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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 210 95 it is the complementary color RGB 251 45 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 210 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 4 210 95 shade: RGB 9 210 90, RGB 26 228 109, RGB 43 246 128, RGB 60 255 147 and RGB 77 255 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 210 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 4 210 95 shade: RGB 4 210 95, RGB 0 192 76, RGB 0 174 57, RGB 0 156 38 and RGB 0 138 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 4 210 95 shade: RGB 4 209 95, RGB 4 209 39, RGB 24 209 4, RGB 79 209 4 and RGB 135 209 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 4 210 95 shade: RGB 4 209 95, RGB 4 209 150, RGB 4 209 206, RGB 4 158 209 and RGB 4 102 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 4 210 95 shade matches the following richer shades: RGB 4 209 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 4 210 95 shade: RGB 4 209 95, RGB 21 192 97, RGB 38 175 99, RGB 56 157 101 and RGB 73 140 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 4 210 95 shade: RGB 24 209 4, RGB 4 209 38, RGB 4 209 93, RGB 4 209 148 and RGB 4 209 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 4 210 95 shade: RGB 2 129 58, RGB 3 169 76, RGB 4 209 95, RGB 5 249 113 and RGB 45 250 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 4 210 95 shade: RGB 4 210 95, RGB 4 79 209 and RGB 209 11 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 4 210 95 shade: RGB 4 210 95, RGB 93 4 209 and RGB 209 93 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 4 210 95 shade: RGB 4 210 95, RGB 4 79 209, RGB 209 4 120 and RGB 209 134 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 4 210 95 shade: RGB 4 210 95, RGB 4 17 209, RGB 209 4 120 and RGB 209 196 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 55 / 18

HEX #04D25F

RGB 4 210 95

HSL 146.5, 0.96%, 0.42%

LAB 74.15, -67.55, 44.54

 

Complementary color

CMYK 0 / 82 / 36 / 2

HEX #FB2DA0

RGB 251 45 160

HSL 326.5, 0.96%, 0.58%

LAB 57, 80.92, -11.9

 

CMYK 96 / 0 / 57 / 18

HEX #09D25A

RGB 9 210 90

HSL 144.18, 0.92%, 0.43%

LAB 74.12, -68.06, 46.83

 

CMYK 89 / 0 / 52 / 11

HEX #1AE46D

RGB 26 228 109

HSL 144.65, 0.8%, 0.5%

LAB 80.07, -70.19, 45.16

 

CMYK 83 / 0 / 48 / 4

HEX #2BF680

RGB 43 246 128

HSL 145.12, 0.92%, 0.57%

LAB 86, -71.8, 43.51

 

CMYK 76 / 0 / 42 / 0

HEX #3CFF93

RGB 60 255 147

HSL 146.77, 1%, 0.62%

LAB 89.2, -69.94, 38.45

 

CMYK 70 / 0 / 35 / 0

HEX #4DFFA6

RGB 77 255 166

HSL 150, 1%, 0.65%

LAB 89.79, -64.27, 29.86

 

CMYK 98 / 0 / 55 / 18

HEX #04D25F

RGB 4 210 95

HSL 146.5, 0.96%, 0.42%

LAB 74.15, -67.55, 44.54

 

CMYK 100 / 0 / 60 / 25

HEX #00C04C

RGB 0 192 76

HSL 143.75, 1%, 0.38%

LAB 68.18, -64.7, 46.28

 

CMYK 100 / 0 / 67 / 32

HEX #00AE39

RGB 0 174 57

HSL 139.66, 1%, 0.34%

LAB 62.14, -61.46, 47.82

 

CMYK 100 / 0 / 76 / 39

HEX #009C26

RGB 0 156 38

HSL 134.62, 1%, 0.31%

LAB 56, -57.88, 48.87

 

CMYK 100 / 0 / 86 / 46

HEX #008A13

RGB 0 138 19

HSL 128.26, 1%, 0.27%

LAB 49.77, -53.85, 48.91

 

CMYK 98 / 0 / 55 / 18

HEX #04D15F

RGB 4 209 95

HSL 146.63, 0.96%, 0.42%

LAB 73.84, -67.23, 44.16

 

CMYK 98 / 0 / 81 / 18

HEX #04D127

RGB 4 209 39

HSL 130.24, 0.96%, 0.42%

LAB 73.4, -72.78, 65.33

 

CMYK 89 / 0 / 98 / 18

HEX #18D104

RGB 24 209 4

HSL 114.15, 0.96%, 0.42%

LAB 73.42, -72.95, 71.34

 

CMYK 62 / 0 / 98 / 18

HEX #4FD104

RGB 79 209 4

HSL 98.05, 0.96%, 0.42%

LAB 74.36, -64.73, 72.5

 

CMYK 35 / 0 / 98 / 18

HEX #87D104

RGB 135 209 4

HSL 81.66, 0.96%, 0.42%

LAB 76.53, -48.09, 75.14

 

CMYK 98 / 0 / 55 / 18

HEX #04D15F

RGB 4 209 95

HSL 146.63, 0.96%, 0.42%

LAB 73.84, -67.23, 44.16

 

CMYK 98 / 0 / 28 / 18

HEX #04D196

RGB 4 209 150

HSL 162.73, 0.96%, 0.42%

LAB 74.72, -56.93, 17.36

 

CMYK 98 / 0 / 1 / 18

HEX #04D1CE

RGB 4 209 206

HSL 179.12, 0.96%, 0.42%

LAB 76.12, -42.16, -10.66

 

CMYK 98 / 24 / 0 / 18

HEX #049ED1

RGB 4 158 209

HSL 194.93, 0.96%, 0.42%

LAB 60.85, -16.19, -35.62

 

CMYK 98 / 51 / 0 / 18

HEX #0466D1

RGB 4 102 209

HSL 211.32, 0.96%, 0.42%

LAB 44.42, 17.41, -61.76

 

CMYK 98 / 0 / 55 / 18

HEX #04D15F

RGB 4 209 95

HSL 146.63, 0.96%, 0.42%

LAB 73.84, -67.23, 44.16

 

CMYK 98 / 0 / 55 / 18

HEX #04D15F

RGB 4 209 95

HSL 146.63, 0.96%, 0.42%

LAB 73.84, -67.23, 44.16

 

CMYK 89 / 0 / 49 / 25

HEX #15C061

RGB 21 192 97

HSL 146.67, 0.8%, 0.42%

LAB 68.55, -60.65, 36.7

 

CMYK 78 / 0 / 43 / 31

HEX #26AF63

RGB 38 175 99

HSL 146.72, 0.64%, 0.42%

LAB 63.32, -52.75, 29.05

 

CMYK 64 / 0 / 36 / 38

HEX #389D65

RGB 56 157 101

HSL 146.73, 0.47%, 0.42%

LAB 57.94, -42.4, 20.92

 

CMYK 48 / 0 / 26 / 45

HEX #498C67

RGB 73 140 103

HSL 146.87, 0.31%, 0.42%

LAB 53.12, -30.29, 13.3

 

CMYK 89 / 0 / 98 / 18

HEX #18D104

RGB 24 209 4

HSL 114.15, 0.96%, 0.42%

LAB 73.42, -72.95, 71.34

 

CMYK 98 / 0 / 82 / 18

HEX #04D126

RGB 4 209 38

HSL 129.95, 0.96%, 0.42%

LAB 73.39, -72.84, 65.59

 

CMYK 98 / 0 / 56 / 18

HEX #04D15D

RGB 4 209 93

HSL 146.05, 0.96%, 0.42%

LAB 73.82, -67.52, 45.07

 

CMYK 98 / 0 / 29 / 18

HEX #04D194

RGB 4 209 148

HSL 162.15, 0.96%, 0.42%

LAB 74.68, -57.38, 18.36

 

CMYK 98 / 0 / 3 / 18

HEX #04D1CB

RGB 4 209 203

HSL 178.24, 0.96%, 0.42%

LAB 76.03, -43.04, -9.18

 

CMYK 98 / 0 / 55 / 49

HEX #02813A

RGB 2 129 58

HSL 146.46, 0.97%, 0.26%

LAB 47, -46.74, 29.9

 

CMYK 98 / 0 / 55 / 34

HEX #03A94C

RGB 3 169 76

HSL 146.39, 0.97%, 0.34%

LAB 60.71, -57.29, 37.44

 

CMYK 98 / 0 / 55 / 18

HEX #04D15F

RGB 4 209 95

HSL 146.63, 0.96%, 0.42%

LAB 73.84, -67.23, 44.16

 

CMYK 98 / 0 / 55 / 2

HEX #05F971

RGB 5 249 113

HSL 146.56, 0.96%, 0.5%

LAB 86.49, -76.96, 51.07

 

CMYK 82 / 0 / 46 / 2

HEX #2DFA88

RGB 45 250 136

HSL 146.63, 0.95%, 0.58%

LAB 87.34, -71.65, 41.37

 

CMYK 98 / 0 / 55 / 18

HEX #04D25F

RGB 4 210 95

HSL 146.5, 0.96%, 0.42%

LAB 74.15, -67.55, 44.54

 

CMYK 98 / 62 / 0 / 18

HEX #044FD1

RGB 4 79 209

HSL 218.05, 0.96%, 0.42%

LAB 38.24, 32.49, -71.85

 

CMYK 0 / 95 / 98 / 18

HEX #D10B04

RGB 209 11 4

HSL 2.05, 0.96%, 0.42%

LAB 43.95, 67.98, 56.67

 

CMYK 98 / 0 / 55 / 18

HEX #04D25F

RGB 4 210 95

HSL 146.5, 0.96%, 0.42%

LAB 74.15, -67.55, 44.54

 

CMYK 56 / 98 / 0 / 18

HEX #5D04D1

RGB 93 4 209

HSL 266.05, 0.96%, 0.42%

LAB 31.85, 70.22, -82.23

 

CMYK 0 / 56 / 98 / 18

HEX #D15D04

RGB 209 93 4

HSL 26.05, 0.96%, 0.42%

LAB 53.38, 42.27, 61.65

 

CMYK 98 / 0 / 55 / 18

HEX #04D25F

RGB 4 210 95

HSL 146.5, 0.96%, 0.42%

LAB 74.15, -67.55, 44.54

 

CMYK 98 / 62 / 0 / 18

HEX #044FD1

RGB 4 79 209

HSL 218.05, 0.96%, 0.42%

LAB 38.24, 32.49, -71.85

 

CMYK 0 / 98 / 43 / 18

HEX #D10478

RGB 209 4 120

HSL 326.05, 0.96%, 0.42%

LAB 45.63, 73.75, -5.69

 

CMYK 0 / 36 / 98 / 18

HEX #D18604

RGB 209 134 4

HSL 38.05, 0.96%, 0.42%

LAB 62.18, 20.85, 67.28

 

CMYK 98 / 0 / 55 / 18

HEX #04D25F

RGB 4 210 95

HSL 146.5, 0.96%, 0.42%

LAB 74.15, -67.55, 44.54

 

CMYK 98 / 92 / 0 / 18

HEX #0411D1

RGB 4 17 209

HSL 236.2, 0.96%, 0.42%

LAB 26.82, 64.57, -90.75

 

CMYK 0 / 98 / 43 / 18

HEX #D10478

RGB 209 4 120

HSL 326.05, 0.96%, 0.42%

LAB 45.63, 73.75, -5.69

 

CMYK 0 / 6 / 98 / 18

HEX #D1C404

RGB 209 196 4

HSL 56.2, 0.96%, 0.42%

LAB 77.9, -12.02, 78.39

 

Description

Color code: RGB 4 210 95 | qconv.com Color code: RGB 4 210 95 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 210 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 210 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 55 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 55% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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