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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 82 62 it is the complementary color RGB 206 173 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 82 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 82 62 shade: RGB 54 82 57, RGB 71 100 76, RGB 88 118 95, RGB 105 136 114 and RGB 122 154 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 82 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 82 62 shade: RGB 49 82 62, RGB 32 64 43, RGB 15 46 24, RGB 0 28 5 and RGB 0 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 82 62 shade: RGB 49 82 62, RGB 49 82 53, RGB 54 82 49, RGB 63 82 49 and RGB 72 82 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 82 62 shade: RGB 49 82 62, RGB 49 82 71, RGB 49 82 80, RGB 49 76 82 and RGB 49 67 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 82 62 shade matches the following richer shades: RGB 49 82 62, RGB 38 93 60, RGB 28 104 58, RGB 17 115 55 and RGB 6 125 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 82 62 shade: RGB 49 82 62, RGB 60 72 65, RGB 71 61 67, RGB 81 50 69 and RGB 92 39 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 82 62 shade: RGB 54 82 49, RGB 49 82 53, RGB 49 82 62, RGB 49 82 71 and RGB 49 82 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 82 62 shade: RGB 18 31 23, RGB 34 57 43, RGB 49 82 62, RGB 65 108 82 and RGB 80 134 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 82 62 shade: RGB 49 82 62, RGB 49 63 82 and RGB 82 49 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 82 62 shade: RGB 49 82 62, RGB 62 49 82 and RGB 82 62 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 82 62 shade: RGB 49 82 62, RGB 49 63 82, RGB 82 49 70 and RGB 82 69 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 82 62 shade: RGB 49 82 62, RGB 49 53 82, RGB 82 49 70 and RGB 82 79 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 24 / 68

HEX #31523E

RGB 49 82 62

HSL 143.64, 0.25%, 0.26%

LAB 31.89, -17.17, 7.99

 

Complementary color

CMYK 0 / 16 / 6 / 19

HEX #CEADC1

RGB 206 173 193

HSL 323.64, 0.25%, 0.74%

LAB 74.1, 15.33, -5.71

 

CMYK 34 / 0 / 30 / 68

HEX #365239

RGB 54 82 57

HSL 126.43, 0.21%, 0.27%

LAB 32.07, -16.43, 11.41

 

CMYK 29 / 0 / 24 / 61

HEX #47644C

RGB 71 100 76

HSL 130.34, 0.17%, 0.34%

LAB 39.54, -16.15, 10.25

 

CMYK 25 / 0 / 19 / 54

HEX #58765F

RGB 88 118 95

HSL 134, 0.15%, 0.4%

LAB 46.79, -15.9, 9.21

 

CMYK 23 / 0 / 16 / 47

HEX #698872

RGB 105 136 114

HSL 137.42, 0.13%, 0.47%

LAB 53.84, -15.69, 8.26

 

CMYK 21 / 0 / 14 / 40

HEX #7A9A85

RGB 122 154 133

HSL 140.63, 0.14%, 0.54%

LAB 60.73, -15.52, 7.39

 

CMYK 40 / 0 / 24 / 68

HEX #31523E

RGB 49 82 62

HSL 143.64, 0.25%, 0.26%

LAB 31.89, -17.17, 7.99

 

CMYK 50 / 0 / 33 / 75

HEX #20402B

RGB 32 64 43

HSL 140.63, 0.33%, 0.19%

LAB 24.16, -17.48, 9.27

 

CMYK 67 / 0 / 48 / 82

HEX #0F2E18

RGB 15 46 24

HSL 137.42, 0.51%, 0.12%

LAB 16.11, -17.66, 10.82

 

CMYK 100 / 0 / 82 / 89

HEX #001C05

RGB 0 28 5

HSL 130.71, 1%, 0.05%

LAB 7.6, -14.63, 9.06

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 40 / 0 / 24 / 68

HEX #31523E

RGB 49 82 62

HSL 143.64, 0.25%, 0.26%

LAB 31.89, -17.17, 7.99

 

CMYK 40 / 0 / 35 / 68

HEX #315235

RGB 49 82 53

HSL 127.27, 0.25%, 0.26%

LAB 31.68, -19.09, 13.32

 

CMYK 34 / 0 / 40 / 68

HEX #365231

RGB 54 82 49

HSL 110.91, 0.25%, 0.26%

LAB 31.9, -17.96, 16.12

 

CMYK 23 / 0 / 40 / 68

HEX #3F5231

RGB 63 82 49

HSL 94.55, 0.25%, 0.26%

LAB 32.51, -14.28, 17.03

 

CMYK 12 / 0 / 40 / 68

HEX #485231

RGB 72 82 49

HSL 78.18, 0.25%, 0.26%

LAB 33.21, -10.36, 18.08

 

CMYK 40 / 0 / 24 / 68

HEX #31523E

RGB 49 82 62

HSL 143.64, 0.25%, 0.26%

LAB 31.89, -17.17, 7.99

 

CMYK 40 / 0 / 13 / 68

HEX #315247

RGB 49 82 71

HSL 160, 0.25%, 0.26%

LAB 32.13, -14.99, 2.65

 

CMYK 40 / 0 / 2 / 68

HEX #315250

RGB 49 82 80

HSL 176.36, 0.25%, 0.26%

LAB 32.41, -12.57, -2.65

 

CMYK 40 / 7 / 0 / 68

HEX #314C52

RGB 49 76 82

HSL 190.91, 0.25%, 0.26%

LAB 30.47, -8.42, -6.8

 

CMYK 40 / 18 / 0 / 68

HEX #314352

RGB 49 67 82

HSL 207.27, 0.25%, 0.26%

LAB 27.51, -2.76, -11.29

 

CMYK 40 / 0 / 24 / 68

HEX #31523E

RGB 49 82 62

HSL 143.64, 0.25%, 0.26%

LAB 31.89, -17.17, 7.99

 

CMYK 59 / 0 / 35 / 64

HEX #265D3C

RGB 38 93 60

HSL 144, 0.42%, 0.26%

LAB 35.14, -26.68, 13.63

 

CMYK 73 / 0 / 44 / 59

HEX #1C683A

RGB 28 104 58

HSL 143.68, 0.58%, 0.26%

LAB 38.64, -34.33, 19.42

 

CMYK 85 / 0 / 52 / 55

HEX #117337

RGB 17 115 55

HSL 143.27, 0.74%, 0.26%

LAB 42.24, -40.94, 25.66

 

CMYK 95 / 0 / 58 / 51

HEX #067D35

RGB 6 125 53

HSL 143.7, 0.91%, 0.26%

LAB 45.58, -45.86, 30.79

 

CMYK 40 / 0 / 24 / 68

HEX #31523E

RGB 49 82 62

HSL 143.64, 0.25%, 0.26%

LAB 31.89, -17.17, 7.99

 

CMYK 17 / 0 / 10 / 72

HEX #3C4841

RGB 60 72 65

HSL 145, 0.09%, 0.26%

LAB 29.35, -6.48, 2.58

 

CMYK 0 / 14 / 6 / 72

HEX #473D43

RGB 71 61 67

HSL 324, 0.08%, 0.26%

LAB 26.97, 5.58, -2.08

 

CMYK 0 / 38 / 15 / 68

HEX #513245

RGB 81 50 69

HSL 323.23, 0.24%, 0.26%

LAB 25.14, 17.33, -6

 

CMYK 0 / 58 / 23 / 64

HEX #5C2747

RGB 92 39 71

HSL 323.77, 0.4%, 0.26%

LAB 24.26, 28.56, -8.5

 

CMYK 34 / 0 / 40 / 68

HEX #365231

RGB 54 82 49

HSL 110.91, 0.25%, 0.26%

LAB 31.9, -17.96, 16.12

 

CMYK 40 / 0 / 35 / 68

HEX #315235

RGB 49 82 53

HSL 127.27, 0.25%, 0.26%

LAB 31.68, -19.09, 13.32

 

CMYK 40 / 0 / 24 / 68

HEX #31523E

RGB 49 82 62

HSL 143.64, 0.25%, 0.26%

LAB 31.89, -17.17, 7.99

 

CMYK 40 / 0 / 13 / 68

HEX #315247

RGB 49 82 71

HSL 160, 0.25%, 0.26%

LAB 32.13, -14.99, 2.65

 

CMYK 40 / 0 / 2 / 68

HEX #315250

RGB 49 82 80

HSL 176.36, 0.25%, 0.26%

LAB 32.41, -12.57, -2.65

 

CMYK 42 / 0 / 26 / 88

HEX #121F17

RGB 18 31 23

HSL 143.08, 0.27%, 0.1%

LAB 10.34, -7.98, 3.67

 

CMYK 40 / 0 / 25 / 78

HEX #22392B

RGB 34 57 43

HSL 143.48, 0.25%, 0.18%

LAB 21.73, -12.77, 5.91

 

CMYK 40 / 0 / 24 / 68

HEX #31523E

RGB 49 82 62

HSL 143.64, 0.25%, 0.26%

LAB 31.89, -17.17, 7.99

 

CMYK 40 / 0 / 24 / 58

HEX #416C52

RGB 65 108 82

HSL 143.72, 0.25%, 0.34%

LAB 41.94, -21.27, 9.93

 

CMYK 40 / 0 / 25 / 47

HEX #508665

RGB 80 134 101

HSL 143.33, 0.25%, 0.42%

LAB 51.49, -25.71, 12.24

 

CMYK 40 / 0 / 24 / 68

HEX #31523E

RGB 49 82 62

HSL 143.64, 0.25%, 0.26%

LAB 31.89, -17.17, 7.99

 

CMYK 40 / 23 / 0 / 68

HEX #313F52

RGB 49 63 82

HSL 214.55, 0.25%, 0.26%

LAB 26.21, -0.15, -13.28

 

CMYK 0 / 40 / 39 / 68

HEX #523132

RGB 82 49 50

HSL 358.18, 0.25%, 0.26%

LAB 24.39, 15.16, 5.68

 

CMYK 40 / 0 / 24 / 68

HEX #31523E

RGB 49 82 62

HSL 143.64, 0.25%, 0.26%

LAB 31.89, -17.17, 7.99

 

CMYK 24 / 40 / 0 / 68

HEX #3E3152

RGB 62 49 82

HSL 263.64, 0.25%, 0.26%

LAB 23.1, 13.78, -17.99

 

CMYK 0 / 24 / 40 / 68

HEX #523E31

RGB 82 62 49

HSL 23.64, 0.25%, 0.26%

LAB 28.01, 6.66, 11.35

 

CMYK 40 / 0 / 24 / 68

HEX #31523E

RGB 49 82 62

HSL 143.64, 0.25%, 0.26%

LAB 31.89, -17.17, 7.99

 

CMYK 40 / 23 / 0 / 68

HEX #313F52

RGB 49 63 82

HSL 214.55, 0.25%, 0.26%

LAB 26.21, -0.15, -13.28

 

CMYK 0 / 40 / 15 / 68

HEX #523146

RGB 82 49 70

HSL 321.82, 0.25%, 0.26%

LAB 25.05, 18.57, -6.78

 

CMYK 0 / 16 / 40 / 68

HEX #524531

RGB 82 69 49

HSL 36.36, 0.25%, 0.26%

LAB 30.09, 2.21, 14.15

 

CMYK 40 / 0 / 24 / 68

HEX #31523E

RGB 49 82 62

HSL 143.64, 0.25%, 0.26%

LAB 31.89, -17.17, 7.99

 

CMYK 40 / 35 / 0 / 68

HEX #313552

RGB 49 53 82

HSL 232.73, 0.25%, 0.26%

LAB 23.03, 6.6, -18.2

 

CMYK 0 / 40 / 15 / 68

HEX #523146

RGB 82 49 70

HSL 321.82, 0.25%, 0.26%

LAB 25.05, 18.57, -6.78

 

CMYK 0 / 4 / 40 / 68

HEX #524F31

RGB 82 79 49

HSL 54.55, 0.25%, 0.26%

LAB 33.15, -3.99, 18.18

 

Description

Color code: RGB 49 82 62 | qconv.com Color code: RGB 49 82 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 82 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 82 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 24 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 24% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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