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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 82 246 it is the complementary color RGB 206 173 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 82 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 82 246 shade: RGB 54 82 241, RGB 71 100 255, RGB 88 118 255, RGB 105 136 255 and RGB 122 154 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 82 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 82 246 shade: RGB 49 82 246, RGB 32 64 227, RGB 15 46 208, RGB 0 28 189 and RGB 0 10 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 82 246 shade: RGB 49 82 246, RGB 69 49 246, RGB 122 49 246, RGB 175 49 246 and RGB 228 49 246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 82 246 shade: RGB 49 82 246 and RGB 49 49 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 82 246 shade matches the following richer shades: RGB 49 82 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 82 246 shade: RGB 49 82 246, RGB 66 93 229, RGB 84 105 211, RGB 101 116 194 and RGB 118 128 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 82 246 shade: RGB 49 190 246, RGB 49 138 246, RGB 49 85 246, RGB 65 49 246 and RGB 118 49 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 82 246 shade: RGB 8 41 204, RGB 10 49 244, RGB 49 82 246, RGB 88 115 248 and RGB 128 148 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 82 246 shade: RGB 49 82 246, RGB 246 49 243 and RGB 164 246 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 82 246 shade: RGB 49 82 246, RGB 246 49 85 and RGB 85 246 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 82 246 shade: RGB 49 82 246, RGB 246 49 243, RGB 246 210 49 and RGB 49 246 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 82 246 shade: RGB 49 82 246, RGB 246 49 184, RGB 246 210 49 and RGB 49 246 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 67 / 0 / 4

HEX #3152F6

RGB 49 82 246

HSL 229.95, 0.92%, 0.58%

LAB 43.27, 46.39, -84.57

 

Complementary color

CMYK 0 / 16 / 96 / 19

HEX #CEAD09

RGB 206 173 9

HSL 49.95, 0.92%, 0.42%

LAB 71.57, -1.39, 73.1

 

CMYK 78 / 66 / 0 / 5

HEX #3652F1

RGB 54 82 241

HSL 231.02, 0.87%, 0.58%

LAB 43.02, 45.05, -82.17

 

CMYK 72 / 61 / 0 / 0

HEX #4764FF

RGB 71 100 255

HSL 230.54, 1%, 0.64%

LAB 49.1, 40.64, -80

 

CMYK 65 / 54 / 0 / 0

HEX #5876FF

RGB 88 118 255

HSL 229.22, 1%, 0.67%

LAB 54.29, 31.88, -71.51

 

CMYK 59 / 47 / 0 / 0

HEX #6988FF

RGB 105 136 255

HSL 227.6, 1%, 0.71%

LAB 59.74, 23.83, -62.69

 

CMYK 52 / 40 / 0 / 0

HEX #7A9AFF

RGB 122 154 255

HSL 225.56, 1%, 0.74%

LAB 65.33, 16.58, -53.71

 

CMYK 80 / 67 / 0 / 4

HEX #3152F6

RGB 49 82 246

HSL 229.95, 0.92%, 0.58%

LAB 43.27, 46.39, -84.57

 

CMYK 86 / 72 / 0 / 11

HEX #2040E3

RGB 32 64 227

HSL 230.15, 0.78%, 0.51%

LAB 36.97, 49.45, -84.24

 

CMYK 93 / 78 / 0 / 18

HEX #0F2ED0

RGB 15 46 208

HSL 230.36, 0.87%, 0.44%

LAB 30.9, 52.51, -83.37

 

CMYK 100 / 85 / 0 / 26

HEX #001CBD

RGB 0 28 189

HSL 231.11, 1%, 0.37%

LAB 25.27, 54.95, -81.59

 

CMYK 100 / 94 / 0 / 33

HEX #000AAA

RGB 0 10 170

HSL 236.47, 1%, 0.33%

LAB 20.52, 55.76, -78.15

 

CMYK 80 / 67 / 0 / 4

HEX #3152F6

RGB 49 82 246

HSL 229.95, 0.92%, 0.58%

LAB 43.27, 46.39, -84.57

 

CMYK 72 / 80 / 0 / 4

HEX #4531F6

RGB 69 49 246

HSL 246.09, 0.92%, 0.58%

LAB 38.05, 65.35, -93.16

 

CMYK 50 / 80 / 0 / 4

HEX #7A31F6

RGB 122 49 246

HSL 262.23, 0.92%, 0.58%

LAB 42.75, 70.36, -85.25

 

CMYK 29 / 80 / 0 / 4

HEX #AF31F6

RGB 175 49 246

HSL 278.38, 0.92%, 0.58%

LAB 49.45, 77.66, -74

 

CMYK 7 / 80 / 0 / 4

HEX #E431F6

RGB 228 49 246

HSL 294.52, 0.92%, 0.58%

LAB 57.41, 86.47, -60.75

 

CMYK 80 / 67 / 0 / 4

HEX #3152F6

RGB 49 82 246

HSL 229.95, 0.92%, 0.58%

LAB 43.27, 46.39, -84.57

 

CMYK 80 / 80 / 0 / 4

HEX #3131F6

RGB 49 49 246

HSL 240, 0.92%, 0.58%

LAB 36.94, 64.18, -95.04

 

CMYK 80 / 67 / 0 / 4

HEX #3152F6

RGB 49 82 246

HSL 229.95, 0.92%, 0.58%

LAB 43.27, 46.39, -84.57

 

CMYK 80 / 67 / 0 / 4

HEX #3152F6

RGB 49 82 246

HSL 229.95, 0.92%, 0.58%

LAB 43.27, 46.39, -84.57

 

CMYK 71 / 59 / 0 / 10

HEX #425DE5

RGB 66 93 229

HSL 230.06, 0.76%, 0.58%

LAB 45.14, 35.35, -71.9

 

CMYK 60 / 50 / 0 / 17

HEX #5469D3

RGB 84 105 211

HSL 230.08, 0.59%, 0.58%

LAB 47.87, 24.39, -57.22

 

CMYK 48 / 40 / 0 / 24

HEX #6574C2

RGB 101 116 194

HSL 230.32, 0.43%, 0.58%

LAB 50.87, 15.73, -42.64

 

CMYK 33 / 28 / 0 / 31

HEX #7680B1

RGB 118 128 177

HSL 229.83, 0.27%, 0.58%

LAB 54.52, 8.2, -27.08

 

CMYK 80 / 23 / 0 / 4

HEX #31BEF6

RGB 49 190 246

HSL 197.06, 0.92%, 0.58%

LAB 72.32, -17.87, -38.03

 

CMYK 80 / 44 / 0 / 4

HEX #318AF6

RGB 49 138 246

HSL 212.89, 0.92%, 0.58%

LAB 57.54, 11.64, -61.37

 

CMYK 80 / 65 / 0 / 4

HEX #3155F6

RGB 49 85 246

HSL 229.04, 0.92%, 0.58%

LAB 43.95, 44.58, -83.45

 

CMYK 74 / 80 / 0 / 4

HEX #4131F6

RGB 65 49 246

HSL 244.87, 0.92%, 0.58%

LAB 37.8, 65.08, -93.59

 

CMYK 52 / 80 / 0 / 4

HEX #7631F6

RGB 118 49 246

HSL 261.02, 0.92%, 0.58%

LAB 42.31, 69.89, -85.98

 

CMYK 96 / 80 / 0 / 20

HEX #0829CC

RGB 8 41 204

HSL 229.9, 0.92%, 0.42%

LAB 29.41, 53.66, -83.53

 

CMYK 96 / 80 / 0 / 4

HEX #0A31F4

RGB 10 49 244

HSL 230, 0.92%, 0.5%

LAB 35.58, 62.4, -96.2

 

CMYK 80 / 67 / 0 / 4

HEX #3152F6

RGB 49 82 246

HSL 229.95, 0.92%, 0.58%

LAB 43.27, 46.39, -84.57

 

CMYK 65 / 54 / 0 / 3

HEX #5873F8

RGB 88 115 248

HSL 229.88, 0.92%, 0.66%

LAB 53.07, 31.35, -69.61

 

CMYK 49 / 41 / 0 / 2

HEX #8094F9

RGB 128 148 249

HSL 230.08, 0.91%, 0.74%

LAB 63.84, 19.58, -52.77

 

CMYK 80 / 67 / 0 / 4

HEX #3152F6

RGB 49 82 246

HSL 229.95, 0.92%, 0.58%

LAB 43.27, 46.39, -84.57

 

CMYK 0 / 80 / 1 / 4

HEX #F631F3

RGB 246 49 243

HSL 300.91, 0.92%, 0.58%

LAB 60.12, 89.25, -54.58

 

CMYK 33 / 0 / 80 / 4

HEX #A4F631

RGB 164 246 49

HSL 84.97, 0.92%, 0.58%

LAB 88.93, -51.88, 78.51

 

CMYK 80 / 67 / 0 / 4

HEX #3152F6

RGB 49 82 246

HSL 229.95, 0.92%, 0.58%

LAB 43.27, 46.39, -84.57

 

CMYK 0 / 80 / 65 / 4

HEX #F63155

RGB 246 49 85

HSL 349.04, 0.92%, 0.58%

LAB 54.5, 73.14, 29.02

 

CMYK 65 / 0 / 80 / 4

HEX #55F631

RGB 85 246 49

HSL 109.04, 0.92%, 0.58%

LAB 86.04, -73.9, 74.79

 

CMYK 80 / 67 / 0 / 4

HEX #3152F6

RGB 49 82 246

HSL 229.95, 0.92%, 0.58%

LAB 43.27, 46.39, -84.57

 

CMYK 0 / 80 / 1 / 4

HEX #F631F3

RGB 246 49 243

HSL 300.91, 0.92%, 0.58%

LAB 60.12, 89.25, -54.58

 

CMYK 0 / 15 / 80 / 4

HEX #F6D231

RGB 246 210 49

HSL 49.04, 0.92%, 0.58%

LAB 84.95, -2.41, 77.16

 

CMYK 80 / 0 / 79 / 4

HEX #31F634

RGB 49 246 52

HSL 120.91, 0.92%, 0.58%

LAB 85.41, -79.27, 73.16

 

CMYK 80 / 67 / 0 / 4

HEX #3152F6

RGB 49 82 246

HSL 229.95, 0.92%, 0.58%

LAB 43.27, 46.39, -84.57

 

CMYK 0 / 80 / 25 / 4

HEX #F631B8

RGB 246 49 184

HSL 318.88, 0.92%, 0.58%

LAB 57.32, 81.47, -25.49

 

CMYK 0 / 15 / 80 / 4

HEX #F6D231

RGB 246 210 49

HSL 49.04, 0.92%, 0.58%

LAB 84.95, -2.41, 77.16

 

CMYK 80 / 0 / 55 / 4

HEX #31F66F

RGB 49 246 111

HSL 138.88, 0.92%, 0.58%

LAB 85.86, -73.68, 51.3

 

Description

Color code: RGB 49 82 246 | qconv.com Color code: RGB 49 82 246 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 82 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 82 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 67 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 67% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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