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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 128 63 it is the complementary color RGB 206 127 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 128 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 128 63 shade: RGB 54 128 58, RGB 71 146 77, RGB 88 164 96, RGB 105 182 115 and RGB 122 200 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 128 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 128 63 shade: RGB 49 128 63, RGB 32 110 44, RGB 15 92 25, RGB 0 74 6 and RGB 0 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 128 63 shade: RGB 49 129 63, RGB 56 129 49, RGB 78 129 49, RGB 99 129 49 and RGB 121 129 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 128 63 shade: RGB 49 129 63, RGB 49 129 84, RGB 49 129 106, RGB 49 129 128 and RGB 49 108 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 128 63 shade matches the following richer shades: RGB 49 129 63, RGB 34 143 53, RGB 20 158 44 and RGB 5 172 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 128 63 shade: RGB 49 129 63, RGB 63 114 72, RGB 77 100 81, RGB 92 86 91 and RGB 106 71 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 128 63 shade: RGB 78 129 49, RGB 57 129 49, RGB 49 129 62, RGB 49 129 83 and RGB 49 129 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 128 63 shade: RGB 26 69 34, RGB 37 99 48, RGB 49 129 63, RGB 60 159 77 and RGB 74 186 94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 128 63 shade: RGB 49 128 63, RGB 49 99 129 and RGB 129 49 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 128 63 shade: RGB 49 128 63, RGB 62 49 129 and RGB 129 62 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 128 63 shade: RGB 49 128 63, RGB 49 99 129, RGB 129 49 116 and RGB 129 78 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 128 63 shade: RGB 49 128 63, RGB 49 75 129, RGB 129 49 116 and RGB 129 102 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 51 / 50

HEX #31803F

RGB 49 128 63

HSL 130.63, 0.45%, 0.35%

LAB 47.56, -38.85, 28.13

 

Complementary color

CMYK 0 / 38 / 7 / 19

HEX #CE7FC0

RGB 206 127 192

HSL 310.63, 0.45%, 0.65%

LAB 63.43, 40.14, -21.19

 

CMYK 58 / 0 / 55 / 50

HEX #36803A

RGB 54 128 58

HSL 123.24, 0.41%, 0.36%

LAB 47.66, -38.32, 30.93

 

CMYK 51 / 0 / 47 / 43

HEX #47924D

RGB 71 146 77

HSL 124.8, 0.35%, 0.43%

LAB 54.48, -38.39, 29.51

 

CMYK 46 / 0 / 41 / 36

HEX #58A460

RGB 88 164 96

HSL 126.32, 0.3%, 0.49%

LAB 61.19, -38.29, 28.15

 

CMYK 42 / 0 / 37 / 29

HEX #69B673

RGB 105 182 115

HSL 127.79, 0.35%, 0.56%

LAB 67.8, -38.09, 26.86

 

CMYK 39 / 0 / 33 / 22

HEX #7AC886

RGB 122 200 134

HSL 129.23, 0.41%, 0.63%

LAB 74.3, -37.85, 25.66

 

CMYK 62 / 0 / 51 / 50

HEX #31803F

RGB 49 128 63

HSL 130.63, 0.45%, 0.35%

LAB 47.56, -38.85, 28.13

 

CMYK 71 / 0 / 60 / 57

HEX #206E2C

RGB 32 110 44

HSL 129.23, 0.55%, 0.28%

LAB 40.64, -38.35, 29.65

 

CMYK 84 / 0 / 73 / 64

HEX #0F5C19

RGB 15 92 25

HSL 127.79, 0.72%, 0.21%

LAB 33.62, -37.11, 31

 

CMYK 100 / 0 / 92 / 71

HEX #004A06

RGB 0 74 6

HSL 124.86, 1%, 0.15%

LAB 26.48, -34.77, 31.5

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 62 / 0 / 51 / 49

HEX #31813F

RGB 49 129 63

HSL 130.5, 0.45%, 0.35%

LAB 47.9, -39.26, 28.54

 

CMYK 57 / 0 / 62 / 49

HEX #388131

RGB 56 129 49

HSL 114.75, 0.45%, 0.35%

LAB 47.96, -39.37, 35.84

 

CMYK 40 / 0 / 62 / 49

HEX #4E8131

RGB 78 129 49

HSL 98.25, 0.45%, 0.35%

LAB 48.94, -32.26, 37.22

 

CMYK 23 / 0 / 62 / 49

HEX #638131

RGB 99 129 49

HSL 82.5, 0.45%, 0.35%

LAB 50.19, -24.09, 38.96

 

CMYK 6 / 0 / 62 / 49

HEX #798131

RGB 121 129 49

HSL 66, 0.45%, 0.35%

LAB 51.82, -14.61, 41.23

 

CMYK 62 / 0 / 51 / 49

HEX #31813F

RGB 49 129 63

HSL 130.5, 0.45%, 0.35%

LAB 47.9, -39.26, 28.54

 

CMYK 62 / 0 / 35 / 49

HEX #318154

RGB 49 129 84

HSL 146.25, 0.45%, 0.35%

LAB 48.25, -35.39, 17.34

 

CMYK 62 / 0 / 18 / 49

HEX #31816A

RGB 49 129 106

HSL 162.75, 0.45%, 0.35%

LAB 48.75, -30.25, 5.28

 

CMYK 62 / 0 / 1 / 49

HEX #318180

RGB 49 129 128

HSL 179.25, 0.45%, 0.35%

LAB 49.39, -24.15, -6.7

 

CMYK 62 / 16 / 0 / 49

HEX #316C81

RGB 49 108 129

HSL 195.75, 0.45%, 0.35%

LAB 42.71, -12.44, -17.39

 

CMYK 62 / 0 / 51 / 49

HEX #31813F

RGB 49 129 63

HSL 130.5, 0.45%, 0.35%

LAB 47.9, -39.26, 28.54

 

CMYK 76 / 0 / 63 / 44

HEX #228F35

RGB 34 143 53

HSL 130.46, 0.62%, 0.35%

LAB 52.11, -49, 38.52

 

CMYK 87 / 0 / 72 / 38

HEX #149E2C

RGB 20 158 44

HSL 130.43, 0.78%, 0.35%

LAB 56.86, -56.65, 47.53

 

CMYK 97 / 0 / 80 / 33

HEX #05AC23

RGB 5 172 35

HSL 130.78, 0.94%, 0.35%

LAB 61.36, -62.53, 55.14

 

CMYK 62 / 0 / 51 / 49

HEX #31813F

RGB 49 129 63

HSL 130.5, 0.45%, 0.35%

LAB 47.9, -39.26, 28.54

 

CMYK 45 / 0 / 37 / 55

HEX #3F7248

RGB 63 114 72

HSL 130.59, 0.29%, 0.35%

LAB 43.59, -26.99, 18.08

 

CMYK 23 / 0 / 19 / 61

HEX #4D6451

RGB 77 100 81

HSL 130.43, 0.13%, 0.35%

LAB 40.06, -12.87, 8

 

CMYK 0 / 7 / 1 / 64

HEX #5C565B

RGB 92 86 91

HSL 310, 0.03%, 0.35%

LAB 37.27, 3.47, -2.02

 

CMYK 0 / 33 / 6 / 58

HEX #6A4764

RGB 106 71 100

HSL 310.29, 0.2%, 0.35%

LAB 34.98, 20.13, -10.94

 

CMYK 40 / 0 / 62 / 49

HEX #4E8131

RGB 78 129 49

HSL 98.25, 0.45%, 0.35%

LAB 48.94, -32.26, 37.22

 

CMYK 56 / 0 / 62 / 49

HEX #398131

RGB 57 129 49

HSL 114, 0.45%, 0.35%

LAB 48, -39.09, 35.9

 

CMYK 62 / 0 / 52 / 49

HEX #31813E

RGB 49 129 62

HSL 129.75, 0.45%, 0.35%

LAB 47.88, -39.42, 29.06

 

CMYK 62 / 0 / 36 / 49

HEX #318153

RGB 49 129 83

HSL 145.5, 0.45%, 0.35%

LAB 48.23, -35.6, 17.89

 

CMYK 62 / 0 / 19 / 49

HEX #318169

RGB 49 129 105

HSL 162, 0.45%, 0.35%

LAB 48.73, -30.51, 5.83

 

CMYK 62 / 0 / 51 / 73

HEX #1A4522

RGB 26 69 34

HSL 131.16, 0.45%, 0.19%

LAB 25.54, -23.83, 16.74

 

CMYK 63 / 0 / 52 / 61

HEX #256330

RGB 37 99 48

HSL 130.65, 0.46%, 0.27%

LAB 36.99, -32.01, 23.08

 

CMYK 62 / 0 / 51 / 49

HEX #31813F

RGB 49 129 63

HSL 130.5, 0.45%, 0.35%

LAB 47.9, -39.26, 28.54

 

CMYK 62 / 0 / 52 / 38

HEX #3C9F4D

RGB 60 159 77

HSL 130.3, 0.45%, 0.43%

LAB 58.31, -46.55, 34.21

 

CMYK 60 / 0 / 49 / 27

HEX #4ABA5E

RGB 74 186 94

HSL 130.71, 0.45%, 0.51%

LAB 67.56, -51.32, 37.18

 

CMYK 62 / 0 / 51 / 50

HEX #31803F

RGB 49 128 63

HSL 130.63, 0.45%, 0.35%

LAB 47.56, -38.85, 28.13

 

CMYK 62 / 23 / 0 / 49

HEX #316381

RGB 49 99 129

HSL 202.5, 0.45%, 0.35%

LAB 39.85, -7.15, -21.79

 

CMYK 0 / 62 / 48 / 49

HEX #813143

RGB 129 49 67

HSL 346.5, 0.45%, 0.35%

LAB 32.41, 36.2, 6.84

 

CMYK 62 / 0 / 51 / 50

HEX #31803F

RGB 49 128 63

HSL 130.63, 0.45%, 0.35%

LAB 47.56, -38.85, 28.13

 

CMYK 52 / 62 / 0 / 49

HEX #3E3181

RGB 62 49 129

HSL 249.75, 0.45%, 0.35%

LAB 26.17, 28.27, -43.43

 

CMYK 0 / 52 / 62 / 49

HEX #813E31

RGB 129 62 49

HSL 9.75, 0.45%, 0.35%

LAB 34.67, 27.67, 21.34

 

CMYK 62 / 0 / 51 / 50

HEX #31803F

RGB 49 128 63

HSL 130.63, 0.45%, 0.35%

LAB 47.56, -38.85, 28.13

 

CMYK 62 / 23 / 0 / 49

HEX #316381

RGB 49 99 129

HSL 202.5, 0.45%, 0.35%

LAB 39.85, -7.15, -21.79

 

CMYK 0 / 62 / 10 / 49

HEX #813174

RGB 129 49 116

HSL 309.75, 0.45%, 0.35%

LAB 34.24, 43.05, -21.89

 

CMYK 0 / 40 / 62 / 49

HEX #814E31

RGB 129 78 49

HSL 21.75, 0.45%, 0.35%

LAB 38.44, 18.46, 26.02

 

CMYK 62 / 0 / 51 / 50

HEX #31803F

RGB 49 128 63

HSL 130.63, 0.45%, 0.35%

LAB 47.56, -38.85, 28.13

 

CMYK 62 / 42 / 0 / 49

HEX #314B81

RGB 49 75 129

HSL 220.5, 0.45%, 0.35%

LAB 32.41, 8.09, -33.47

 

CMYK 0 / 62 / 10 / 49

HEX #813174

RGB 129 49 116

HSL 309.75, 0.45%, 0.35%

LAB 34.24, 43.05, -21.89

 

CMYK 0 / 21 / 62 / 49

HEX #816631

RGB 129 102 49

HSL 39.75, 0.45%, 0.35%

LAB 44.79, 4.27, 33.54

 

Description

Color code: RGB 49 128 63 | qconv.com Color code: RGB 49 128 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 128 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 128 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 51 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 51% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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