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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 82 82 it is the complementary color RGB 251 173 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 82 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 4 82 82 shade: RGB 9 82 77, RGB 26 100 96, RGB 43 118 115, RGB 60 136 134 and RGB 77 154 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 82 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 4 82 82 shade: RGB 4 82 82, RGB 0 64 63, RGB 0 46 44, RGB 0 28 25 and RGB 0 10 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 4 82 82 shade: RGB 3 82 82, RGB 3 82 61, RGB 3 82 40, RGB 3 82 18 and RGB 10 82 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 4 82 82 shade: RGB 3 82 82, RGB 3 61 82, RGB 3 40 82, RGB 3 18 82 and RGB 3 3 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 4 82 82 shade matches the following richer shades: RGB 3 82 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 4 82 82 shade: RGB 3 82 82, RGB 10 75 75, RGB 17 68 68, RGB 24 61 61 and RGB 31 54 54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 4 82 82 shade: RGB 3 82 40, RGB 3 82 61, RGB 3 82 82, RGB 3 61 82 and RGB 3 40 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 4 82 82 shade: RGB 0 3 3, RGB 2 43 43, RGB 3 82 82, RGB 5 122 122 and RGB 7 161 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 4 82 82 shade: RGB 4 82 82, RGB 19 3 82 and RGB 82 51 3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 4 82 82 shade: RGB 4 82 82, RGB 82 3 82 and RGB 82 82 3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 4 82 82 shade: RGB 4 82 82, RGB 19 3 82, RGB 82 3 3 and RGB 67 82 3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 4 82 82 shade: RGB 4 82 82, RGB 43 3 82, RGB 82 3 3 and RGB 43 82 3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 0 / 68

HEX #045252

RGB 4 82 82

HSL 180, 0.91%, 0.17%

LAB 31.04, -20.69, -6.1

 

Complementary color

CMYK 0 / 31 / 31 / 2

HEX #FBADAD

RGB 251 173 173

HSL 0, 0.91%, 0.83%

LAB 78.12, 28.58, 11.59

 

CMYK 89 / 0 / 6 / 68

HEX #09524D

RGB 9 82 77

HSL 175.89, 0.8%, 0.18%

LAB 30.95, -21.88, -3.05

 

CMYK 74 / 0 / 4 / 61

HEX #1A6460

RGB 26 100 96

HSL 176.76, 0.59%, 0.25%

LAB 38.16, -22.93, -4.23

 

CMYK 64 / 0 / 3 / 54

HEX #2B7673

RGB 43 118 115

HSL 177.6, 0.47%, 0.32%

LAB 45.23, -23.49, -5.2

 

CMYK 56 / 0 / 1 / 47

HEX #3C8886

RGB 60 136 134

HSL 178.42, 0.39%, 0.38%

LAB 52.16, -23.78, -6.05

 

CMYK 50 / 0 / 1 / 40

HEX #4D9A99

RGB 77 154 153

HSL 179.22, 0.33%, 0.45%

LAB 58.96, -23.92, -6.8

 

CMYK 95 / 0 / 0 / 68

HEX #045252

RGB 4 82 82

HSL 180, 0.91%, 0.17%

LAB 31.04, -20.69, -6.1

 

CMYK 100 / 0 / 2 / 75

HEX #00403F

RGB 0 64 63

HSL 179.06, 1%, 0.13%

LAB 23.76, -18.23, -4.64

 

CMYK 100 / 0 / 4 / 82

HEX #002E2C

RGB 0 46 44

HSL 177.39, 1%, 0.09%

LAB 16.18, -15.25, -2.97

 

CMYK 100 / 0 / 11 / 89

HEX #001C19

RGB 0 28 25

HSL 173.57, 1%, 0.05%

LAB 8.14, -10.87, -1.13

 

CMYK 100 / 0 / 40 / 96

HEX #000A06

RGB 0 10 6

HSL 156, 1%, 0.02%

LAB 2.08, -3.17, 0.59

 

CMYK 96 / 0 / 0 / 68

HEX #035252

RGB 3 82 82

HSL 180, 0.93%, 0.17%

LAB 31.03, -20.79, -6.13

 

CMYK 96 / 0 / 26 / 68

HEX #03523D

RGB 3 82 61

HSL 164.05, 0.93%, 0.17%

LAB 30.38, -27.49, 6.29

 

CMYK 96 / 0 / 51 / 68

HEX #035228

RGB 3 82 40

HSL 148.1, 0.93%, 0.17%

LAB 29.93, -32.61, 18.62

 

CMYK 96 / 0 / 78 / 68

HEX #035212

RGB 3 82 18

HSL 131.39, 0.93%, 0.17%

LAB 29.66, -35.96, 29.91

 

CMYK 88 / 0 / 96 / 68

HEX #0A5203

RGB 10 82 3

HSL 114.68, 0.93%, 0.17%

LAB 29.68, -36.13, 35.54

 

CMYK 96 / 0 / 0 / 68

HEX #035252

RGB 3 82 82

HSL 180, 0.93%, 0.17%

LAB 31.03, -20.79, -6.13

 

CMYK 96 / 26 / 0 / 68

HEX #033D52

RGB 3 61 82

HSL 195.95, 0.93%, 0.17%

LAB 23.56, -8.57, -17.53

 

CMYK 96 / 51 / 0 / 68

HEX #032852

RGB 3 40 82

HSL 211.9, 0.93%, 0.17%

LAB 16.24, 6.08, -29.14

 

CMYK 96 / 78 / 0 / 68

HEX #031252

RGB 3 18 82

HSL 228.61, 0.93%, 0.17%

LAB 9.49, 22.83, -40.14

 

CMYK 96 / 96 / 0 / 68

HEX #030352

RGB 3 3 82

HSL 240, 0.93%, 0.17%

LAB 6.27, 31.99, -45.49

 

CMYK 96 / 0 / 0 / 68

HEX #035252

RGB 3 82 82

HSL 180, 0.93%, 0.17%

LAB 31.03, -20.79, -6.13

 

CMYK 96 / 0 / 0 / 68

HEX #035252

RGB 3 82 82

HSL 180, 0.93%, 0.17%

LAB 31.03, -20.79, -6.13

 

CMYK 87 / 0 / 0 / 71

HEX #0A4B4B

RGB 10 75 75

HSL 180, 0.76%, 0.17%

LAB 28.39, -18.72, -5.56

 

CMYK 75 / 0 / 0 / 73

HEX #114444

RGB 17 68 68

HSL 180, 0.6%, 0.17%

LAB 25.78, -16.27, -4.89

 

CMYK 61 / 0 / 0 / 76

HEX #183D3D

RGB 24 61 61

HSL 180, 0.44%, 0.17%

LAB 23.23, -13.09, -4.02

 

CMYK 43 / 0 / 0 / 79

HEX #1F3636

RGB 31 54 54

HSL 180, 0.27%, 0.17%

LAB 20.81, -8.99, -2.86

 

CMYK 96 / 0 / 51 / 68

HEX #035228

RGB 3 82 40

HSL 148.1, 0.93%, 0.17%

LAB 29.93, -32.61, 18.62

 

CMYK 96 / 0 / 26 / 68

HEX #03523D

RGB 3 82 61

HSL 164.05, 0.93%, 0.17%

LAB 30.38, -27.49, 6.29

 

CMYK 96 / 0 / 0 / 68

HEX #035252

RGB 3 82 82

HSL 180, 0.93%, 0.17%

LAB 31.03, -20.79, -6.13

 

CMYK 96 / 26 / 0 / 68

HEX #033D52

RGB 3 61 82

HSL 195.95, 0.93%, 0.17%

LAB 23.56, -8.57, -17.53

 

CMYK 96 / 51 / 0 / 68

HEX #032852

RGB 3 40 82

HSL 211.9, 0.93%, 0.17%

LAB 16.24, 6.08, -29.14

 

CMYK 100 / 0 / 0 / 99

HEX #000303

RGB 0 3 3

HSL 180, 1%, 0.01%

LAB 0.65, -0.78, -0.28

 

CMYK 95 / 0 / 0 / 83

HEX #022B2B

RGB 2 43 43

HSL 180, 0.91%, 0.09%

LAB 15.04, -13.44, -3.98

 

CMYK 96 / 0 / 0 / 68

HEX #035252

RGB 3 82 82

HSL 180, 0.93%, 0.17%

LAB 31.03, -20.79, -6.13

 

CMYK 96 / 0 / 0 / 52

HEX #057A7A

RGB 5 122 122

HSL 180, 0.92%, 0.25%

LAB 46.12, -27.57, -8.12

 

CMYK 96 / 0 / 0 / 37

HEX #07A1A1

RGB 7 161 161

HSL 180, 0.92%, 0.33%

LAB 59.99, -33.82, -9.96

 

CMYK 95 / 0 / 0 / 68

HEX #045252

RGB 4 82 82

HSL 180, 0.91%, 0.17%

LAB 31.04, -20.69, -6.1

 

CMYK 77 / 96 / 0 / 68

HEX #130352

RGB 19 3 82

HSL 252.15, 0.93%, 0.17%

LAB 7.34, 33.26, -43.67

 

CMYK 0 / 38 / 96 / 68

HEX #523303

RGB 82 51 3

HSL 36.46, 0.93%, 0.17%

LAB 24.22, 9.9, 32.55

 

CMYK 95 / 0 / 0 / 68

HEX #045252

RGB 4 82 82

HSL 180, 0.91%, 0.17%

LAB 31.04, -20.69, -6.1

 

CMYK 0 / 96 / 0 / 68

HEX #520352

RGB 82 3 82

HSL 300, 0.93%, 0.17%

LAB 17.77, 42.21, -26.21

 

CMYK 0 / 0 / 96 / 68

HEX #525203

RGB 82 82 3

HSL 60, 0.93%, 0.17%

LAB 33.64, -9.34, 40.4

 

CMYK 95 / 0 / 0 / 68

HEX #045252

RGB 4 82 82

HSL 180, 0.91%, 0.17%

LAB 31.04, -20.69, -6.1

 

CMYK 77 / 96 / 0 / 68

HEX #130352

RGB 19 3 82

HSL 252.15, 0.93%, 0.17%

LAB 7.34, 33.26, -43.67

 

CMYK 0 / 96 / 96 / 68

HEX #520303

RGB 82 3 3

HSL 0, 0.93%, 0.17%

LAB 14.77, 34.19, 21.73

 

CMYK 18 / 0 / 96 / 68

HEX #435203

RGB 67 82 3

HSL 71.39, 0.93%, 0.17%

LAB 32.33, -16.74, 38.82

 

CMYK 95 / 0 / 0 / 68

HEX #045252

RGB 4 82 82

HSL 180, 0.91%, 0.17%

LAB 31.04, -20.69, -6.1

 

CMYK 48 / 96 / 0 / 68

HEX #2B0352

RGB 43 3 82

HSL 270.38, 0.93%, 0.17%

LAB 10.47, 35.63, -38.4

 

CMYK 0 / 96 / 96 / 68

HEX #520303

RGB 82 3 3

HSL 0, 0.93%, 0.17%

LAB 14.77, 34.19, 21.73

 

CMYK 48 / 0 / 96 / 68

HEX #2B5203

RGB 43 82 3

HSL 89.62, 0.93%, 0.17%

LAB 30.77, -27.25, 36.9

 

Description

Color code: RGB 4 82 82 | qconv.com Color code: RGB 4 82 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 82 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 82 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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