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Color name
RGB 49 146 112

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 146 112 it is the complementary color RGB 206 109 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 146 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 146 112 shade: RGB 54 146 107, RGB 71 164 126, RGB 88 182 145, RGB 105 200 164 and RGB 122 218 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 146 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 146 112 shade: RGB 49 146 112, RGB 32 128 93, RGB 15 110 74, RGB 0 92 55 and RGB 0 74 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 146 112 shade: RGB 48 145 111, RGB 48 145 85, RGB 48 145 59, RGB 63 145 48 and RGB 90 145 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 146 112 shade: RGB 48 145 111, RGB 48 145 137, RGB 48 127 145, RGB 48 100 145 and RGB 48 74 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 146 112 shade matches the following richer shades: RGB 48 145 111, RGB 32 161 116, RGB 17 176 120 and RGB 1 192 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 146 112 shade: RGB 48 145 111, RGB 64 129 106, RGB 79 113 102, RGB 95 98 97 and RGB 111 82 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 146 112 shade: RGB 48 145 58, RGB 48 145 83, RGB 48 145 109, RGB 48 145 135 and RGB 48 129 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 146 112 shade: RGB 27 83 63, RGB 38 114 87, RGB 48 145 111, RGB 58 176 135 and RGB 79 196 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 146 112 shade: RGB 49 146 112, RGB 48 64 145 and RGB 145 71 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 146 112 shade: RGB 49 146 112, RGB 109 48 145 and RGB 145 109 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 146 112 shade: RGB 49 146 112, RGB 48 64 145, RGB 145 48 83 and RGB 145 129 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 146 112 shade: RGB 49 146 112, RGB 61 48 145, RGB 145 48 83 and RGB 132 145 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 23 / 43

HEX #319270

RGB 49 146 112

HSL 158.97, 0.5%, 0.38%

LAB 54.43, -36.59, 9.89

 

Complementary color

CMYK 0 / 47 / 31 / 19

HEX #CE6D8F

RGB 206 109 143

HSL 338.97, 0.5%, 0.62%

LAB 58.08, 42.06, -1.14

 

CMYK 63 / 0 / 27 / 43

HEX #36926B

RGB 54 146 107

HSL 154.57, 0.46%, 0.39%

LAB 54.45, -36.79, 12.79

 

CMYK 57 / 0 / 23 / 36

HEX #47A47E

RGB 71 164 126

HSL 155.48, 0.4%, 0.46%

LAB 61.13, -36.86, 11.54

 

CMYK 52 / 0 / 20 / 29

HEX #58B691

RGB 88 182 145

HSL 156.38, 0.39%, 0.53%

LAB 67.71, -36.8, 10.42

 

CMYK 48 / 0 / 18 / 22

HEX #69C8A4

RGB 105 200 164

HSL 157.26, 0.46%, 0.6%

LAB 74.18, -36.67, 9.39

 

CMYK 44 / 0 / 16 / 15

HEX #7ADAB7

RGB 122 218 183

HSL 158.13, 0.56%, 0.67%

LAB 80.57, -36.49, 8.45

 

CMYK 66 / 0 / 23 / 43

HEX #319270

RGB 49 146 112

HSL 158.97, 0.5%, 0.38%

LAB 54.43, -36.59, 9.89

 

CMYK 75 / 0 / 27 / 50

HEX #20805D

RGB 32 128 93

HSL 158.13, 0.6%, 0.31%

LAB 47.67, -36.13, 11.28

 

CMYK 86 / 0 / 33 / 57

HEX #0F6E4A

RGB 15 110 74

HSL 157.26, 0.76%, 0.25%

LAB 40.81, -35.21, 12.89

 

CMYK 100 / 0 / 40 / 64

HEX #005C37

RGB 0 92 55

HSL 155.87, 1%, 0.18%

LAB 33.84, -33.71, 14.75

 

CMYK 100 / 0 / 51 / 71

HEX #004A24

RGB 0 74 36

HSL 149.19, 1%, 0.15%

LAB 26.81, -30.69, 17.01

 

CMYK 67 / 0 / 23 / 43

HEX #30916F

RGB 48 145 111

HSL 158.97, 0.5%, 0.38%

LAB 54.06, -36.57, 9.93

 

CMYK 67 / 0 / 41 / 43

HEX #309155

RGB 48 145 85

HSL 142.89, 0.5%, 0.38%

LAB 53.53, -42.19, 23.81

 

CMYK 67 / 0 / 59 / 43

HEX #30913B

RGB 48 145 59

HSL 126.8, 0.5%, 0.38%

LAB 53.16, -46.35, 36.94

 

CMYK 57 / 0 / 67 / 43

HEX #3F9130

RGB 63 145 48

HSL 110.72, 0.5%, 0.38%

LAB 53.52, -43.96, 42.58

 

CMYK 38 / 0 / 67 / 43

HEX #5A9130

RGB 90 145 48

HSL 94.02, 0.5%, 0.38%

LAB 54.7, -35.28, 44.2

 

CMYK 67 / 0 / 23 / 43

HEX #30916F

RGB 48 145 111

HSL 158.97, 0.5%, 0.38%

LAB 54.06, -36.57, 9.93

 

CMYK 67 / 0 / 6 / 43

HEX #309189

RGB 48 145 137

HSL 175.05, 0.5%, 0.38%

LAB 54.75, -29.67, -4

 

CMYK 67 / 12 / 0 / 43

HEX #307F91

RGB 48 127 145

HSL 191.13, 0.5%, 0.38%

LAB 49.32, -17.98, -16.8

 

CMYK 67 / 31 / 0 / 43

HEX #306491

RGB 48 100 145

HSL 207.84, 0.5%, 0.38%

LAB 40.88, -2.33, -29.86

 

CMYK 67 / 49 / 0 / 43

HEX #304A91

RGB 48 74 145

HSL 223.92, 0.5%, 0.38%

LAB 33.07, 14.5, -42.25

 

CMYK 67 / 0 / 23 / 43

HEX #30916F

RGB 48 145 111

HSL 158.97, 0.5%, 0.38%

LAB 54.06, -36.57, 9.93

 

CMYK 80 / 0 / 28 / 37

HEX #20A174

RGB 32 161 116

HSL 159.07, 0.67%, 0.38%

LAB 59.03, -44.51, 14.03

 

CMYK 90 / 0 / 32 / 31

HEX #11B078

RGB 17 176 120

HSL 158.87, 0.82%, 0.38%

LAB 63.78, -50.75, 18.37

 

CMYK 99 / 0 / 35 / 25

HEX #01C07D

RGB 1 192 125

HSL 158.95, 0.99%, 0.38%

LAB 68.89, -56.29, 22.63

 

CMYK 67 / 0 / 23 / 43

HEX #30916F

RGB 48 145 111

HSL 158.97, 0.5%, 0.38%

LAB 54.06, -36.57, 9.93

 

CMYK 50 / 0 / 18 / 49

HEX #40816A

RGB 64 129 106

HSL 158.77, 0.34%, 0.38%

LAB 49.29, -26.71, 6.13

 

CMYK 30 / 0 / 10 / 56

HEX #4F7166

RGB 79 113 102

HSL 160.59, 0.18%, 0.38%

LAB 44.85, -14.77, 2.19

 

CMYK 3 / 0 / 1 / 62

HEX #5F6261

RGB 95 98 97

HSL 160, 0.02%, 0.38%

LAB 41.27, -1.38, 0.15

 

CMYK 0 / 26 / 17 / 56

HEX #6F525C

RGB 111 82 92

HSL 339.31, 0.15%, 0.38%

LAB 38.18, 13.82, -1.09

 

CMYK 67 / 0 / 60 / 43

HEX #30913A

RGB 48 145 58

HSL 126.19, 0.5%, 0.38%

LAB 53.15, -46.48, 37.41

 

CMYK 67 / 0 / 43 / 43

HEX #309153

RGB 48 145 83

HSL 141.65, 0.5%, 0.38%

LAB 53.5, -42.56, 24.86

 

CMYK 67 / 0 / 25 / 43

HEX #30916D

RGB 48 145 109

HSL 157.73, 0.5%, 0.38%

LAB 54.01, -37.05, 11.01

 

CMYK 67 / 0 / 7 / 43

HEX #309187

RGB 48 145 135

HSL 173.81, 0.5%, 0.38%

LAB 54.69, -30.25, -2.93

 

CMYK 67 / 11 / 0 / 43

HEX #308191

RGB 48 129 145

HSL 189.9, 0.5%, 0.38%

LAB 49.95, -19.06, -15.84

 

CMYK 67 / 0 / 24 / 67

HEX #1B533F

RGB 27 83 63

HSL 158.57, 0.51%, 0.22%

LAB 31.3, -23.76, 6.39

 

CMYK 67 / 0 / 24 / 55

HEX #267257

RGB 38 114 87

HSL 158.68, 0.5%, 0.3%

LAB 42.97, -30.24, 8.23

 

CMYK 67 / 0 / 23 / 43

HEX #30916F

RGB 48 145 111

HSL 158.97, 0.5%, 0.38%

LAB 54.06, -36.57, 9.93

 

CMYK 67 / 0 / 23 / 31

HEX #3AB087

RGB 58 176 135

HSL 159.15, 0.5%, 0.46%

LAB 64.72, -42.62, 11.56

 

CMYK 60 / 0 / 21 / 23

HEX #4FC49B

RGB 79 196 155

HSL 158.97, 0.5%, 0.54%

LAB 71.9, -42.73, 10.88

 

CMYK 66 / 0 / 23 / 43

HEX #319270

RGB 49 146 112

HSL 158.97, 0.5%, 0.38%

LAB 54.43, -36.59, 9.89

 

CMYK 67 / 56 / 0 / 43

HEX #304091

RGB 48 64 145

HSL 230.1, 0.5%, 0.38%

LAB 30.25, 21.23, -46.8

 

CMYK 0 / 51 / 67 / 43

HEX #914730

RGB 145 71 48

HSL 14.23, 0.5%, 0.38%

LAB 39.14, 29.28, 27.99

 

CMYK 66 / 0 / 23 / 43

HEX #319270

RGB 49 146 112

HSL 158.97, 0.5%, 0.38%

LAB 54.43, -36.59, 9.89

 

CMYK 25 / 67 / 0 / 43

HEX #6D3091

RGB 109 48 145

HSL 277.73, 0.5%, 0.38%

LAB 32.72, 44.09, -42.51

 

CMYK 0 / 25 / 67 / 43

HEX #916D30

RGB 145 109 48

HSL 37.73, 0.5%, 0.38%

LAB 48.47, 7.51, 38.7

 

CMYK 66 / 0 / 23 / 43

HEX #319270

RGB 49 146 112

HSL 158.97, 0.5%, 0.38%

LAB 54.43, -36.59, 9.89

 

CMYK 67 / 56 / 0 / 43

HEX #304091

RGB 48 64 145

HSL 230.1, 0.5%, 0.38%

LAB 30.25, 21.23, -46.8

 

CMYK 0 / 67 / 43 / 43

HEX #913053

RGB 145 48 83

HSL 338.35, 0.5%, 0.38%

LAB 35.51, 43.86, 1.31

 

CMYK 0 / 11 / 67 / 43

HEX #918130

RGB 145 129 48

HSL 50.1, 0.5%, 0.38%

LAB 53.96, -3.84, 44.62

 

CMYK 66 / 0 / 23 / 43

HEX #319270

RGB 49 146 112

HSL 158.97, 0.5%, 0.38%

LAB 54.43, -36.59, 9.89

 

CMYK 58 / 67 / 0 / 43

HEX #3D3091

RGB 61 48 145

HSL 248.04, 0.5%, 0.38%

LAB 27.16, 33.93, -51.79

 

CMYK 0 / 67 / 43 / 43

HEX #913053

RGB 145 48 83

HSL 338.35, 0.5%, 0.38%

LAB 35.51, 43.86, 1.31

 

CMYK 9 / 0 / 67 / 43

HEX #849130

RGB 132 145 48

HSL 68.04, 0.5%, 0.38%

LAB 57.43, -18.27, 47.93

 

Description

Color code: RGB 49 146 112 | qconv.com Color code: RGB 49 146 112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 146 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 146 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 23 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 23% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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