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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 94 42 it is the complementary color RGB 206 161 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 94 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 94 42 shade: RGB 54 94 37, RGB 71 112 56, RGB 88 130 75, RGB 105 148 94 and RGB 122 166 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 94 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 94 42 shade: RGB 49 94 42, RGB 32 76 23, RGB 15 58 4, RGB 0 40 0 and RGB 0 22 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 94 42 shade: RGB 49 95 42, RGB 63 95 42, RGB 77 95 42, RGB 92 95 42 and RGB 95 83 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 94 42 shade: RGB 49 95 42, RGB 42 95 49, RGB 42 95 63, RGB 42 95 77 and RGB 42 95 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 94 42 shade matches the following richer shades: RGB 49 95 42, RGB 41 106 31, RGB 33 117 20 and RGB 25 128 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 94 42 shade: RGB 49 95 42, RGB 57 83 53, RGB 66 72 64, RGB 74 61 76 and RGB 82 50 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 94 42 shade: RGB 78 95 42, RGB 64 95 42, RGB 50 95 42, RGB 42 95 48 and RGB 42 95 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 94 42 shade: RGB 19 38 17, RGB 34 66 29, RGB 49 95 42, RGB 64 123 55 and RGB 79 151 68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 94 42 shade: RGB 49 94 42, RGB 42 92 95 and RGB 95 42 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 94 42 shade: RGB 49 94 42, RGB 42 50 95 and RGB 95 42 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 94 42 shade: RGB 49 94 42, RGB 42 92 95, RGB 87 42 95 and RGB 95 45 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 94 42 shade: RGB 49 94 42, RGB 42 76 95, RGB 87 42 95 and RGB 95 61 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 55 / 63

HEX #315E2A

RGB 49 94 42

HSL 111.92, 0.38%, 0.27%

LAB 35.65, -27.05, 24.89

 

Complementary color

CMYK 3 / 24 / 0 / 16

HEX #CEA1D5

RGB 206 161 213

HSL 291.92, 0.38%, 0.73%

LAB 71.84, 25.58, -20.08

 

CMYK 43 / 0 / 61 / 63

HEX #365E25

RGB 54 94 37

HSL 102.11, 0.44%, 0.26%

LAB 35.84, -25.93, 27.89

 

CMYK 37 / 0 / 50 / 56

HEX #477038

RGB 71 112 56

HSL 103.93, 0.33%, 0.33%

LAB 43.08, -25.88, 26.56

 

CMYK 32 / 0 / 42 / 49

HEX #58824B

RGB 88 130 75

HSL 105.82, 0.27%, 0.4%

LAB 50.15, -25.71, 25.24

 

CMYK 29 / 0 / 36 / 42

HEX #69945E

RGB 105 148 94

HSL 107.78, 0.22%, 0.47%

LAB 57.07, -25.51, 23.98

 

CMYK 27 / 0 / 32 / 35

HEX #7AA671

RGB 122 166 113

HSL 109.81, 0.23%, 0.55%

LAB 63.84, -25.3, 22.8

 

CMYK 48 / 0 / 55 / 63

HEX #315E2A

RGB 49 94 42

HSL 111.92, 0.38%, 0.27%

LAB 35.65, -27.05, 24.89

 

CMYK 58 / 0 / 70 / 70

HEX #204C17

RGB 32 76 23

HSL 109.81, 0.54%, 0.19%

LAB 28.22, -26.9, 26.21

 

CMYK 74 / 0 / 93 / 77

HEX #0F3A04

RGB 15 58 4

HSL 107.78, 0.87%, 0.12%

LAB 20.58, -26.11, 26.49

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 48 / 0 / 56 / 63

HEX #315F2A

RGB 49 95 42

HSL 112.08, 0.39%, 0.27%

LAB 35.99, -27.52, 25.31

 

CMYK 34 / 0 / 56 / 63

HEX #3F5F2A

RGB 63 95 42

HSL 96.23, 0.39%, 0.27%

LAB 36.76, -22.31, 26.41

 

CMYK 19 / 0 / 56 / 63

HEX #4D5F2A

RGB 77 95 42

HSL 80.38, 0.39%, 0.27%

LAB 37.72, -16.4, 27.79

 

CMYK 3 / 0 / 56 / 63

HEX #5C5F2A

RGB 92 95 42

HSL 63.4, 0.39%, 0.27%

LAB 38.94, -9.58, 29.54

 

CMYK 0 / 13 / 56 / 63

HEX #5F532A

RGB 95 83 42

HSL 46.42, 0.39%, 0.27%

LAB 35.57, -1.08, 25.61

 

CMYK 48 / 0 / 56 / 63

HEX #315F2A

RGB 49 95 42

HSL 112.08, 0.39%, 0.27%

LAB 35.99, -27.52, 25.31

 

CMYK 56 / 0 / 48 / 63

HEX #2A5F31

RGB 42 95 49

HSL 127.92, 0.39%, 0.27%

LAB 35.79, -28.65, 21.03

 

CMYK 56 / 0 / 34 / 63

HEX #2A5F3F

RGB 42 95 63

HSL 143.77, 0.39%, 0.27%

LAB 36.05, -25.9, 13.08

 

CMYK 56 / 0 / 19 / 63

HEX #2A5F4D

RGB 42 95 77

HSL 159.62, 0.39%, 0.27%

LAB 36.39, -22.55, 4.98

 

CMYK 56 / 0 / 3 / 63

HEX #2A5F5C

RGB 42 95 92

HSL 176.6, 0.39%, 0.27%

LAB 36.84, -18.37, -3.67

 

CMYK 48 / 0 / 56 / 63

HEX #315F2A

RGB 49 95 42

HSL 112.08, 0.39%, 0.27%

LAB 35.99, -27.52, 25.31

 

CMYK 61 / 0 / 71 / 58

HEX #296A1F

RGB 41 106 31

HSL 112, 0.55%, 0.27%

LAB 39.37, -36.17, 34.65

 

CMYK 72 / 0 / 83 / 54

HEX #217514

RGB 33 117 20

HSL 111.96, 0.71%, 0.27%

LAB 42.91, -43.19, 42.43

 

CMYK 80 / 0 / 93 / 50

HEX #198009

RGB 25 128 9

HSL 111.93, 0.87%, 0.27%

LAB 46.53, -48.87, 48.42

 

CMYK 48 / 0 / 56 / 63

HEX #315F2A

RGB 49 95 42

HSL 112.08, 0.39%, 0.27%

LAB 35.99, -27.52, 25.31

 

CMYK 31 / 0 / 36 / 67

HEX #395335

RGB 57 83 53

HSL 112, 0.22%, 0.27%

LAB 32.51, -16.6, 14.52

 

CMYK 8 / 0 / 11 / 72

HEX #424840

RGB 66 72 64

HSL 105, 0.06%, 0.27%

LAB 29.82, -4.23, 3.96

 

CMYK 3 / 20 / 0 / 70

HEX #4A3D4C

RGB 74 61 76

HSL 292, 0.11%, 0.27%

LAB 27.61, 8.83, -7

 

CMYK 6 / 43 / 0 / 66

HEX #523257

RGB 82 50 87

HSL 291.89, 0.27%, 0.27%

LAB 26.05, 21.54, -16.52

 

CMYK 18 / 0 / 56 / 63

HEX #4E5F2A

RGB 78 95 42

HSL 79.25, 0.39%, 0.27%

LAB 37.79, -15.96, 27.89

 

CMYK 33 / 0 / 56 / 63

HEX #405F2A

RGB 64 95 42

HSL 95.09, 0.39%, 0.27%

LAB 36.82, -21.91, 26.5

 

CMYK 47 / 0 / 56 / 63

HEX #325F2A

RGB 50 95 42

HSL 110.94, 0.39%, 0.27%

LAB 36.04, -27.18, 25.38

 

CMYK 56 / 0 / 49 / 63

HEX #2A5F30

RGB 42 95 48

HSL 126.79, 0.39%, 0.27%

LAB 35.77, -28.82, 21.59

 

CMYK 56 / 0 / 35 / 63

HEX #2A5F3E

RGB 42 95 62

HSL 142.64, 0.39%, 0.27%

LAB 36.03, -26.11, 13.65

 

CMYK 50 / 0 / 55 / 85

HEX #132611

RGB 19 38 17

HSL 114.29, 0.38%, 0.11%

LAB 13.02, -13.26, 11.34

 

CMYK 48 / 0 / 56 / 74

HEX #22421D

RGB 34 66 29

HSL 111.89, 0.39%, 0.19%

LAB 24.72, -20.55, 18.81

 

CMYK 48 / 0 / 56 / 63

HEX #315F2A

RGB 49 95 42

HSL 112.08, 0.39%, 0.27%

LAB 35.99, -27.52, 25.31

 

CMYK 48 / 0 / 55 / 52

HEX #407B37

RGB 64 123 55

HSL 112.06, 0.38%, 0.35%

LAB 46.35, -33.62, 31.02

 

CMYK 48 / 0 / 55 / 41

HEX #4F9744

RGB 79 151 68

HSL 112.05, 0.38%, 0.43%

LAB 56.3, -39.44, 36.47

 

CMYK 48 / 0 / 55 / 63

HEX #315E2A

RGB 49 94 42

HSL 111.92, 0.38%, 0.27%

LAB 35.65, -27.05, 24.89

 

CMYK 56 / 3 / 0 / 63

HEX #2A5C5F

RGB 42 92 95

HSL 183.4, 0.39%, 0.27%

LAB 35.93, -15.79, -6.87

 

CMYK 0 / 56 / 25 / 63

HEX #5F2A47

RGB 95 42 71

HSL 327.17, 0.39%, 0.27%

LAB 25.39, 27.97, -6.74

 

CMYK 48 / 0 / 55 / 63

HEX #315E2A

RGB 49 94 42

HSL 111.92, 0.38%, 0.27%

LAB 35.65, -27.05, 24.89

 

CMYK 56 / 47 / 0 / 63

HEX #2A325F

RGB 42 50 95

HSL 230.94, 0.39%, 0.27%

LAB 22.3, 11.13, -27.96

 

CMYK 0 / 56 / 47 / 63

HEX #5F2A32

RGB 95 42 50

HSL 350.94, 0.39%, 0.27%

LAB 24.7, 25.01, 6.41

 

CMYK 48 / 0 / 55 / 63

HEX #315E2A

RGB 49 94 42

HSL 111.92, 0.38%, 0.27%

LAB 35.65, -27.05, 24.89

 

CMYK 56 / 3 / 0 / 63

HEX #2A5C5F

RGB 42 92 95

HSL 183.4, 0.39%, 0.27%

LAB 35.93, -15.79, -6.87

 

CMYK 8 / 56 / 0 / 63

HEX #572A5F

RGB 87 42 95

HSL 290.94, 0.39%, 0.27%

LAB 25.29, 29.86, -22.91

 

CMYK 0 / 53 / 56 / 63

HEX #5F2D2A

RGB 95 45 42

HSL 3.4, 0.39%, 0.27%

LAB 25.19, 22.38, 12.45

 

CMYK 48 / 0 / 55 / 63

HEX #315E2A

RGB 49 94 42

HSL 111.92, 0.38%, 0.27%

LAB 35.65, -27.05, 24.89

 

CMYK 56 / 20 / 0 / 63

HEX #2A4C5F

RGB 42 76 95

HSL 201.51, 0.39%, 0.27%

LAB 30.61, -6.29, -14.95

 

CMYK 8 / 56 / 0 / 63

HEX #572A5F

RGB 87 42 95

HSL 290.94, 0.39%, 0.27%

LAB 25.29, 29.86, -22.91

 

CMYK 0 / 36 / 56 / 63

HEX #5F3D2A

RGB 95 61 42

HSL 21.51, 0.39%, 0.27%

LAB 29.25, 12.57, 17.77

 

Description

Color code: RGB 49 94 42 | qconv.com Color code: RGB 49 94 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 94 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 94 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 55 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 55% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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