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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 107 165 it is the complementary color RGB 202 148 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 107 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 107 165 shade: RGB 58 107 160, RGB 75 125 179, RGB 92 143 198, RGB 109 161 217 and RGB 126 179 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 107 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 107 165 shade: RGB 53 107 165, RGB 36 89 146, RGB 19 71 127, RGB 2 53 108 and RGB 0 35 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 107 165 shade: RGB 53 107 165, RGB 53 77 165, RGB 60 53 165, RGB 90 53 165 and RGB 120 53 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 107 165 shade: RGB 53 107 165, RGB 53 77 165 and RGB 53 53 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 107 165 shade matches the following richer shades: RGB 53 107 165, RGB 35 107 183, RGB 18 106 201 and RGB 0 105 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 107 165 shade: RGB 53 107 165, RGB 71 108 147, RGB 89 108 130, RGB 106 109 112 and RGB 124 110 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 107 165 shade: RGB 53 165 163, RGB 53 137 165, RGB 53 107 165, RGB 53 77 165 and RGB 59 53 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 107 165 shade: RGB 33 67 103, RGB 43 87 134, RGB 53 107 165, RGB 66 128 193 and RGB 97 149 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 107 165 shade: RGB 53 107 165, RGB 133 53 165 and RGB 152 165 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 107 165 shade: RGB 53 107 165, RGB 165 53 107 and RGB 107 165 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 107 165 shade: RGB 53 107 165, RGB 133 53 165, RGB 165 111 53 and RGB 85 165 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 107 165 shade: RGB 53 107 165, RGB 165 53 163, RGB 165 111 53 and RGB 53 165 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 35 / 0 / 35

HEX #356BA5

RGB 53 107 165

HSL 211.07, 0.51%, 0.43%

LAB 44.22, 1.43, -36.47

 

Complementary color

CMYK 0 / 27 / 55 / 21

HEX #CA945A

RGB 202 148 90

HSL 31.07, 0.51%, 0.57%

LAB 65.34, 13.81, 38.37

 

CMYK 64 / 33 / 0 / 37

HEX #3A6BA0

RGB 58 107 160

HSL 211.18, 0.47%, 0.43%

LAB 44.17, 0.56, -33.59

 

CMYK 58 / 30 / 0 / 30

HEX #4B7DB3

RGB 75 125 179

HSL 211.15, 0.41%, 0.5%

LAB 51.17, -0.44, -33.63

 

CMYK 54 / 28 / 0 / 22

HEX #5C8FC6

RGB 92 143 198

HSL 211.13, 0.48%, 0.57%

LAB 58.03, -1.21, -33.69

 

CMYK 50 / 26 / 0 / 15

HEX #6DA1D9

RGB 109 161 217

HSL 211.11, 0.59%, 0.64%

LAB 64.76, -1.83, -33.77

 

CMYK 47 / 24 / 0 / 7

HEX #7EB3EC

RGB 126 179 236

HSL 211.09, 0.74%, 0.71%

LAB 71.37, -2.34, -33.88

 

CMYK 68 / 35 / 0 / 35

HEX #356BA5

RGB 53 107 165

HSL 211.07, 0.51%, 0.43%

LAB 44.22, 1.43, -36.47

 

CMYK 75 / 39 / 0 / 43

HEX #245992

RGB 36 89 146

HSL 211.09, 0.6%, 0.36%

LAB 37.11, 3.04, -36.44

 

CMYK 85 / 44 / 0 / 50

HEX #13477F

RGB 19 71 127

HSL 211.11, 0.74%, 0.29%

LAB 29.86, 5.26, -36.38

 

CMYK 98 / 51 / 0 / 58

HEX #02356C

RGB 2 53 108

HSL 211.13, 0.96%, 0.22%

LAB 22.45, 8.26, -36.26

 

CMYK 100 / 61 / 0 / 65

HEX #002359

RGB 0 35 89

HSL 216.4, 1%, 0.17%

LAB 15.08, 12.81, -35.73

 

CMYK 68 / 35 / 0 / 35

HEX #356BA5

RGB 53 107 165

HSL 211.07, 0.51%, 0.43%

LAB 44.22, 1.43, -36.47

 

CMYK 68 / 53 / 0 / 35

HEX #354DA5

RGB 53 77 165

HSL 227.14, 0.51%, 0.43%

LAB 35.56, 20.78, -50.31

 

CMYK 64 / 68 / 0 / 35

HEX #3C35A5

RGB 60 53 165

HSL 243.75, 0.51%, 0.43%

LAB 29.97, 37.33, -59.39

 

CMYK 45 / 68 / 0 / 35

HEX #5A35A5

RGB 90 53 165

HSL 259.82, 0.51%, 0.43%

LAB 32.78, 42.51, -54.68

 

CMYK 27 / 68 / 0 / 35

HEX #7835A5

RGB 120 53 165

HSL 275.89, 0.51%, 0.43%

LAB 36.47, 48.81, -48.53

 

CMYK 68 / 35 / 0 / 35

HEX #356BA5

RGB 53 107 165

HSL 211.07, 0.51%, 0.43%

LAB 44.22, 1.43, -36.47

 

CMYK 68 / 53 / 0 / 35

HEX #354DA5

RGB 53 77 165

HSL 227.14, 0.51%, 0.43%

LAB 35.56, 20.78, -50.31

 

CMYK 68 / 68 / 0 / 35

HEX #3535A5

RGB 53 53 165

HSL 240, 0.51%, 0.43%

LAB 29.46, 36.35, -60.24

 

CMYK 68 / 35 / 0 / 35

HEX #356BA5

RGB 53 107 165

HSL 211.07, 0.51%, 0.43%

LAB 44.22, 1.43, -36.47

 

CMYK 81 / 42 / 0 / 28

HEX #236BB7

RGB 35 107 183

HSL 210.81, 0.68%, 0.43%

LAB 44.65, 5.74, -46.36

 

CMYK 91 / 47 / 0 / 21

HEX #126AC9

RGB 18 106 201

HSL 211.15, 0.84%, 0.43%

LAB 45.16, 12.16, -55.98

 

CMYK 100 / 52 / 0 / 15

HEX #0069DA

RGB 0 105 218

HSL 211.1, 1%, 0.43%

LAB 45.86, 18.93, -64.57

 

CMYK 68 / 35 / 0 / 35

HEX #356BA5

RGB 53 107 165

HSL 211.07, 0.51%, 0.43%

LAB 44.22, 1.43, -36.47

 

CMYK 52 / 27 / 0 / 42

HEX #476C93

RGB 71 108 147

HSL 210.79, 0.35%, 0.43%

LAB 44.48, -1.57, -25.35

 

CMYK 32 / 17 / 0 / 49

HEX #596C82

RGB 89 108 130

HSL 212.2, 0.19%, 0.43%

LAB 44.89, -1.49, -14.48

 

CMYK 5 / 3 / 0 / 56

HEX #6A6D70

RGB 106 109 112

HSL 210, 0.03%, 0.43%

LAB 45.87, -0.51, -2.08

 

CMYK 0 / 11 / 24 / 51

HEX #7C6E5E

RGB 124 110 94

HSL 32, 0.14%, 0.43%

LAB 47.29, 2.73, 10.93

 

CMYK 68 / 0 / 1 / 35

HEX #35A5A3

RGB 53 165 163

HSL 178.93, 0.51%, 0.43%

LAB 61.92, -31.06, -8.13

 

CMYK 68 / 17 / 0 / 35

HEX #3589A5

RGB 53 137 165

HSL 195, 0.51%, 0.43%

LAB 53.35, -16.06, -22.25

 

CMYK 68 / 35 / 0 / 35

HEX #356BA5

RGB 53 107 165

HSL 211.07, 0.51%, 0.43%

LAB 44.22, 1.43, -36.47

 

CMYK 68 / 53 / 0 / 35

HEX #354DA5

RGB 53 77 165

HSL 227.14, 0.51%, 0.43%

LAB 35.56, 20.78, -50.31

 

CMYK 64 / 68 / 0 / 35

HEX #3B35A5

RGB 59 53 165

HSL 243.21, 0.51%, 0.43%

LAB 29.89, 37.19, -59.52

 

CMYK 68 / 35 / 0 / 60

HEX #214367

RGB 33 67 103

HSL 210.86, 0.51%, 0.27%

LAB 27.62, 0.36, -24.75

 

CMYK 68 / 35 / 0 / 47

HEX #2B5786

RGB 43 87 134

HSL 210.99, 0.51%, 0.35%

LAB 36.08, 0.91, -30.75

 

CMYK 68 / 35 / 0 / 35

HEX #356BA5

RGB 53 107 165

HSL 211.07, 0.51%, 0.43%

LAB 44.22, 1.43, -36.47

 

CMYK 66 / 34 / 0 / 24

HEX #4280C1

RGB 66 128 193

HSL 210.71, 0.51%, 0.51%

LAB 52.34, 0.79, -39.86

 

CMYK 52 / 27 / 0 / 20

HEX #6195CB

RGB 97 149 203

HSL 210.57, 0.5%, 0.59%

LAB 60.2, -1.99, -33.11

 

CMYK 68 / 35 / 0 / 35

HEX #356BA5

RGB 53 107 165

HSL 211.07, 0.51%, 0.43%

LAB 44.22, 1.43, -36.47

 

CMYK 19 / 68 / 0 / 35

HEX #8535A5

RGB 133 53 165

HSL 282.86, 0.51%, 0.43%

LAB 38.29, 51.74, -45.51

 

CMYK 8 / 0 / 68 / 35

HEX #98A535

RGB 152 165 53

HSL 66.96, 0.51%, 0.43%

LAB 64.84, -19.56, 53.98

 

CMYK 68 / 35 / 0 / 35

HEX #356BA5

RGB 53 107 165

HSL 211.07, 0.51%, 0.43%

LAB 44.22, 1.43, -36.47

 

CMYK 0 / 68 / 35 / 35

HEX #A5356B

RGB 165 53 107

HSL 331.07, 0.51%, 0.43%

LAB 40.58, 50.71, -6.02

 

CMYK 35 / 0 / 68 / 35

HEX #6BA535

RGB 107 165 53

HSL 91.07, 0.51%, 0.43%

LAB 61.91, -37.61, 50.02

 

CMYK 68 / 35 / 0 / 35

HEX #356BA5

RGB 53 107 165

HSL 211.07, 0.51%, 0.43%

LAB 44.22, 1.43, -36.47

 

CMYK 19 / 68 / 0 / 35

HEX #8535A5

RGB 133 53 165

HSL 282.86, 0.51%, 0.43%

LAB 38.29, 51.74, -45.51

 

CMYK 0 / 33 / 68 / 35

HEX #A56F35

RGB 165 111 53

HSL 31.07, 0.51%, 0.43%

LAB 51.41, 15.7, 40.1

 

CMYK 48 / 0 / 68 / 35

HEX #55A535

RGB 85 165 53

HSL 102.86, 0.51%, 0.43%

LAB 60.87, -45.03, 48.61

 

CMYK 68 / 35 / 0 / 35

HEX #356BA5

RGB 53 107 165

HSL 211.07, 0.51%, 0.43%

LAB 44.22, 1.43, -36.47

 

CMYK 0 / 68 / 1 / 35

HEX #A535A3

RGB 165 53 163

HSL 301.07, 0.51%, 0.43%

LAB 43.05, 58.86, -36.44

 

CMYK 0 / 33 / 68 / 35

HEX #A56F35

RGB 165 111 53

HSL 31.07, 0.51%, 0.43%

LAB 51.41, 15.7, 40.1

 

CMYK 68 / 0 / 67 / 35

HEX #35A537

RGB 53 165 55

HSL 121.07, 0.51%, 0.43%

LAB 59.84, -53.05, 46.35

 

Description

Color code: RGB 53 107 165 | qconv.com Color code: RGB 53 107 165 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 107 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 107 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 35 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 35% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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