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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 119 103 it is the complementary color RGB 202 136 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 119 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 119 103 shade: RGB 58 119 98, RGB 75 137 117, RGB 92 155 136, RGB 109 173 155 and RGB 126 191 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 119 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 119 103 shade: RGB 53 119 103, RGB 36 101 84, RGB 19 83 65, RGB 2 65 46 and RGB 0 47 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 119 103 shade: RGB 53 119 103, RGB 53 119 85, RGB 53 119 68, RGB 57 119 53 and RGB 74 119 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 119 103 shade: RGB 53 119 103, RGB 53 117 119, RGB 53 100 119, RGB 53 82 119 and RGB 53 64 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 119 103 shade matches the following richer shades: RGB 53 119 103, RGB 39 133 110, RGB 25 147 118 and RGB 11 161 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 119 103 shade: RGB 53 119 103, RGB 67 105 96, RGB 81 91 89, RGB 95 77 81 and RGB 109 63 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 119 103 shade: RGB 53 119 68, RGB 53 119 85, RGB 53 119 103, RGB 53 118 119 and RGB 53 100 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 119 103 shade: RGB 28 62 54, RGB 40 91 79, RGB 53 119 103, RGB 66 148 128 and RGB 79 176 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 119 103 shade: RGB 53 119 103, RGB 53 57 119 and RGB 119 76 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 119 103 shade: RGB 53 119 103, RGB 103 53 119 and RGB 119 103 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 119 103 shade: RGB 53 119 103, RGB 53 57 119, RGB 119 53 70 and RGB 119 116 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 119 103 shade: RGB 53 119 103, RGB 70 53 119, RGB 119 53 70 and RGB 103 119 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 13 / 53

HEX #357767

RGB 53 119 103

HSL 165.45, 0.38%, 0.34%

LAB 45.54, -25.24, 2.44

 

Complementary color

CMYK 0 / 33 / 25 / 21

HEX #CA8898

RGB 202 136 152

HSL 345.45, 0.38%, 0.66%

LAB 63.7, 27.47, 1.83

 

CMYK 51 / 0 / 18 / 53

HEX #3A7762

RGB 58 119 98

HSL 159.34, 0.34%, 0.35%

LAB 45.6, -25.25, 5.53

 

CMYK 45 / 0 / 15 / 46

HEX #4B8975

RGB 75 137 117

HSL 160.65, 0.29%, 0.42%

LAB 52.59, -25.09, 4.52

 

CMYK 41 / 0 / 12 / 39

HEX #5C9B88

RGB 92 155 136

HSL 161.9, 0.26%, 0.48%

LAB 59.43, -24.89, 3.61

 

CMYK 37 / 0 / 10 / 32

HEX #6DAD9B

RGB 109 173 155

HSL 163.13, 0.28%, 0.55%

LAB 66.14, -24.69, 2.77

 

CMYK 34 / 0 / 9 / 25

HEX #7EBFAE

RGB 126 191 174

HSL 164.31, 0.34%, 0.62%

LAB 72.73, -24.5, 2

 

CMYK 55 / 0 / 13 / 53

HEX #357767

RGB 53 119 103

HSL 165.45, 0.38%, 0.34%

LAB 45.54, -25.24, 2.44

 

CMYK 64 / 0 / 17 / 60

HEX #246554

RGB 36 101 84

HSL 164.31, 0.47%, 0.27%

LAB 38.42, -25.15, 3.55

 

CMYK 77 / 0 / 22 / 67

HEX #135341

RGB 19 83 65

HSL 163.13, 0.63%, 0.2%

LAB 31.13, -24.76, 4.86

 

CMYK 97 / 0 / 29 / 75

HEX #02412E

RGB 2 65 46

HSL 161.9, 0.94%, 0.13%

LAB 23.64, -24.01, 6.45

 

CMYK 100 / 0 / 43 / 82

HEX #002F1B

RGB 0 47 27

HSL 154.47, 1%, 0.09%

LAB 16.07, -21.32, 8.65

 

CMYK 55 / 0 / 13 / 53

HEX #357767

RGB 53 119 103

HSL 165.45, 0.38%, 0.34%

LAB 45.54, -25.24, 2.44

 

CMYK 55 / 0 / 29 / 53

HEX #357755

RGB 53 119 85

HSL 149.09, 0.38%, 0.34%

LAB 45.09, -29.62, 12.46

 

CMYK 55 / 0 / 43 / 53

HEX #357744

RGB 53 119 68

HSL 133.64, 0.38%, 0.34%

LAB 44.76, -33.07, 21.82

 

CMYK 52 / 0 / 55 / 53

HEX #397735

RGB 57 119 53

HSL 116.36, 0.38%, 0.34%

LAB 44.69, -34.31, 29.99

 

CMYK 38 / 0 / 55 / 53

HEX #4A7735

RGB 74 119 53

HSL 100.91, 0.38%, 0.34%

LAB 45.51, -28.57, 31.16

 

CMYK 55 / 0 / 13 / 53

HEX #357767

RGB 53 119 103

HSL 165.45, 0.38%, 0.34%

LAB 45.54, -25.24, 2.44

 

CMYK 55 / 2 / 0 / 53

HEX #357577

RGB 53 117 119

HSL 181.82, 0.38%, 0.34%

LAB 45.37, -19.71, -7.34

 

CMYK 55 / 16 / 0 / 53

HEX #356477

RGB 53 100 119

HSL 197.27, 0.38%, 0.34%

LAB 39.92, -10.18, -15.59

 

CMYK 55 / 31 / 0 / 53

HEX #355277

RGB 53 82 119

HSL 213.64, 0.38%, 0.34%

LAB 34.24, 0.88, -24.37

 

CMYK 55 / 46 / 0 / 53

HEX #354077

RGB 53 64 119

HSL 230, 0.38%, 0.34%

LAB 28.79, 12.79, -32.98

 

CMYK 55 / 0 / 13 / 53

HEX #357767

RGB 53 119 103

HSL 165.45, 0.38%, 0.34%

LAB 45.54, -25.24, 2.44

 

CMYK 71 / 0 / 17 / 48

HEX #27856E

RGB 39 133 110

HSL 165.32, 0.55%, 0.34%

LAB 49.9, -32.93, 4.55

 

CMYK 83 / 0 / 20 / 42

HEX #199376

RGB 25 147 118

HSL 165.74, 0.71%, 0.34%

LAB 54.43, -38.86, 6.4

 

CMYK 93 / 0 / 22 / 37

HEX #0BA17D

RGB 11 161 125

HSL 165.6, 0.87%, 0.34%

LAB 59.01, -43.93, 8.94

 

CMYK 55 / 0 / 13 / 53

HEX #357767

RGB 53 119 103

HSL 165.45, 0.38%, 0.34%

LAB 45.54, -25.24, 2.44

 

CMYK 36 / 0 / 9 / 59

HEX #436960

RGB 67 105 96

HSL 165.79, 0.22%, 0.34%

LAB 41.44, -15.72, 0.78

 

CMYK 11 / 0 / 2 / 64

HEX #515B59

RGB 81 91 89

HSL 168, 0.06%, 0.34%

LAB 37.76, -4.34, -0.18

 

CMYK 0 / 19 / 15 / 63

HEX #5F4D51

RGB 95 77 81

HSL 346.67, 0.1%, 0.34%

LAB 34.67, 8.29, 0.48

 

CMYK 0 / 42 / 32 / 57

HEX #6D3F4A

RGB 109 63 74

HSL 345.65, 0.27%, 0.34%

LAB 32.48, 21.6, 1.98

 

CMYK 55 / 0 / 43 / 53

HEX #357744

RGB 53 119 68

HSL 133.64, 0.38%, 0.34%

LAB 44.76, -33.07, 21.82

 

CMYK 55 / 0 / 29 / 53

HEX #357755

RGB 53 119 85

HSL 149.09, 0.38%, 0.34%

LAB 45.09, -29.62, 12.46

 

CMYK 55 / 0 / 13 / 53

HEX #357767

RGB 53 119 103

HSL 165.45, 0.38%, 0.34%

LAB 45.54, -25.24, 2.44

 

CMYK 55 / 1 / 0 / 53

HEX #357677

RGB 53 118 119

HSL 180.91, 0.38%, 0.34%

LAB 45.7, -20.25, -6.86

 

CMYK 55 / 16 / 0 / 53

HEX #356477

RGB 53 100 119

HSL 197.27, 0.38%, 0.34%

LAB 39.92, -10.18, -15.59

 

CMYK 55 / 0 / 13 / 76

HEX #1C3E36

RGB 28 62 54

HSL 165.88, 0.38%, 0.18%

LAB 23.53, -14.75, 1.11

 

CMYK 56 / 0 / 13 / 64

HEX #285B4F

RGB 40 91 79

HSL 165.88, 0.39%, 0.26%

LAB 35, -20.43, 1.72

 

CMYK 55 / 0 / 13 / 53

HEX #357767

RGB 53 119 103

HSL 165.45, 0.38%, 0.34%

LAB 45.54, -25.24, 2.44

 

CMYK 55 / 0 / 14 / 42

HEX #429480

RGB 66 148 128

HSL 165.37, 0.38%, 0.42%

LAB 55.98, -30.05, 3.04

 

CMYK 55 / 0 / 14 / 31

HEX #4FB098

RGB 79 176 152

HSL 165.15, 0.38%, 0.5%

LAB 65.73, -34.45, 3.69

 

CMYK 55 / 0 / 13 / 53

HEX #357767

RGB 53 119 103

HSL 165.45, 0.38%, 0.34%

LAB 45.54, -25.24, 2.44

 

CMYK 55 / 52 / 0 / 53

HEX #353977

RGB 53 57 119

HSL 236.36, 0.38%, 0.34%

LAB 26.78, 17.55, -36.2

 

CMYK 0 / 36 / 55 / 53

HEX #774C35

RGB 119 76 53

HSL 20.91, 0.38%, 0.34%

LAB 36.65, 15.52, 21.1

 

CMYK 55 / 0 / 13 / 53

HEX #357767

RGB 53 119 103

HSL 165.45, 0.38%, 0.34%

LAB 45.54, -25.24, 2.44

 

CMYK 13 / 55 / 0 / 53

HEX #673577

RGB 103 53 119

HSL 285.45, 0.38%, 0.34%

LAB 31.26, 33.88, -28.73

 

CMYK 0 / 13 / 55 / 53

HEX #776735

RGB 119 103 53

HSL 45.45, 0.38%, 0.34%

LAB 44.06, -0.6, 30.27

 

CMYK 55 / 0 / 13 / 53

HEX #357767

RGB 53 119 103

HSL 165.45, 0.38%, 0.34%

LAB 45.54, -25.24, 2.44

 

CMYK 55 / 52 / 0 / 53

HEX #353977

RGB 53 57 119

HSL 236.36, 0.38%, 0.34%

LAB 26.78, 17.55, -36.2

 

CMYK 0 / 55 / 41 / 53

HEX #773546

RGB 119 53 70

HSL 344.55, 0.38%, 0.34%

LAB 31.6, 30.75, 3.5

 

CMYK 0 / 3 / 55 / 53

HEX #777435

RGB 119 116 53

HSL 57.27, 0.38%, 0.34%

LAB 47.84, -8.04, 34.72

 

CMYK 55 / 0 / 13 / 53

HEX #357767

RGB 53 119 103

HSL 165.45, 0.38%, 0.34%

LAB 45.54, -25.24, 2.44

 

CMYK 41 / 55 / 0 / 53

HEX #463577

RGB 70 53 119

HSL 255.45, 0.38%, 0.34%

LAB 27.24, 24.47, -35.37

 

CMYK 0 / 55 / 41 / 53

HEX #773546

RGB 119 53 70

HSL 344.55, 0.38%, 0.34%

LAB 31.6, 30.75, 3.5

 

CMYK 13 / 0 / 55 / 53

HEX #677735

RGB 103 119 53

HSL 74.55, 0.38%, 0.34%

LAB 47.41, -16.81, 33.88

 

Description

Color code: RGB 53 119 103 | qconv.com Color code: RGB 53 119 103 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 119 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 119 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 13 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 13% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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