 / 0 / 23

HEX #3551C4

RGB 53 81 196

HSL 228.25, 0.57%, 0.49%

LAB 38.95, 29.56, -63.1

 

CMYK 73 / 73 / 0 / 23

HEX #3535C4

RGB 53 53 196

HSL 240, 0.57%, 0.49%

LAB 32.46, 46.79, -73.75

 

CMYK 73 / 39 / 0 / 23

HEX #3577C4

RGB 53 119 196

HSL 212.31, 0.57%, 0.49%

LAB 49.42, 5.31, -46.24

 

CMYK 85 / 46 / 0 / 15

HEX #2175D8

RGB 33 117 216

HSL 212.46, 0.73%, 0.49%

LAB 49.5, 11.98, -57.53

 

CMYK 94 / 51 / 0 / 7

HEX #0D74EC

RGB 13 116 236

HSL 212.29, 0.9%, 0.49%

LAB 50.25, 19.32, -67.6

 

CMYK 73 / 39 / 0 / 23

HEX #3577C4

RGB 53 119 196

HSL 212.31, 0.57%, 0.49%

LAB 49.42, 5.31, -46.24

 

CMYK 58 / 31 / 0 / 31

HEX #4979AF

RGB 73 121 175

HSL 211.76, 0.41%, 0.49%

LAB 49.72, 0.2, -33.6

 

CMYK 39 / 21 / 0 / 39

HEX #5E7A9B

RGB 94 122 155

HSL 212.46, 0.24%, 0.49%

LAB 50.29, -1.34, -20.98

 

CMYK 16 / 8 / 0 / 47

HEX #727C87

RGB 114 124 135

HSL 211.43, 0.08%, 0.49%

LAB 51.54, -1.27, -7.24

 

CMYK 0 / 7 / 14 / 47

HEX #867D73

RGB 134 125 115

HSL 31.58, 0.08%, 0.49%

LAB 52.92, 1.61, 6.68

 

CMYK 73 / 0 / 0 / 23

HEX #35C4C4

RGB 53 196 196

HSL 180, 0.57%, 0.49%

LAB 72.38, -36.13, -10.79

 

CMYK 73 / 19 / 0 / 23

HEX #359EC4

RGB 53 158 196

HSL 195.94, 0.57%, 0.49%

LAB 60.95, -17.17, -28.14

 

CMYK 73 / 39 / 0 / 23

HEX #3578C4

RGB 53 120 196

HSL 211.89, 0.57%, 0.49%

LAB 49.71, 4.69, -45.77

 

CMYK 73 / 58 / 0 / 23

HEX #3552C4

RGB 53 82 196

HSL 227.83, 0.57%, 0.49%

LAB 39.2, 28.91, -62.69

 

CMYK 68 / 73 / 0 / 23

HEX #3F35C4

RGB 63 53 196

HSL 244.2, 0.57%, 0.49%

LAB 33.11, 47.81, -72.64

 

CMYK 73 / 39 / 0 / 49

HEX #235083

RGB 35 80 131

HSL 211.88, 0.58%, 0.33%

LAB 33.42, 2.94, -33.14

 

CMYK 73 / 39 / 0 / 36

HEX #2C63A3

RGB 44 99 163

HSL 212.27, 0.57%, 0.41%

LAB 41.38, 4.28, -39.81

 

CMYK 73 / 39 / 0 / 23

HEX #3577C4

RGB 53 119 196

HSL 212.31, 0.57%, 0.49%

LAB 49.42, 5.31, -46.24

 

CMYK 60 / 32 / 0 / 19

HEX #538CCF

RGB 83 140 207

HSL 212.42, 0.56%, 0.57%

LAB 57.17, 1.54, -40.14

 

CMYK 47 / 25 / 0 / 15

HEX #73A2D8

RGB 115 162 216

HSL 212.08, 0.56%, 0.65%

LAB 65.31, -1.26, -32.34

 

CMYK 73 / 39 / 0 / 23

HEX #3577C4

RGB 53 119 196

HSL 212.31, 0.57%, 0.49%

LAB 49.42, 5.31, -46.24

 

CMYK 19 / 73 / 0 / 23

HEX #9E35C4

RGB 158 53 196

HSL 284.06, 0.57%, 0.49%

LAB 43.95, 63.41, -54.52

 

CMYK 10 / 0 / 73 / 23

HEX #B1C435

RGB 177 196 53

HSL 67.97, 0.57%, 0.49%

LAB 75.5, -24.42, 65.15

 

CMYK 73 / 39 / 0 / 23

HEX #3577C4

RGB 53 119 196

HSL 212.31, 0.57%, 0.49%

LAB 49.42, 5.31, -46.24

 

CMYK 0 / 73 / 39 / 23

HEX #C43578

RGB 196 53 120

HSL 331.89, 0.57%, 0.49%

LAB 46.5, 61.03, -4.68

 

CMYK 39 / 0 / 73 / 23

HEX #78C435

RGB 120 196 53

HSL 91.89, 0.57%, 0.49%

LAB 72.05, -46.32, 60.6

 

CMYK 73 / 39 / 0 / 23

HEX #3577C4

RGB 53 119 196

HSL 212.31, 0.57%, 0.49%

LAB 49.42, 5.31, -46.24

 

CMYK 19 / 73 / 0 / 23

HEX #9E35C4

RGB 158 53 196

HSL 284.06, 0.57%, 0.49%

LAB 43.95, 63.41, -54.52

 

CMYK 0 / 34 / 73 / 23

HEX #C48135

RGB 196 129 53

HSL 31.89, 0.57%, 0.49%

LAB 59.61, 19.22, 49.99

 

CMYK 54 / 0 / 73 / 23

HEX #5BC435

RGB 91 196 53

HSL 104.06, 0.57%, 0.49%

LAB 70.84, -55.27, 59

 

CMYK 73 / 39 / 0 / 23

HEX #3577C4

RGB 53 119 196

HSL 212.31, 0.57%, 0.49%

LAB 49.42, 5.31, -46.24

 

CMYK 0 / 73 / 3 / 23

HEX #C435BF

RGB 196 53 191

HSL 302.1, 0.57%, 0.49%

LAB 49.55, 70.45, -42.32

 

CMYK 0 / 34 / 73 / 23

HEX #C48135

RGB 196 129 53

HSL 31.89, 0.57%, 0.49%

LAB 59.61, 19.22, 49.99

 

CMYK 73 / 0 / 70 / 23

HEX #35C43A

RGB 53 196 58

HSL 122.1, 0.57%, 0.49%

LAB 69.85, -63.2, 55.82

 

Description

Color code: RGB 53 119 196 | qconv.com Color code: RGB 53 119 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 119 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 119 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 39 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 39% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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