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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 73 232 it is the complementary color RGB 202 182 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 73 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 73 232 shade: RGB 58 73 227, RGB 75 91 246, RGB 92 109 255, RGB 109 127 255 and RGB 126 145 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 73 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 73 232 shade: RGB 53 73 232, RGB 36 55 213, RGB 19 37 194, RGB 2 19 175 and RGB 0 1 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 73 232 shade: RGB 53 73 232, RGB 81 53 232, RGB 129 53 232, RGB 178 53 232 and RGB 226 53 232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 73 232 shade: RGB 53 73 232 and RGB 53 53 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 73 232 shade matches the following richer shades: RGB 53 73 232 and RGB 34 58 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 73 232 shade: RGB 53 73 232, RGB 71 87 214, RGB 89 101 196, RGB 107 115 178 and RGB 125 129 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 73 232 shade: RGB 53 169 232, RGB 53 121 232, RGB 53 73 232, RGB 79 53 232 and RGB 127 53 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 73 232 shade: RGB 20 38 182, RGB 24 46 219, RGB 53 73 232, RGB 90 106 236 and RGB 127 139 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 73 232 shade: RGB 53 73 232, RGB 232 53 217 and RGB 145 232 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 73 232 shade: RGB 53 73 232, RGB 232 53 73 and RGB 73 232 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 73 232 shade: RGB 53 73 232, RGB 232 53 217, RGB 232 211 53 and RGB 53 232 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 73 232 shade: RGB 53 73 232, RGB 232 53 163, RGB 232 211 53 and RGB 53 232 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 69 / 0 / 9

HEX #3549E8

RGB 53 73 232

HSL 233.3, 0.8%, 0.56%

LAB 40.16, 47.26, -81.79

 

Complementary color

CMYK 0 / 10 / 89 / 21

HEX #CAB617

RGB 202 182 23

HSL 53.3, 0.8%, 0.44%

LAB 73.59, -7.65, 72.38

 

CMYK 74 / 68 / 0 / 11

HEX #3A49E3

RGB 58 73 227

HSL 234.67, 0.75%, 0.56%

LAB 39.93, 46, -79.32

 

CMYK 70 / 63 / 0 / 4

HEX #4B5BF6

RGB 75 91 246

HSL 234.39, 0.9%, 0.63%

LAB 46.49, 43.48, -79.25

 

CMYK 64 / 57 / 0 / 0

HEX #5C6DFF

RGB 92 109 255

HSL 233.74, 1%, 0.68%

LAB 52.32, 37.93, -74.7

 

CMYK 57 / 50 / 0 / 0

HEX #6D7FFF

RGB 109 127 255

HSL 232.6, 1%, 0.71%

LAB 57.7, 29.95, -65.94

 

CMYK 51 / 43 / 0 / 0

HEX #7E91FF

RGB 126 145 255

HSL 231.16, 1%, 0.75%

LAB 63.27, 22.69, -56.98

 

CMYK 77 / 69 / 0 / 9

HEX #3549E8

RGB 53 73 232

HSL 233.3, 0.8%, 0.56%

LAB 40.16, 47.26, -81.79

 

CMYK 83 / 74 / 0 / 16

HEX #2437D5

RGB 36 55 213

HSL 233.56, 0.71%, 0.49%

LAB 33.8, 50.06, -81.44

 

CMYK 90 / 81 / 0 / 24

HEX #1325C2

RGB 19 37 194

HSL 233.83, 0.82%, 0.42%

LAB 27.73, 52.7, -80.45

 

CMYK 99 / 89 / 0 / 31

HEX #0213AF

RGB 2 19 175

HSL 234.1, 0.98%, 0.35%

LAB 22.21, 54.39, -78.34

 

CMYK 100 / 99 / 0 / 39

HEX #00019C

RGB 0 1 156

HSL 239.62, 1%, 0.31%

LAB 17.56, 54.55, -74.55

 

CMYK 77 / 69 / 0 / 9

HEX #3549E8

RGB 53 73 232

HSL 233.3, 0.8%, 0.56%

LAB 40.16, 47.26, -81.79

 

CMYK 65 / 77 / 0 / 9

HEX #5135E8

RGB 81 53 232

HSL 249.39, 0.8%, 0.56%

LAB 38.06, 60.52, -85.2

 

CMYK 44 / 77 / 0 / 9

HEX #8135E8

RGB 129 53 232

HSL 265.47, 0.8%, 0.56%

LAB 42.82, 66.35, -77.19

 

CMYK 23 / 77 / 0 / 9

HEX #B235E8

RGB 178 53 232

HSL 281.9, 0.8%, 0.56%

LAB 49.3, 74.17, -66.36

 

CMYK 3 / 77 / 0 / 9

HEX #E235E8

RGB 226 53 232

HSL 297.99, 0.8%, 0.56%

LAB 56.63, 82.91, -54.19

 

CMYK 77 / 69 / 0 / 9

HEX #3549E8

RGB 53 73 232

HSL 233.3, 0.8%, 0.56%

LAB 40.16, 47.26, -81.79

 

CMYK 77 / 77 / 0 / 9

HEX #3535E8

RGB 53 53 232

HSL 240, 0.8%, 0.56%

LAB 36.23, 58.26, -88.28

 

CMYK 77 / 69 / 0 / 9

HEX #3549E8

RGB 53 73 232

HSL 233.3, 0.8%, 0.56%

LAB 40.16, 47.26, -81.79

 

CMYK 86 / 77 / 0 / 2

HEX #223AFA

RGB 34 58 250

HSL 233.33, 0.96%, 0.56%

LAB 38.32, 60.4, -95.01

 

CMYK 77 / 69 / 0 / 9

HEX #3549E8

RGB 53 73 232

HSL 233.3, 0.8%, 0.56%

LAB 40.16, 47.26, -81.79

 

CMYK 67 / 59 / 0 / 16

HEX #4757D6

RGB 71 87 214

HSL 233.29, 0.64%, 0.56%

LAB 42.78, 34.54, -67.21

 

CMYK 55 / 48 / 0 / 23

HEX #5965C4

RGB 89 101 196

HSL 233.27, 0.48%, 0.56%

LAB 46.2, 22.9, -51.28

 

CMYK 40 / 35 / 0 / 30

HEX #6B73B2

RGB 107 115 178

HSL 233.24, 0.32%, 0.56%

LAB 50.22, 13.11, -34.41

 

CMYK 21 / 19 / 0 / 38

HEX #7D819F

RGB 125 129 159

HSL 232.94, 0.15%, 0.56%

LAB 54.62, 5.21, -16.5

 

CMYK 77 / 27 / 0 / 9

HEX #35A9E8

RGB 53 169 232

HSL 201.12, 0.8%, 0.56%

LAB 65.72, -10.96, -40.7

 

CMYK 77 / 48 / 0 / 9

HEX #3579E8

RGB 53 121 232

HSL 217.21, 0.8%, 0.56%

LAB 52.13, 17.34, -62.29

 

CMYK 77 / 69 / 0 / 9

HEX #3549E8

RGB 53 73 232

HSL 233.3, 0.8%, 0.56%

LAB 40.16, 47.26, -81.79

 

CMYK 66 / 77 / 0 / 9

HEX #4F35E8

RGB 79 53 232

HSL 248.72, 0.8%, 0.56%

LAB 37.9, 60.33, -85.46

 

CMYK 45 / 77 / 0 / 9

HEX #7F35E8

RGB 127 53 232

HSL 264.8, 0.8%, 0.56%

LAB 42.59, 66.07, -77.58

 

CMYK 89 / 79 / 0 / 29

HEX #1426B6

RGB 20 38 182

HSL 233.33, 0.8%, 0.4%

LAB 26.48, 48.31, -75.4

 

CMYK 89 / 79 / 0 / 14

HEX #182EDB

RGB 24 46 219

HSL 233.23, 0.8%, 0.48%

LAB 32.4, 56.32, -87.24

 

CMYK 77 / 69 / 0 / 9

HEX #3549E8

RGB 53 73 232

HSL 233.3, 0.8%, 0.56%

LAB 40.16, 47.26, -81.79

 

CMYK 62 / 55 / 0 / 7

HEX #5A6AEC

RGB 90 106 236

HSL 233.42, 0.79%, 0.64%

LAB 50.14, 33.16, -67.66

 

CMYK 47 / 42 / 0 / 6

HEX #7F8BF0

RGB 127 139 240

HSL 233.63, 0.79%, 0.72%

LAB 61.02, 21.96, -52.31

 

CMYK 77 / 69 / 0 / 9

HEX #3549E8

RGB 53 73 232

HSL 233.3, 0.8%, 0.56%

LAB 40.16, 47.26, -81.79

 

CMYK 0 / 77 / 6 / 9

HEX #E835D9

RGB 232 53 217

HSL 305.03, 0.8%, 0.56%

LAB 56.79, 81.84, -45.39

 

CMYK 38 / 0 / 77 / 9

HEX #91E835

RGB 145 232 53

HSL 89.16, 0.8%, 0.56%

LAB 83.96, -52.53, 72.5

 

CMYK 77 / 69 / 0 / 9

HEX #3549E8

RGB 53 73 232

HSL 233.3, 0.8%, 0.56%

LAB 40.16, 47.26, -81.79

 

CMYK 0 / 77 / 69 / 9

HEX #E83549

RGB 232 53 73

HSL 353.3, 0.8%, 0.56%

LAB 52.04, 67.65, 32.47

 

CMYK 69 / 0 / 77 / 9

HEX #49E835

RGB 73 232 53

HSL 113.3, 0.8%, 0.56%

LAB 81.5, -71.55, 69.3

 

CMYK 77 / 69 / 0 / 9

HEX #3549E8

RGB 53 73 232

HSL 233.3, 0.8%, 0.56%

LAB 40.16, 47.26, -81.79

 

CMYK 0 / 77 / 6 / 9

HEX #E835D9

RGB 232 53 217

HSL 305.03, 0.8%, 0.56%

LAB 56.79, 81.84, -45.39

 

CMYK 0 / 9 / 77 / 9

HEX #E8D335

RGB 232 211 53

HSL 52.96, 0.8%, 0.56%

LAB 83.97, -8.71, 74.62

 

CMYK 77 / 0 / 71 / 9

HEX #35E844

RGB 53 232 68

HSL 125.03, 0.8%, 0.56%

LAB 81.23, -73.56, 63.93

 

CMYK 77 / 69 / 0 / 9

HEX #3549E8

RGB 53 73 232

HSL 233.3, 0.8%, 0.56%

LAB 40.16, 47.26, -81.79

 

CMYK 0 / 77 / 30 / 9

HEX #E835A3

RGB 232 53 163

HSL 323.13, 0.8%, 0.56%

LAB 54.39, 74.87, -17.94

 

CMYK 0 / 9 / 77 / 9

HEX #E8D335

RGB 232 211 53

HSL 52.96, 0.8%, 0.56%

LAB 83.97, -8.71, 74.62

 

CMYK 77 / 0 / 48 / 9

HEX #35E879

RGB 53 232 121

HSL 142.79, 0.8%, 0.56%

LAB 81.76, -67.21, 41.57

 

Description

Color code: RGB 53 73 232 | qconv.com Color code: RGB 53 73 232 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 73 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 73 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 69 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 69% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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