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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 244 129 it is the complementary color RGB 251 11 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 244 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 4 244 129 shade: RGB 9 244 124, RGB 26 255 143, RGB 43 255 162, RGB 60 255 181 and RGB 77 255 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 244 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 4 244 129 shade: RGB 4 244 129, RGB 0 226 110, RGB 0 208 91, RGB 0 190 72 and RGB 0 172 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 4 244 129 shade: RGB 3 246 130, RGB 3 246 64, RGB 8 246 3, RGB 73 246 3 and RGB 138 246 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 4 244 129 shade: RGB 3 246 130, RGB 3 246 195, RGB 3 231 246, RGB 3 166 246 and RGB 3 100 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 4 244 129 shade matches the following richer shades: RGB 3 246 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 4 244 129 shade: RGB 3 246 130, RGB 23 225 129, RGB 44 205 128, RGB 64 185 127 and RGB 84 165 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 4 244 129 shade: RGB 7 246 3, RGB 3 246 64, RGB 3 246 128, RGB 3 246 193 and RGB 3 234 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 4 244 129 shade: RGB 2 164 87, RGB 3 205 108, RGB 3 246 130, RGB 39 251 150 and RGB 80 252 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 4 244 129 shade: RGB 4 244 129, RGB 3 72 246 and RGB 246 32 3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 4 244 129 shade: RGB 4 244 129, RGB 128 3 246 and RGB 246 128 3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 4 244 129 shade: RGB 4 244 129, RGB 3 72 246, RGB 246 3 120 and RGB 246 177 3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 4 244 129 shade: RGB 4 244 129, RGB 7 3 246, RGB 246 3 120 and RGB 242 246 3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 47 / 4

HEX #04F481

RGB 4 244 129

HSL 151.25, 0.97%, 0.49%

LAB 85.16, -73.04, 41.92

 

Complementary color

CMYK 0 / 96 / 50 / 2

HEX #FB0B7E

RGB 251 11 126

HSL 331.25, 0.97%, 0.51%

LAB 54.3, 82.82, 4.32

 

CMYK 96 / 0 / 49 / 4

HEX #09F47C

RGB 9 244 124

HSL 149.36, 0.93%, 0.5%

LAB 85.11, -73.7, 44.26

 

CMYK 90 / 0 / 44 / 0

HEX #1AFF8F

RGB 26 255 143

HSL 150.66, 1%, 0.55%

LAB 88.79, -73.45, 39.8

 

CMYK 83 / 0 / 36 / 0

HEX #2BFFA2

RGB 43 255 162

HSL 153.68, 1%, 0.58%

LAB 89.23, -68.89, 31.02

 

CMYK 76 / 0 / 29 / 0

HEX #3CFFB5

RGB 60 255 181

HSL 157.23, 1%, 0.62%

LAB 89.77, -63.46, 22.2

 

CMYK 70 / 0 / 22 / 0

HEX #4DFFC8

RGB 77 255 200

HSL 161.46, 1%, 0.65%

LAB 90.44, -57.23, 13.45

 

CMYK 98 / 0 / 47 / 4

HEX #04F481

RGB 4 244 129

HSL 151.25, 0.97%, 0.49%

LAB 85.16, -73.04, 41.92

 

CMYK 100 / 0 / 51 / 11

HEX #00E26E

RGB 0 226 110

HSL 149.2, 1%, 0.44%

LAB 79.34, -70.47, 43.76

 

CMYK 100 / 0 / 56 / 18

HEX #00D05B

RGB 0 208 91

HSL 146.25, 1%, 0.41%

LAB 73.46, -67.63, 45.58

 

CMYK 100 / 0 / 62 / 25

HEX #00BE48

RGB 0 190 72

HSL 142.74, 1%, 0.37%

LAB 67.5, -64.59, 47.29

 

CMYK 100 / 0 / 69 / 33

HEX #00AC35

RGB 0 172 53

HSL 138.49, 1%, 0.34%

LAB 61.45, -61.28, 48.73

 

CMYK 99 / 0 / 47 / 4

HEX #03F682

RGB 3 246 130

HSL 151.36, 0.98%, 0.49%

LAB 85.78, -73.54, 42.22

 

CMYK 99 / 0 / 74 / 4

HEX #03F640

RGB 3 246 64

HSL 135.06, 0.98%, 0.49%

LAB 85.15, -81.34, 69.16

 

CMYK 97 / 0 / 99 / 4

HEX #08F603

RGB 8 246 3

HSL 118.77, 0.98%, 0.49%

LAB 84.98, -83.58, 80.74

 

CMYK 70 / 0 / 99 / 4

HEX #49F603

RGB 73 246 3

HSL 102.72, 0.98%, 0.49%

LAB 85.67, -77.42, 81.59

 

CMYK 44 / 0 / 99 / 4

HEX #8AF603

RGB 138 246 3

HSL 86.67, 0.98%, 0.49%

LAB 87.64, -61.55, 83.98

 

CMYK 99 / 0 / 47 / 4

HEX #03F682

RGB 3 246 130

HSL 151.36, 0.98%, 0.49%

LAB 85.78, -73.54, 42.22

 

CMYK 99 / 0 / 21 / 4

HEX #03F6C3

RGB 3 246 195

HSL 167.41, 0.98%, 0.49%

LAB 86.93, -60.31, 10.94

 

CMYK 99 / 6 / 0 / 4

HEX #03E7F6

RGB 3 231 246

HSL 183.7, 0.98%, 0.49%

LAB 83.87, -40.08, -20.33

 

CMYK 99 / 33 / 0 / 4

HEX #03A6F6

RGB 3 166 246

HSL 199.75, 0.98%, 0.49%

LAB 64.92, -7.2, -49.66

 

CMYK 99 / 59 / 0 / 4

HEX #0364F6

RGB 3 100 246

HSL 216.05, 0.98%, 0.49%

LAB 46.69, 33.13, -78.99

 

CMYK 99 / 0 / 47 / 4

HEX #03F682

RGB 3 246 130

HSL 151.36, 0.98%, 0.49%

LAB 85.78, -73.54, 42.22

 

CMYK 99 / 0 / 47 / 4

HEX #03F682

RGB 3 246 130

HSL 151.36, 0.98%, 0.49%

LAB 85.78, -73.54, 42.22

 

CMYK 90 / 0 / 43 / 12

HEX #17E181

RGB 23 225 129

HSL 151.49, 0.81%, 0.49%

LAB 79.4, -66.12, 34.54

 

CMYK 79 / 0 / 38 / 20

HEX #2CCD80

RGB 44 205 128

HSL 151.3, 0.65%, 0.49%

LAB 73.39, -57.56, 27.17

 

CMYK 65 / 0 / 31 / 27

HEX #40B97F

RGB 64 185 127

HSL 151.24, 0.49%, 0.49%

LAB 67.52, -47.09, 19.83

 

CMYK 49 / 0 / 24 / 35

HEX #54A57E

RGB 84 165 126

HSL 151.11, 0.33%, 0.49%

LAB 61.91, -34.15, 12.71

 

CMYK 97 / 0 / 99 / 4

HEX #07F603

RGB 7 246 3

HSL 119.01, 0.98%, 0.49%

LAB 84.98, -83.61, 80.74

 

CMYK 99 / 0 / 74 / 4

HEX #03F640

RGB 3 246 64

HSL 135.06, 0.98%, 0.49%

LAB 85.15, -81.34, 69.16

 

CMYK 99 / 0 / 48 / 4

HEX #03F680

RGB 3 246 128

HSL 150.86, 0.98%, 0.49%

LAB 85.75, -73.86, 43.15

 

CMYK 99 / 0 / 22 / 4

HEX #03F6C1

RGB 3 246 193

HSL 166.91, 0.98%, 0.49%

LAB 86.89, -60.79, 11.92

 

CMYK 99 / 5 / 0 / 4

HEX #03EAF6

RGB 3 234 246

HSL 182.96, 0.98%, 0.49%

LAB 84.75, -41.44, -19

 

CMYK 99 / 0 / 47 / 36

HEX #02A457

RGB 2 164 87

HSL 151.48, 0.98%, 0.33%

LAB 59.21, -53.84, 29.97

 

CMYK 99 / 0 / 47 / 20

HEX #03CD6C

RGB 3 205 108

HSL 151.19, 0.97%, 0.41%

LAB 72.74, -63.95, 36.47

 

CMYK 99 / 0 / 47 / 4

HEX #03F682

RGB 3 246 130

HSL 151.36, 0.98%, 0.49%

LAB 85.78, -73.54, 42.22

 

CMYK 84 / 0 / 40 / 2

HEX #27FB96

RGB 39 251 150

HSL 151.42, 0.96%, 0.57%

LAB 87.79, -70.07, 35.08

 

CMYK 68 / 0 / 33 / 1

HEX #50FCA9

RGB 80 252 169

HSL 151.05, 0.97%, 0.65%

LAB 89.01, -62.14, 27.3

 

CMYK 98 / 0 / 47 / 4

HEX #04F481

RGB 4 244 129

HSL 151.25, 0.97%, 0.49%

LAB 85.16, -73.04, 41.92

 

CMYK 99 / 71 / 0 / 4

HEX #0348F6

RGB 3 72 246

HSL 222.96, 0.98%, 0.49%

LAB 40.09, 50.51, -89.84

 

CMYK 0 / 87 / 99 / 4

HEX #F62003

RGB 246 32 3

HSL 7.16, 0.98%, 0.49%

LAB 52.54, 74.62, 65.08

 

CMYK 98 / 0 / 47 / 4

HEX #04F481

RGB 4 244 129

HSL 151.25, 0.97%, 0.49%

LAB 85.16, -73.04, 41.92

 

CMYK 48 / 99 / 0 / 4

HEX #8003F6

RGB 128 3 246

HSL 270.86, 0.98%, 0.49%

LAB 40.09, 80.98, -89.6

 

CMYK 0 / 48 / 99 / 4

HEX #F68003

RGB 246 128 3

HSL 30.86, 0.98%, 0.49%

LAB 65.78, 39.34, 72.17

 

CMYK 98 / 0 / 47 / 4

HEX #04F481

RGB 4 244 129

HSL 151.25, 0.97%, 0.49%

LAB 85.16, -73.04, 41.92

 

CMYK 99 / 71 / 0 / 4

HEX #0348F6

RGB 3 72 246

HSL 222.96, 0.98%, 0.49%

LAB 40.09, 50.51, -89.84

 

CMYK 0 / 99 / 51 / 4

HEX #F60378

RGB 246 3 120

HSL 331.11, 0.98%, 0.49%

LAB 52.96, 81.84, 5.9

 

CMYK 0 / 28 / 99 / 4

HEX #F6B103

RGB 246 177 3

HSL 42.96, 0.98%, 0.49%

LAB 76.71, 13.87, 79.31

 

CMYK 98 / 0 / 47 / 4

HEX #04F481

RGB 4 244 129

HSL 151.25, 0.97%, 0.49%

LAB 85.16, -73.04, 41.92

 

CMYK 97 / 99 / 0 / 4

HEX #0703F6

RGB 7 3 246

HSL 240.99, 0.98%, 0.49%

LAB 31.26, 76.63, -104.53

 

CMYK 0 / 99 / 51 / 4

HEX #F60378

RGB 246 3 120

HSL 331.11, 0.98%, 0.49%

LAB 52.96, 81.84, 5.9

 

CMYK 2 / 0 / 99 / 4

HEX #F2F603

RGB 242 246 3

HSL 60.99, 0.98%, 0.49%

LAB 93.79, -22.6, 91.36

 

Description

Color code: RGB 4 244 129 | qconv.com Color code: RGB 4 244 129 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 244 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 244 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 47 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 47% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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