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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 119 145 it is the complementary color RGB 202 136 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 119 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 119 145 shade: RGB 58 119 140, RGB 75 137 159, RGB 92 155 178, RGB 109 173 197 and RGB 126 191 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 119 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 119 145 shade: RGB 53 119 145, RGB 36 101 126, RGB 19 83 107, RGB 2 65 88 and RGB 0 47 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 119 145 shade: RGB 53 119 145, RGB 53 94 145, RGB 53 69 145, RGB 62 53 145 and RGB 86 53 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 119 145 shade: RGB 53 119 145, RGB 53 94 145, RGB 53 69 145 and RGB 53 53 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 119 145 shade matches the following richer shades: RGB 53 119 145, RGB 37 126 161, RGB 21 133 177 and RGB 5 140 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 119 145 shade: RGB 53 119 145, RGB 69 112 129, RGB 85 105 113, RGB 101 98 96 and RGB 118 91 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 119 145 shade: RGB 53 145 120, RGB 53 145 145, RGB 53 120 145, RGB 53 96 145 and RGB 53 72 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 119 145 shade: RGB 31 69 84, RGB 42 94 115, RGB 53 119 145, RGB 64 144 175 and RGB 88 163 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 119 145 shade: RGB 53 119 145, RGB 96 53 145 and RGB 145 132 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 119 145 shade: RGB 53 119 145, RGB 145 53 120 and RGB 120 145 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 119 145 shade: RGB 53 119 145, RGB 96 53 145, RGB 145 78 53 and RGB 102 145 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 119 145 shade: RGB 53 119 145, RGB 123 53 145, RGB 145 78 53 and RGB 75 145 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 18 / 0 / 43

HEX #357791

RGB 53 119 145

HSL 196.96, 0.46%, 0.39%

LAB 46.97, -12.64, -20.38

 

Complementary color

CMYK 0 / 33 / 46 / 21

HEX #CA886E

RGB 202 136 110

HSL 16.96, 0.46%, 0.61%

LAB 62.75, 22.23, 24.22

 

CMYK 59 / 15 / 0 / 45

HEX #3A778C

RGB 58 119 140

HSL 195.37, 0.41%, 0.39%

LAB 46.96, -13.25, -17.43

 

CMYK 53 / 14 / 0 / 38

HEX #4B899F

RGB 75 137 159

HSL 195.71, 0.36%, 0.46%

LAB 53.91, -13.65, -17.85

 

CMYK 48 / 13 / 0 / 30

HEX #5C9BB2

RGB 92 155 178

HSL 196.05, 0.36%, 0.53%

LAB 60.72, -13.92, -18.26

 

CMYK 45 / 12 / 0 / 23

HEX #6DADC5

RGB 109 173 197

HSL 196.36, 0.43%, 0.6%

LAB 67.4, -14.12, -18.65

 

CMYK 42 / 12 / 0 / 15

HEX #7EBFD8

RGB 126 191 216

HSL 196.67, 0.54%, 0.67%

LAB 73.97, -14.26, -19.03

 

CMYK 63 / 18 / 0 / 43

HEX #357791

RGB 53 119 145

HSL 196.96, 0.46%, 0.39%

LAB 46.97, -12.64, -20.38

 

CMYK 71 / 20 / 0 / 51

HEX #24657E

RGB 36 101 126

HSL 196.67, 0.56%, 0.32%

LAB 39.9, -11.8, -19.94

 

CMYK 82 / 22 / 0 / 58

HEX #13536B

RGB 19 83 107

HSL 196.36, 0.7%, 0.25%

LAB 32.67, -10.53, -19.42

 

CMYK 98 / 26 / 0 / 65

HEX #024158

RGB 2 65 88

HSL 196.05, 0.96%, 0.18%

LAB 25.25, -8.72, -18.83

 

CMYK 100 / 32 / 0 / 73

HEX #002F45

RGB 0 47 69

HSL 199.13, 1%, 0.14%

LAB 17.75, -5.38, -17.9

 

CMYK 63 / 18 / 0 / 43

HEX #357791

RGB 53 119 145

HSL 196.96, 0.46%, 0.39%

LAB 46.97, -12.64, -20.38

 

CMYK 63 / 35 / 0 / 43

HEX #355E91

RGB 53 94 145

HSL 213.26, 0.46%, 0.39%

LAB 39.25, 2.38, -32.4

 

CMYK 63 / 52 / 0 / 43

HEX #354591

RGB 53 69 145

HSL 229.57, 0.46%, 0.39%

LAB 31.94, 18.77, -44.06

 

CMYK 57 / 63 / 0 / 43

HEX #3E3591

RGB 62 53 145

HSL 245.87, 0.46%, 0.39%

LAB 28.42, 30.99, -49.73

 

CMYK 41 / 63 / 0 / 43

HEX #563591

RGB 86 53 145

HSL 261.52, 0.46%, 0.39%

LAB 30.8, 36.03, -45.75

 

CMYK 63 / 18 / 0 / 43

HEX #357791

RGB 53 119 145

HSL 196.96, 0.46%, 0.39%

LAB 46.97, -12.64, -20.38

 

CMYK 63 / 35 / 0 / 43

HEX #355E91

RGB 53 94 145

HSL 213.26, 0.46%, 0.39%

LAB 39.25, 2.38, -32.4

 

CMYK 63 / 52 / 0 / 43

HEX #354591

RGB 53 69 145

HSL 229.57, 0.46%, 0.39%

LAB 31.94, 18.77, -44.06

 

CMYK 63 / 63 / 0 / 43

HEX #353591

RGB 53 53 145

HSL 240, 0.46%, 0.39%

LAB 27.7, 29.39, -50.93

 

CMYK 63 / 18 / 0 / 43

HEX #357791

RGB 53 119 145

HSL 196.96, 0.46%, 0.39%

LAB 46.97, -12.64, -20.38

 

CMYK 77 / 22 / 0 / 37

HEX #257EA1

RGB 37 126 161

HSL 196.94, 0.63%, 0.39%

LAB 49.36, -13.6, -26.11

 

CMYK 88 / 25 / 0 / 31

HEX #1585B1

RGB 21 133 177

HSL 196.92, 0.79%, 0.39%

LAB 51.96, -13.26, -31.36

 

CMYK 97 / 27 / 0 / 24

HEX #058CC1

RGB 5 140 193

HSL 196.91, 0.95%, 0.39%

LAB 54.7, -12.04, -36.24

 

CMYK 63 / 18 / 0 / 43

HEX #357791

RGB 53 119 145

HSL 196.96, 0.46%, 0.39%

LAB 46.97, -12.64, -20.38

 

CMYK 47 / 13 / 0 / 49

HEX #457081

RGB 69 112 129

HSL 197, 0.3%, 0.39%

LAB 44.86, -10.01, -14.04

 

CMYK 25 / 7 / 0 / 56

HEX #556971

RGB 85 105 113

HSL 197.14, 0.14%, 0.39%

LAB 43.1, -5.47, -6.95

 

CMYK 0 / 3 / 5 / 60

HEX #656260

RGB 101 98 96

HSL 24, 0.03%, 0.39%

LAB 41.76, 0.78, 1.55

 

CMYK 0 / 23 / 32 / 54

HEX #765B50

RGB 118 91 80

HSL 17.37, 0.19%, 0.39%

LAB 41.08, 9.33, 10.58

 

CMYK 63 / 0 / 17 / 43

HEX #359178

RGB 53 145 120

HSL 163.7, 0.46%, 0.39%

LAB 54.41, -33.39, 5.3

 

CMYK 63 / 0 / 0 / 43

HEX #359191

RGB 53 145 145

HSL 180, 0.46%, 0.39%

LAB 55.13, -26.51, -8.03

 

CMYK 63 / 17 / 0 / 43

HEX #357891

RGB 53 120 145

HSL 196.3, 0.46%, 0.39%

LAB 47.28, -13.21, -19.9

 

CMYK 63 / 34 / 0 / 43

HEX #356091

RGB 53 96 145

HSL 211.96, 0.46%, 0.39%

LAB 39.86, 1.11, -31.44

 

CMYK 63 / 50 / 0 / 43

HEX #354891

RGB 53 72 145

HSL 227.61, 0.46%, 0.39%

LAB 32.78, 16.76, -42.71

 

CMYK 63 / 18 / 0 / 67

HEX #1F4554

RGB 31 69 84

HSL 196.98, 0.46%, 0.23%

LAB 27.26, -8.41, -13.05

 

CMYK 63 / 18 / 0 / 55

HEX #2A5E73

RGB 42 94 115

HSL 197.26, 0.46%, 0.31%

LAB 37.36, -10.42, -17.09

 

CMYK 63 / 18 / 0 / 43

HEX #357791

RGB 53 119 145

HSL 196.96, 0.46%, 0.39%

LAB 46.97, -12.64, -20.38

 

CMYK 63 / 18 / 0 / 31

HEX #4090AF

RGB 64 144 175

HSL 196.76, 0.46%, 0.47%

LAB 56.22, -14.76, -23.54

 

CMYK 54 / 16 / 0 / 24

HEX #58A3C1

RGB 88 163 193

HSL 197.14, 0.46%, 0.55%

LAB 63.44, -14.76, -22.55

 

CMYK 63 / 18 / 0 / 43

HEX #357791

RGB 53 119 145

HSL 196.96, 0.46%, 0.39%

LAB 46.97, -12.64, -20.38

 

CMYK 34 / 63 / 0 / 43

HEX #603591

RGB 96 53 145

HSL 268.04, 0.46%, 0.39%

LAB 31.98, 38.37, -43.79

 

CMYK 0 / 9 / 63 / 43

HEX #918435

RGB 145 132 53

HSL 51.52, 0.46%, 0.39%

LAB 54.84, -5.16, 43.26

 

CMYK 63 / 18 / 0 / 43

HEX #357791

RGB 53 119 145

HSL 196.96, 0.46%, 0.39%

LAB 46.97, -12.64, -20.38

 

CMYK 0 / 63 / 17 / 43

HEX #913578

RGB 145 53 120

HSL 316.3, 0.46%, 0.39%

LAB 37.7, 46.55, -18.82

 

CMYK 17 / 0 / 63 / 43

HEX #789135

RGB 120 145 53

HSL 76.3, 0.46%, 0.39%

LAB 56.59, -23.03, 44.57

 

CMYK 63 / 18 / 0 / 43

HEX #357791

RGB 53 119 145

HSL 196.96, 0.46%, 0.39%

LAB 46.97, -12.64, -20.38

 

CMYK 34 / 63 / 0 / 43

HEX #603591

RGB 96 53 145

HSL 268.04, 0.46%, 0.39%

LAB 31.98, 38.37, -43.79

 

CMYK 0 / 46 / 63 / 43

HEX #914E35

RGB 145 78 53

HSL 16.3, 0.46%, 0.39%

LAB 40.78, 25.74, 27.05

 

CMYK 30 / 0 / 63 / 43

HEX #669135

RGB 102 145 53

HSL 88.04, 0.46%, 0.39%

LAB 55.41, -30.32, 42.95

 

CMYK 63 / 18 / 0 / 43

HEX #357791

RGB 53 119 145

HSL 196.96, 0.46%, 0.39%

LAB 46.97, -12.64, -20.38

 

CMYK 15 / 63 / 0 / 43

HEX #7B3591

RGB 123 53 145

HSL 285.65, 0.46%, 0.39%

LAB 35.6, 45.08, -37.79

 

CMYK 0 / 46 / 63 / 43

HEX #914E35

RGB 145 78 53

HSL 16.3, 0.46%, 0.39%

LAB 40.78, 25.74, 27.05

 

CMYK 48 / 0 / 63 / 43

HEX #4B9135

RGB 75 145 53

HSL 105.65, 0.46%, 0.39%

LAB 54.03, -39.89, 41.03

 

Description

Color code: RGB 53 119 145 | qconv.com Color code: RGB 53 119 145 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 119 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 119 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 18 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 18% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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