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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 153 121 it is the complementary color RGB 251 102 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 153 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 4 153 121 shade: RGB 9 153 116, RGB 26 171 135, RGB 43 189 154, RGB 60 207 173 and RGB 77 225 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 153 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 4 153 121 shade: RGB 4 153 121, RGB 0 135 102, RGB 0 117 83, RGB 0 99 64 and RGB 0 81 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 4 153 121 shade: RGB 3 154 121, RGB 3 154 81, RGB 3 154 40, RGB 7 154 3 and RGB 48 154 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 4 153 121 shade: RGB 3 154 121, RGB 3 145 154, RGB 3 105 154, RGB 3 64 154 and RGB 3 24 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 4 153 121 shade matches the following richer shades: RGB 3 154 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 4 153 121 shade: RGB 3 154 121, RGB 16 141 114, RGB 29 128 107, RGB 42 115 99 and RGB 55 102 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 4 153 121 shade: RGB 3 154 41, RGB 3 154 81, RGB 3 154 121, RGB 3 146 154 and RGB 3 106 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 4 153 121 shade: RGB 1 73 58, RGB 2 113 90, RGB 3 154 121, RGB 4 194 153 and RGB 6 234 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 4 153 121 shade: RGB 4 153 121, RGB 3 6 154 and RGB 154 61 3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 4 153 121 shade: RGB 4 153 121, RGB 121 3 154 and RGB 154 121 3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 4 153 121 shade: RGB 4 153 121, RGB 3 6 154, RGB 154 3 36 and RGB 154 151 3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 4 153 121 shade: RGB 4 153 121, RGB 46 3 154, RGB 154 3 36 and RGB 111 154 3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 21 / 40

HEX #049979

RGB 4 153 121

HSL 167.11, 0.95%, 0.31%

LAB 56.28, -41.98, 7.3

 

Complementary color

CMYK 0 / 59 / 47 / 2

HEX #FB6686

RGB 251 102 134

HSL 347.11, 0.95%, 0.69%

LAB 63.12, 59.43, 12.17

 

CMYK 94 / 0 / 24 / 40

HEX #099974

RGB 9 153 116

HSL 164.58, 0.89%, 0.32%

LAB 56.19, -43.04, 10.02

 

CMYK 85 / 0 / 21 / 33

HEX #1AAB87

RGB 26 171 135

HSL 165.1, 0.74%, 0.39%

LAB 62.59, -44.54, 8.46

 

CMYK 77 / 0 / 19 / 26

HEX #2BBD9A

RGB 43 189 154

HSL 165.62, 0.63%, 0.45%

LAB 68.93, -45.59, 7.08

 

CMYK 71 / 0 / 16 / 19

HEX #3CCFAD

RGB 60 207 173

HSL 166.12, 0.6%, 0.52%

LAB 75.2, -46.31, 5.84

 

CMYK 66 / 0 / 15 / 12

HEX #4DE1C0

RGB 77 225 192

HSL 166.62, 0.71%, 0.59%

LAB 81.42, -46.79, 4.71

 

CMYK 97 / 0 / 21 / 40

HEX #049979

RGB 4 153 121

HSL 167.11, 0.95%, 0.31%

LAB 56.28, -41.98, 7.3

 

CMYK 100 / 0 / 24 / 47

HEX #008766

RGB 0 135 102

HSL 165.33, 1%, 0.26%

LAB 49.84, -39.68, 9.05

 

CMYK 100 / 0 / 29 / 54

HEX #007553

RGB 0 117 83

HSL 162.56, 1%, 0.23%

LAB 43.28, -37.11, 10.96

 

CMYK 100 / 0 / 35 / 61

HEX #006340

RGB 0 99 64

HSL 158.79, 1%, 0.19%

LAB 36.54, -34.42, 12.99

 

CMYK 100 / 0 / 44 / 68

HEX #00512D

RGB 0 81 45

HSL 153.33, 1%, 0.16%

LAB 29.6, -31.54, 15.18

 

CMYK 98 / 0 / 21 / 40

HEX #039A79

RGB 3 154 121

HSL 166.89, 0.96%, 0.31%

LAB 56.6, -42.45, 7.76

 

CMYK 98 / 0 / 47 / 40

HEX #039A51

RGB 3 154 81

HSL 150.99, 0.96%, 0.31%

LAB 55.81, -51.4, 28.8

 

CMYK 98 / 0 / 74 / 40

HEX #039A28

RGB 3 154 40

HSL 134.7, 0.96%, 0.31%

LAB 55.36, -56.93, 47.48

 

CMYK 95 / 0 / 98 / 40

HEX #079A03

RGB 7 154 3

HSL 118.41, 0.96%, 0.31%

LAB 55.24, -58.63, 56.66

 

CMYK 69 / 0 / 98 / 40

HEX #309A03

RGB 48 154 3

HSL 102.12, 0.96%, 0.31%

LAB 55.83, -53.4, 57.39

 

CMYK 98 / 0 / 21 / 40

HEX #039A79

RGB 3 154 121

HSL 166.89, 0.96%, 0.31%

LAB 56.6, -42.45, 7.76

 

CMYK 98 / 6 / 0 / 40

HEX #03919A

RGB 3 145 154

HSL 183.58, 0.96%, 0.31%

LAB 54.66, -28.52, -13.98

 

CMYK 98 / 32 / 0 / 40

HEX #03699A

RGB 3 105 154

HSL 199.47, 0.96%, 0.31%

LAB 41.93, -6.62, -33.64

 

CMYK 98 / 58 / 0 / 40

HEX #03409A

RGB 3 64 154

HSL 215.76, 0.96%, 0.31%

LAB 29.46, 20.43, -53.65

 

CMYK 98 / 84 / 0 / 40

HEX #03189A

RGB 3 24 154

HSL 231.66, 0.96%, 0.31%

LAB 20.07, 45.78, -69.14

 

CMYK 98 / 0 / 21 / 40

HEX #039A79

RGB 3 154 121

HSL 166.89, 0.96%, 0.31%

LAB 56.6, -42.45, 7.76

 

CMYK 98 / 0 / 21 / 40

HEX #039A79

RGB 3 154 121

HSL 166.89, 0.96%, 0.31%

LAB 56.6, -42.45, 7.76

 

CMYK 89 / 0 / 19 / 45

HEX #108D72

RGB 16 141 114

HSL 167.04, 0.8%, 0.31%

LAB 52.26, -38.09, 5.57

 

CMYK 77 / 0 / 16 / 50

HEX #1D806B

RGB 29 128 107

HSL 167.27, 0.63%, 0.31%

LAB 47.96, -32.91, 3.49

 

CMYK 63 / 0 / 14 / 55

HEX #2A7363

RGB 42 115 99

HSL 166.85, 0.46%, 0.31%

LAB 43.73, -26.76, 2.17

 

CMYK 46 / 0 / 10 / 60

HEX #37665C

RGB 55 102 92

HSL 167.23, 0.3%, 0.31%

LAB 39.73, -18.75, 0.65

 

CMYK 98 / 0 / 73 / 40

HEX #039A29

RGB 3 154 41

HSL 135.1, 0.96%, 0.31%

LAB 55.37, -56.84, 47.11

 

CMYK 98 / 0 / 47 / 40

HEX #039A51

RGB 3 154 81

HSL 150.99, 0.96%, 0.31%

LAB 55.81, -51.4, 28.8

 

CMYK 98 / 0 / 21 / 40

HEX #039A79

RGB 3 154 121

HSL 166.89, 0.96%, 0.31%

LAB 56.6, -42.45, 7.76

 

CMYK 98 / 5 / 0 / 40

HEX #03929A

RGB 3 146 154

HSL 183.18, 0.96%, 0.31%

LAB 54.98, -29.01, -13.5

 

CMYK 98 / 31 / 0 / 40

HEX #036A9A

RGB 3 106 154

HSL 199.07, 0.96%, 0.31%

LAB 42.25, -7.22, -33.14

 

CMYK 99 / 0 / 21 / 71

HEX #01493A

RGB 1 73 58

HSL 167.5, 0.97%, 0.15%

LAB 26.95, -24.39, 3.32

 

CMYK 98 / 0 / 20 / 56

HEX #02715A

RGB 2 113 90

HSL 167.57, 0.97%, 0.23%

LAB 42.09, -33.35, 5.11

 

CMYK 98 / 0 / 21 / 40

HEX #039A79

RGB 3 154 121

HSL 166.89, 0.96%, 0.31%

LAB 56.6, -42.45, 7.76

 

CMYK 98 / 0 / 21 / 24

HEX #04C299

RGB 4 194 153

HSL 167.05, 0.96%, 0.39%

LAB 70.11, -50.42, 9.27

 

CMYK 97 / 0 / 21 / 8

HEX #06EAB9

RGB 6 234 185

HSL 167.11, 0.95%, 0.47%

LAB 83.12, -58.07, 10.73

 

CMYK 97 / 0 / 21 / 40

HEX #049979

RGB 4 153 121

HSL 167.11, 0.95%, 0.31%

LAB 56.28, -41.98, 7.3

 

CMYK 98 / 96 / 0 / 40

HEX #03069A

RGB 3 6 154

HSL 238.81, 0.96%, 0.31%

LAB 17.84, 52.51, -72.86

 

CMYK 0 / 60 / 98 / 40

HEX #9A3D03

RGB 154 61 3

HSL 23.05, 0.96%, 0.31%

LAB 38.22, 36.55, 48.17

 

CMYK 97 / 0 / 21 / 40

HEX #049979

RGB 4 153 121

HSL 167.11, 0.95%, 0.31%

LAB 56.28, -41.98, 7.3

 

CMYK 21 / 98 / 0 / 40

HEX #79039A

RGB 121 3 154

HSL 286.89, 0.96%, 0.31%

LAB 30.55, 61.82, -51.44

 

CMYK 0 / 21 / 98 / 40

HEX #9A7903

RGB 154 121 3

HSL 46.89, 0.96%, 0.31%

LAB 52.45, 3.22, 57.69

 

CMYK 97 / 0 / 21 / 40

HEX #049979

RGB 4 153 121

HSL 167.11, 0.95%, 0.31%

LAB 56.28, -41.98, 7.3

 

CMYK 98 / 96 / 0 / 40

HEX #03069A

RGB 3 6 154

HSL 238.81, 0.96%, 0.31%

LAB 17.84, 52.51, -72.86

 

CMYK 0 / 98 / 77 / 40

HEX #9A0324

RGB 154 3 36

HSL 346.89, 0.96%, 0.31%

LAB 31.95, 55.34, 27.29

 

CMYK 0 / 2 / 98 / 40

HEX #9A9703

RGB 154 151 3

HSL 58.81, 0.96%, 0.31%

LAB 60.79, -13.18, 63.77

 

CMYK 97 / 0 / 21 / 40

HEX #049979

RGB 4 153 121

HSL 167.11, 0.95%, 0.31%

LAB 56.28, -41.98, 7.3

 

CMYK 70 / 98 / 0 / 40

HEX #2E039A

RGB 46 3 154

HSL 257.09, 0.96%, 0.31%

LAB 19.96, 54.5, -69.26

 

CMYK 0 / 98 / 77 / 40

HEX #9A0324

RGB 154 3 36

HSL 346.89, 0.96%, 0.31%

LAB 31.95, 55.34, 27.29

 

CMYK 28 / 0 / 98 / 40

HEX #6F9A03

RGB 111 154 3

HSL 77.09, 0.96%, 0.31%

LAB 58.51, -33.34, 60.64

 

Description

Color code: RGB 4 153 121 | qconv.com Color code: RGB 4 153 121 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 153 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 153 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 21 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 21% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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