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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 49 40 it is the complementary color RGB 206 206 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 49 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 49 40 shade: RGB 54 49 35, RGB 71 67 54, RGB 88 85 73, RGB 105 103 92 and RGB 122 121 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 49 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 49 40 shade: RGB 49 49 40, RGB 32 31 21 and RGB 15 13 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 49 40 shade: RGB 47 47 39, RGB 47 45 39, RGB 47 43 39, RGB 47 40 39 and RGB 47 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 49 40 shade: RGB 47 47 39, RGB 45 47 39, RGB 43 47 39, RGB 40 47 39 and RGB 39 47 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 49 40 shade matches the following richer shades: RGB 47 47 39, RGB 54 54 32, RGB 61 61 24, RGB 68 68 17 and RGB 75 75 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 49 40 shade: RGB 47 47 39, RGB 40 40 46, RGB 33 33 53, RGB 26 26 60 and RGB 19 19 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 49 40 shade: RGB 47 43 39, RGB 47 45 39, RGB 47 47 39, RGB 45 47 39 and RGB 43 47 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 49 40 shade: RGB 2 2 1, RGB 24 24 20, RGB 47 47 39, RGB 70 70 57 and RGB 93 93 76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 49 40 shade: RGB 49 49 40, RGB 39 47 40 and RGB 44 39 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 49 40 shade: RGB 49 49 40, RGB 39 47 47 and RGB 47 39 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 49 40 shade: RGB 49 49 40, RGB 39 47 40, RGB 39 39 47 and RGB 47 39 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 49 40 shade: RGB 49 49 40, RGB 39 47 43, RGB 39 39 47 and RGB 47 39 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 18 / 81

HEX #313128

RGB 49 49 40

HSL 60, 0.1%, 0.17%

LAB 20.06, -1.95, 5.76

 

Complementary color

CMYK 4 / 4 / 0 / 16

HEX #CECED7

RGB 206 206 215

HSL 240, 0.1%, 0.83%

LAB 83, 1.68, -4.46

 

CMYK 0 / 9 / 35 / 79

HEX #363123

RGB 54 49 35

HSL 44.21, 0.21%, 0.17%

LAB 20.45, -0.46, 9.77

 

CMYK 0 / 6 / 24 / 72

HEX #474336

RGB 71 67 54

HSL 45.88, 0.14%, 0.25%

LAB 28.43, -0.84, 8.52

 

CMYK 0 / 3 / 17 / 65

HEX #585549

RGB 88 85 73

HSL 48, 0.09%, 0.32%

LAB 36.09, -1.13, 7.44

 

CMYK 0 / 2 / 12 / 59

HEX #69675C

RGB 105 103 92

HSL 50.77, 0.07%, 0.39%

LAB 43.47, -1.35, 6.48

 

CMYK 0 / 1 / 9 / 52

HEX #7A796F

RGB 122 121 111

HSL 54.55, 0.05%, 0.46%

LAB 50.64, -1.54, 5.61

 

CMYK 0 / 0 / 18 / 81

HEX #313128

RGB 49 49 40

HSL 60, 0.1%, 0.17%

LAB 20.06, -1.95, 5.76

 

CMYK 0 / 3 / 34 / 87

HEX #201F15

RGB 32 31 21

HSL 54.55, 0.21%, 0.1%

LAB 11.56, -1.69, 7

 

CMYK 0 / 13 / 87 / 94

HEX #0F0D02

RGB 15 13 2

HSL 50.77, 0.76%, 0.03%

LAB 3.56, -0.92, 4.49

 

CMYK 0 / 0 / 17 / 82

HEX #2F2F27

RGB 47 47 39

HSL 60, 0.09%, 0.17%

LAB 19.16, -1.76, 5.15

 

CMYK 0 / 4 / 17 / 82

HEX #2F2D27

RGB 47 45 39

HSL 45, 0.09%, 0.17%

LAB 18.49, -0.41, 4.2

 

CMYK 0 / 9 / 17 / 82

HEX #2F2B27

RGB 47 43 39

HSL 30, 0.09%, 0.17%

LAB 17.82, 0.95, 3.26

 

CMYK 0 / 15 / 17 / 82

HEX #2F2827

RGB 47 40 39

HSL 7.5, 0.09%, 0.17%

LAB 16.84, 3.03, 1.85

 

CMYK 0 / 17 / 17 / 82

HEX #2F2727

RGB 47 39 39

HSL 0, 0.09%, 0.17%

LAB 16.51, 3.72, 1.38

 

CMYK 0 / 0 / 17 / 82

HEX #2F2F27

RGB 47 47 39

HSL 60, 0.09%, 0.17%

LAB 19.16, -1.76, 5.15

 

CMYK 4 / 0 / 17 / 82

HEX #2D2F27

RGB 45 47 39

HSL 75, 0.09%, 0.17%

LAB 18.96, -2.69, 4.85

 

CMYK 9 / 0 / 17 / 82

HEX #2B2F27

RGB 43 47 39

HSL 90, 0.09%, 0.17%

LAB 18.77, -3.61, 4.55

 

CMYK 15 / 0 / 17 / 82

HEX #282F27

RGB 40 47 39

HSL 112.5, 0.09%, 0.17%

LAB 18.5, -4.97, 4.13

 

CMYK 17 / 0 / 17 / 82

HEX #272F27

RGB 39 47 39

HSL 120, 0.09%, 0.17%

LAB 18.41, -5.42, 3.99

 

CMYK 0 / 0 / 17 / 82

HEX #2F2F27

RGB 47 47 39

HSL 60, 0.09%, 0.17%

LAB 19.16, -1.76, 5.15

 

CMYK 0 / 0 / 41 / 79

HEX #363620

RGB 54 54 32

HSL 60, 0.26%, 0.17%

LAB 22.04, -4.2, 13.86

 

CMYK 0 / 0 / 61 / 76

HEX #3D3D18

RGB 61 61 24

HSL 60, 0.44%, 0.17%

LAB 24.94, -6.12, 22.48

 

CMYK 0 / 0 / 75 / 73

HEX #444411

RGB 68 68 17

HSL 60, 0.6%, 0.17%

LAB 27.86, -7.45, 29.51

 

CMYK 0 / 0 / 87 / 71

HEX #4B4B0A

RGB 75 75 10

HSL 60, 0.76%, 0.17%

LAB 30.76, -8.48, 35.35

 

CMYK 0 / 0 / 17 / 82

HEX #2F2F27

RGB 47 47 39

HSL 60, 0.09%, 0.17%

LAB 19.16, -1.76, 5.15

 

CMYK 13 / 13 / 0 / 82

HEX #28282E

RGB 40 40 46

HSL 240, 0.07%, 0.17%

LAB 16.34, 1.53, -3.91

 

CMYK 38 / 38 / 0 / 79

HEX #212135

RGB 33 33 53

HSL 240, 0.23%, 0.17%

LAB 13.64, 5.86, -13.06

 

CMYK 57 / 57 / 0 / 76

HEX #1A1A3C

RGB 26 26 60

HSL 240, 0.4%, 0.17%

LAB 11.17, 11.33, -21.99

 

CMYK 72 / 72 / 0 / 74

HEX #131343

RGB 19 19 67

HSL 240, 0.56%, 0.17%

LAB 9.07, 17.76, -30.37

 

CMYK 0 / 9 / 17 / 82

HEX #2F2B27

RGB 47 43 39

HSL 30, 0.09%, 0.17%

LAB 17.82, 0.95, 3.26

 

CMYK 0 / 4 / 17 / 82

HEX #2F2D27

RGB 47 45 39

HSL 45, 0.09%, 0.17%

LAB 18.49, -0.41, 4.2

 

CMYK 0 / 0 / 17 / 82

HEX #2F2F27

RGB 47 47 39

HSL 60, 0.09%, 0.17%

LAB 19.16, -1.76, 5.15

 

CMYK 4 / 0 / 17 / 82

HEX #2D2F27

RGB 45 47 39

HSL 75, 0.09%, 0.17%

LAB 18.96, -2.69, 4.85

 

CMYK 9 / 0 / 17 / 82

HEX #2B2F27

RGB 43 47 39

HSL 90, 0.09%, 0.17%

LAB 18.77, -3.61, 4.55

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 0 / 0 / 17 / 91

HEX #181814

RGB 24 24 20

HSL 60, 0.09%, 0.09%

LAB 8.11, -0.98, 2.66

 

CMYK 0 / 0 / 17 / 82

HEX #2F2F27

RGB 47 47 39

HSL 60, 0.09%, 0.17%

LAB 19.16, -1.76, 5.15

 

CMYK 0 / 0 / 19 / 73

HEX #464639

RGB 70 70 57

HSL 60, 0.1%, 0.25%

LAB 29.36, -2.64, 7.86

 

CMYK 0 / 0 / 18 / 64

HEX #5D5D4C

RGB 93 93 76

HSL 60, 0.1%, 0.33%

LAB 39.03, -3.28, 9.79

 

CMYK 0 / 0 / 18 / 81

HEX #313128

RGB 49 49 40

HSL 60, 0.1%, 0.17%

LAB 20.06, -1.95, 5.76

 

CMYK 17 / 0 / 15 / 82

HEX #272F28

RGB 39 47 40

HSL 127.5, 0.09%, 0.17%

LAB 18.44, -5.19, 3.35

 

CMYK 6 / 17 / 0 / 82

HEX #2C272F

RGB 44 39 47

HSL 277.5, 0.09%, 0.17%

LAB 16.46, 4.22, -4.38

 

CMYK 0 / 0 / 18 / 81

HEX #313128

RGB 49 49 40

HSL 60, 0.1%, 0.17%

LAB 20.06, -1.95, 5.76

 

CMYK 17 / 0 / 0 / 82

HEX #272F2F

RGB 39 47 47

HSL 180, 0.09%, 0.17%

LAB 18.67, -3.44, -1.16

 

CMYK 0 / 17 / 0 / 82

HEX #2F272F

RGB 47 39 47

HSL 300, 0.09%, 0.17%

LAB 16.8, 5.53, -3.85

 

CMYK 0 / 0 / 18 / 81

HEX #313128

RGB 49 49 40

HSL 60, 0.1%, 0.17%

LAB 20.06, -1.95, 5.76

 

CMYK 17 / 0 / 15 / 82

HEX #272F28

RGB 39 47 40

HSL 127.5, 0.09%, 0.17%

LAB 18.44, -5.19, 3.35

 

CMYK 17 / 17 / 0 / 82

HEX #27272F

RGB 39 39 47

HSL 240, 0.09%, 0.17%

LAB 15.94, 2.08, -5.22

 

CMYK 0 / 17 / 4 / 82

HEX #2F272D

RGB 47 39 45

HSL 315, 0.09%, 0.17%

LAB 16.72, 5.06, -2.55

 

CMYK 0 / 0 / 18 / 81

HEX #313128

RGB 49 49 40

HSL 60, 0.1%, 0.17%

LAB 20.06, -1.95, 5.76

 

CMYK 17 / 0 / 9 / 82

HEX #272F2B

RGB 39 47 43

HSL 150, 0.09%, 0.17%

LAB 18.53, -4.46, 1.41

 

CMYK 17 / 17 / 0 / 82

HEX #27272F

RGB 39 39 47

HSL 240, 0.09%, 0.17%

LAB 15.94, 2.08, -5.22

 

CMYK 0 / 17 / 9 / 82

HEX #2F272B

RGB 47 39 43

HSL 330, 0.09%, 0.17%

LAB 16.65, 4.6, -1.25

 

Description

Color code: RGB 49 49 40 | qconv.com Color code: RGB 49 49 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 49 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 49 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 18 yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 18% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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