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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 48 182 it is the complementary color RGB 202 207 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 48 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 48 182 shade: RGB 58 48 177, RGB 75 66 196, RGB 92 84 215, RGB 109 102 234 and RGB 126 120 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 48 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 48 182 shade: RGB 53 48 182, RGB 36 30 163, RGB 19 12 144, RGB 2 0 125 and RGB 0 0 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 48 182 shade: RGB 53 48 181, RGB 89 48 181, RGB 124 48 181, RGB 160 48 181 and RGB 181 48 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 48 182 shade: RGB 53 48 181 and RGB 48 48 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 48 182 shade matches the following richer shades: RGB 53 48 181, RGB 35 29 199 and RGB 18 11 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 48 182 shade: RGB 53 48 181, RGB 70 66 162, RGB 87 85 144, RGB 104 103 125 and RGB 121 122 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 48 182 shade: RGB 48 114 181, RGB 48 79 181, RGB 52 48 181, RGB 88 48 181 and RGB 123 48 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 48 182 shade: RGB 34 30 116, RGB 43 39 148, RGB 53 48 181, RGB 71 65 204 and RGB 102 98 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 48 182 shade: RGB 53 48 182, RGB 181 48 150 and RGB 97 181 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 48 182 shade: RGB 53 48 182, RGB 181 52 48 and RGB 48 181 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 48 182 shade: RGB 53 48 182, RGB 181 48 150, RGB 176 181 48 and RGB 48 181 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 48 182 shade: RGB 53 48 182, RGB 181 48 110, RGB 176 181 48 and RGB 48 181 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 74 / 0 / 29

HEX #3530B6

RGB 53 48 182

HSL 242.24, 0.58%, 0.45%

LAB 30.03, 45.02, -69.48

 

Complementary color

CMYK 2 / 0 / 65 / 19

HEX #CACF49

RGB 202 207 73

HSL 62.24, 0.58%, 0.55%

LAB 80.55, -18.35, 63.38

 

CMYK 67 / 73 / 0 / 31

HEX #3A30B1

RGB 58 48 177

HSL 244.65, 0.57%, 0.44%

LAB 29.88, 43.95, -66.74

 

CMYK 62 / 66 / 0 / 23

HEX #4B42C4

RGB 75 66 196

HSL 244.15, 0.52%, 0.51%

LAB 36.7, 41.92, -66.71

 

CMYK 57 / 61 / 0 / 16

HEX #5C54D7

RGB 92 84 215

HSL 243.66, 0.62%, 0.59%

LAB 43.54, 40.01, -66.48

 

CMYK 53 / 56 / 0 / 8

HEX #6D66EA

RGB 109 102 234

HSL 243.18, 0.76%, 0.66%

LAB 50.33, 38.3, -66.18

 

CMYK 50 / 53 / 0 / 1

HEX #7E78FD

RGB 126 120 253

HSL 242.71, 0.97%, 0.73%

LAB 57.04, 36.79, -65.86

 

CMYK 71 / 74 / 0 / 29

HEX #3530B6

RGB 53 48 182

HSL 242.24, 0.58%, 0.45%

LAB 30.03, 45.02, -69.48

 

CMYK 78 / 82 / 0 / 36

HEX #241EA3

RGB 36 30 163

HSL 242.71, 0.69%, 0.38%

LAB 23.5, 47.05, -68.9

 

CMYK 87 / 92 / 0 / 44

HEX #130C90

RGB 19 12 144

HSL 243.18, 0.85%, 0.31%

LAB 17.53, 48.09, -67.16

 

CMYK 98 / 100 / 0 / 51

HEX #02007D

RGB 2 0 125

HSL 240.96, 1%, 0.25%

LAB 12.57, 46.73, -63.47

 

CMYK 100 / 100 / 0 / 58

HEX #00006A

RGB 0 0 106

HSL 240, 1%, 0.21%

LAB 9.33, 41.52, -56.55

 

CMYK 71 / 73 / 0 / 29

HEX #3530B5

RGB 53 48 181

HSL 242.26, 0.58%, 0.45%

LAB 29.93, 44.7, -69.06

 

CMYK 51 / 73 / 0 / 29

HEX #5930B5

RGB 89 48 181

HSL 258.5, 0.58%, 0.45%

LAB 33.08, 49.44, -63.76

 

CMYK 31 / 73 / 0 / 29

HEX #7C30B5

RGB 124 48 181

HSL 274.29, 0.58%, 0.45%

LAB 37.36, 55.57, -56.6

 

CMYK 12 / 73 / 0 / 29

HEX #A030B5

RGB 160 48 181

HSL 290.53, 0.58%, 0.45%

LAB 42.65, 62.77, -47.8

 

CMYK 0 / 73 / 9 / 29

HEX #B530A5

RGB 181 48 165

HSL 307.22, 0.58%, 0.45%

LAB 45.16, 64.69, -34.13

 

CMYK 71 / 73 / 0 / 29

HEX #3530B5

RGB 53 48 181

HSL 242.26, 0.58%, 0.45%

LAB 29.93, 44.7, -69.06

 

CMYK 73 / 73 / 0 / 29

HEX #3030B5

RGB 48 48 181

HSL 240, 0.58%, 0.45%

LAB 29.61, 44.2, -69.59

 

CMYK 71 / 73 / 0 / 29

HEX #3530B5

RGB 53 48 181

HSL 242.26, 0.58%, 0.45%

LAB 29.93, 44.7, -69.06

 

CMYK 82 / 85 / 0 / 22

HEX #231DC7

RGB 35 29 199

HSL 242.12, 0.75%, 0.45%

LAB 27.74, 58.36, -83.36

 

CMYK 92 / 95 / 0 / 15

HEX #120BDA

RGB 18 11 218

HSL 242.03, 0.9%, 0.45%

LAB 27.93, 68.44, -94.12

 

CMYK 71 / 73 / 0 / 29

HEX #3530B5

RGB 53 48 181

HSL 242.26, 0.58%, 0.45%

LAB 29.93, 44.7, -69.06

 

CMYK 57 / 59 / 0 / 36

HEX #4642A2

RGB 70 66 162

HSL 242.5, 0.42%, 0.45%

LAB 33.58, 29.93, -51.67

 

CMYK 40 / 41 / 0 / 44

HEX #575590

RGB 87 85 144

HSL 242.03, 0.26%, 0.45%

LAB 38.79, 16.15, -32.38

 

CMYK 17 / 18 / 0 / 51

HEX #68677D

RGB 104 103 125

HSL 242.73, 0.1%, 0.45%

LAB 44.41, 5.3, -12.08

 

CMYK 1 / 0 / 12 / 52

HEX #797A6B

RGB 121 122 107

HSL 64, 0.07%, 0.45%

LAB 50.74, -3.23, 8.09

 

CMYK 73 / 37 / 0 / 29

HEX #3072B5

RGB 48 114 181

HSL 210.23, 0.58%, 0.45%

LAB 46.97, 2.18, -41.48

 

CMYK 73 / 56 / 0 / 29

HEX #304FB5

RGB 48 79 181

HSL 226.02, 0.58%, 0.45%

LAB 37.03, 24.69, -57.44

 

CMYK 71 / 73 / 0 / 29

HEX #3430B5

RGB 52 48 181

HSL 241.8, 0.58%, 0.45%

LAB 29.86, 44.59, -69.17

 

CMYK 51 / 73 / 0 / 29

HEX #5830B5

RGB 88 48 181

HSL 258.05, 0.58%, 0.45%

LAB 32.97, 49.28, -63.94

 

CMYK 32 / 73 / 0 / 29

HEX #7B30B5

RGB 123 48 181

HSL 273.83, 0.58%, 0.45%

LAB 37.23, 55.38, -56.82

 

CMYK 71 / 74 / 0 / 55

HEX #221E74

RGB 34 30 116

HSL 242.79, 0.59%, 0.29%

LAB 18.05, 31.06, -48.53

 

CMYK 71 / 74 / 0 / 42

HEX #2B2794

RGB 43 39 148

HSL 242.2, 0.58%, 0.37%

LAB 24.01, 37.8, -58.86

 

CMYK 71 / 73 / 0 / 29

HEX #3530B5

RGB 53 48 181

HSL 242.26, 0.58%, 0.45%

LAB 29.93, 44.7, -69.06

 

CMYK 65 / 68 / 0 / 20

HEX #4741CC

RGB 71 65 204

HSL 242.59, 0.58%, 0.53%

LAB 36.89, 44.53, -71.07

 

CMYK 52 / 54 / 0 / 16

HEX #6662D5

RGB 102 98 213

HSL 242.09, 0.58%, 0.61%

LAB 47.45, 32.84, -58.97

 

CMYK 71 / 74 / 0 / 29

HEX #3530B6

RGB 53 48 182

HSL 242.24, 0.58%, 0.45%

LAB 30.03, 45.02, -69.48

 

CMYK 0 / 73 / 17 / 29

HEX #B53096

RGB 181 48 150

HSL 313.98, 0.58%, 0.45%

LAB 44.43, 62.49, -26.28

 

CMYK 46 / 0 / 73 / 29

HEX #61B530

RGB 97 181 48

HSL 97.89, 0.58%, 0.45%

LAB 66.37, -48.1, 56.38

 

CMYK 71 / 74 / 0 / 29

HEX #3530B6

RGB 53 48 182

HSL 242.24, 0.58%, 0.45%

LAB 30.03, 45.02, -69.48

 

CMYK 0 / 71 / 73 / 29

HEX #B53430

RGB 181 52 48

HSL 1.8, 0.58%, 0.45%

LAB 41.99, 51.44, 32.89

 

CMYK 73 / 0 / 71 / 29

HEX #30B534

RGB 48 181 52

HSL 121.8, 0.58%, 0.45%

LAB 64.9, -59.67, 52.92

 

CMYK 71 / 74 / 0 / 29

HEX #3530B6

RGB 53 48 182

HSL 242.24, 0.58%, 0.45%

LAB 30.03, 45.02, -69.48

 

CMYK 0 / 73 / 17 / 29

HEX #B53096

RGB 181 48 150

HSL 313.98, 0.58%, 0.45%

LAB 44.43, 62.49, -26.28

 

CMYK 3 / 0 / 73 / 29

HEX #B0B530

RGB 176 181 48

HSL 62.26, 0.58%, 0.45%

LAB 71.21, -17.65, 62.74

 

CMYK 73 / 0 / 56 / 29

HEX #30B54F

RGB 48 181 79

HSL 133.98, 0.58%, 0.45%

LAB 65.15, -56.66, 41.45

 

CMYK 71 / 74 / 0 / 29

HEX #3530B6

RGB 53 48 182

HSL 242.24, 0.58%, 0.45%

LAB 30.03, 45.02, -69.48

 

CMYK 0 / 73 / 39 / 29

HEX #B5306E

RGB 181 48 110

HSL 332.03, 0.58%, 0.45%

LAB 42.86, 57.55, -4.2

 

CMYK 3 / 0 / 73 / 29

HEX #B0B530

RGB 176 181 48

HSL 62.26, 0.58%, 0.45%

LAB 71.21, -17.65, 62.74

 

CMYK 73 / 0 / 34 / 29

HEX #30B577

RGB 48 181 119

HSL 152.03, 0.58%, 0.45%

LAB 65.75, -49.77, 21.67

 

Description

Color code: RGB 53 48 182 | qconv.com Color code: RGB 53 48 182 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 48 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 48 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 74 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 74% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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