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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 98 246 it is the complementary color RGB 206 157 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 98 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 98 246 shade: RGB 54 98 241, RGB 71 116 255, RGB 88 134 255, RGB 105 152 255 and RGB 122 170 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 98 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 98 246 shade: RGB 49 98 246, RGB 32 80 227, RGB 15 62 208, RGB 0 44 189 and RGB 0 26 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 98 246 shade: RGB 49 98 246, RGB 53 49 246, RGB 106 49 246, RGB 159 49 246 and RGB 212 49 246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 98 246 shade: RGB 49 98 246 and RGB 49 49 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 98 246 shade matches the following richer shades: RGB 49 98 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 98 246 shade: RGB 49 98 246, RGB 66 107 229, RGB 84 115 211, RGB 101 124 194 and RGB 118 133 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 98 246 shade: RGB 49 203 246, RGB 49 151 246, RGB 49 98 246, RGB 52 49 246 and RGB 105 49 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 98 246 shade: RGB 8 57 204, RGB 10 68 244, RGB 49 98 246, RGB 88 128 248 and RGB 128 158 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 98 246 shade: RGB 49 98 246, RGB 236 49 246 and RGB 177 246 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 98 246 shade: RGB 49 98 246, RGB 246 49 98 and RGB 98 246 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 98 246 shade: RGB 49 98 246, RGB 236 49 246, RGB 246 197 49 and RGB 59 246 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 98 246 shade: RGB 49 98 246, RGB 246 49 197, RGB 246 197 49 and RGB 49 246 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 60 / 0 / 4

HEX #3162F6

RGB 49 98 246

HSL 225.08, 0.92%, 0.58%

LAB 47.03, 36.56, -78.41

 

Complementary color

CMYK 0 / 24 / 96 / 19

HEX #CE9D09

RGB 206 157 9

HSL 45.08, 0.92%, 0.42%

LAB 67.47, 7.14, 70.11

 

CMYK 78 / 59 / 0 / 5

HEX #3662F1

RGB 54 98 241

HSL 225.88, 0.87%, 0.58%

LAB 46.8, 35.2, -75.97

 

CMYK 72 / 55 / 0 / 0

HEX #4774FF

RGB 71 116 255

HSL 225.33, 1%, 0.64%

LAB 53, 30.82, -73.64

 

CMYK 65 / 47 / 0 / 0

HEX #5886FF

RGB 88 134 255

HSL 223.47, 1%, 0.67%

LAB 58.36, 22.16, -64.94

 

CMYK 59 / 40 / 0 / 0

HEX #6998FF

RGB 105 152 255

HSL 221.2, 1%, 0.71%

LAB 63.9, 14.34, -56.04

 

CMYK 52 / 33 / 0 / 0

HEX #7AAAFF

RGB 122 170 255

HSL 218.35, 1%, 0.74%

LAB 69.55, 7.37, -47.05

 

CMYK 80 / 60 / 0 / 4

HEX #3162F6

RGB 49 98 246

HSL 225.08, 0.92%, 0.58%

LAB 47.03, 36.56, -78.41

 

CMYK 86 / 65 / 0 / 11

HEX #2050E3

RGB 32 80 227

HSL 225.23, 0.78%, 0.51%

LAB 40.56, 39.74, -78.33

 

CMYK 93 / 70 / 0 / 18

HEX #0F3ED0

RGB 15 62 208

HSL 225.39, 0.87%, 0.44%

LAB 34.19, 43.27, -77.92

 

CMYK 100 / 77 / 0 / 26

HEX #002CBD

RGB 0 44 189

HSL 226.03, 1%, 0.37%

LAB 28.05, 46.85, -76.97

 

CMYK 100 / 85 / 0 / 33

HEX #001AAA

RGB 0 26 170

HSL 230.82, 1%, 0.33%

LAB 22.45, 49.92, -74.93

 

CMYK 80 / 60 / 0 / 4

HEX #3162F6

RGB 49 98 246

HSL 225.08, 0.92%, 0.58%

LAB 47.03, 36.56, -78.41

 

CMYK 78 / 80 / 0 / 4

HEX #3531F6

RGB 53 49 246

HSL 241.22, 0.92%, 0.58%

LAB 37.13, 64.38, -94.72

 

CMYK 57 / 80 / 0 / 4

HEX #6A31F6

RGB 106 49 246

HSL 257.36, 0.92%, 0.58%

LAB 41.08, 68.57, -88.05

 

CMYK 35 / 80 / 0 / 4

HEX #9F31F6

RGB 159 49 246

HSL 273.5, 0.92%, 0.58%

LAB 47.26, 75.26, -77.67

 

CMYK 14 / 80 / 0 / 4

HEX #D431F6

RGB 212 49 246

HSL 289.64, 0.92%, 0.58%

LAB 54.91, 83.7, -64.9

 

CMYK 80 / 60 / 0 / 4

HEX #3162F6

RGB 49 98 246

HSL 225.08, 0.92%, 0.58%

LAB 47.03, 36.56, -78.41

 

CMYK 80 / 80 / 0 / 4

HEX #3131F6

RGB 49 49 246

HSL 240, 0.92%, 0.58%

LAB 36.94, 64.18, -95.04

 

CMYK 80 / 60 / 0 / 4

HEX #3162F6

RGB 49 98 246

HSL 225.08, 0.92%, 0.58%

LAB 47.03, 36.56, -78.41

 

CMYK 80 / 60 / 0 / 4

HEX #3162F6

RGB 49 98 246

HSL 225.08, 0.92%, 0.58%

LAB 47.03, 36.56, -78.41

 

CMYK 71 / 53 / 0 / 10

HEX #426BE5

RGB 66 107 229

HSL 224.91, 0.76%, 0.58%

LAB 48.67, 26.58, -66.16

 

CMYK 60 / 45 / 0 / 17

HEX #5473D3

RGB 84 115 211

HSL 225.35, 0.59%, 0.58%

LAB 50.51, 18.18, -52.97

 

CMYK 48 / 36 / 0 / 24

HEX #657CC2

RGB 101 124 194

HSL 225.16, 0.43%, 0.58%

LAB 53.03, 10.88, -39.22

 

CMYK 33 / 25 / 0 / 31

HEX #7685B1

RGB 118 133 177

HSL 224.75, 0.27%, 0.58%

LAB 55.89, 5.26, -24.96

 

CMYK 80 / 17 / 0 / 4

HEX #31CBF6

RGB 49 203 246

HSL 193.1, 0.92%, 0.58%

LAB 76.08, -24.54, -32.2

 

CMYK 80 / 39 / 0 / 4

HEX #3197F6

RGB 49 151 246

HSL 208.93, 0.92%, 0.58%

LAB 61.17, 3.86, -55.58

 

CMYK 80 / 60 / 0 / 4

HEX #3162F6

RGB 49 98 246

HSL 225.08, 0.92%, 0.58%

LAB 47.03, 36.56, -78.41

 

CMYK 79 / 80 / 0 / 4

HEX #3431F6

RGB 52 49 246

HSL 240.91, 0.92%, 0.58%

LAB 37.08, 64.33, -94.8

 

CMYK 57 / 80 / 0 / 4

HEX #6931F6

RGB 105 49 246

HSL 257.06, 0.92%, 0.58%

LAB 40.98, 68.46, -88.22

 

CMYK 96 / 72 / 0 / 20

HEX #0839CC

RGB 8 57 204

HSL 225, 0.92%, 0.42%

LAB 32.56, 44.69, -78.29

 

CMYK 96 / 72 / 0 / 4

HEX #0A44F4

RGB 10 68 244

HSL 225.13, 0.92%, 0.5%

LAB 39.12, 52.28, -90.32

 

CMYK 80 / 60 / 0 / 4

HEX #3162F6

RGB 49 98 246

HSL 225.08, 0.92%, 0.58%

LAB 47.03, 36.56, -78.41

 

CMYK 65 / 48 / 0 / 3

HEX #5880F8

RGB 88 128 248

HSL 225, 0.92%, 0.66%

LAB 56.38, 23.42, -64.28

 

CMYK 49 / 37 / 0 / 2

HEX #809EF9

RGB 128 158 249

HSL 225.12, 0.91%, 0.74%

LAB 66.43, 13.78, -48.68

 

CMYK 80 / 60 / 0 / 4

HEX #3162F6

RGB 49 98 246

HSL 225.08, 0.92%, 0.58%

LAB 47.03, 36.56, -78.41

 

CMYK 4 / 80 / 0 / 4

HEX #EC31F6

RGB 236 49 246

HSL 296.95, 0.92%, 0.58%

LAB 58.68, 87.89, -58.65

 

CMYK 28 / 0 / 80 / 4

HEX #B1F631

RGB 177 246 49

HSL 81.02, 0.92%, 0.58%

LAB 89.62, -47.25, 79.38

 

CMYK 80 / 60 / 0 / 4

HEX #3162F6

RGB 49 98 246

HSL 225.08, 0.92%, 0.58%

LAB 47.03, 36.56, -78.41

 

CMYK 0 / 80 / 60 / 4

HEX #F63162

RGB 246 49 98

HSL 345.08, 0.92%, 0.58%

LAB 54.73, 73.86, 21.6

 

CMYK 60 / 0 / 80 / 4

HEX #62F631

RGB 98 246 49

HSL 105.08, 0.92%, 0.58%

LAB 86.37, -71.15, 75.22

 

CMYK 80 / 60 / 0 / 4

HEX #3162F6

RGB 49 98 246

HSL 225.08, 0.92%, 0.58%

LAB 47.03, 36.56, -78.41

 

CMYK 4 / 80 / 0 / 4

HEX #EC31F6

RGB 236 49 246

HSL 296.95, 0.92%, 0.58%

LAB 58.68, 87.89, -58.65

 

CMYK 0 / 20 / 80 / 4

HEX #F6C531

RGB 246 197 49

HSL 45.08, 0.92%, 0.58%

LAB 81.7, 4.26, 74.31

 

CMYK 76 / 0 / 80 / 4

HEX #3BF631

RGB 59 246 49

HSL 116.95, 0.92%, 0.58%

LAB 85.54, -78.2, 74.14

 

CMYK 80 / 60 / 0 / 4

HEX #3162F6

RGB 49 98 246

HSL 225.08, 0.92%, 0.58%

LAB 47.03, 36.56, -78.41

 

CMYK 0 / 80 / 20 / 4

HEX #F631C5

RGB 246 49 197

HSL 314.92, 0.92%, 0.58%

LAB 57.87, 83.03, -32.13

 

CMYK 0 / 20 / 80 / 4

HEX #F6C531

RGB 246 197 49

HSL 45.08, 0.92%, 0.58%

LAB 81.7, 4.26, 74.31

 

CMYK 80 / 0 / 60 / 4

HEX #31F662

RGB 49 246 98

HSL 134.92, 0.92%, 0.58%

LAB 85.73, -75.3, 56.88

 

Description

Color code: RGB 49 98 246 | qconv.com Color code: RGB 49 98 246 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 98 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 98 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 60 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 60% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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