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Color name
RGB 53 10 91

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 10 91 it is the complementary color RGB 202 245 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 10 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 10 91 shade: RGB 58 10 86, RGB 75 28 105, RGB 92 46 124, RGB 109 64 143 and RGB 126 82 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 10 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 10 91 shade: RGB 53 10 91, RGB 36 0 72, RGB 19 0 53, RGB 2 0 34 and RGB 0 0 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 10 91 shade: RGB 53 10 91, RGB 75 10 91, RGB 91 10 86, RGB 91 10 64 and RGB 91 10 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 10 91 shade: RGB 53 10 91, RGB 31 10 91 and RGB 10 10 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 10 91 shade matches the following richer shades: RGB 53 10 91 and RGB 54 1 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 10 91 shade: RGB 53 10 91, RGB 53 18 83, RGB 52 26 75, RGB 51 34 67 and RGB 51 43 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 10 91 shade: RGB 10 11 91, RGB 30 10 91, RGB 52 10 91, RGB 74 10 91 and RGB 91 10 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 10 91 shade: RGB 10 1 17, RGB 31 6 54, RGB 53 10 91, RGB 75 14 128 and RGB 96 18 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 10 91 shade: RGB 53 10 91, RGB 91 10 33 and RGB 10 91 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 10 91 shade: RGB 53 10 91, RGB 91 52 10 and RGB 10 91 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 10 91 shade: RGB 53 10 91, RGB 91 10 33, RGB 49 91 10 and RGB 10 91 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 10 91 shade: RGB 53 10 91, RGB 91 11 10, RGB 49 91 10 and RGB 10 90 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 89 / 0 / 64

HEX #350A5B

RGB 53 10 91

HSL 271.85, 0.8%, 0.2%

LAB 14, 36.49, -38.66

 

Complementary color

CMYK 18 / 0 / 33 / 4

HEX #CAF5A4

RGB 202 245 164

HSL 91.85, 0.8%, 0.8%

LAB 91.93, -27.62, 34.6

 

CMYK 33 / 88 / 0 / 66

HEX #3A0A56

RGB 58 10 86

HSL 277.89, 0.79%, 0.19%

LAB 14.34, 36.11, -34.7

 

CMYK 29 / 73 / 0 / 59

HEX #4B1C69

RGB 75 28 105

HSL 276.62, 0.58%, 0.26%

LAB 21.38, 36.48, -35.77

 

CMYK 26 / 63 / 0 / 51

HEX #5C2E7C

RGB 92 46 124

HSL 275.38, 0.46%, 0.33%

LAB 28.6, 35.89, -36.2

 

CMYK 24 / 55 / 0 / 44

HEX #6D408F

RGB 109 64 143

HSL 274.18, 0.38%, 0.41%

LAB 35.79, 35.01, -36.37

 

CMYK 22 / 49 / 0 / 36

HEX #7E52A2

RGB 126 82 162

HSL 273, 0.33%, 0.48%

LAB 42.88, 34.09, -36.46

 

CMYK 42 / 89 / 0 / 64

HEX #350A5B

RGB 53 10 91

HSL 271.85, 0.8%, 0.2%

LAB 14, 36.49, -38.66

 

CMYK 50 / 100 / 0 / 72

HEX #240048

RGB 36 0 72

HSL 270, 1%, 0.14%

LAB 7.61, 33.85, -36.2

 

CMYK 64 / 100 / 0 / 79

HEX #130035

RGB 19 0 53

HSL 261.51, 1%, 0.1%

LAB 3.57, 21.85, -29.21

 

CMYK 94 / 100 / 0 / 87

HEX #020022

RGB 2 0 34

HSL 243.53, 1%, 0.07%

LAB 1.16, 7.85, -18.59

 

CMYK 100 / 100 / 0 / 94

HEX #00000F

RGB 0 0 15

HSL 240, 1%, 0.03%

LAB 0.31, 2.19, -5.96

 

CMYK 42 / 89 / 0 / 64

HEX #350A5B

RGB 53 10 91

HSL 271.85, 0.8%, 0.2%

LAB 14, 36.49, -38.66

 

CMYK 18 / 89 / 0 / 64

HEX #4B0A5B

RGB 75 10 91

HSL 288.15, 0.8%, 0.2%

LAB 17.77, 40.49, -32.35

 

CMYK 0 / 89 / 5 / 64

HEX #5B0A56

RGB 91 10 86

HSL 303.7, 0.8%, 0.2%

LAB 20.49, 42.92, -24.47

 

CMYK 0 / 89 / 30 / 64

HEX #5B0A40

RGB 91 10 64

HSL 320, 0.8%, 0.2%

LAB 19.27, 39.57, -11.33

 

CMYK 0 / 89 / 54 / 64

HEX #5B0A2A

RGB 91 10 42

HSL 336.3, 0.8%, 0.2%

LAB 18.4, 37.05, 2.94

 

CMYK 42 / 89 / 0 / 64

HEX #350A5B

RGB 53 10 91

HSL 271.85, 0.8%, 0.2%

LAB 14, 36.49, -38.66

 

CMYK 66 / 89 / 0 / 64

HEX #1F0A5B

RGB 31 10 91

HSL 255.56, 0.8%, 0.2%

LAB 11.02, 33.45, -43.67

 

CMYK 89 / 89 / 0 / 64

HEX #0A0A5B

RGB 10 10 91

HSL 240, 0.8%, 0.2%

LAB 9.3, 31.76, -46.58

 

CMYK 42 / 89 / 0 / 64

HEX #350A5B

RGB 53 10 91

HSL 271.85, 0.8%, 0.2%

LAB 14, 36.49, -38.66

 

CMYK 46 / 99 / 0 / 61

HEX #360164

RGB 54 1 100

HSL 272.12, 0.98%, 0.2%

LAB 13.98, 42.24, -44.7

 

CMYK 42 / 89 / 0 / 64

HEX #350A5B

RGB 53 10 91

HSL 271.85, 0.8%, 0.2%

LAB 14, 36.49, -38.66

 

CMYK 36 / 78 / 0 / 67

HEX #351253

RGB 53 18 83

HSL 272.31, 0.64%, 0.2%

LAB 14.48, 30.84, -32.46

 

CMYK 31 / 65 / 0 / 71

HEX #341A4B

RGB 52 26 75

HSL 271.84, 0.49%, 0.2%

LAB 15.37, 23.79, -25.57

 

CMYK 24 / 49 / 0 / 74

HEX #332243

RGB 51 34 67

HSL 270.91, 0.33%, 0.2%

LAB 16.76, 15.92, -17.84

 

CMYK 12 / 26 / 0 / 77

HEX #332B3A

RGB 51 43 58

HSL 272, 0.15%, 0.2%

LAB 18.96, 7.21, -8.22

 

CMYK 89 / 88 / 0 / 64

HEX #0A0B5B

RGB 10 11 91

HSL 239.26, 0.8%, 0.2%

LAB 9.48, 31.23, -46.28

 

CMYK 67 / 89 / 0 / 64

HEX #1E0A5B

RGB 30 10 91

HSL 254.81, 0.8%, 0.2%

LAB 10.91, 33.34, -43.85

 

CMYK 43 / 89 / 0 / 64

HEX #340A5B

RGB 52 10 91

HSL 271.11, 0.8%, 0.2%

LAB 13.84, 36.33, -38.92

 

CMYK 19 / 89 / 0 / 64

HEX #4A0A5B

RGB 74 10 91

HSL 287.41, 0.8%, 0.2%

LAB 17.59, 40.29, -32.66

 

CMYK 0 / 89 / 4 / 64

HEX #5B0A57

RGB 91 10 87

HSL 302.96, 0.8%, 0.2%

LAB 20.55, 43.09, -25.04

 

CMYK 41 / 94 / 0 / 93

HEX #0A0111

RGB 10 1 17

HSL 273.75, 0.89%, 0.04%

LAB 1.14, 4.78, -5.78

 

CMYK 43 / 89 / 0 / 79

HEX #1F0636

RGB 31 6 54

HSL 271.25, 0.8%, 0.12%

LAB 6.21, 23.7, -25.62

 

CMYK 42 / 89 / 0 / 64

HEX #350A5B

RGB 53 10 91

HSL 271.85, 0.8%, 0.2%

LAB 14, 36.49, -38.66

 

CMYK 41 / 89 / 0 / 50

HEX #4B0E80

RGB 75 14 128

HSL 272.11, 0.8%, 0.28%

LAB 21.46, 47.65, -50.42

 

CMYK 42 / 89 / 0 / 35

HEX #6012A6

RGB 96 18 166

HSL 271.62, 0.8%, 0.36%

LAB 28.57, 58.18, -62.14

 

CMYK 42 / 89 / 0 / 64

HEX #350A5B

RGB 53 10 91

HSL 271.85, 0.8%, 0.2%

LAB 14, 36.49, -38.66

 

CMYK 0 / 89 / 64 / 64

HEX #5B0A21

RGB 91 10 33

HSL 342.96, 0.8%, 0.2%

LAB 18.15, 36.3, 9.05

 

CMYK 89 / 0 / 79 / 64

HEX #0A5B13

RGB 10 91 19

HSL 126.67, 0.8%, 0.2%

LAB 33.12, -38.05, 33.08

 

CMYK 42 / 89 / 0 / 64

HEX #350A5B

RGB 53 10 91

HSL 271.85, 0.8%, 0.2%

LAB 14, 36.49, -38.66

 

CMYK 0 / 43 / 89 / 64

HEX #5B340A

RGB 91 52 10

HSL 31.11, 0.8%, 0.2%

LAB 25.87, 14.06, 31.73

 

CMYK 89 / 0 / 43 / 64

HEX #0A5B34

RGB 10 91 52

HSL 151.11, 0.8%, 0.2%

LAB 33.55, -32.89, 16.2

 

CMYK 42 / 89 / 0 / 64

HEX #350A5B

RGB 53 10 91

HSL 271.85, 0.8%, 0.2%

LAB 14, 36.49, -38.66

 

CMYK 0 / 89 / 64 / 64

HEX #5B0A21

RGB 91 10 33

HSL 342.96, 0.8%, 0.2%

LAB 18.15, 36.3, 9.05

 

CMYK 46 / 0 / 89 / 64

HEX #315B0A

RGB 49 91 10

HSL 91.11, 0.8%, 0.2%

LAB 34.31, -28.72, 37.8

 

CMYK 89 / 0 / 25 / 64

HEX #0A5B44

RGB 10 91 68

HSL 162.96, 0.8%, 0.2%

LAB 33.91, -28.91, 6.9

 

CMYK 42 / 89 / 0 / 64

HEX #350A5B

RGB 53 10 91

HSL 271.85, 0.8%, 0.2%

LAB 14, 36.49, -38.66

 

CMYK 0 / 88 / 89 / 64

HEX #5B0B0A

RGB 91 11 10

HSL 0.74, 0.8%, 0.2%

LAB 17.85, 34.82, 23.19

 

CMYK 46 / 0 / 89 / 64

HEX #315B0A

RGB 49 91 10

HSL 91.11, 0.8%, 0.2%

LAB 34.31, -28.72, 37.8

 

CMYK 89 / 1 / 0 / 64

HEX #0A5A5B

RGB 10 90 91

HSL 180.74, 0.8%, 0.2%

LAB 34.26, -21.26, -6.97

 

Description

Color code: RGB 53 10 91 | qconv.com Color code: RGB 53 10 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 10 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 10 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 89 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 89% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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