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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 51 25 it is the complementary color RGB 206 204 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 51 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 51 25 shade: RGB 54 51 20, RGB 71 69 39, RGB 88 87 58, RGB 105 105 77 and RGB 122 123 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 51 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 51 25 shade: RGB 49 51 25, RGB 32 33 6 and RGB 15 15 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 51 25 shade: RGB 49 51 25, RGB 51 46 25, RGB 51 39 25, RGB 51 32 25 and RGB 51 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 51 25 shade: RGB 49 51 25, RGB 42 51 25, RGB 35 51 25, RGB 28 51 25 and RGB 25 51 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 51 25 shade matches the following richer shades: RGB 49 51 25, RGB 54 57 19, RGB 59 63 12, RGB 64 69 6 and RGB 70 76 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 51 25 shade: RGB 49 51 25, RGB 44 45 31, RGB 38 38 37, RGB 33 32 43 and RGB 28 26 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 51 25 shade: RGB 51 39 25, RGB 51 46 25, RGB 49 51 25, RGB 42 51 25 and RGB 35 51 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 51 25 shade: RGB 49 51 25, RGB 25 51 32 and RGB 42 25 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 51 25 shade: RGB 49 51 25, RGB 25 49 51 and RGB 51 25 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 51 25 shade: RGB 49 51 25, RGB 25 51 32, RGB 26 25 51 and RGB 51 25 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 51 25 shade: RGB 49 51 25, RGB 25 51 39, RGB 26 25 51 and RGB 51 25 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 51 / 80

HEX #313319

RGB 49 51 25

HSL 64.62, 0.34%, 0.15%

LAB 20.4, -5.76, 16.16

 

Complementary color

CMYK 10 / 11 / 0 / 10

HEX #CECCE6

RGB 206 204 230

HSL 244.62, 0.34%, 0.85%

LAB 82.92, 5.66, -12.58

 

CMYK 0 / 6 / 63 / 79

HEX #363314

RGB 54 51 20

HSL 54.71, 0.46%, 0.15%

LAB 20.84, -3.78, 19.88

 

CMYK 0 / 3 / 45 / 72

HEX #474527

RGB 71 69 39

HSL 56.25, 0.29%, 0.22%

LAB 28.75, -4.4, 18.41

 

CMYK 0 / 1 / 34 / 65

HEX #58573A

RGB 88 87 58

HSL 58, 0.21%, 0.29%

LAB 36.36, -4.79, 17.04

 

CMYK 0 / 0 / 27 / 59

HEX #69694D

RGB 105 105 77

HSL 60, 0.15%, 0.36%

LAB 43.72, -5.06, 15.8

 

CMYK 1 / 0 / 22 / 52

HEX #7A7B60

RGB 122 123 96

HSL 62.22, 0.12%, 0.43%

LAB 50.86, -5.26, 14.68

 

CMYK 4 / 0 / 51 / 80

HEX #313319

RGB 49 51 25

HSL 64.62, 0.34%, 0.15%

LAB 20.4, -5.76, 16.16

 

CMYK 3 / 0 / 82 / 87

HEX #202106

RGB 32 33 6

HSL 62.22, 0.69%, 0.08%

LAB 12.01, -5.21, 15.24

 

CMYK 0 / 0 / 100 / 94

HEX #0F0F00

RGB 15 15 0

HSL 60, 1%, 0.03%

LAB 4, -2.19, 5.96

 

CMYK 4 / 0 / 51 / 80

HEX #313319

RGB 49 51 25

HSL 64.62, 0.34%, 0.15%

LAB 20.4, -5.76, 16.16

 

CMYK 0 / 10 / 51 / 80

HEX #332E19

RGB 51 46 25

HSL 48.46, 0.34%, 0.15%

LAB 18.92, -1.47, 14.34

 

CMYK 0 / 24 / 51 / 80

HEX #332719

RGB 51 39 25

HSL 32.31, 0.34%, 0.15%

LAB 16.63, 3.28, 11.38

 

CMYK 0 / 37 / 51 / 80

HEX #332019

RGB 51 32 25

HSL 16.15, 0.34%, 0.15%

LAB 14.44, 8.14, 8.47

 

CMYK 0 / 51 / 51 / 80

HEX #331919

RGB 51 25 25

HSL 0, 0.34%, 0.15%

LAB 12.41, 12.96, 5.7

 

CMYK 4 / 0 / 51 / 80

HEX #313319

RGB 49 51 25

HSL 64.62, 0.34%, 0.15%

LAB 20.4, -5.76, 16.16

 

CMYK 18 / 0 / 51 / 80

HEX #2A3319

RGB 42 51 25

HSL 80.77, 0.34%, 0.15%

LAB 19.76, -9.23, 15.22

 

CMYK 31 / 0 / 51 / 80

HEX #233319

RGB 35 51 25

HSL 96.92, 0.34%, 0.15%

LAB 19.2, -12.51, 14.39

 

CMYK 45 / 0 / 51 / 80

HEX #1C3319

RGB 28 51 25

HSL 113.08, 0.34%, 0.15%

LAB 18.73, -15.51, 13.7

 

CMYK 51 / 0 / 43 / 80

HEX #19331D

RGB 25 51 29

HSL 129.23, 0.34%, 0.15%

LAB 18.64, -15.88, 10.93

 

CMYK 4 / 0 / 51 / 80

HEX #313319

RGB 49 51 25

HSL 64.62, 0.34%, 0.15%

LAB 20.4, -5.76, 16.16

 

CMYK 5 / 0 / 67 / 78

HEX #363913

RGB 54 57 19

HSL 64.74, 0.5%, 0.15%

LAB 22.85, -7.68, 22.76

 

CMYK 6 / 0 / 81 / 75

HEX #3B3F0C

RGB 59 63 12

HSL 64.71, 0.68%, 0.15%

LAB 25.29, -9.34, 28.95

 

CMYK 7 / 0 / 91 / 73

HEX #404506

RGB 64 69 6

HSL 64.76, 0.84%, 0.15%

LAB 27.74, -10.69, 33.78

 

CMYK 8 / 0 / 100 / 70

HEX #464C00

RGB 70 76 0

HSL 64.74, 1%, 0.15%

LAB 30.57, -12.02, 38.7

 

CMYK 4 / 0 / 51 / 80

HEX #313319

RGB 49 51 25

HSL 64.62, 0.34%, 0.15%

LAB 20.4, -5.76, 16.16

 

CMYK 2 / 0 / 31 / 82

HEX #2C2D1F

RGB 44 45 31

HSL 64.29, 0.18%, 0.15%

LAB 17.97, -3.4, 8.94

 

CMYK 0 / 0 / 3 / 85

HEX #262625

RGB 38 38 37

HSL 60, 0.01%, 0.15%

LAB 15.13, -0.24, 0.66

 

CMYK 23 / 26 / 0 / 83

HEX #21202B

RGB 33 32 43

HSL 245.45, 0.15%, 0.15%

LAB 12.8, 3.45, -7.17

 

CMYK 44 / 48 / 0 / 80

HEX #1C1A32

RGB 28 26 50

HSL 245, 0.32%, 0.15%

LAB 10.67, 8.29, -15.58

 

CMYK 0 / 24 / 51 / 80

HEX #332719

RGB 51 39 25

HSL 32.31, 0.34%, 0.15%

LAB 16.63, 3.28, 11.38

 

CMYK 0 / 10 / 51 / 80

HEX #332E19

RGB 51 46 25

HSL 48.46, 0.34%, 0.15%

LAB 18.92, -1.47, 14.34

 

CMYK 4 / 0 / 51 / 80

HEX #313319

RGB 49 51 25

HSL 64.62, 0.34%, 0.15%

LAB 20.4, -5.76, 16.16

 

CMYK 18 / 0 / 51 / 80

HEX #2A3319

RGB 42 51 25

HSL 80.77, 0.34%, 0.15%

LAB 19.76, -9.23, 15.22

 

CMYK 31 / 0 / 51 / 80

HEX #233319

RGB 35 51 25

HSL 96.92, 0.34%, 0.15%

LAB 19.2, -12.51, 14.39

 

CMYK 4 / 0 / 51 / 80

HEX #313319

RGB 49 51 25

HSL 64.62, 0.34%, 0.15%

LAB 20.4, -5.76, 16.16

 

CMYK 51 / 0 / 37 / 80

HEX #193320

RGB 25 51 32

HSL 136.15, 0.34%, 0.15%

LAB 18.71, -15.22, 9.02

 

CMYK 18 / 51 / 0 / 80

HEX #2A1933

RGB 42 25 51

HSL 279.23, 0.34%, 0.15%

LAB 12.13, 14.44, -13.9

 

CMYK 4 / 0 / 51 / 80

HEX #313319

RGB 49 51 25

HSL 64.62, 0.34%, 0.15%

LAB 20.4, -5.76, 16.16

 

CMYK 51 / 4 / 0 / 80

HEX #193133

RGB 25 49 51

HSL 184.62, 0.34%, 0.15%

LAB 18.55, -8.69, -4.21

 

CMYK 0 / 51 / 4 / 80

HEX #331931

RGB 51 25 49

HSL 304.62, 0.34%, 0.15%

LAB 13.36, 17.4, -10.45

 

CMYK 4 / 0 / 51 / 80

HEX #313319

RGB 49 51 25

HSL 64.62, 0.34%, 0.15%

LAB 20.4, -5.76, 16.16

 

CMYK 51 / 0 / 37 / 80

HEX #193320

RGB 25 51 32

HSL 136.15, 0.34%, 0.15%

LAB 18.71, -15.22, 9.02

 

CMYK 49 / 51 / 0 / 80

HEX #1A1933

RGB 26 25 51

HSL 242.31, 0.34%, 0.15%

LAB 10.21, 8.73, -17.05

 

CMYK 0 / 51 / 14 / 80

HEX #33192C

RGB 51 25 44

HSL 316.15, 0.34%, 0.15%

LAB 13.11, 16.3, -7.2

 

CMYK 4 / 0 / 51 / 80

HEX #313319

RGB 49 51 25

HSL 64.62, 0.34%, 0.15%

LAB 20.4, -5.76, 16.16

 

CMYK 51 / 0 / 24 / 80

HEX #193327

RGB 25 51 39

HSL 152.31, 0.34%, 0.15%

LAB 18.89, -13.48, 4.53

 

CMYK 49 / 51 / 0 / 80

HEX #1A1933

RGB 26 25 51

HSL 242.31, 0.34%, 0.15%

LAB 10.21, 8.73, -17.05

 

CMYK 0 / 51 / 29 / 80

HEX #331924

RGB 51 25 36

HSL 334.62, 0.34%, 0.15%

LAB 12.78, 14.72, -1.87

 

Description

Color code: RGB 49 51 25 | qconv.com Color code: RGB 49 51 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 51 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 51 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 51 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 51% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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