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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 206 239 it is the complementary color RGB 251 49 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 206 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 4 206 239 shade: RGB 9 206 234, RGB 26 224 253, RGB 43 242 255, RGB 60 255 255 and RGB 77 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 206 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 4 206 239 shade: RGB 4 206 239, RGB 0 188 220, RGB 0 170 201, RGB 0 152 182 and RGB 0 134 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 4 206 239 shade: RGB 3 207 241, RGB 3 143 241, RGB 3 79 241, RGB 3 15 241 and RGB 55 3 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 4 206 239 shade: RGB 3 207 241, RGB 3 143 241, RGB 3 79 241, RGB 3 15 241 and RGB 3 3 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 4 206 239 shade matches the following richer shades: RGB 3 207 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 4 206 239 shade: RGB 3 207 241, RGB 23 193 221, RGB 43 179 201, RGB 63 165 181 and RGB 82 150 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 4 206 239 shade: RGB 3 241 146, RGB 3 241 209, RGB 3 209 241, RGB 3 146 241 and RGB 3 82 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 4 206 239 shade: RGB 2 137 159, RGB 3 172 200, RGB 3 207 241, RGB 34 221 251 and RGB 75 227 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 4 206 239 shade: RGB 4 206 239, RGB 82 3 241 and RGB 241 177 3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 4 206 239 shade: RGB 4 206 239, RGB 241 3 209 and RGB 209 241 3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 4 206 239 shade: RGB 4 206 239, RGB 82 3 241, RGB 241 35 3 and RGB 161 241 3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 4 206 239 shade: RGB 4 206 239, RGB 154 3 241, RGB 241 35 3 and RGB 90 241 3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 14 / 0 / 6

HEX #04CEEF

RGB 4 206 239

HSL 188.43, 0.97%, 0.48%

LAB 76.31, -30.53, -28.12

 

Complementary color

CMYK 0 / 80 / 94 / 2

HEX #FB3110

RGB 251 49 16

HSL 8.43, 0.97%, 0.52%

LAB 54.81, 72.51, 63.61

 

CMYK 96 / 12 / 0 / 8

HEX #09CEEA

RGB 9 206 234

HSL 187.47, 0.93%, 0.48%

LAB 76.16, -32.03, -25.67

 

CMYK 90 / 11 / 0 / 1

HEX #1AE0FD

RGB 26 224 253

HSL 187.67, 0.98%, 0.55%

LAB 82.18, -34.02, -26.6

 

CMYK 83 / 5 / 0 / 0

HEX #2BF2FF

RGB 43 242 255

HSL 183.68, 1%, 0.58%

LAB 87.6, -40.79, -19.4

 

CMYK 76 / 0 / 0 / 0

HEX #3CFFFF

RGB 60 255 255

HSL 180, 1%, 0.62%

LAB 91.55, -45.23, -13.44

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 98 / 14 / 0 / 6

HEX #04CEEF

RGB 4 206 239

HSL 188.43, 0.97%, 0.48%

LAB 76.31, -30.53, -28.12

 

CMYK 100 / 15 / 0 / 14

HEX #00BCDC

RGB 0 188 220

HSL 188.73, 1%, 0.43%

LAB 70.27, -28.04, -27.12

 

CMYK 100 / 15 / 0 / 21

HEX #00AAC9

RGB 0 170 201

HSL 189.25, 1%, 0.39%

LAB 64.13, -25.4, -26.09

 

CMYK 100 / 16 / 0 / 29

HEX #0098B6

RGB 0 152 182

HSL 189.89, 1%, 0.36%

LAB 57.88, -22.68, -25.05

 

CMYK 100 / 18 / 0 / 36

HEX #0086A3

RGB 0 134 163

HSL 190.67, 1%, 0.32%

LAB 51.49, -19.89, -24.02

 

CMYK 99 / 14 / 0 / 5

HEX #03CFF1

RGB 3 207 241

HSL 188.57, 0.98%, 0.48%

LAB 76.68, -30.39, -28.64

 

CMYK 99 / 41 / 0 / 5

HEX #038FF1

RGB 3 143 241

HSL 204.71, 0.98%, 0.48%

LAB 58.05, 4.29, -57.83

 

CMYK 99 / 67 / 0 / 5

HEX #034FF1

RGB 3 79 241

HSL 220.84, 0.98%, 0.48%

LAB 41.16, 44.5, -85.28

 

CMYK 99 / 94 / 0 / 5

HEX #030FF1

RGB 3 15 241

HSL 236.97, 0.98%, 0.48%

LAB 31.14, 73.37, -101.91

 

CMYK 77 / 99 / 0 / 5

HEX #3703F1

RGB 55 3 241

HSL 253.11, 0.98%, 0.48%

LAB 32.32, 76.09, -99.89

 

CMYK 99 / 14 / 0 / 5

HEX #03CFF1

RGB 3 207 241

HSL 188.57, 0.98%, 0.48%

LAB 76.68, -30.39, -28.64

 

CMYK 99 / 41 / 0 / 5

HEX #038FF1

RGB 3 143 241

HSL 204.71, 0.98%, 0.48%

LAB 58.05, 4.29, -57.83

 

CMYK 99 / 67 / 0 / 5

HEX #034FF1

RGB 3 79 241

HSL 220.84, 0.98%, 0.48%

LAB 41.16, 44.5, -85.28

 

CMYK 99 / 94 / 0 / 5

HEX #030FF1

RGB 3 15 241

HSL 236.97, 0.98%, 0.48%

LAB 31.14, 73.37, -101.91

 

CMYK 99 / 99 / 0 / 5

HEX #0303F1

RGB 3 3 241

HSL 240, 0.98%, 0.48%

LAB 30.49, 75.41, -103.01

 

CMYK 99 / 14 / 0 / 5

HEX #03CFF1

RGB 3 207 241

HSL 188.57, 0.98%, 0.48%

LAB 76.68, -30.39, -28.64

 

CMYK 99 / 14 / 0 / 5

HEX #03CFF1

RGB 3 207 241

HSL 188.57, 0.98%, 0.48%

LAB 76.68, -30.39, -28.64

 

CMYK 90 / 13 / 0 / 13

HEX #17C1DD

RGB 23 193 221

HSL 188.48, 0.81%, 0.48%

LAB 71.92, -29.43, -25.12

 

CMYK 79 / 11 / 0 / 21

HEX #2BB3C9

RGB 43 179 201

HSL 188.35, 0.65%, 0.48%

LAB 67.26, -27.52, -21.27

 

CMYK 65 / 9 / 0 / 29

HEX #3FA5B5

RGB 63 165 181

HSL 188.14, 0.48%, 0.48%

LAB 62.76, -24.14, -16.95

 

CMYK 49 / 7 / 0 / 37

HEX #5296A1

RGB 82 150 161

HSL 188.35, 0.33%, 0.48%

LAB 58.21, -18.46, -12.46

 

CMYK 99 / 0 / 39 / 5

HEX #03F192

RGB 3 241 146

HSL 156.05, 0.98%, 0.48%

LAB 84.49, -69.1, 32.68

 

CMYK 99 / 0 / 13 / 5

HEX #03F1D1

RGB 3 241 209

HSL 171.93, 0.98%, 0.48%

LAB 85.77, -54.83, 1.96

 

CMYK 99 / 13 / 0 / 5

HEX #03D1F1

RGB 3 209 241

HSL 188.07, 0.98%, 0.48%

LAB 77.26, -31.36, -27.74

 

CMYK 99 / 39 / 0 / 5

HEX #0392F1

RGB 3 146 241

HSL 203.95, 0.98%, 0.48%

LAB 58.91, 2.5, -56.46

 

CMYK 99 / 66 / 0 / 5

HEX #0352F1

RGB 3 82 241

HSL 220.08, 0.98%, 0.48%

LAB 41.85, 42.64, -84.13

 

CMYK 99 / 14 / 0 / 38

HEX #02899F

RGB 2 137 159

HSL 188.41, 0.98%, 0.32%

LAB 52.29, -22.81, -20.47

 

CMYK 99 / 14 / 0 / 22

HEX #03ACC8

RGB 3 172 200

HSL 188.53, 0.97%, 0.4%

LAB 64.72, -26.65, -24.63

 

CMYK 99 / 14 / 0 / 5

HEX #03CFF1

RGB 3 207 241

HSL 188.57, 0.98%, 0.48%

LAB 76.68, -30.39, -28.64

 

CMYK 86 / 12 / 0 / 2

HEX #22DDFB

RGB 34 221 251

HSL 188.29, 0.96%, 0.56%

LAB 81.3, -32.82, -26.87

 

CMYK 70 / 10 / 0 / 1

HEX #4BE3FC

RGB 75 227 252

HSL 188.47, 0.97%, 0.64%

LAB 83.69, -31.67, -23.71

 

CMYK 98 / 14 / 0 / 6

HEX #04CEEF

RGB 4 206 239

HSL 188.43, 0.97%, 0.48%

LAB 76.31, -30.53, -28.12

 

CMYK 66 / 99 / 0 / 5

HEX #5203F1

RGB 82 3 241

HSL 259.92, 0.98%, 0.48%

LAB 34.42, 77.03, -96.35

 

CMYK 0 / 27 / 99 / 5

HEX #F1B103

RGB 241 177 3

HSL 43.87, 0.98%, 0.48%

LAB 76.16, 11.73, 78.69

 

CMYK 98 / 14 / 0 / 6

HEX #04CEEF

RGB 4 206 239

HSL 188.43, 0.97%, 0.48%

LAB 76.31, -30.53, -28.12

 

CMYK 0 / 99 / 13 / 5

HEX #F103D1

RGB 241 3 209

HSL 308.07, 0.98%, 0.48%

LAB 55.45, 89.69, -42.86

 

CMYK 13 / 0 / 99 / 5

HEX #D1F103

RGB 209 241 3

HSL 68.07, 0.98%, 0.48%

LAB 90.08, -33.71, 87.53

 

CMYK 98 / 14 / 0 / 6

HEX #04CEEF

RGB 4 206 239

HSL 188.43, 0.97%, 0.48%

LAB 76.31, -30.53, -28.12

 

CMYK 66 / 99 / 0 / 5

HEX #5203F1

RGB 82 3 241

HSL 259.92, 0.98%, 0.48%

LAB 34.42, 77.03, -96.35

 

CMYK 0 / 85 / 99 / 5

HEX #F12303

RGB 241 35 3

HSL 8.07, 0.98%, 0.48%

LAB 51.73, 72.77, 64.15

 

CMYK 33 / 0 / 99 / 5

HEX #A1F103

RGB 161 241 3

HSL 80.17, 0.98%, 0.48%

LAB 87.24, -51.95, 84.12

 

CMYK 98 / 14 / 0 / 6

HEX #04CEEF

RGB 4 206 239

HSL 188.43, 0.97%, 0.48%

LAB 76.31, -30.53, -28.12

 

CMYK 36 / 99 / 0 / 5

HEX #9A03F1

RGB 154 3 241

HSL 278.07, 0.98%, 0.48%

LAB 43.19, 82.38, -81.55

 

CMYK 0 / 85 / 99 / 5

HEX #F12303

RGB 241 35 3

HSL 8.07, 0.98%, 0.48%

LAB 51.73, 72.77, 64.15

 

CMYK 63 / 0 / 99 / 5

HEX #5AF103

RGB 90 241 3

HSL 98.07, 0.98%, 0.48%

LAB 84.53, -72.61, 80.84

 

Description

Color code: RGB 4 206 239 | qconv.com Color code: RGB 4 206 239 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 206 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 206 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 14 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 14% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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