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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 28 88 it is the complementary color RGB 251 227 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 28 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 4 28 88 shade: RGB 9 28 83, RGB 26 46 102, RGB 43 64 121, RGB 60 82 140 and RGB 77 100 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 28 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 4 28 88 shade: RGB 4 28 88, RGB 0 10 69, RGB 0 0 50, RGB 0 0 31 and RGB 0 0 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 4 28 88 shade: RGB 4 27 87, RGB 4 5 87, RGB 25 4 87, RGB 47 4 87 and RGB 70 4 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 4 28 88 shade: RGB 4 27 87, RGB 4 5 87 and RGB 4 4 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 4 28 88 shade matches the following richer shades: RGB 4 27 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 4 28 88 shade: RGB 4 27 87, RGB 11 31 80, RGB 18 34 72, RGB 26 37 65 and RGB 33 40 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 4 28 88 shade: RGB 4 73 87, RGB 4 51 87, RGB 4 29 87, RGB 4 6 87 and RGB 23 4 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 4 28 88 shade: RGB 0 2 8, RGB 2 15 48, RGB 4 27 87, RGB 5 40 127 and RGB 7 53 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 4 28 88 shade: RGB 4 28 88, RGB 79 4 87 and RGB 62 87 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 4 28 88 shade: RGB 4 28 88, RGB 87 4 29 and RGB 29 87 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 4 28 88 shade: RGB 4 28 88, RGB 79 4 87, RGB 87 62 4 and RGB 12 87 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 4 28 88 shade: RGB 4 28 88, RGB 87 4 70, RGB 87 62 4 and RGB 4 87 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 68 / 0 / 65

HEX #041C58

RGB 4 28 88

HSL 222.86, 0.91%, 0.18%

LAB 12.99, 18.11, -38.46

 

Complementary color

CMYK 0 / 10 / 33 / 2

HEX #FBE3A7

RGB 251 227 167

HSL 42.86, 0.91%, 0.82%

LAB 90.89, -0.28, 32.34

 

CMYK 89 / 66 / 0 / 67

HEX #091C53

RGB 9 28 83

HSL 224.59, 0.8%, 0.18%

LAB 12.69, 16.39, -35.56

 

CMYK 75 / 55 / 0 / 60

HEX #1A2E66

RGB 26 46 102

HSL 224.21, 0.59%, 0.25%

LAB 20.57, 13.37, -35.37

 

CMYK 64 / 47 / 0 / 53

HEX #2B4079

RGB 43 64 121

HSL 223.85, 0.48%, 0.32%

LAB 28.28, 11.3, -35.09

 

CMYK 57 / 41 / 0 / 45

HEX #3C528C

RGB 60 82 140

HSL 223.5, 0.4%, 0.39%

LAB 35.77, 9.83, -34.85

 

CMYK 52 / 37 / 0 / 38

HEX #4D649F

RGB 77 100 159

HSL 223.17, 0.35%, 0.46%

LAB 43.06, 8.72, -34.68

 

CMYK 95 / 68 / 0 / 65

HEX #041C58

RGB 4 28 88

HSL 222.86, 0.91%, 0.18%

LAB 12.99, 18.11, -38.46

 

CMYK 100 / 86 / 0 / 73

HEX #000A45

RGB 0 10 69

HSL 231.3, 1%, 0.14%

LAB 5.84, 21.72, -37.13

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 100 / 100 / 0 / 95

HEX #00000C

RGB 0 0 12

HSL 240, 1%, 0.02%

LAB 0.24, 1.68, -4.58

 

CMYK 95 / 69 / 0 / 66

HEX #041B57

RGB 4 27 87

HSL 223.37, 0.91%, 0.18%

LAB 12.59, 18.43, -38.44

 

CMYK 95 / 94 / 0 / 66

HEX #040557

RGB 4 5 87

HSL 239.28, 0.91%, 0.18%

LAB 7.43, 32.89, -46.98

 

CMYK 71 / 95 / 0 / 66

HEX #190457

RGB 25 4 87

HSL 255.18, 0.91%, 0.18%

LAB 8.84, 34.67, -44.59

 

CMYK 46 / 95 / 0 / 66

HEX #2F0457

RGB 47 4 87

HSL 271.08, 0.91%, 0.18%

LAB 11.82, 36.97, -39.57

 

CMYK 20 / 95 / 0 / 66

HEX #460457

RGB 70 4 87

HSL 287.71, 0.91%, 0.18%

LAB 15.89, 40.57, -32.76

 

CMYK 95 / 69 / 0 / 66

HEX #041B57

RGB 4 27 87

HSL 223.37, 0.91%, 0.18%

LAB 12.59, 18.43, -38.44

 

CMYK 95 / 94 / 0 / 66

HEX #040557

RGB 4 5 87

HSL 239.28, 0.91%, 0.18%

LAB 7.43, 32.89, -46.98

 

CMYK 95 / 95 / 0 / 66

HEX #040457

RGB 4 4 87

HSL 240, 0.91%, 0.18%

LAB 7.23, 33.47, -47.31

 

CMYK 95 / 69 / 0 / 66

HEX #041B57

RGB 4 27 87

HSL 223.37, 0.91%, 0.18%

LAB 12.59, 18.43, -38.44

 

CMYK 95 / 69 / 0 / 66

HEX #041B57

RGB 4 27 87

HSL 223.37, 0.91%, 0.18%

LAB 12.59, 18.43, -38.44

 

CMYK 86 / 61 / 0 / 69

HEX #0B1F50

RGB 11 31 80

HSL 222.61, 0.76%, 0.18%

LAB 13.41, 12.98, -32.33

 

CMYK 75 / 53 / 0 / 72

HEX #122248

RGB 18 34 72

HSL 222.22, 0.6%, 0.18%

LAB 14.06, 8.26, -25.78

 

CMYK 60 / 43 / 0 / 75

HEX #1A2541

RGB 26 37 65

HSL 223.08, 0.43%, 0.18%

LAB 15.09, 5, -19.27

 

CMYK 42 / 30 / 0 / 78

HEX #212839

RGB 33 40 57

HSL 222.5, 0.27%, 0.18%

LAB 16.19, 2.11, -11.93

 

CMYK 95 / 16 / 0 / 66

HEX #044957

RGB 4 73 87

HSL 190.12, 0.91%, 0.18%

LAB 28.06, -13.8, -13.84

 

CMYK 95 / 41 / 0 / 66

HEX #043357

RGB 4 51 87

HSL 206.02, 0.91%, 0.18%

LAB 20.37, 0.45, -25.87

 

CMYK 95 / 67 / 0 / 66

HEX #041D57

RGB 4 29 87

HSL 221.93, 0.91%, 0.18%

LAB 13.19, 16.91, -37.47

 

CMYK 95 / 93 / 0 / 66

HEX #040657

RGB 4 6 87

HSL 238.55, 0.91%, 0.18%

LAB 7.63, 32.31, -46.65

 

CMYK 74 / 95 / 0 / 66

HEX #170457

RGB 23 4 87

HSL 253.73, 0.91%, 0.18%

LAB 8.63, 34.52, -44.95

 

CMYK 100 / 75 / 0 / 97

HEX #000208

RGB 0 2 8

HSL 225, 1%, 0.02%

LAB 0.55, 0.31, -2.46

 

CMYK 96 / 69 / 0 / 81

HEX #020F30

RGB 2 15 48

HSL 223.04, 0.92%, 0.1%

LAB 5.13, 7.76, -23.07

 

CMYK 95 / 69 / 0 / 66

HEX #041B57

RGB 4 27 87

HSL 223.37, 0.91%, 0.18%

LAB 12.59, 18.43, -38.44

 

CMYK 96 / 69 / 0 / 50

HEX #05287F

RGB 5 40 127

HSL 222.79, 0.92%, 0.26%

LAB 20.37, 26.13, -51.79

 

CMYK 96 / 68 / 0 / 35

HEX #0735A6

RGB 7 53 166

HSL 222.64, 0.92%, 0.34%

LAB 27.69, 32.99, -63.82

 

CMYK 95 / 68 / 0 / 65

HEX #041C58

RGB 4 28 88

HSL 222.86, 0.91%, 0.18%

LAB 12.99, 18.11, -38.46

 

CMYK 9 / 95 / 0 / 66

HEX #4F0457

RGB 79 4 87

HSL 294.22, 0.91%, 0.18%

LAB 17.63, 42.23, -29.85

 

CMYK 29 / 0 / 95 / 66

HEX #3E5704

RGB 62 87 4

HSL 78.07, 0.91%, 0.18%

LAB 33.67, -21.67, 39.41

 

CMYK 95 / 68 / 0 / 65

HEX #041C58

RGB 4 28 88

HSL 222.86, 0.91%, 0.18%

LAB 12.99, 18.11, -38.46

 

CMYK 0 / 95 / 67 / 66

HEX #57041D

RGB 87 4 29

HSL 341.93, 0.91%, 0.18%

LAB 16.51, 36.57, 9.58

 

CMYK 67 / 0 / 95 / 66

HEX #1D5704

RGB 29 87 4

HSL 101.93, 0.91%, 0.18%

LAB 32, -33.91, 37.34

 

CMYK 95 / 68 / 0 / 65

HEX #041C58

RGB 4 28 88

HSL 222.86, 0.91%, 0.18%

LAB 12.99, 18.11, -38.46

 

CMYK 9 / 95 / 0 / 66

HEX #4F0457

RGB 79 4 87

HSL 294.22, 0.91%, 0.18%

LAB 17.63, 42.23, -29.85

 

CMYK 0 / 29 / 95 / 66

HEX #573E04

RGB 87 62 4

HSL 41.93, 0.91%, 0.18%

LAB 28.06, 5.51, 35.89

 

CMYK 86 / 0 / 95 / 66

HEX #0C5704

RGB 12 87 4

HSL 114.22, 0.91%, 0.18%

LAB 31.59, -37.48, 36.82

 

CMYK 95 / 68 / 0 / 65

HEX #041C58

RGB 4 28 88

HSL 222.86, 0.91%, 0.18%

LAB 12.99, 18.11, -38.46

 

CMYK 0 / 95 / 20 / 66

HEX #570446

RGB 87 4 70

HSL 312.29, 0.91%, 0.18%

LAB 18.17, 41.06, -17.28

 

CMYK 0 / 29 / 95 / 66

HEX #573E04

RGB 87 62 4

HSL 41.93, 0.91%, 0.18%

LAB 28.06, 5.51, 35.89

 

CMYK 95 / 0 / 77 / 66

HEX #045714

RGB 4 87 20

HSL 131.57, 0.91%, 0.18%

LAB 31.56, -37.33, 31.02

 

Description

Color code: RGB 4 28 88 | qconv.com Color code: RGB 4 28 88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 28 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 28 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 68 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 68% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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