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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 7 196 it is the complementary color RGB 202 248 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 7 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 7 196 shade: RGB 58 7 191, RGB 75 25 210, RGB 92 43 229, RGB 109 61 248 and RGB 126 79 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 7 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 7 196 shade: RGB 53 7 196, RGB 36 0 177, RGB 19 0 158, RGB 2 0 139 and RGB 0 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 7 196 shade: RGB 53 7 196, RGB 104 7 196, RGB 155 7 196, RGB 196 7 186 and RGB 196 7 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 7 196 shade: RGB 53 7 196 and RGB 7 7 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 7 196 shade matches the following richer shades: RGB 53 7 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 7 196 shade: RGB 53 7 196, RGB 61 23 180, RGB 70 40 163, RGB 78 56 147 and RGB 87 73 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 7 196 shade: RGB 7 64 196, RGB 7 13 196, RGB 51 7 196, RGB 102 7 196 and RGB 152 7 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 7 196 shade: RGB 31 4 117, RGB 42 5 157, RGB 53 7 196, RGB 64 8 236 and RGB 89 39 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 7 196 shade: RGB 53 7 196, RGB 196 7 114 and RGB 38 196 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 7 196 shade: RGB 53 7 196, RGB 196 51 7 and RGB 7 196 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 7 196 shade: RGB 53 7 196, RGB 196 7 114, RGB 152 196 7 and RGB 7 196 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 7 196 shade: RGB 53 7 196, RGB 196 7 57, RGB 152 196 7 and RGB 7 196 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 96 / 0 / 23

HEX #3507C4

RGB 53 7 196

HSL 254.6, 0.93%, 0.4%

LAB 26.43, 64.46, -83.73

 

Complementary color

CMYK 19 / 0 / 76 / 3

HEX #CAF83B

RGB 202 248 59

HSL 74.6, 0.93%, 0.6%

LAB 91.69, -38.34, 79.07

 

CMYK 70 / 96 / 0 / 25

HEX #3A07BF

RGB 58 7 191

HSL 256.63, 0.93%, 0.39%

LAB 26.2, 63.43, -81.17

 

CMYK 64 / 88 / 0 / 18

HEX #4B19D2

RGB 75 25 210

HSL 256.22, 0.79%, 0.46%

LAB 31.45, 64.97, -83.52

 

CMYK 60 / 81 / 0 / 10

HEX #5C2BE5

RGB 92 43 229

HSL 255.81, 0.78%, 0.53%

LAB 37.23, 65.07, -84.84

 

CMYK 56 / 75 / 0 / 3

HEX #6D3DF8

RGB 109 61 248

HSL 255.4, 0.93%, 0.61%

LAB 43.31, 64.37, -85.49

 

CMYK 51 / 69 / 0 / 0

HEX #7E4FFF

RGB 126 79 255

HSL 256.02, 1%, 0.65%

LAB 48.57, 60.02, -80.71

 

CMYK 73 / 96 / 0 / 23

HEX #3507C4

RGB 53 7 196

HSL 254.6, 0.93%, 0.4%

LAB 26.43, 64.46, -83.73

 

CMYK 80 / 100 / 0 / 31

HEX #2400B1

RGB 36 0 177

HSL 252.2, 1%, 0.35%

LAB 22.12, 60.7, -79.66

 

CMYK 88 / 100 / 0 / 38

HEX #13009E

RGB 19 0 158

HSL 247.22, 1%, 0.31%

LAB 18.4, 55.58, -74.37

 

CMYK 99 / 100 / 0 / 45

HEX #02008B

RGB 2 0 139

HSL 240.86, 1%, 0.27%

LAB 14.83, 50.45, -68.56

 

CMYK 100 / 100 / 0 / 53

HEX #000078

RGB 0 0 120

HSL 240, 1%, 0.24%

LAB 11.66, 45.35, -61.77

 

CMYK 73 / 96 / 0 / 23

HEX #3507C4

RGB 53 7 196

HSL 254.6, 0.93%, 0.4%

LAB 26.43, 64.46, -83.73

 

CMYK 47 / 96 / 0 / 23

HEX #6807C4

RGB 104 7 196

HSL 270.79, 0.93%, 0.4%

LAB 31.99, 67.77, -74.35

 

CMYK 21 / 96 / 0 / 23

HEX #9B07C4

RGB 155 7 196

HSL 286.98, 0.93%, 0.4%

LAB 39.76, 73.74, -61.32

 

CMYK 0 / 96 / 5 / 23

HEX #C407BA

RGB 196 7 186

HSL 303.17, 0.93%, 0.4%

LAB 46.22, 78.56, -44.68

 

CMYK 0 / 96 / 31 / 23

HEX #C40787

RGB 196 7 135

HSL 319.37, 0.93%, 0.4%

LAB 43.71, 72.19, -18.07

 

CMYK 73 / 96 / 0 / 23

HEX #3507C4

RGB 53 7 196

HSL 254.6, 0.93%, 0.4%

LAB 26.43, 64.46, -83.73

 

CMYK 96 / 96 / 0 / 23

HEX #0707C4

RGB 7 7 196

HSL 240, 0.93%, 0.4%

LAB 24.27, 63.48, -87.4

 

CMYK 73 / 96 / 0 / 23

HEX #3507C4

RGB 53 7 196

HSL 254.6, 0.93%, 0.4%

LAB 26.43, 64.46, -83.73

 

CMYK 73 / 96 / 0 / 23

HEX #3507C4

RGB 53 7 196

HSL 254.6, 0.93%, 0.4%

LAB 26.43, 64.46, -83.73

 

CMYK 66 / 87 / 0 / 29

HEX #3D17B4

RGB 61 23 180

HSL 254.52, 0.77%, 0.4%

LAB 26.45, 56.71, -74.2

 

CMYK 57 / 75 / 0 / 36

HEX #4628A3

RGB 70 40 163

HSL 254.63, 0.61%, 0.4%

LAB 28.02, 45.49, -61.35

 

CMYK 47 / 62 / 0 / 42

HEX #4E3893

RGB 78 56 147

HSL 254.51, 0.45%, 0.4%

LAB 30.77, 33.04, -47.07

 

CMYK 33 / 44 / 0 / 49

HEX #574982

RGB 87 73 130

HSL 254.74, 0.28%, 0.4%

LAB 34.81, 19.7, -30.11

 

CMYK 96 / 67 / 0 / 23

HEX #0740C4

RGB 7 64 196

HSL 221.9, 0.93%, 0.4%

LAB 33.34, 37.33, -72.33

 

CMYK 96 / 93 / 0 / 23

HEX #070DC4

RGB 7 13 196

HSL 238.1, 0.93%, 0.4%

LAB 24.7, 62.15, -86.68

 

CMYK 74 / 96 / 0 / 23

HEX #3307C4

RGB 51 7 196

HSL 253.97, 0.93%, 0.4%

LAB 26.28, 64.39, -84

 

CMYK 48 / 96 / 0 / 23

HEX #6607C4

RGB 102 7 196

HSL 270.16, 0.93%, 0.4%

LAB 31.72, 67.59, -74.8

 

CMYK 22 / 96 / 0 / 23

HEX #9807C4

RGB 152 7 196

HSL 286.03, 0.93%, 0.4%

LAB 39.26, 73.32, -62.14

 

CMYK 74 / 97 / 0 / 54

HEX #1F0475

RGB 31 4 117

HSL 254.34, 0.93%, 0.24%

LAB 13.61, 43.65, -56.54

 

CMYK 73 / 97 / 0 / 38

HEX #2A059D

RGB 42 5 157

HSL 254.61, 0.94%, 0.32%

LAB 20.18, 54.56, -70.74

 

CMYK 73 / 96 / 0 / 23

HEX #3507C4

RGB 53 7 196

HSL 254.6, 0.93%, 0.4%

LAB 26.43, 64.46, -83.73

 

CMYK 73 / 97 / 0 / 7

HEX #4008EC

RGB 64 8 236

HSL 254.74, 0.93%, 0.48%

LAB 32.52, 74.43, -96.7

 

CMYK 64 / 84 / 0 / 3

HEX #5927F7

RGB 89 39 247

HSL 254.42, 0.93%, 0.56%

LAB 38.36, 70.98, -93.17

 

CMYK 73 / 96 / 0 / 23

HEX #3507C4

RGB 53 7 196

HSL 254.6, 0.93%, 0.4%

LAB 26.43, 64.46, -83.73

 

CMYK 0 / 96 / 42 / 23

HEX #C40772

RGB 196 7 114

HSL 326.03, 0.93%, 0.4%

LAB 42.92, 70.11, -6.29

 

CMYK 81 / 0 / 96 / 23

HEX #26C407

RGB 38 196 7

HSL 110.16, 0.93%, 0.4%

LAB 69.4, -67.89, 67.82

 

CMYK 73 / 96 / 0 / 23

HEX #3507C4

RGB 53 7 196

HSL 254.6, 0.93%, 0.4%

LAB 26.43, 64.46, -83.73

 

CMYK 0 / 74 / 96 / 23

HEX #C43307

RGB 196 51 7

HSL 13.97, 0.93%, 0.4%

LAB 44.4, 55.62, 54.53

 

CMYK 96 / 0 / 74 / 23

HEX #07C433

RGB 7 196 51

HSL 133.97, 0.93%, 0.4%

LAB 69.3, -68.19, 57.65

 

CMYK 73 / 96 / 0 / 23

HEX #3507C4

RGB 53 7 196

HSL 254.6, 0.93%, 0.4%

LAB 26.43, 64.46, -83.73

 

CMYK 0 / 96 / 42 / 23

HEX #C40772

RGB 196 7 114

HSL 326.03, 0.93%, 0.4%

LAB 42.92, 70.11, -6.29

 

CMYK 22 / 0 / 96 / 23

HEX #98C407

RGB 152 196 7

HSL 73.97, 0.93%, 0.4%

LAB 73.66, -36, 73.01

 

CMYK 96 / 0 / 55 / 23

HEX #07C459

RGB 7 196 89

HSL 146.03, 0.93%, 0.4%

LAB 69.64, -63.89, 41.95

 

CMYK 73 / 96 / 0 / 23

HEX #3507C4

RGB 53 7 196

HSL 254.6, 0.93%, 0.4%

LAB 26.43, 64.46, -83.73

 

CMYK 0 / 96 / 71 / 23

HEX #C40739

RGB 196 7 57

HSL 344.13, 0.93%, 0.4%

LAB 41.51, 66.3, 27.62

 

CMYK 22 / 0 / 96 / 23

HEX #98C407

RGB 152 196 7

HSL 73.97, 0.93%, 0.4%

LAB 73.66, -36, 73.01

 

CMYK 96 / 0 / 26 / 23

HEX #07C492

RGB 7 196 146

HSL 164.13, 0.93%, 0.4%

LAB 70.59, -52.83, 13.74

 

Description

Color code: RGB 53 7 196 | qconv.com Color code: RGB 53 7 196 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 7 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 7 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 96 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 96% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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