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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 47 107 it is the complementary color RGB 202 208 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 47 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 47 107 shade: RGB 58 47 102, RGB 75 65 121, RGB 92 83 140, RGB 109 101 159 and RGB 126 119 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 47 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 47 107 shade: RGB 53 47 107, RGB 36 29 88, RGB 19 11 69, RGB 2 0 50 and RGB 0 0 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 47 107 shade: RGB 52 46 106, RGB 68 46 106, RGB 84 46 106, RGB 100 46 106 and RGB 106 46 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 47 107 shade: RGB 52 46 106 and RGB 46 46 106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 47 107 shade matches the following richer shades: RGB 52 46 106, RGB 42 34 118, RGB 32 21 131 and RGB 22 9 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 47 107 shade: RGB 52 46 106, RGB 62 59 93, RGB 72 71 81, RGB 82 83 69 and RGB 92 96 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 47 107 shade: RGB 46 72 106, RGB 46 56 106, RGB 52 46 106, RGB 68 46 106 and RGB 84 46 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 47 107 shade: RGB 24 21 48, RGB 38 34 77, RGB 52 46 106, RGB 66 59 135 and RGB 81 71 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 47 107 shade: RGB 53 47 107, RGB 106 46 88 and RGB 64 106 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 47 107 shade: RGB 53 47 107, RGB 106 52 46 and RGB 46 106 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 47 107 shade: RGB 53 47 107, RGB 106 46 88, RGB 100 106 46 and RGB 46 106 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 47 107 shade: RGB 53 47 107, RGB 106 46 70, RGB 100 106 46 and RGB 46 106 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 56 / 0 / 58

HEX #352F6B

RGB 53 47 107

HSL 246, 0.39%, 0.3%

LAB 23.17, 20.21, -34.31

 

Complementary color

CMYK 3 / 0 / 29 / 18

HEX #CAD094

RGB 202 208 148

HSL 66, 0.39%, 0.7%

LAB 81.73, -11.65, 29.18

 

CMYK 43 / 54 / 0 / 60

HEX #3A2F66

RGB 58 47 102

HSL 252, 0.37%, 0.29%

LAB 23.31, 19.88, -30.83

 

CMYK 38 / 46 / 0 / 53

HEX #4B4179

RGB 75 65 121

HSL 250.71, 0.3%, 0.36%

LAB 31.01, 18.68, -30.59

 

CMYK 34 / 41 / 0 / 45

HEX #5C538C

RGB 92 83 140

HSL 249.47, 0.26%, 0.44%

LAB 38.47, 17.7, -30.42

 

CMYK 31 / 36 / 0 / 38

HEX #6D659F

RGB 109 101 159

HSL 248.28, 0.23%, 0.51%

LAB 45.72, 16.89, -30.33

 

CMYK 29 / 33 / 0 / 30

HEX #7E77B2

RGB 126 119 178

HSL 247.12, 0.28%, 0.58%

LAB 52.78, 16.19, -30.3

 

CMYK 50 / 56 / 0 / 58

HEX #352F6B

RGB 53 47 107

HSL 246, 0.39%, 0.3%

LAB 23.17, 20.21, -34.31

 

CMYK 59 / 67 / 0 / 65

HEX #241D58

RGB 36 29 88

HSL 247.12, 0.5%, 0.23%

LAB 15.27, 21.97, -34.66

 

CMYK 72 / 84 / 0 / 73

HEX #130B45

RGB 19 11 69

HSL 248.28, 0.73%, 0.16%

LAB 7.29, 23.96, -34.69

 

CMYK 96 / 100 / 0 / 80

HEX #020032

RGB 2 0 50

HSL 242.4, 1%, 0.1%

LAB 2.2, 15.14, -29.25

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 51 / 57 / 0 / 58

HEX #342E6A

RGB 52 46 106

HSL 246, 0.39%, 0.3%

LAB 22.74, 20.3, -34.37

 

CMYK 36 / 57 / 0 / 58

HEX #442E6A

RGB 68 46 106

HSL 262, 0.39%, 0.3%

LAB 24.4, 24.54, -31.62

 

CMYK 21 / 57 / 0 / 58

HEX #542E6A

RGB 84 46 106

HSL 278, 0.39%, 0.3%

LAB 26.39, 29.19, -28.33

 

CMYK 6 / 57 / 0 / 58

HEX #642E6A

RGB 100 46 106

HSL 294, 0.39%, 0.3%

LAB 28.65, 34.02, -24.6

 

CMYK 0 / 57 / 10 / 58

HEX #6A2E5F

RGB 106 46 95

HSL 311, 0.39%, 0.3%

LAB 29.02, 33.75, -16.87

 

CMYK 51 / 57 / 0 / 58

HEX #342E6A

RGB 52 46 106

HSL 246, 0.39%, 0.3%

LAB 22.74, 20.3, -34.37

 

CMYK 57 / 57 / 0 / 58

HEX #2E2E6A

RGB 46 46 106

HSL 240, 0.39%, 0.3%

LAB 22.22, 18.87, -35.24

 

CMYK 51 / 57 / 0 / 58

HEX #342E6A

RGB 52 46 106

HSL 246, 0.39%, 0.3%

LAB 22.74, 20.3, -34.37

 

CMYK 64 / 71 / 0 / 54

HEX #2A2276

RGB 42 34 118

HSL 245.71, 0.55%, 0.3%

LAB 19.82, 30.38, -46.89

 

CMYK 76 / 84 / 0 / 49

HEX #201583

RGB 32 21 131

HSL 246, 0.72%, 0.3%

LAB 17.84, 41, -58.47

 

CMYK 85 / 94 / 0 / 44

HEX #16098F

RGB 22 9 143

HSL 245.82, 0.88%, 0.3%

LAB 17.22, 48.86, -67.05

 

CMYK 51 / 57 / 0 / 58

HEX #342E6A

RGB 52 46 106

HSL 246, 0.39%, 0.3%

LAB 22.74, 20.3, -34.37

 

CMYK 33 / 37 / 0 / 64

HEX #3E3B5D

RGB 62 59 93

HSL 245.29, 0.22%, 0.3%

LAB 26.57, 10.21, -19.8

 

CMYK 11 / 12 / 0 / 68

HEX #484751

RGB 72 71 81

HSL 246, 0.07%, 0.3%

LAB 30.59, 2.72, -5.81

 

CMYK 1 / 0 / 17 / 67

HEX #525345

RGB 82 83 69

HSL 64.29, 0.09%, 0.3%

LAB 34.82, -3.21, 8.08

 

CMYK 4 / 0 / 42 / 62

HEX #5C6038

RGB 92 96 56

HSL 66, 0.26%, 0.3%

LAB 39.46, -8.55, 22.32

 

CMYK 57 / 32 / 0 / 58

HEX #2E486A

RGB 46 72 106

HSL 214, 0.39%, 0.3%

LAB 30.05, 1.1, -22.79

 

CMYK 57 / 47 / 0 / 58

HEX #2E386A

RGB 46 56 106

HSL 230, 0.39%, 0.3%

LAB 25.11, 11.93, -30.61

 

CMYK 51 / 57 / 0 / 58

HEX #342E6A

RGB 52 46 106

HSL 246, 0.39%, 0.3%

LAB 22.74, 20.3, -34.37

 

CMYK 36 / 57 / 0 / 58

HEX #442E6A

RGB 68 46 106

HSL 262, 0.39%, 0.3%

LAB 24.4, 24.54, -31.62

 

CMYK 21 / 57 / 0 / 58

HEX #542E6A

RGB 84 46 106

HSL 278, 0.39%, 0.3%

LAB 26.39, 29.19, -28.33

 

CMYK 50 / 56 / 0 / 81

HEX #181530

RGB 24 21 48

HSL 246.67, 0.39%, 0.14%

LAB 8.52, 10.05, -17.57

 

CMYK 51 / 56 / 0 / 70

HEX #26224D

RGB 38 34 77

HSL 245.58, 0.39%, 0.22%

LAB 15.96, 15, -26.07

 

CMYK 51 / 57 / 0 / 58

HEX #342E6A

RGB 52 46 106

HSL 246, 0.39%, 0.3%

LAB 22.74, 20.3, -34.37

 

CMYK 51 / 56 / 0 / 47

HEX #423B87

RGB 66 59 135

HSL 245.53, 0.39%, 0.38%

LAB 29.5, 24.66, -41.78

 

CMYK 50 / 56 / 0 / 36

HEX #5147A3

RGB 81 71 163

HSL 246.52, 0.39%, 0.46%

LAB 35.79, 29.38, -48.64

 

CMYK 50 / 56 / 0 / 58

HEX #352F6B

RGB 53 47 107

HSL 246, 0.39%, 0.3%

LAB 23.17, 20.21, -34.31

 

CMYK 0 / 57 / 17 / 58

HEX #6A2E58

RGB 106 46 88

HSL 318, 0.39%, 0.3%

LAB 28.7, 32.5, -12.8

 

CMYK 40 / 0 / 57 / 58

HEX #406A2E

RGB 64 106 46

HSL 102, 0.39%, 0.3%

LAB 40.57, -26.89, 28.82

 

CMYK 50 / 56 / 0 / 58

HEX #352F6B

RGB 53 47 107

HSL 246, 0.39%, 0.3%

LAB 23.17, 20.21, -34.31

 

CMYK 0 / 51 / 57 / 58

HEX #6A342E

RGB 106 52 46

HSL 6, 0.39%, 0.3%

LAB 28.69, 23.4, 14.79

 

CMYK 57 / 0 / 51 / 58

HEX #2E6A34

RGB 46 106 52

HSL 126, 0.39%, 0.3%

LAB 39.81, -31.97, 24.44

 

CMYK 50 / 56 / 0 / 58

HEX #352F6B

RGB 53 47 107

HSL 246, 0.39%, 0.3%

LAB 23.17, 20.21, -34.31

 

CMYK 0 / 57 / 17 / 58

HEX #6A2E58

RGB 106 46 88

HSL 318, 0.39%, 0.3%

LAB 28.7, 32.5, -12.8

 

CMYK 6 / 0 / 57 / 58

HEX #646A2E

RGB 100 106 46

HSL 66, 0.39%, 0.3%

LAB 43.08, -11.73, 32.41

 

CMYK 57 / 0 / 40 / 58

HEX #2E6A40

RGB 46 106 64

HSL 138, 0.39%, 0.3%

LAB 40.01, -29.82, 17.84

 

CMYK 50 / 56 / 0 / 58

HEX #352F6B

RGB 53 47 107

HSL 246, 0.39%, 0.3%

LAB 23.17, 20.21, -34.31

 

CMYK 0 / 57 / 34 / 58

HEX #6A2E46

RGB 106 46 70

HSL 336, 0.39%, 0.3%

LAB 28.01, 29.67, -1.99

 

CMYK 6 / 0 / 57 / 58

HEX #646A2E

RGB 100 106 46

HSL 66, 0.39%, 0.3%

LAB 43.08, -11.73, 32.41

 

CMYK 57 / 0 / 23 / 58

HEX #2E6A52

RGB 46 106 82

HSL 156, 0.39%, 0.3%

LAB 40.41, -25.82, 7.65

 

Description

Color code: RGB 53 47 107 | qconv.com Color code: RGB 53 47 107 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 47 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 47 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 56 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 56% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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